Destroy All Monsters: Marvel vs. DC Could End the Moviegoing World by Matt Brown at Twitchfilm
If you think we’ve had a lot of superhero movies already, scroll down this post a minute to the Image of the Day and take a look at what’s in the pipeline, if both Marvel and DC hit all their announced release dates (I’m betting DC won’t, but that’s neither here nor there). Then come back and read Matt Brown’s astute take on why this rivalry might destroy moviegoing as we know it. Personally, I’m in for about four of these announced films, but I’m feeling fatigue already.
I’m not referring to the glut of similar properties (though that will be a factor) and the perennial movie business column-incher called “audience fatigue.” I’m simply referring back to the infinities of scale problem above. Great: you’ve assembled fifty superheroes and literally saved the universe. What now? What’s next?
DC and Marvel’s real-world pissing contest will force each of them to go bigger and bigger and bigger or go home, home, home. But on both a conceptual and visual level (and alongside them, a financial one), there is actually a ceiling on how big these movies can get. Iron Man vs. Captain America in Captain America 3? Brilliant, but what do you do for an encore?
15 Great Russian Movies by Sergey Kuznetsov at Film School Rejects
Most of the time “12 Great Movies You Probably Haven’t Seen”-type lists irritate me, because I usually have seen many of the films on them, and it’s incredibly difficult to target one of those lists well when your potential audience is everybody. First of all, this one doesn’t make the mistake of titling itself with “you haven’t seen”, but it also focuses on films that are well-known and revered in Russia but not as well-known outside of Russian, which is a fascinating tack for me. I’d love to see more lists like this from other countries.
The Diamond Arm (Leonid Gaiday, 1969)
Perhaps the best Russian comedy, the story of an ordinary man who was incidentally involved in illegal diamond trafficking. It’s a parody of crime movies and of the Hitchcockian “wrong man in wrong circumstances” plot, as well as a satirical sketch of Soviet life. Sometimes the American audience might need some knowledge of Soviet realities, but I’m sure real cinephiles would highly appreciate the stylistic diversity and charms of the actors.