Jean-Paul Belmondo talks about meeting Jean-Luc Godard and filming Breathless. via The Criterion Current.
Disney posters redesigned to be more “dramatic”, via Oh My Disney. I really like the Lion King one, but the Pooh one made me laugh out loud.
When I posted on Facebook and Twitter that I was currently watching The Goonies for the first time, the incredulity was palpable. I’m not particularly well-versed in the ’80s films that my generation considers essential, but for some reason, this one has been coming up more and more often lately, so I bit the bullet even though I didn’t expect to get a lot out of it. For some reason ’80s movies often rub me the wrong way, or at least I have trouble buying into their particular brand of goofiness. The fact that several people I know who didn’t watch it until they were adults reported not really caring for the film didn’t help.
Well, I don’t know if it was those low expectations, or my overall positive frame of mind this year, or if I just have a huge soft spot for adventure films, but I pretty much loved this. The set-up of the kids’ families about to be kicked out of their homes had me a little confused at first (who’s moving? why? how will money help?), but once I realized that it’s basically a McGuffin, I was fine. The rest of the plot, following a group of kids following an old treasure map to try to find pirate treasure is right up my alley (and the backstory was just enough to give the story stakes – if they don’t find the treasure, they lose their homes; it’s more than just fun and games, though of course it is that as well). It’s like Indiana Jones meets Home Alone, what with the bumbling criminals always one step behind the kids.
Why Cate Blanchett’s Female Power Crusade is So Important via Movie Mezzanine
I bet this was difficult to do. Heck, just riding a motorcycle onto the top of a train in that game is difficult. I tried. Many times.