Wednesday, February 8, 2012

Archive for February, 2009

Monday, Feb 23rd

Nothing today!

Tuesday, Feb 24th

Probably getting this posted a bit late for the first couple of these, but what the heck. Rent them, because they’re worth it. :)

1:45pm – TCM – The 400 Blows
One of my favorite films, and the one that started off my current love affair with the French New Wave. Director Francois Truffaut’s first film is a tender (and somewhat less sentimental than some of his later films) look at growing up in Paris – it’s a coming of age film, but a very sweet one.

3:45pm – TCM – Au revoir, les enfants
A new boy arrives at a French school and becomes close friends with one of the French boys. But it’s the early 1940s and the new boy turns out to be Jewish. Louis Malle directs this achingly lovely portrait of schoolboy friendship in an uncertain time.

10:00pm – TCM – Rashomon
I’m the first to admit that I don’t “get” Japanese film as much as I should, but even I have to admit the brilliance of Rashomon. It’s pretty much the first film that is absolutely ambiguous – two men and a woman are in the woods, and one of the men dies. But we get three different eyewitness versions of how his death transpired, and the film shows us all three without ever privileging any of them as true – any of them or none of them may be what really happened. With this film, Akira Kurosawa forever banished any sense that what you see on film is the truth (cinematically speaking, I mean – before this, whatever was visually presented could be taken as true within the narrative over whatever any of the characters had to say).

11:30pm – TCM – The Seven Samurai
I’m still working on my appreciation of Kurosawa’s The Seven Samurai, despite how highly it ranks on every single best-of list. I know it’s me, not the film, so I continue to recommend it.

Wednesday, Feb 25th

8:00pm – TCM – Dark Victory
Bette Davis is stricken with a blindness-causing brain disease. This is classic old Hollywood melodrama – not, I don’t think, as well-turned as Mildred Pierce or some of Douglas Sirk’s 1950s work, but still a must-see for Davis fans. Plus a great supporting turn Geraldine Fitzgerald (who deserved more work than she got) and a quite frankly baffling role for Humphrey Bogart as an Irish stable hand. I know, right?

Thursday, Feb 26th

6:00am – TCM – The Gold Rush
Not my favorite Charlie Chaplin film, but it’s still one of the best comedies/best silent films ever. Charlie’s Little Tramp goes to the Yukon and has all sorts of misadventures mixed in with Chaplin’s trademark poignancy.

8:00pm – TCM – The African Queen
I may be the only person in the history of the world who doesn’t think The African Queen is all that. I mean, it’s not BAD, but I wasn’t blown away. Still, you’re not gonna see Kate Hepburn and Bogey together in any other film.

Friday, Feb 27th

7:00am – TCM – Notorious
Alfred Hitchcock. Cary Grant. Ingrid Bergman. One of the best spy movies ever. ‘Nuff said.

9:00am – TCM – North by Northwest
Do I need to do the Hitchcock.Grant thing again? Nah.

8:00pm – TCM – Mr. Smith Goes to Washington
Jimmy Stewart is the epitome of idealism as a small-town man brought to Washington as a puppet senator – but he takes the Senate into his own hands. Call it Capra-corn if you want, but its hopeful message is still inspiring.

12:15am (28th) – TCM – The Manchurian Candidate
The original 1962 version, not the pale comparison of a 2004 remake. Former soldier Frank Sinatra starts having nightmares about his war experience, then finds that he and his unit were part of a brainwashing experiment – the result of which was to turn his colleague Laurence Harvey into a sleeper agent assassin. A classic of the Cold War era, full of well-honed suspense and paranoia.

Saturday, Feb 28th

Not too much going on today, either…hold onto your hats for Sunday, though.

Sunday, March 1st

11:15am – TCM – Gaslight
Ingrid Bergman won her first Oscar for this film, as the harried wife that psychopath Charles Boyer is trying to drive nuts. It’s possible that the Oscar is partially in recognition of her work in the previous year’s Casablanca and For Whom the Bell Tolls (Oscar’s been known to do that), but Gaslight is a solid melodrama on its own terms.

1:15pm – TCM – Rear Window
My favorite movie of all time. ‘Nuff said.

2:00pm – IFC – Howl’s Moving Castle
All of Hayo Miyazaki’s animated films are worth watching, and a lot of people will put Spirited Away at the top of the list, but I think Howl’s Moving Castle is my favorite. Howl is a prince with a castle (a walking ramshackle building) which can open up anywhere. I was entranced the whole time I was watching it.

3:15pm – TCM – Vertigo
Hitchcock again. Yes, I will always point out all Hitchcock films, because they’re my favorite.

5:30pm – TCM – Close Encounters of the Third Kind
It’s interesting to me to compare the Spielberg of Close Encounters and E.T. (aka “friendly alien Spielberg”) with the Spielberg of War of the Worlds (aka “evil faceless alien Spielberg”). But besides whatever conclusions you can draw from Spielberg’s move from curiosity to fear, Close Encounters is still a film full of wonder and imagination. Plus a fantastic John Williams score.

8:00 – TCM – The Three Faces of Eve
Joanne Woodward portrays a woman with multiple personalities in an Oscar-winning role; Lee J. Cobb is allowed an uncharacteristically sympathetic role as her doctor (usually he’s the villain, or at least antagonist).

8:00 – IFC – Fargo
Still one of the Coen Brothers’ best films, despite over a decade of mostly good films in the intervening years. Dark comedy is not an easy genre, and Fargo is the gold standard, blending shocking violence and a noir-ish crime story with comical inept criminals and a perfectly rendered performance from Frances McDormand.
(repeats at 1:30am on the 2nd)

9:45pm – IFC – The Cooler
I’ve mentioned this one a few times before, but every time it shows up on IFC’s schedule I’m always like “The Cooler! Yay!” It’s just such a sweet, well-done under-the-radar kind of film – great performances from William H. Macy, Alec Baldwin, and Maria Bello.
(repeats at 3:15am on the 2nd

10:00pm – TCM – Psycho
It’s on. Watch it.

12:00midnight – TCM – Spellbound
Another Hitchcock (must be Hitchcock day at TCM or something), this one with Gregory Peck as a disturbed individual and Ingrid Bergman as his psychiatrist. Throw in a trippy Salvador Dali dream sequence and you’re made!

Figured I should get some Oscar predictions out there, since the ceremony is, like, tonight. They’re going to be relatively terse, though – my computer died on Friday and my newly ordered one has not yet arrived, so I’m tapping this out on my iPhone. Which is not optimal for writing at length. So you can thank my old computer for saving you from my verbosity.

Predicted winners are denotes by an asterisk, since I don’t know if I can use HTML in the WordPress app. EDIT: Adding HTML from a computer. ;) Italics for my predictions, bold for actual winners.

BEST PICTURE
The Curious Case of Benjamin Button
Frost/Nixon
Milk
The Reader
Slumdog Millionaire

Slumdog has the momentum, and none of the others are going to catch it.

BEST DIRECTOR
David Fincher – The Curious Case of Benjamin Button
Ron Howard – Frost/Nixon
Gus Van Sant – Milk
Danny Boyle – Slumdog Millionaire

Picture and director almost always go together, and Slumdog is so clearly Boyle’s film that there’s no question in my mind this year.

BEST ACTOR
Frank Langella – Frost/Nixon
Richard Jenkins – The Visitor
Sean Penn – Milk
Brad Pitt – The Curious Case of Benjamin Button
Mickey Rourke – The Wrestler

Rourke is the obvious choice, with the personal comeback story and the Golden Globe (and an Independent Spirit Award earlier this week, I think), but I’ve seen a lot of support for Penn lately. This one could go either way.

BEST ACTRESS
Anne Hathaway – Rachel Getting Married
Angelina Jolie – Changeling
Melissa Leo – Frozen River
Meryl Streep – Doubt
Kate Winslet – The Reader

This is the most unpredictable category of the night as far as I’m concerned. I haven’t seen Changeling and highly doubt Angelina has a chance, but all the other four are worthy. Melissa Leo is probably out; Frozen River was released too early and is too small. But between Anne, Meryl, and Kate, it’s kind of a crap shoot. I’m going with Kate because she’s due (and deserves it for both The Reader and Revolutionary Road), and I think Anne’s buzz has peaked and fallen. And Meryl already has some, for better movies than Doubt.

BEST SUPPORTING ACTOR
Josh Brolin – Milk
Robert Downey Jr – Tropic Thunder
Philip Seymour Hoffman – Doubt
Heath Ledger – The Dark Knight
Michael Shannon – Revolutionary Road

The Academy likes to use Supporting Actor to throw a completely unsuspected win, but I will be very surprised if anyone other than Ledger wins.

BEST SUPPORTING ACTRESS
Amy Adams – Doubt
Penelope Cruz – Vicky Cristina Barcelona
Viola Davis – Doubt
Taraji P Henson – The Curious Case of Benjamin Button
Marisai Tomei – The Wrestler

Penelope should have this one in the bag, despite all these actresses being worthy. The only potential upset is probably Viola Davis, whose brief time onscreen was the most memorable part of Doubt.

BEST ORIGINAL SCREENPLAY
Frozen River
Happy-Go-Lucky
In Bruges
Milk
Wall-E

I don’t have a strong feeling about this one; I doubt In Bruges can pull off another upset after the Globes. I’ve heard Milk buzz in this category lately, so we’ll go with that.

BEST ADAPTED SCREENPLAY
The Curious Case of Benjamin Button
Doubt
Frost/Nixon
The Reader
Slumdog Millionaire

It is written. It may be cheesy at times, but it is written.

BEST ANIMATED FEATURE
Bolt
Kung Fu Panda
Wall-E

There’s more support for Kung Fu Panda than I would’ve expected, but I’d be surprised (and a bit dismayed) if Wall-E loses.

BEST FOREIGN FILM
The Baader Meinhof Complex
The Class
Departures
Revanche
Waltz with Bashir

Waltz won the Globe and will likely win here. Wish I’d made time to see it. EDIT: I LOSE! I haven’t even heard of Departures.

BEST DOCUMENTARY FEATURE
The Betrayal
Encounters at the End of the World
The Garden
Man on Wire
Trouble the Water

Everything I’ve heard about Man on Wire rates it among the best films of the year, period, let alone documentaries. Only possible upset is the post-Katrina Trouble the Water.

BEST CINEMATOGRAPHY
Changeling
The Curious Case of Benjamin Button
The Dark Knight
The Reader
Slumdog Millionaire

Going with the likely Best Picture winner for Cinematography and Editing isn’t always safe, but it’s not a bad bet either. But either Benjamin Button or The Dark Knight could easily win as well.

BEST FILM EDITING
The Curious Case of Benjamin Button
The Dark Knight
Frost/Nixon
Milk
Slumdog Millionaire

Ditto above, except that it’s extremely likely The Dark Knight will win instead. I’m just currently on a mini-vendetta against TDK’s editing style.

BEST ART DIRECTION
Changeling
The Curious Case of Benjamin Button
The Dark Knight
The Duchess
Revolutionary Road

Damned if I’m not going to choose Revolutionary Road for something, and this seems the most likely – I really loved the spare design. Subtle, but felt so right.

BEST COSTUME DESIGN
Australia
The Curious Case of Benjamin Button
The Duchess
Milk
Revolutionary Road

Costumes were one of the things I thought Benjamin Button did really well – not only did they use costumes from throughout the 20th century, but the costumes served in large part as narrative cues to the changing time periods. EDIT: Should’ve known to go with the only non-20th-century-set film nominated. Apparently the Academy doesn’t think anything within living memory counts in this category…

BEST MAKEUP
The Curious Case of Benjamin Button
The Dark Knight
Hellboy II: The Golden Army

Could go to TDK just as easily, but I’m giving the edge to Button, since TDK was basically just the Joker.

BEST ORIGINAL SCORE
The Curious Case of Benjamin Button
Defiance
Milk
Slumdog Millionaire
Wall-E

So much of Slumdog’s appeal is in the music, plus it’s a huge part of the film’s infusion from Bollywood cinema.

BEST SONG
“Down to Earth” – Wall-E
“Jai Ho” – Slumdog Millionaire
“O Saya” – Slumdog Millionaire

I don’t know which song from Slumdog will win, but one of them will.

BEST VISUAL EFFECTS
The Curious Case of Benjamin Button
The Dark Knight
Iron Man

This is a dead heat for me among all thee nominees. I have no idea what the Academy will do, but I’m betting they’ll honor TDK in some of these technical categories, since they shut it out of most of the major awards. EDIT: I originally chose Benjamin Button in this category, then changed my mind at the last second. Should’ve trusted my instincts.

BEST SOUND EDITING
The Dark Knight
Iron Man
Slumdog Millionaire
Wall-E
Wanted

Ditto above. They may give one of these to Iron Man as well, but I couldn’t guess which.

BEST SOUND MIXING
The Curious Case of Benjamin Button
The Dark Knight
Slumdog Millionaire
Wall-E
Wanted

Ditto above.

BEST SHORT (ANIMATED)
La maison en petits cubes
Lavatory – Lovestory
Oktapodi
Presto
This Way Up

I usually have to pick shorts based on title, but this year I’ve actually seen the last two, and I feel like picking the charmingly morbid Sundance short This Way Up rather than Pixar’s Presto. Don’t know how it’ll go, though – my animator friend told me he didn’t get screeners of any of the shorts before he had to vote.

BEST SHORT (LIVE ACTION)
Auf der Strecke (On the Line)
Manon on the Asphalt
New Boy
The Pig
Spielzeugland (Toyland)

Titles again! Don’t love any of these titles, so let’s take long German words for the win! EDIT: As soon as I saw the clip for this and found out it was a Nazi-era film, I knew I was right. Nazis are GOLD at the Oscars, man.

BEST DOCUMENTARY SHORT
The Conscience of Nhem Ens
The Final Inch
Smile Pinki
The Witness from the Balcony of Room 306

Again, it’s all about the title. That one sounds mysterious, doesn’t it?

—————-

Done! And still with an hour to spare. :)

POST-CEREMONY EDIT
I ended up with fifteen of twenty-four correct, and most of the ones I missed weren’t major awards. I’m content with that. And also, yay for Penelope and Kate! Irony – one of the actress presenters was Nicole Kidman, who I believe was originally cast in The Reader until she got pregnant and Kate stepped in. No offense to Nicole, who I love, but Kate is better – and probably still would’ve won the Oscar this year, just for Revolutionary Road instead.

Monday, February 16th

9:35am – IFC – A Hard Day’s Night
Richard Lester’s 1964 Beatles-starring film straddles several genres – musical, concert film, documentary, comedy. The good news is that it’s an excellent film in any genre. You’ll be hard-pressed to find any film an exuberant as this one, and with the Beatles right on the cusp of becoming the greatest band of all time… Must See
(repeats at 2:45pm)

10:00am – TCM – Angels With Dirty Faces
James Cagney is a local criminal idolized by a gang of young boys. When he’s caught, it’s up to his childhood friend-turned-priest Pat O’Brien to convince him to do what he can to keep the boys from following in his footsteps. One of several gangster films that Cagney’s best known for.

3:30pm – TCM – Double Indemnity
Billy Wilder. Barbara Stanwyck. Fred MacMurray. Edward G. Robinson. One of two or three contenders for the title of greatest film noir ever made. Must See

8:00pm – TCM – Butch Cassidy and the Sundance Kid
Paul Newman and Robert Redford play this titular outlaws in this 1969 western, one of the greats of the 1960s revisionist cycle. Many great moments and shootouts make this one worth coming back.

10:00pm – TCM – Some Like It Hot
Billy Wilder. Marilyn Monroe. Jack Lemmon. Tony Curtis. One of two or three contenders for the title of greatest comedy ever made. (Yes, I can do this with Billy Wilder movies for a long time…) Must See

Tuesday, February 17th

8:15am – TCM – The Red Shoes
Michael Powell. Emeric Pressburger. Moira Shearer…Okay, enough of that. But this really is one of the best ballet films ever made, though that’s a fairly small genre. The story is basically Svengali and comes across a little cliched today, but the extended ballet sequence has yet to be matched.

3:30pm – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).

1:00am (18th) – Sundance – Paris, je t’aime
18 great directors, 18 short films about Paris. There was no way I was not going to love this film, given my ongoing love affair with cinematic Paris. But there’s enough variety in the film that most anyone is going to find something to like here.

2:30am (18th) – TCM – 42nd Street
The definitive backstage musical creaks a bit around the edges, but it still pretty darn solid.

4:15am (18th) – TCM – Gold Diggers of 1935
There is absolutely nothing distinguished about most of Gold Diggers of 1935 (unlike Gold Diggers of 1933, which is a hidden gem right the way through). However, it includes the dazzling Busby Berkeley-choreographed “Lullaby of Broadway” routine, which follows a young socialite through her nights and days of being a “Broadway baby” – with a shockingly tragic turn for a musical of the time. The whole rest of the movie is worth sitting through to see it, or honestly, just fast-forward to it. It’s near the end.

Wednesday, February 18th

3:00pm – TCM – Anatomy of a Murder
Lawyers James Stewart and George C. Scott face off over a murky rape/murder/self-defense case. A great combination of character study and courtroom drama, with a fantastic original jazz score by Duke Ellington and a gorgeous title sequence by Saul Bass thrown in.

10:00pm – TCM – The Caine Mutiny
Humphrey Bogart’s Captain Queeg may be insane. Or he may just be quirky. When his paranoid behavior goes over the edge, Van Johnson leads the crew in a mutiny – but are they right? One of Bogart’s best performances.

Thursday, February 19th

8:00am – TCM – Blackboard Jungle
An early example of the “great teacher in a difficult classroom” films also cuts across the race issues of the 1950s, as Glenn Ford takes a job as teacher in one of the roughest schools in the city, butting heads against a very young Sidney Poitier. Also notable as, I believe, the first time a rock song (“Rock Around the Clock”) was played in a film.

1:00am (20th) – TCM – Singin’ in the Rain
There’s very little question that this is the greatest musical in existence. Must See

Friday, February 20th

7:00am – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting. :)

10:30am – TCM – The Battle of Algiers
This would be one of those I’m recommending without having seen, simply because it ends up so near the top of critical best lists all the time. It’s a 1966 French film about the Algerian war, using a very realistic, almost documentary filming style. Looking forward to seeing it myself.

10:00pm – TCM – The Conversation
Gene Hackman is a surveillance operator, paid to listen in to other’s conversations. But when he thinks he overhears something connected with a murder, how far should he go to uncover the truth? And, in fact, how much of what he heard was his own interpretation? In this film along the lines of Blow-up and Blow Out, what he hears may or may not be accurate, but where is the line between privacy and responsibility when fallible humans are in the middle? This film was timely when it was released in 1974, and it’s pretty much remained so ever since. Must See

Saturday, February 21st

5:30pm – TCM – Glory
Matthew Broderick commands a platoon of black soldiers in the Civil War’s Union army (the platoon includes Morgan Freeman and a young Denzel Washington, who earned a supporting Oscar). Director Edward Zwick has been trying for a Best Picture Oscar with his over-earnest “important” action dramas for years, but 1989′s Glory remains his best work.

10:15pm – TCM – They Were Expendable
John Ford’s 1945 film captures the daily life of a PT Boat unit commander (John Wayne) in the Philippines near the end of WWII; this is one of those films that doesn’t seem that amazing during any given scene, but by the end, the cumulative effect is staggering, and the film’s solid reputation among WWII films is well-deserved.

Sunday, February 22nd

8:00am – IFC – Amarcord
Something of a combination of Fellini’s neo-Realist and surrealist phases, as a film director’s memories of his childhood in Italy become larger and crazier than life. I get it mixed up in my head with Roma a bit, so I could use a rewatch on it myself. It’s in theatrical rerelease right now, so keep an eye for it to hit a theatre near you. (It’s in LA till the 20th.)

8:45am – TCM – The Band Wagon
The Band Wagon combines the dancing of Fred Astaire and Cyd Charisse with the lush directorial style of Vincente Minnelli and a witty script by Betty Comden and Adolph Green to create one of the best movie musicals ever. Second to Singin’ in the Rain, of course. “The Girl Hunt Ballet” alone is worth the price of admission, but you get so much more. Must See

10:45am – TCM – The Producers (1968)
Sometimes it’s easier to make money on Broadway when your show flops – at least, that’s what producer Zero Mostel and accountant Gene Wilder hope when they seek out the worst play they can find to put on stage: A musical called “Springtime for Hitler.” I haven’t seen the musical remake (which I’ve heard is terrible) based on the musical stage version (which I’ve heard is great), but the original non-musical is fantastic enough that I don’t feel like I’ve missed out.

8:00pm – TCM – Stage Door
I can’t even tell you how many times I borrowed this film from the library when I was younger. It was many times, in the double digits surely. Katharine Hepburn is a privileged heiress who wants to prove she can be an actress without daddy’s money, so she goes to live incognito at a boarding house for theatrical wannabes and starts on the audition circuit. That’s the main strand of the story, but the real draw is the wonderful script and supporting cast that pulls together a snarky Ginger Rogers (Kate’s unwilling roommate), a REALLY young Lucille Ball, a REALLY young Ann Miller (the other half of Ginger’s dance act), a catty Gail Patrick, a wry Eve Arden, and a tragic Andrea Leeds (the talented actress with a hit last year who’s starving this year), as well as smarmy producer Adolphe Menjou. I now own the DVD, and on a recent rewatch, I fell in love with it just as much as I ever did ten years ago. This isn’t a film that’s too well known these days, but that’s a shame, and I recommend it in a heartbeat. Must See

Next Week Sneak Peek

Tuesday, February 24th
1:45pm – TCM – The 400 Blows
3:45pm – TCM – Au revoir, les enfants
10:00pm – TCM – Rashomon
11:30pm – TCM – The Seven Samurai

This promo’s been playing on TV and been posted around the internet for a couple of weeks now, but I saved it up for the actual day. DOLLHOUSE PREMIERES TONIGHT! Don’t miss it! And Terminator: The Sarah Connor Chronicles returns from hiatus as well. Back to back ass-kicking from Summer Glau and Eliza Dushku? Count. Me. In. Glau and Dushku are actually hosting the shows tonight, too, whatever that entails. So yeah. :)

It’s February. That means TCM is pulling out their big guns in honor of the Oscars. Which means lots of good movies in the next few weeks. :)

All times are Eastern. Subtract 1 hour for Central, 2 for Mountain, 3 for Pacific. Don’t necessarily trust what I just said – double check your listings because movie channels don’t follow the same logic as primetime network programming.

Monday, February 9

9:15am – TCM – The Apartment
One of Billy Wilder’s best, a bitter-sweet romantic comedy-drama (Wilder sometimes has issues sticking to one genre, and in this case, that’s a compliment) involving lower-level company employee Jack Lemmon, who lends his apartment to his hotshot boss Fred MacMurray, who uses it for trysts with various secretaries including Shirley MacLaine, who Lemmon coincidentally loves from afar. Think Mad Men, except actually made in 1960.

9:20am – IFC – Strictly Ballroom
The first of Baz Lurhmann’s “Red Curtain” trilogy, about a Latin ballroom dancer who shakes up the Australian ballroom competition circuit with his unorthodox choreography. Among other things.
(repeats at 2:45pm)

1:45pm – TCM – Citizen Kane
Just pointing out that it’s on. No need to sell it.

3:45pm – TCM – Mildred Pierce
I used to think melodramas were just silly, crappy movies. Then I saw Mildred Pierce which can BY ITSELF give the melodrama genre respectability. It’s that good. It’s also one of the few movies in which I actually like Joan Crawford.

Tuesday, February 10

6:00am – TCM – Waiting for Guffman
The first of Christopher Guest’s brilliant series of mockumentaries (followed by Best in Show, A Mighty Wind, and For Your Consideration, and possibly others – I lose track); in this one a bunch of Midwesterners try to put on a stage show, with awkwardly hilarious results.
(repeats at 10:35am and 4:05pm)

2:45pm – TCM – Henry V (1944)
One of my favorite things to do is compare different versions of Shakespeare’s plays, because there are so many different ways to stage/film them and they still work. Case in point: Laurence Olivier’s Henry V (this one) was made at the tail end of WWII and is a gung-ho rallying cry around an English war hero. It’s very stylized, with the set design based on English and French renaissance art. Kenneth Branagh’s 1989 version is very gritty and realistic, and questions Henry’s war-mongering, becoming a troubled anti-war story rather than a call to arms. Yet the script is almost 100% the same (yes, I have checked this; I wrote a paper about it). Both films are quality. So see both; it’s interesting.

3:45am (11th) – TCM – Rebecca
Hitchcock’s first American film and the first to garner him an Oscar nomination. The film has a lot of supporters, but I still think it would’ve been a lot better if they’d stuck to Daphne du Maurier’s novel’s original ending. And I’m rarely a book purist. But that doesn’t mean it isn’t worth watching, because it is.

Wednesday, February 11

1:30pm – TCM – Mon Oncle
Jacques Tati’s Chaplin-esque character, Mr. Hulot, this time takes on modern life in the form of his sister’s house that has been mechanized with all the most modern electronic aids – think Disney’s 1950s House of Tomorrow. Of course, everything goes wrong. Of the Hulot films I’ve seen, this is my favorite.

3:30pm – TCM – The Birds
Everyone knows they’re supposed to be scared by Psycho, so I wasn’t. But The Birds scared the crap out of me, and even though I’ve now seen it five or six times at least, it still does. One of the most perfectly paced films of all time.

10:00pm – Sundance – Wristcutters: A Love Story
Patrick Fujit (Almost Famous) slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s something of a strange film, yes, but it’s also very sweet and if you like quirky, Sundancy films, you’ll enjoy this one.
(repeats at 4:00am on the 12th)

10:00pm – TCM – Lassie Come Home
Family classic that has every kid wanting a collie at some point in their lives. Hint: Get a border collie. Regular collies are quite high-strung.

11:45pm – TCM – National Velvet
Family classic that has every kid wanting a horse. I plead guilty to both the collie and the horse, by the way.

Thursday, February 12

1:00pm – TCM – White Heat
James Cagney in one of his most powerful roles as the slightly (okay, make that more-than-slightly) unbalanced criminal Cody Jarrett. Probably counts as one of the last truly great Warner crime films, too.

8:00pm – TCM – Dr. Jekyll and Mr. Hyde (1932)
Fredric March won an Oscar for his portrayal of the title character(s), with some truly amazing makeup work as well.

12:00am – TCM – The Man With the Golden Arm
After winning a supporting actor Oscar for From Here to Eternity, Frank Sinatra solidified his serious acting ability with this drug-user film – always a good subject for anyone trying to solidify acting skillz, incidentally. Not to be confused with The Man With the Golden Gun, which is a James Bond movie from the Roger Moore years – one of the better ones, but still.

2:15am (13th) – TCM – Easy Rider
The story of Dennis Hopper and Peter Fonda trying to make this film is almost as interesting as the film itself; if you get a DVD copy of this, make sure to watch the documentary about it. It’s fitting, though, that a film about bikers on the fringe of society, completely outcast in some places, would be made at great personal difficulty outside the studio system. As a whole, the tension works for the film, which is brilliant, iconoclastic, and marks, along with Bonnie and Clyde, the beginning of the New Hollywood that would blossom in the 1970s.

4:00am (13th) – TCM – Dr. Jekyll and Mr. Hyde (1941)
It’s interesting to watch and compare this version of Jekyll and Hyde with the 1932 version (see above). The earlier one uses extensive makeup to depict the transformation from Jekyll to Hyde, but in this one, Spencer Tracy shows the change purely by his facial expressions and acting style. It’s been a while since I saw either one, but I remember Tracy being surprisingly convincing, even though the 1941 version seems to be largely forgotten.

Friday, February 13

8:00am – TCM – Lilies of the Field
Sidney Poitier made history with this film, becoming the first black actor to win an Oscar for a leading role (Hattie McDaniel had won a supporting award for Gone With the Wind back in 1939 – between 1939 and 1963? No-one). I, uh, haven’t seen it, but I thought that was worth mentioning.

12:30pm – TCM – Topper
A truly zany, delightful screwball comedy with a twist. Constance Bennett and Cary Grant are a high-rolling society couple who get killed in a car crash. But they hang around as ghosts and take it as their mission to teach harried businessman Roland Young to learn how to live again. The film spawned a couple of sequels (Topper Takes a Trip, with Young and Bennett but no Grant, and Topper Returns, with Joan Blondell taking the Bennett role), both of which are fun, but no match for the brilliant original.

Saturday, February 14

4:15pm – TCM – The Awful Truth
If you’re talking screwball comedy, The Awful Truth is going to come up. It’s that definitive and that fantastic. Gold standard of screwball, battle-of-the-sexes, 1930s comedy right here.

10:00pm – TCM – The King and I
I love most of Rodgers & Hammerstein’s musicals more than I probably should, but The King and I is a step above all the others. Perhaps it’s Yul Brynner, perfectly at home in the role he originated on Broadway. Perhaps it’s Deborah Kerr, a more accomplished actress than usually appeared in R&H musicals. Perhaps it’s the real-life story of the conflict between tradition and modernization, regional culture and imperial imposition. I dunno. But I think it’s the best of the bunch, objectively speaking. (Subjectively speaking, I love Oklahoma! best, but that’s neither here nor there.)

10:00pm – Sundance – Paris, je t’aime
Eighteen directors each contribute a short film about Paris, ranging from tiny but poignant vignettes to ironic comedy to romantic drama to horror. The films are obviously of varying quality, but taken as a whole – let me just say that if you don’t already love Paris, you probably will by the time the film is over. The directors include: Joel & Ethan Coen, Alfonso Cuaron, Isabel Coixet, Gerard Depardieu, Wes Craven, Tom Tykwer, Gurinder Chadha, Alexander Payne, and Gus Van Sant.
(repeats at 4:30am on the 15th)

12:00am – IFC – Garden State
Unfashionable though it may be at the moment, I still love Garden State unconditionally. So sue me.
(repeats on the 15th at 6:10am and 12:15pm)

Sunday, February 15

9:00am – TCM – An American in Paris
Expat artist Gene Kelly in Paris, meets Leslie Caron, woos her away from rival Georges Guetarey, all set to Gershwin music and directed with panache by Vincente Minnelli. All that plus Kelly’s ground-breaking fifteen-plus-minute ballet to the title piece.

9:30pm – TCM – Funny Face
If there’s a list of most fashionable films, Funny Face has to be on it. Fred Astaire is a fashion photographer who finds the fresh face he’s been looking for in Audrey Hepburn and whisks her off to Paris for a shoot. Throw in Gershwin songs and some Sartre-ridden existential jazzy nightclubs, and you’ve got…well, okay, not one of the all-time great musicals perhaps, but a very solid one.

11:45pm – IFC – Amores Perros
Alejandro Gonzalez Iñarrítu specializes in films with multiple intersecting storylines, and he does it best here, in his breakthrough Mexican film (starring Gael Garcia Bernal, also just beginning to become a household name at this point). The three largely independent stories are tied together by the characters’ relationship with dogs and involvement in a climactic car crash – though this may sound like his later film Babel or Paul Haggis’ Crash, Amores Perros differs from films by being, like, actually GOOD, not heavy-handed or anvil-obvious.

2:00am (16th) – TCM – Blow-Up
Michelangelo Antonioni made his English-language debut with this 1966 swinging London film, focusing on a photographer (no pun intended) who may have accidentally photographed a murder in the background of one of his shots. A frustrating film for those who seek closure, but a revealing one for those who prefer ambiguity, Blow-Up is a detective story that refuses to abide by the rules of detective stories. If that sounds interesting to you, you may like it. If not, you probably won’t.

Next Week Sneak Preview

Monday, February 16th
10:00am – TCM – Angels With Dirty Faces
3:30am – TCM – Double Indemnity
8:00pm – TCM – Butch Cassidy and the Sundance Kid
9:35am – IFC – A Hard Day’s Night (repeats 2:45pm)
10:00pm – TCM – Some Like It Hot
2:45am (17th) – TCM – Shaft
4:30am (17th) – TCM – The Public Enemy

Tuesday, February 17th
8:15am – TCM – The Red Shoes
3:30pm – TCM – Royal Wedding
12:45am (18th) – TCM – Seven Brides for Seven Brothers
2:30am (18th) – TCM – 42nd Street
4:15am (18th) – TCM – Gold Diggers of 1935

Wednesday, February 18th
6:05am – IFC – Strictly Ballroom (repeats 1:20pm)
3:00pm – TCM – Anatomy of a Murder
6:00pm – TCM – Witness for the Prosecution
10:00pm – TCM – The Caine Mutiny

It occurred to me the other day that I’m frequenting a lot of music sites these days and sharing some of my favorites could make a good and hopefully helpful post.

Listen

last.fm

lastfm
Last.fm is sort of a lot of things rolled into one. At its core is the audioscrobbler plugin, a little program that you download and install on your computer which tracks all of the music you listen to through iTunes, WinAmp, Windows Media Player, etc. It can also track iPod listens, which it scrobbles as soon as you sync your iPod to your computer. This creates an enormously valuable (and interesting) database of your listening habits, which last.fm uses to customize radio stations for you. I tend to find their artist and tag-based radio isn’t quite as good as some of the others – not as customizable nor as accurate as Slacker or Pandora, but it does scrobble immediately, which makes it painless if you’re a heavy user of the scrobbled data. Once you’ve scrobbled a lot, the “my library” radio is gold, though. Plus, its large community of music lovers and multiple ways to integrate with other sites are unmatched, so I tend to make last.fm the center of my online music world.

Things you can do with last.fm: Get the plugin and scrobble music from your computer. Listen to the radio. Find out about bands – most bands have a good biography section. Watch music videos and concert footage (ported from YouTube). Write posts about music and comment on any song or artist, or any user’s profile or post. Link it to your Friendfeed (only songs you “love” are included – if you want to add everything you listen to, add the “recently listened” feed as an RSS feed). Add it to your Facebook. Put a widget on your website. Automatically post your weekly top artists to Tumblr. Get the iPhone or Android app. And more.

Pandora

pandora
Though Pandora now has artist information and user profiles, it focuses on an extremely simple and fun to use personalized radio. You start by telling it an artist or a song you want it to base a station on, and it uses complex musical algorithms to find other songs that are musically similar. This is different from last.fm, which uses combined user statistics to create its radio stations. I think Pandora’s works a bit better, but it’s also more likely to choose more obscure artists. The thing that really throws Pandora over last.fm for pure radio is that you can add multiple artists or songs to your station – note that this increases the range of the station, though, not decreases it (it will find artists like Rilo Kiley OR Jay-Z, not artists that are somehow like both). You can also fine-tune the station by giving each song a thumbs-up or thumbs-down, and Pandora will modify its choices to take that into account. (Liking or banning a song on last.fm only affects that song, not the station as a whole, as far as I can tell.)

Things you can do with Pandora: Listen to it. Get the Firefox extension that scrobbles your Pandora plays to last.fm. Link it to your Friendfeed (songs you “favorite” are included). Get the iPhone app.

Slacker

slacker-radio-logo1
Slacker is currently my favorite internet radio site. It doesn’t have much else besides the radio (very brief artist information, no social interaction), but that allows the radio functionality to shine. It comes preloaded with a bunch of stations based on genres and time periods, and sometimes some special ones – based around the lineups of specific music festivals, for example. If you create a custom station, you can add lots of artists, and if you add at least a certain number (around fifteen, I think), you can set the station to only play from those artists. You can also set different levels of discovery (how often the station plays artists you didn’t explicitly choose), obscurity, age (newer songs or older), and favorites (how often it plays songs you’ve marked as favorites). This level of granular control means I hardly ever hear songs I don’t like on Slacker. The biggest down side to it is that there’s a LOT of flash on the site, which can make it run slowly. I highly advise using Firefox with Adblock Plus installed when using Slacker – otherwise the sidebar ads make it hiccup for me most of the time.

Things you can do with Slacker: Listen to it. Get the Firefox extension (same as the Pandora one above) that scrobbles your Slacker plays to last.fm. Get the iPhone, Blackberry or Android app.

Lala

lala
Lala’s gone through a number of incarnations in trying to find a way to provide a valuable user experience without pissing the musical labels off too much. Currently, they’re allowing you to upload your music library to their servers, which lets you listen to your music from any internet-connected computer. They are also selling music, with an innovative twist – you can buy and download a track for 99 cents, the standard iTunes price, or you can buy the track and listen to it on lala whenever you want for 10 cents. Otherwise, you get thirty second previews of songs you don’t already own. Anything you upload, you get full access to, of course. The interface is iTunes-like, which is nice and intuitive, if a little slow to load, and I used Lala a lot at work when I was between iPods and just wanted to listen to whole albums of my own music. However, I haven’t done much more with it, largely due to the lack of integration with last.fm. Still, as an online version of your music library, it’s pretty impressive. And when you rip a new album to your computer, the Lala uploader automatically detects and uploads it, which makes it super easy.

Things you can do with Lala: Get the uploader and upload your music (this will take a while the first time). Listen to your music on any computer. Buy and download tracks, or buy them to listen to on lala.

Songbird

songbird
Songbird is a little different from the others in that it’s actually a combination media player/browser – a full program download rather than a site. It’s built on Mozilla code, just like Firefox and Flock, but it adds media player functionality that makes it a viable iTunes alternative. They’ve actually come out with the first real release recently (developer builds have been available for a couple of years), which I’ve heard is really great and I really need to play with. The main draw for me is the way the media player integrates with the browser so that you can “play the web.” This works great for mp3blogs or other sites that have a lot of mp3 files on a single page – Songbird pulls all the music files into a player at the bottom and you can play them all as a playlist and download them with a couple of clicks. Now that most blogs use flash players so you can listen to the songs direct from the page, it’s not as big a deal as it used to be, but it’s still a nice touch if a page has a lot of files.

Discover

These sites could go under “listen” as well, since they all offer the ability to listen to music. But they’re more focused on finding new music than on listening in general, so I separated them out.

Hype Machine

hypem
The Hype Machine especially straddles the line between “listen” and “discover.” It’s basically a radio/playlist drawn from mp3blogs around the net. It highlights the most posted, most shared, most listened-to, yes, most hyped tracks on the internet. Mp3blogs are some of the best places to find new music, and the Hype Machine aggregates the best of the best. It’s also a good place to find mp3blogs to subscribe to yourself.

elbo.ws

elbows
If the Hype Machine is the mp3blog-verse’s aggregator, elbo.ws is its search engine. That’s a bit facile, since Hype Machine also has a good search engine. But if I hear a random, obscure band (say a local opening band at a small gig) and want to get some more music by them, elbo.ws is the first place I look. It’ll search mp3blogs for postings of the artist/song and most of the time you’ll be able to find it to download. It’s not always foolproof, because a lot of mp3blogs remove the songs after a certain amount of time to encourage people to buy the music, but you’ve got a much greater chance of success than most other avenues.

You Ain’t No Picasso

And now for a few of my favorite mp3blogs. I’ve been a big fan of You Ain’t No Picasso for years now. They’ve turned me on to more bands than I can name, and while some other blogrunners have changed their taste and left me behind, You Ain’t No Picasso somehow manages to change MY taste along with theirs.

Gorilla vs Bear

One of the more well-known mp3blogs – I don’t find their taste meshes with mine quite as well as You Ain’t No Picasso’s, but they’re definitely solid and worth checking often.

My Old Kentucky Blog

Another well-known one, My Old Kentucky Blog is good at posting video as well as audio, which is good to see. They’re so good at it, in fact, that they launched a sister site called Laundromatinee devoted to videos of exclusive recording sessions. I like My Old Kentucky Blog, but I LOVE Laundromatinee.

MySpace

As much as I hate MySpace on principle, I have to grudgingly admit that it’s still one of the major resources for finding out about bands, especially indie and unsigned bands. You can find every band on there, basically, check out a few of their songs, often videos, and a lot of times it’s the first and best place to look for tour info.

See Live

Songkick

songkick
As I just mentioned, MySpace is usually the best place to get up-to-date tour and concert information. But if you don’t want to go through all your favorite bands’ MySpaces every few weeks to see if they’ve posted new concert dates (and who does?), Songkick is the answer. When you first sign up, let it scrape your iTunes library and get a list of artists you listen to. Then narrow it down to ones you’re actually interested in seeing live, and Songkick will monitor your bands and shoot you an email whenever one of your tracked bands are playing near you. I can’t tell you how many concerts I’ve only known about because of Songkick. You can also search by city and see each band’s full schedule, so you can find out about acts you weren’t tracking or see what’s going on in other places.

Sonic Living

sonicliving
Basically the same deal as Songkick, lets you know about upcoming concerts from your favorite bands. I like Songkick a lot more, though – Sonic Living somehow usually decides to send me alerts about bands I’ve never heard of, I suppose as recommendations based on the bands I’ve told it to track. However, on the one time out of ten that it is a band I’m interested in, Sonic Living usually beats Songkick to my inbox by a couple of days, so if speed is important to you, you might want to check it out.

There are some others in this space – I think iLike does concert-tracking pretty well, but I haven’t used it outside of the Facebook application. Last.fm will also keep track of events, but they don’t always have everything (the events section seems to depend on user contributions), and I’m not sure how good their alert system is. Basically, I use Songkick almost exclusively for this, and I’ve got no complaints.

Learn

Again, last.fm has a high quality knowledge base and is a plenty good place to find out information about bands. But here are a couple of other places I hit up when I just need some facts.

allmusic

allmusic
There’s also an allmovie and allgame in the same network, but allmusic is the only one I ever frequent. It’s pretty straight-forward info, but it’s usually where I go first when I need to know, like, which album was such-and-such a song on first, or who are all the artists that have covered such-and-such a song. I won’t claim to verify its accuracy or completeness, but it’s a good resource to add to your bag o’ resources.

Wikipedia

Though it’s obviously much more than a music site, Wikipedia has some really nice music pages going on. You can usually find band lineups, discographies, history/biography, info on critical and popular reception, etc. I hate going to concerts without knowing, like, the names of all the band members, and I usually hit up Wikipedia to find out stuff like that. Not that you couldn’t find that out on allmusic or last.fm, but Wikipedia has these nice infoboxes in the sidebar that make for really easy scanning. I mean, if they’ve got a good entry on the band in question.

Pitchfork

pitchfork
I don’t care for Pitchfork’s reviews most of the time (they’re not only often wrong, but the tone is usually pretty snotty), but I keep them in my feedreader because they often have early news on upcoming albums and tours, and samples of new tracks. If anyone has other suggestions for good news sources, I’m all ears.

Buy

Yes, folks, listen and sample all you want, but please buy some stuff eventually. Actually, if possible, buy the stuff at concerts, because the artists get a bigger cut that way, but when that’s not possible, here are my favorite spots to score some digital tunes. (I need to stop writing late at night – I’m getting seriously cliched over here.)

Amazon mp3

amazonmp3
I’m an Amazon fangirl anyway, but their mp3 store pretty much blows all the other options out of the water. It runs a little cheaper than iTunes (usually $7.99 for an album rather than $9.90), all the tracks are DRM-free, and the interface is as easy as anything ever. They also run really good deals quite often, so keep an eye on that – at the end of last year, they had 50 of the best-reviewed, best-selling albums for $5 each. Can’t beat that. Well, legally at least. And that’s what we’re talking about.

Amie Street

amiestreet
Amie Street has one of the most innovative and promising business models in the industry – songs increase in price with demand, up to 99 cents. So the more people who download it, the more expensive it is, but it will never go up above iTunes prices. I’m not proactive enough about it to really get the good deals, but I’ve gotten good enough ones – Belle and Sebastian albums for $5 or $6 bucks, lesser known bands for $2 or $3. There’s also a recommendation system that earns you money to spend on songs, but I haven’t used the site enough to really get into that. The point is, if Amie Street has artists you want and you put the energy into it, you could make a killing. They do have mostly indie and unsigned artists, so you many not be able to find exactly the songs you want, but if you can, you likely won’t find a better deal anywhere else.

emusic

emusic is using the subscription model, where you pay a flat rate for 30 tracks a month – it basically comes down to like 25 cents a track. I subscribed for a while and was very happy with it – I only let my subscription lapse because I was letting most of my subscriptions lapse at the time to save money, and I’ve been getting my music fix other ways since. But it’s a great service, and though they, too, focus on indie bands, they’ve been around long enough to get a really good catalog. emusic was one of the first sites to guarantee DRM-free tracks, probably two years or more before anyone else was selling straight mp3s. That alone garners my respect, and I hope that they continue to thrive now that everyone else has realized the failure of DRM.

iTunes

Fine, fine. iTunes was the first to convince music labels to go digital, albeit with DRM, and they’re still the biggest digital retailer out there. Now they’re supposedly committed to going DRM-free, and to offering high quality audio files, but I’ve pretty much got a bad taste in my mouth from their support for DRM and I tend to avoid them if there’s any other possible legal way to get music. Even though there’s not really that much reason to avoid them any more. And I do still run across things that are only available from the iTunes Store, so it’s good to keep them in mind.

Others

There are a ton of other music sites out there…a couple that are really big but I just don’t use are Grooveshark and iMeem. I’d love to hear about any other music sites that people find useful.

My dad forwarded me this video this morning. Street musicians around the world sing “Stand by Me,” each adding something of their own cultural flavor to it. It’s pretty cool, and some nice editing work, too, allowing musicians so geographically spread out to perform “together.”

There wasn’t anything on Monday, so being one day late wasn’t a big issue. However, then my computer started misbehaving and I didn’t get it posted Monday night, either, which means this’ll post too late for the first few on Tuesday. But they’re good enough films that I let them stand. If they play again, or you see them at the library or whatever, check them out.

Tuesday, February 3

5:00am – TCM – Top Hat
Arguably the best of the ten Fred Astaire-Ginger Rogers musicals. Song, dance, mistaken identities, romance…yep, we gots it.

6:45am – TCM – Gold Diggers of 1933
Warner Bros was known in the 1930s for their gritty dramas and action films, but also for their backstage musicals, which are somehow both gritty and glitzy. Gold Diggers of 1933 is one of the best, full of witty one-liners and amazing geometric Busby Berkeley choreography. Oh, and Ginger Rogers ad-libs “We’re in the Money” in pig latin. It’s worth it JUST FOR THAT.

8:00pm – TCM – The More the Merrier
A World War II housing shortage has Charles Coburn, Joel McCrea and Jean Arthur sharing an apartment; soon Coburn is matchmaking for McCrea and Arthur, and we get a wonderful, adorable romance out of it.

2:00am (4th) – TCM – Hannah and Her Sisters
Ha! I took TCM to task for playing Annie Hall too much and Hannah and Her Sisters not enough, and look what happens. (Okay, the schedule had been made for over a month, so I can’t really claim any influence. But still.) Annie and Manhattan notwithstanding, Hannah is my favorite Woody Allen film – almost certainly his most balanced.

Wednesday, February 4

3:00am (5th) – TCM – Yankee Doodle Dandy
Hollywood turned out a heap bunch of musical biopics of composers in the 1940s. This biography of WWI-era Broadway composer/performer George M. Cohan is one of the few that is actually good, even earning James Cagney an Oscar (though he’s better known now as a tough guy gangster, Cagney got his start as a hoofer, and he’s as comfortable dancing as beating things up).

Thursday, February 5

8:00am – IFC – Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties. When I first rented it a couple of years ago, I watched it twice, back to back. Good thing it’s on three times today, eh? :)
(repeats 12:15pm and 5:05pm)

9:00am – TCM – 2001: A Space Odyssey
Heh, I bet IFC and TCM didn’t even plan this, but you get a choice between watching 1960s cerebral sci-fi or 2000s cerebral sci-fi (well, you can watch Primer later, because it’s repeating). Kubrick made a lot of brilliant films, but I’ve gotta say, none of them enthrall me on repeat viewings quite as much as 2001.

Friday, February 6

4:00pm – Sundance – Sophie Scholl: The Final Days
In 1943, few Germans were willing to stand against Hitler, even if they knew about the atrocities being committed. Sophie Scholl and her brother and a few friends were among the ones who did, and this fantastic film follows the group just before and during their arrest and trial. It’s not particularly surprising how it ends, but the screen fairly crackles throughout – the Nazi interrogator who questions Sophie is no match for her quiet conviction.
 

9:45pm – TCM – Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
Or, or, Stanley Kubrick takes on the Cold War in one of the most piercing satires ever made. Plus Peter Sellers in three roles, what’s gonna be wrong with that? 

Saturday, February 7

4:00pm – TCM – Lawrence of Arabia
Most epics are over-determined and so focused on spectacle that they end up being superficial – all big sets and sweeping music with no depth. The brilliance of Lawrence of Arabia is that it looks like an epic with all the big sets and sweeping music and widescreen vistas, but at its center is an enigmatic character study of a man who lives bigger-than-life, but is as personally conflicted as any intimate drama has ever portrayed. 

8:00pm – TCM – Casablanca
Just so you know it’s on, here’s another chance to catch one of the best movies Golden Age Hollywood ever produced. 

11:30pm – TCM – The Great Escape
 
One of the most enjoyable POW films you’ll ever see, and yes I get the irony of that statement. It may not be realistic of the POW experience, but it is one heck of a reverse heist film.

2:30pm – TCM – Das Boot
Before Wolfgang Petersen went Hollywood (Air Force One, other action films that aren’t that great), he did this German U-boat film, which has quite a good reputation – it routinely lands on lists of both best foreign films and best war films. And yeah, I haven’t seen it yet. We’ll see if I can make time for it this time. 

Sunday, February 8

7:15am – TCM – Shadow of a Doubt
Said to be Hitchcock’s favorite among his own films, Shadow of a Doubt is quieter than most of his, but in terms of psychological subtlety, it’s definitely one of his best. Small-town girl Teresa Wright idolizes her uncle Charlie, but what will she do if he turns out to be the infamous Black Widow murderer?

1:30pm – TCM – Gigi
Maurice Chevalier’s “Thank Heaven for Little Girls” might come off as more pervy now than it was originally intended, but as a whole Gigi stands as one of the most well-produced and grown-up musicals made during the studio era. Director Vincente Minnelli gives it a wonderful visual richness and sophistication, while music from Lerner & Loewe (usually) stresses the right combination of innocence, exuberance, and ennui for its decadent French story.
 

3:30pm – TCM – The Quiet Man
John Ford directs his favorite couple John Wayne and 
 Maureen O’Hara in this lovely and understated romance of a retired boxer returning to his Irish roots and conflicting with O’Hara’s hard-headed brother Victor McLaglen over her dowry (and O’Hara’s character is plenty stubborn herself). None of the principles have been better, and the supporting cast that surrounds them is great.

5:45pm – TCM – Roman Holiday
Not Audrey Hepburn’s first film, as it’s sometimes mistakenly claimed, but her first lead and the role that propelled her to stardom and won her an Oscar. She’s a princess who wants to experience ordinary life for a change and runs off to Rome – reporter Gregory Peck senses a story and tags along incognito.

6:30pm – IFC – Elephant
I’ll be honest with you. When I first saw Gus Van Sant’s take on high school shootings, I pretty much thought it was pretentious bullcrap.  And I may in fact still think so when I see the film again. But there are elements to the tone and mood that are still with me, a couple of years later, and I’m already on my way to revising my opinion, partially due to my personal shift towards a greater appreciation for slow-moving, thoughtful, well-shot films. All of which things Elephant is.
 

11:30pm – IFC – Trainspotting
While you’re getting ready for Danny Boyle to win multiple Oscars this year with Slumdog Millionaire, don’t forget to check out his earlier films, which are all worthwhile, especially this one which thrust Boyle, Ewan McGregor, and Kelly McDonald onto the international scene. A searing look at Scottish heroin addicts, it’s sometimes hard to watch, but it’s never less than riveting.
 

4:00am (9th) – TCM – The Jazz Singer
The Jazz Singer is not a good movie. But it is an important movie, as the first feature film with synchronized sound. At the time (1927), producers thought sound would only be useful for musical numbers, and The Jazz Singer is basically a silent film about a Jewish boy (Al Jolson) defying his family to go into show business
 with sound musical numbers. Jolson’s ad-libbed “you ain’t heard nothing yet” was, of course, prophetic. Silent pictures would be almost completely obsolete within a year.

Next Week Sneak Peek

Because I’m always late, heh.

Monday the 9th
7:35am, 1:00pm – IFC – Everyone Says I Love You
9:15am – TCM – The Apartment
9:20pm, 2:45pm – IFC – Strictly Ballroom
1:45pm – TCM – Citizen Kane
3:45pm – TCM – Mildred Pierce

Tuesday the 10th
6:00am, 10:35am, 3:15 – IFC – Waiting for Guffman
2:45pm – TCM – Henry V

Wednesday the 11th
3:45am – TCM – Rebecca
1:30pm – TCM – Mon Oncle
3:30pm – TCM – The Birds
9:00pm – Sundance – Spectacle: She & Him, Jenny Lewis (Not a movie, per se. Indulge me.)
10:00pm – TCM – Lassie Come Home
10:00pm, 4:00am – Sundance – Wristcutters: A Love Story
11:45pm – TCM – National Velvet

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