Category: 2016 Movie Challenge Page 10 of 21

Challenge Week 30: Harakiri

It’s no secret that Japanese movies are sometimes a tough sell for me, though I have to admit that’s starting to turn around. Someday soon I may have to stop using that excuse. This isn’t the MOST affecting classic-era Japanese film I’ve seen (that would be Mizoguchi’s Sansho the Bailiff), but it’s definitely one of the more emotionally raw ones, and I appreciated that greatly about it.

Harakiri is the Japanese custom of suicide for the sake of honor. In this case, a ronin, Tsuguma, whose master has died, leaving him no one to serve, comes to a nearby noble’s estate and requests to perform harakiri in his courtyard. The noble stops him and tells him the story of another ronin, Chijiiwa, who recently made the same request…as you might guess, these stories are connected.

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Challenge Week 29: Hobson’s Choice

I was a little more apprehensive going into this one than I should’ve been, by a lot – for some reason I thought it would be a “vegetable movie”. You know, one you’re supposed to watch because it’s good for you, not because it’s actually enjoyable. I run hot and cold on David Lean as a director (sacrilege, I know), and the logline of an alcoholic father who demands the right to choose husbands for his two younger daughters (his oldest is too good a helper at his shoemaker’s business to let go) sounds more depressing than entertaining.

With Charles Laughton in the lead, I should’ve known better than all that.

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Challenge Week 29: It Should Happen to You

This was another very comfortable choice for me, a classic Hollywood era romantic comedy that I definitely knew about back when I was watching only classic Hollywood movies, but missed. In this case (unlike with April in Paris), I can probably guess why I skipped it – I enjoyed Judy Holliday in Adam’s Rib, but didn’t care too much for the two Holliday-led films I watched (Born Yesterday and Bells Are Ringing) all that much, so I think I likely pushed this to the back burner figuring it would be more of the same. I actually didn’t know anything else about it (like that Jack Lemmon is in it!) or what the premise of the story was.

Holliday is a Gladys Glover, a wanna-be actress in New York who really just wants to be famous. Her solution: use all of her savings to rent a giant billboard and just put her name name on it. A soap company wants the billboard, but she refuses every offer they make her, until they offer to put her name on several smaller billboards all over town in exchange. Soon, Gladys is famous for the mere fact of being famous. It’s a bit of a gentle satire, as well as an admittedly cliched reminder that fame comes at a cost.

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Challenge Week 28: Quiz Show

I’ve known about this movie forever and that it was supposed to be good, but I never really knew that much about it – I think I thought it was some comedy about folks going on quiz shows or something. Well, it is about people on quiz shows, but not so much a comedy. It’s a real-life story of a 1950s quiz show scandal involving contestants who claimed they were given the answers to make them win, and were told when to take a fall so the show would get a new champion.

It’d be a good companion piece to Confessions of a Dangerous Mind, which I haven’t seen in far too long, a double-feature on the scandals and cover-ups of early television. In this case, the producers saw that whole thing as entertainment and as long as the ratings stayed up and viewers were enjoying the show, who cares if it’s legit? Well, Herbie Stemple (John Turturro), one of the dropped contestants, cares quite a bit, and soon young lawyer Dick Goodwin (Rob Morrow) is on the case as well, while current champion Charlie Van Doren (Ralph Fiennes) his best to pretend he’s on the up and up – as a Columbia University professor moonlighting on the quiz show, he’s got the most to lose, aside from the network itself of course.

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Challenge Week 28: I Confess

It’s pretty well-known among my friends and acquaintances that I’m a huge Alfred Hitchcock fan, so assigning me a Hitchcock film I hadn’t seen was a kind of a gimme. This, I believe, was one of two American Hitchcock films I hadn’t seen (now the only remaining American one is The Paradine Case, but I have basically everything pre-1934 to catch up on). While I Confess isn’t usually considered top-drawer Hitchcock, I still expected to enjoy it, and I did.

Montgomery Clift is a priest who hears the confession of a murderer, but confession is sacred and even when he himself is implicated in the murder, he cannot reveal the truth to save himself. It’s not really a MacGuffin, but is pretty straightforward – Hitchcock is sincere here, which I enjoyed.

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Page 10 of 21

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