TCM Film Festival Fanatics Cry Foul by Wade Sheeler at The Black Maria
This year’s TCM Fest includes such classics as Apollo 13, Out of Sight and Raiders of the Lost Ark, which has some purists among classic film fans up in arms. Wade addresses this concern with some well-needed perspective. Personally, I myself had some words when Raiders was announced purely because it plays three times a year in LA, but a friend helpfully reminded me that most people coming to the fest aren’t blessed with the kind of rep culture we have here. The final lineup announced this week is extremely diverse and well-rounded, with films from 1900 to 1998 represented, and with 81 films playing over 3 1/2 days, there’s absolutely no reason anyone will have to see anything they don’t want to. My own festival preview is coming soon; in the meantime, here are some guides from other sites: Laura’s Miscellaneous Musings, Hollywood Revue, and Pre-Code.com.
So, when the 2015 TCM Film Fest schedule was released this week, it was tantamount to Martin Luther’s 95 theses being nailed to the church door. Fanatics took to Twitter, to Facebook and to all manner of social media to decry that TCM has “lost their minds.” They were “super disappointed”, the programming “uninspired” “dull,” one going so far as to say “their programming sucks. I’ve been telling them that since Year 1.” Another says the TCM programmer “got drunk and chose a film at random without much thought behind the selection.” While yet still another lamented: “if I am told it is a TCM CLASSIC Film Festival, I have every right to the expectation that the overwhelming majority of the fare be what I fully believe Mr. Robert Osborne himself would define as a classic movie.” Another is secure that “empty theatres will tell TCM all they need to know.” There are even factions that plan on having their “voices heard” at the Meet TCM Panel at the beginning of the festival, to complain about this loose definition of classic, while others fear that they won’t follow through with their resolve, and pull a “Caine Mutiny.” (These are all real quotes, btw).
There’s No Universal Right Age for Aliens or Any Other Movie by Tasha Robinson at The Dissolve
Matt Zoller Seitz of RogerEbert.com showed Aliens to a bunch of kids at his son’s birthday party, and then wrote about the experience, attracting a whole bunch of concerned parents worried that 11 is too young to see Aliens. Tasha Robinson pens this great, spot-on response to the maelstrom.
In turning this into a large-scale fight about parental control, age appropriateness, exposure to violence, and the long-term earnings potential of early Aliens-watchers, the debaters are, predictably enough, skipping over what actually happened at the slumber party. Seitz made a number of eminently responsible choices. He picked a movie he’d already seen multiple times, so he knew what to expect. He talked to the children about what films they’d already seen—in this case, virtually all of them had already seen Alien or an Aliens franchise movie. (Frankly, any kid who’s seen the suspenseful, graphically bloody, mildly risqué Alien should be automatically vetted for the much more action-oriented Aliens.) He stayed with them while they watched the film, and guided them through it. He monitored their reactions individually to see how they were responding, and was clearly aware of the behavior of the meekest one of the crew. Here’s the MPAA’s explanation of what constitutes an R-rated movie: “Under 17 requires accompanying parent or adult guardian. Contains some adult material. Parents are urged to learn more about the film before taking their young children with them.” Seitz followed every aspect of that description fully and responsibly: He accompanied the kids in watching a film he knew well, and he helped contextualize it for them.