A bit late this week, but in case you missed it, I was busy writing my own posts this week! One about Five Graves to Cairo, and one returning to the American Movie Critics book with Ryan McNeil. So check those out and also, all of these. :)
Lights, Camera, Taking Action by Manohla Dargis at the New York Times
The state of women in Hollywood doesn’t seem to be improving very much, and may even be worsening if you compare stats on female filmmakers and characters in 2014 to stats from fifteen years ago. Manohla Dargis talked to a bunch of people who are trying to do something about it with a variety of approaches. She also collected some quotes from female filmmakers about working in the industry here as a supporting document. Meanwhile, Monika Bartyzel used her Girls on Film column last week to discuss the ways that female filmmakers still do need powerful allies.
American commercial cinema has long been dominated by men, but I don’t think there has ever been another time when women have been as underrepresented on screen as they are now. The biggest problem isn’t genuinely independent cinema, where lower budgets mean more opportunities for women in front of and behind the camera. The problem is the six major studios that dominate the box office, the entertainment chatter and the popular imagination. Their refusal to hire more female directors is immoral, maybe illegal, and has helped create and sustain a representational ghetto for women. The barriers that female directors confront are numerous, substantial, structural and ideological, which is why activists are attacking biases on a number of fronts.
How Much Does a Hollywood Oscar Campaign Cost by Stephen Follows
This is just…wow. I’ve already eschewed the Oscars as pretty irrelevant for years, but this is really just the nail in the coffin. The most brilliant and groundbreaking film in the world couldn’t win an Oscar if it didn’t have $10 million in the budget for an Oscar campaign. As a side note, if an Oscar win only nets a $3 million box office bump, I wonder if these economics will last much longer anyway? I suppose the prestige boost is worth something, but how much?
Estimates for the total amount Hollywood spends on Oscar campaigns each year range from $100m up to $500m. True figures are hard to come by so it’s tricky to know what’s true and what is carefully placed rumours by Hollywood friends, enemies and frenemies.
In 2002, the New York Times reported that “the most aggressive studios have mounted campaigns that by some estimates have already cost more than $10 million, easily double what a successful effort totaled only two years ago”. That’s twice the average cost of winning a seat in Congress.
Many non-studio films find themselves priced out of the running.