A Visit to Turner Classic Movies by Steve Stanchfield at Cartoon Research
Set your DVRs for TCM on October 6th! They don’t often play animation on the channel, but they’re pulling out some real rarities from the 1920s, from studios like Bray and Van Buren who were leaders at the time, as well as animation pioneer Windsor McKay. I’m super-stoked! This is Steve Stanchfield’s short behind-the-scenes take on working with TCM, and here’s Jerry Beck’s more newsy post about what’s going to be included in the segment.
This brings us to what I’ve been up to the last few weeks – working on finishing touches for a block of classic animation on Turner Classic Movies! I was invited to speak about Van Beuren animation and to show some of the films for my section of the animation day. Tom Stathes is presenting a program celebrating 100 years of the Bray Studios, and John Canemaker is presenting some of the great work of Winsor McCay.
Coming Soon, a Century Late: A Black Film Gem by Felicia R. Lee at the New York Times
I love reading about rediscovered classic films, and this sounds like a doozy – possibly the first feature film with a black cast, though it apparently was never completed and released (speculation is that it was too soon after Birth of a Nation, which scared the producers away). If you live in New York, you can see the footage at a MOMA screening in the near future. The rest of us will have to wait.
For decades, the seven reels from 1913 lay unexamined in the film archives of the Museum of Modern Art. Now, after years of research, a historic find has emerged: what MoMA curators say is the earliest surviving footage for a feature film with a black cast. It is a rare visual depiction of middle-class black characters from an era when lynchings and stereotyped black images were commonplace. What’s more, the material features Bert Williams, the first black superstar on Broadway. Williams appears in blackface in the untitled silent film along with a roster of actors from the sparsely documented community of black performers in Harlem on the cusp of the Harlem Renaissance. Remarkably, the reels also capture behind-the-scenes interactions between these performers and the directors.