I did not watch or read a lot of great stuff in June. I think I gravitated toward somewhat mindless fare on the movie side due to the effort of reading (skimming?) two novels a week for class, and the reading was dictated completely by the class–which was on Joseph Conrad, D.H. Lawrence, and Virginia Woolf. I’m glad I read the Conrad and the Lawrence for the experience of it, but I didn’t really enjoy either of them. Woolf, of course, I’m in love with. Her writing. That is. After the jump, reactions to Babel, Pretty in Pink, Dogville, Anchorman, Zoolander, Ocean’s Thirteen, Borat, A Woman is a Woman, Paris, je t’aime, Ratatouille, Nostromo, Sons and Lovers, Women in Love, To the Lighthouse and others.
(There are a lot of links in the post…let me know if you try one and it’s broken, okay?)
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Categories: Books, Capsule Reviews, FilmTags: A Woman is a Woman, Anchorman, animation, Babel, Borat, D.H. Lawrence, Die Hard series, Dogville, Foul Play, Henri Langlois, Jean-Luc Godard, Joseph Conrad, Lars von Trier, Living It Up, New Wave, Nostromo, Ocean's Thirteen, Paris, Paris je t'aime, Pixar, Pretty in Pink, Ratatouille, Sons and Lovers, The Rainbow, To the Lighthouse, Under Western Eyes, Virginia Woolf, Women in Love, Zoolander
I’ve still only seen a small percentage of Jean-Luc Godard‘s total number of films, which I regard as a good thing, because it means I will have many future wonderful Godard film experiences. If you’d asked me two months ago whether François Truffaut or Jean-Luc Godard were the better filmmaker (or at least my favorite filmmaker), I would have said Truffaut without batting an eye. But the decision would have been hasty, and after Breathless, Band of Outsiders, A Woman is a Woman and My Life to Life (and Contempt, but I need a rewatch on that one) I’m pretty much a Godard fangirl. In addition to his films being enjoyable on their own terms, they’re also like mini-courses in cinema technique and history. Which I suppose is unsurprising for a filmmaker who started as a cinephile at the Cinématheque Française and critic for the Cahiers du cinéma.
Video clips and discussion of Band of Outsiders, A Woman is a Woman and My Life to Live after the cut. Yes, I should’ve included something from Breathless as well, but it’s been a while since I saw it, so I would be less competent at choosing and discussing clips. Incidentally, July 11 has apparently been declared Fair Use Day, and the use of film clips for purposes of criticism and education falls under fair use, so even though I’ve been planning this post for a few days, it’s appropriate that it worked out for me to post it today.
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