Tag Archives: adaptation

Film on TV: February 1-7

lawrence1.jpg
Lawrence of Arabia, playing Monday at 11pm on TCM

This is February, which means Oscars are coming up, which means TCM has launched into their annual 31 Days of Oscar lineup, meaning every film they play in the month of February has been at least nominated for an Academy Award. Now, that could mean it was nominated for Best Costume Design in 1937, but hey. Generally it means a fairly high overall quality of programming, and a number of films they don’t play very often the rest of the year.

Monday, February 1

8:55am – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
(repeats at 3:40pm and 10:30pm, and 5:45pm on the 6th)

8:00pm – TCM – Funny Girl
Barbra Streisand tied Katharine Hepburn, no less, to win an Oscar for her role as Ziegfeld comedienne Fanny Brice. I’m neither a big Brice fan nor a big Streisand fan, so I haven’t seen it, but maybe I’ll get around to it one day.
1968 USA. Director: William Wyler. Starring: Barbra Streisand, Omar Sharif, Kay Medford, Anne Francis, Walter Pidgeon.

11:00pm – TCM – Lawrence of Arabia
Most epics are over-determined and so focused on spectacle that they end up being superficial – all big sets and sweeping music with no depth. The brilliance of Lawrence of Arabia is that it looks like an epic with all the big sets and sweeping music and widescreen vistas, but at its center is an enigmatic character study of a man who lives bigger-than-life, but is as personally conflicted as any intimate drama has ever portrayed.
1962 UK. Director: David Lean. Starring: Peter O’Toole, Omar Sharif, Alec Guinness, Jose Ferrer.
Must See
Newly Featured!

Tuesday, February 2

5:30am – TCM – Great Expectations
David Lean’s definitive version of one of Charles Dickens’ most well-known books, about the boy Pip and his rise to fortune through the aid of a mysterious benefactor. I’ve avoided this because of my distaste for Dickens, but hey. The movie can’t have time to ramble on like Dickens does, so maybe I’d like it.
1946 UK. Director: David Lean. Starring: John Mills, Tony Wager, Valerie Hobson, Jean Simmons, Bernard Miles, Martita Hunt.
Newly Featured!

8:05am – IFC – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See
(repeats at 1:35pm)

8:00pm – TCM – The Thin Man
If there’s such a genre as “sophisticated comedy-mystery,” The Thin Man is the apex of it. William Powell and Myrna Loy starred in thirteen films together, but never did their chemistry sparkle quite so much as here, in their first of six outings as husband-and-wife detectives Nick and Nora Charles. In between cocktails and marital moments, they investigate the disappearance of the titular thin man (later in the series, “thin man” erroneously became associated with Nick). There’s so much to love about this film – the great dialogue, hilarious supporting characters (only a few of which go too far over the top), and honestly, most of all, the amazing portrayal of a solid, loving marriage in the midst of so much chaos.
1934 USA. Director: W.S. Van Dyke. Starring: William Powell, Myrna Loy, Maureen O’Sullivan.
Must See

10:00pm – TCM – The Best Years of Our Lives
One of the first films to deal with the aftermath of WWII, as servicemen return home to find both themselves and their homes changed by the long years of war. Director William Wyler and a solid ensemble cast do a great job of balancing drama and realism without delving too much into sentimentality.
1946 USA. Director: William Wyler. Starring: Fredric March, Myrna Loy, Dana Andrews, Teresa Wright, Virginia Mayo, Herbert Russell, Cathy O’Donnell.
Newly Featured!

3:15am (3rd) – TCM – Sergeant York
Gary Cooper won his first Oscar for his portrayal of WWI hero Sgt. Alvin York, a pacifist who somehow decided that the fastest way to stop the killing was to join up and kill as many Germans as he could to end the war.
1941 USA. Director: Howard Hawks. Starring: Gary Cooper, Walter Brennan, Joan Leslie, George Tobias, Margaret Wycherly, Ward Bond.
Newly Featured!

Wednesday, February 3

6:00am – IFC – Garden State
First-time director Braff brings his quirky personality and taste in indie music to this story of a young man who returns to his home town for the first time in years for his mother’s funeral. While there, he meets a girl who teaches him how to feel for the first time since his father started prescribing meds to him as a child. It’s become a popular pastime to hate on Garden State and its self-conscious quirk, but I refuse. I loved it when I first saw it, and I love it now.
2004 USA. Director: Zach Braff. Starring: Zach Braff, Natalie Portman, Peter Sarsgaard.
(repeats at 11:15am and 4:35pm)

7:15am – TCM – The Champ
Wallace Beery earned an Oscar for his role as a has-been prizefighter, living hand to mouth with his adoring son. But then the boy has a chance to go live with his mother, long-divorced from Beery and now married to a well-to-do man. This is a great example of a high-end Warner Bros. programmer from the early 1930s – it’s very lean, nothing extra in it, but it’s got a heart that I didn’t expect.
1931 USA. Director: King Vidor. Starring: Wallace Beery, Jackie Cooper, Irene Rich, Roscoe Ates.

7:45am – IFC – Hannah and Her Sisters
Though I love Manhattan and Annie Hall to bits, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do.
1986 USA. Director: Woody Allen. Starring: Barbara Hershey, Mia Farrow, Carrie Fisher, Michael Caine, Dianne Wiest, Woody Allen.
Must See
(repeats at 1:00pm, and 4:35am on the 4th)

10:45am – TCM – The Public Enemy
Famous for the scene where James Cagney smashes a grapefruit into Mae Clarke’s face, this is one of the gold standards of early gangster films, along with Little Caesar and Howard Hawks’s Scarface.
1931 USA. Director: William A. Wellman. Starring: James Cagney, Jean Harlow, Edward Woods, Joan Blondell, Mae Clarke.

12:15pm – TCM – Yankee Doodle Dandy
James Cagney won an Oscar putting on his dancing shoes to play song-and-dance man and Broadway composer George M. Cohan in this biopic. Though it seems strange to think of gangster picture regular Cagney in a musical, he actually got his start in show business as a hoofer, and returned to musicals many times throughout his career, though this remains the most notable example.
1942 USA. Director: Michael Curtiz. Starring: James Cagney, Joan Leslie.

Thursday, February 4

7:30am – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See
(repeats at 11:30am and 4:30pm)

7:15am – TCM – Captain Blood
This was Errol Flynn and Olivia de Havilland’s first of eight films together, and it’s one of the best. Flynn is the eponymous captain, a dentist named Blood who gets captured by pirates and ends up escaping and taking over the pirate ship himself. Full of swashbuckling and derring-do.
1935 USA. Director: Michael Curtiz. Starring: Errol Flynn, Olivia de Havilland, Lionel Atwill, Basil Rathbone, Guy Kibbee.

9:45am – IFC – Tristram Shandy: A Cock and Bull Story
Lawrence Sterne’s 1769 proto-postmodern novel The Life and Opinions of Tristram Shandy has long been considered unfilmable. So what does director Michael Winterbottom do? He makes a film about the difficulty of filming Tristram Shandy. Winterbottom’s film is something of an experiment, but it’s a delightful one, showing the behind-the-scenes antics of production as well as highlighting the circularity and self-defeating narrative of Sterne’s novel in the film-within-the-film.
2005 UK. Director: Michael Winterbottom. Starring: Steve Coogan, Rob Brydon, Keeley Hawes, Shirley Henderson, Jeremy Northam.
(repeats at 2:50pm)

8:00pm – TCM – The Uninvited (1944)
Not to be confused with the 2009 film The Uninvited, which is actually a remake of Korea’s A Tale of Two Sisters, this unrelated ghost story film is a lovely example of a certain style of 1940s horror – quiet, understated, atmospheric, and yet chilling and haunting.
1944 USA. Director: Lewis Allen. Starring: Ray Milland, Ruth Hussey, Donald Crisp.
Newly Featured!

10:00pm – Sundance – Adaptation.
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
2002 USA. Director: Spike Jonze. Starring: Nicolas Cage, Meryl Streep, Tilda Swinton, Chris Cooper.

12:00M – TCM – The Adventures of Robin Hood
I will state almost categorically that this is the greatest adventure film ever made. Maybe it’s a dead heat between this one and Raiders of the Lost Ark. Errol Flynn is Robin Hood, Olivia de Havilland is Maid Marion, a whole raft of fantastic character actors fill out the rest of the cast, and it’s all done in gorgeous Technicolor (it’s one of the earliest Technicolor films).
1938 USA. Directors: William Keighley & Michael Curtiz. Starring: Errol Flynn, Olivia de Havilland, Claude Rains, Basil Rathbone, Eugene Pallette, Alan Hale, Patric Knowles, Una O’Connor.
Must See

4:15am (5th) – TCM – Little Women (1933)
This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless.
1933 USA. Director: George Cukor. Starring: Katharine Hepburn, Joan Bennett, Paul Lukas, Edna May Oliver, Jean Parker, Frances Dee.

Friday, February 5

7:45am – Sundance – Paris je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.
2006 France. Director: various. Starring: many.
(repeats at 3:00pm)

10:45am – TCM – Gold Diggers of 1933
The story’s nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression-era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.
1933 USA. Director: Mervyn LeRoy. Starring: Joan Blondell, Warren William, Ruby Keeler, Dick Powell, Aline MacMahon, Ginger Rogers, Guy Kibbee.

8:00pm – TCM – True Grit
John Wayne had a career full of iconic western roles before he won an Oscar for this one, as tough old U.S. Marshall “Rooster” Cogburn, recruited by a young woman to help her avenge her father’s death, a quest that takes them deep into Indian territory.
1969 USA. Director: Henry Hathaway. Starring: John Wayne, Glen Campbell, Kim Darby, Robert Duvall, Dennis Hopper.
Newly Featured!

2:30am (6th) – TCM – Guess Who’s Coming to Dinner
Interracial marriage may not be quite the hot topic now that it was in 1967 (although if you check some parts of the American South, you might be surprised), but at the time, Katharine Houghton bringing home Sidney Poitier to meet her parents Katharine Hepburn and Spencer Tracy (in his last film) was the height of socially conscious filmmaking.
1967 USA. Director: Stanley Kramer. Starring: Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton, Cecil Kellaway.
Newly Featured!

Saturday, February 6

12:30pm – TCM – The Magnificent Seven
Homage comes full circle as American John Sturges remakes Akira Kurosawa’s The Seven Samurai as a western – Kurosawa’s film itself was a western transposed into a Japanese setting. Sturges ain’t no Kurosawa, but the story of a group of outcast cowboys banding together to protect an oppressed village is still a good one, plus there’s a young Steve McQueen and Charles Bronson in the cast.
1960 USA. Director: John Sturges. Starring: Yul Brynner, Steve McQueen, Charles Bronson.

5:00pm – TCM – The Great Escape
I expected to mildly enjoy or at least get through this POW escape film. What happened was I was completely enthralled with every second of it, from failed escape attempts to planning the ultimate escape to the dangers of carrying it out. It’s like a heist film in reverse, and extremely enjoyable in pretty much every way.
1963 USA. Director: John Sturges. Starring: Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasance, James Coburn, James Donald.
Must See
Newly Featured!

10:00pm – Sundance – The Discreet Charm of the Bourgeoisie
Luis Bu˜uel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
1972 France. Director: Luis Buñuel. Starring: Fernando Rey, Paul Fankeur, Delphine Seyrig, Stéphane Audran, Jean-Pierre Cassel.
(repeats at 4:00am on the 7th)

12:00M – TCM – Bonnie and Clyde
This is a perfect film. If you have not seen it, see it. If you have seen it, see it again. In either case, rather than write again how much I love it, I will just refer you here.
1967 USA. Director: Arthur Penn. Starring: Warren Beatty, Faye Dunaway, Gene Hackman, Estelle Parsons.
Must See

2:00am – Sundance – 4 Months, 3 Weeks, and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See

Sunday, February 7

1:45pm – TCM – Rebecca
Hitchcock’s first American film, based on Daphne du Maurier’s romantic novel. Rebecca is actually the previous wife of our mousy narrator’s new husband – her greatest fear is that he still loves Rebecca too much to care for her, but the truth may be more sinister than that. A lot of people really love this film, but I personally dislike the Hollywoodized ending enough that I’m not a huge fan.
1940 USA. Director: Alfred Hitchcock. Starring: Laurence Olivier, Joan Fontaine, Judith Anderson, George Sanders.

4:00pm – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? It’s also probably the best film version of the story up till now.
1939 USA. Director: William Wyler. Starring: Laurence Olivier, Merle Oberon, Geraldine Fitzgerald, David Niven, Flora Robson.

6:00pm – TCM – The Pink Panther
Most people would agree that A Shot in the Dark is the best of the Pink Panther series, but the first entry is still well worth watching. Peter Sellers is perfect as bumbling detective Jacques Clouseau, trying to recover a stolen diamond for David Niven.
1963 UK/USA. Director: Blake Edwards. Starring: David Niven, Peter Sellers, Robert Wagner, Capucine.

8:00pm – TCM – 8 1/2
Federico Fellini translates his creative block in making his next film into a film about a director with a creative block – and in so doing, makes one of the most elusively brilliant and creative films of all time.
1963 Italy. Director: Federico Fellini. Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée.
Must See

10:30pm – TCM – Juliet of the Spirits
I’ve seen this Fellini film, but darned if I could tell you anything about it except Guilietta Masina has crazy weird surrealist visions. It’s gorgeous looking, at any rate, and would be worth a rewatch on my part, for sure.
1965 Italy. Director: Federico Fellini. Starring: Giulietta Masina, Sandro Milo, Mario Pisu, Valentine Cortese.
Newly Featured!

3:15am (7th) – TCM – On the Beach
After nuclear war, most of humanity is destroyed; a small outpost in Australia survives, but not for long. See David’s longer take here.
1959 USA. Director: Stanley Kramer. Starring: Gregory Peck, Ava Gardner, Fred Astaire.
Newly Featured!

Film on TV: December 28-January 3rd

Renaissance.jpg
Renaissance, playing Monday at 8:25am on IFC

Not too many new ones this week, but still plenty of great films to round out the year, including a marathon of Hitchcock’s best films on TCM on New Year’s Eve, followed by the entire Thin Man series overnight.

Monday, December 28

6:15am – Sundance – Adaptation.
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
2002 USA. Director: Spike Jonze. Starring: Nicolas Cage, Meryl Streep, Tilda Swinton, Chris Cooper.

8:25am – IFC – Renaissance
In near-future Paris, a brilliant young scientist is kidnapped; her employer Avalon (a highly influential company that sells youth and beauty itself) wants her found, but her importance to them may be more sinister than first meets the eye. The story’s not handled perfectly here, but it’s worth watching for the beautifully stark black and white animation.
2006 France. Director: Christian Volckman. Starring (English version): Daniel Craig, Romola Garai, Ian Holm, Catherine McCormack, Jonathan Pryce.
Newly Featured!
(repeats at 2:05pm)

10:45am – IFC – Before Sunrise
Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done.
1995 USA. Director: Richard Linklater. Starring: Ethan Hawke, Julie Delpy.
Must See
(repeats at 4:00pm, and 5:05am on the 29th)

Tuesday, December 29

6:50am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
(repeats at 3:45pm)

8:45am – TCM – 42nd Street
By 1933 when 42nd Street came out, the Hollywood musical had already died. So excited by the musical possibilities that sound brought in 1927, Hollywood pumped out terrible musical after terrible musical until everyone was sick of them. 42nd Street almost single-handedly turned the tide and remains one of the all-time classic backstage musicals. It may look a little creaky by later standards, but there’s a vitality and freshness to it that can’t be beat.
1932 USA. Director: Lloyd Bacon. Starring: Warner Baxter, Ruby Keeler, George Brent, Bebe Daniels, Dick Powell, Ginger Rogers, Una Merkel.

12:00N – TCM – The Miracle of Morgan’s Creek
Preston Sturges’ zaniest and most irreverent comedy gives Betty Hutton her best role as Trudy Kockenlocker, who goes out for a night on the town with a group of soldiers about to ship out. A few months later, she finds out she’s pregnant and can only vaguely remember an impromptu wedding ceremony with a soldier who may or may not be named Ratskiwatski. I’m always impressed that Sturges got away with as much as he did in this film in 1944.
1944 USA. Director: Preston Sturges. Starring: Betty Hutton, Eddie Bracken, William Demarest.

8:00pm – TCM – On the Waterfront
Marlon Brando’s performance as a former boxer pulled into a labor dispute among dock workers goes down as one of the greatest in cinematic history. I’m not even a huge fan of Brando, but this film wins me over.
1954 USA. Director: Elia Kazan. Starring: Marlon Brando, Lee J. Cobb, Karl Malden, Eva Marie Saint.
Must See

12:00M – IFC – Secretary
Maggie Gyllenhaal and James Spader – making sado-masochism fun since 2002! But seriously, this was Maggie’s breakout role, and it’s still probably her best, as a damaged young woman whose only outlet is pain. And despite the subject, Secretary is somehow one of the sweetest and most tender romances of recent years.
2002 USA. Director: Steven Shainberg. Starring:James Spader, Maggie Gyllenhaal.

Wednesday, December 30

9:15am – TCM – In a Lonely Place
Simply a brilliant film from director Nicholas Ray – Humphrey Bogart gives probably his best performance as washed-up screenwriter Dixon Steele, who’s trying to make a comeback with a new adaptation. When a coatcheck girl gets murdered after he was the last to see her, he naturally comes under suspicion, but his neighbor Laurel (Gloria Grahame) gives him an alibi and soon the two begin a relationship which just might save Dix from more than a murder charge – or might not. There’s a raw intensity here that few films have ever matched.
1951 USA. Director: Nicholas Ray. Starring: Humphrey Bogart, Gloria Grahame.
Must See

8:00pm – IFC – Kill Bill, Vol. 1
A lot of people would point to Pulp Fiction as Tarantino’s best film, and I think Inglourious Basterds is right up there, too, but I vote Kill Bill Vol. 1 for sheer amount of fun. He homages spaghetti westerns, Hong Kong fighting flicks, and revenge-sploitation, and ties it all together with incredible style.
2003 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah, David Carradine.
Must See
(repeats at 2:05am on the 31st)

10:00pm – IFC – Kill Bill, Vol. 2
On the one hand, Kill Bill Vol 1 isn’t quite complete without Kill Bill Vol 2. And there are a lot of good parts in here – the film noirish opening as the Bride catches us up on what’s going on, the fight with Daryl Hannah in the trailer, training with the kung fu master, her getting out of the coffin, etc. But the ending lags a little too much for me to truly say I enjoy watching it as much as Vol. 1.
2004 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Daryl Hannah, David Carradine, Michael Madsen.
(repeats at 3:55am on the 31st)

1:30am (31st) – TCM – The Caine Mutiny
Humphrey Bogart’s Captain Queeg is a piece of work, and by that I mean some of the best work Bogart has on film. He’s neurotic, paranoid, and generally mentally unstable. Or is he? That’s the question after first officer Van Johnson relieves him of duty as being unfit to serve and faces charges of mutiny.
1954 USA. Director: Edward Dmytryk. Starring: Humphrey Bogart, Van Johnson, Fred MacMurray, Jose Ferrer.

Thursday, December 31

7:00am – TCM – The Man Who Knew Too Much (1956)
Hitchcock’s second version of this story (the first was 1934) has Doris Day and James Stewart as a couple who discover an assassination plot and have their son kidnapped to try to keep them quiet. It’s a well-done film and worth watching, though not quite up to many of Hitchcock’s other classics.
1956 USA. Director: Alfred Hitchcock. Starring: James Stewart, Doris Day, Bernard Miles, Brenda De Banzie.

9:00am – IFC – Annie Hall
Often considered Woody Allen’s transition film from “funny Woody” to “serious Woody,” Annie Hall is both funny, thoughtful, and fantastic. One of the best scripts ever written, a lot of warmth as well as paranoid cynicism, and a career-making role for Diane Keaton (not to mention fashion-making).
1977 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane.
Must See
(repeats at 4:35pm)

9:15am – TCM – Marnie
Marnie gets something of a bad rap, I think, because it comes right after Hitchcock’s amazing Vertigo-North by Northwest-Psycho-The Birds streak of genius, but I think it’s one of Hitchcock’s most underrated films, despite a few somewhat obvious plot devices and the fact that ‘Tippi’ Hedren can’t act. In some ways, the imperfections in this one are what makes it interesting.
1964 USA. Director: Alfred Hitchcock. Starring: ‘Tippi’ Hedren, Sean Connery.

11:30am – TCM – Shadow of a Doubt
Somewhat lesser-known Hitchcock film that ought to be top-tier. Small-town girl Teresa Wright idolizes her uncle Charlie, but we know that he’s an infamous murderer on the run. Hitchcock once made a distinction between mystery and suspense: mystery is when there’s tension because the audience doesn’t know whodunit, suspense is when there’s tension because the audience does. This film is a perfect example of suspense, and Hitchcock’s preference for telling the audience whodunit very early in the film and letting them squirm.
1942 USA. Director: Alfred Hitchcock. Starring: Teresa Wright, Joseph Cotten.

12:45pm – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See

1:30pm – TCM – Psycho
Alfred Hitchcock built the foundation for all future psycho-killer movies with his classic. It’s not as terrifying as it once was, but that doesn’t at all diminish its greatness.
1960 USA. Director: Alfred Hitchcock. Starring: Janet Leigh, Anthony Perkins, Vera Miles, John Gavin, Martin Balsam.
Must See

3:30pm – TCM – Vertigo
James Stewart is a detective recovering from a vertigo-inducing fall who’s asked by an old friend to help his wife, who has developed strange behavior. Hitchcock plays with doubling, fate, and obsession, all the while creating one of his moodiest and most mesmerizing films. And watch for a great supporting turn by Barbara Bel Geddes as Stewart’s long-suffering best friend.
1958 USA. Director: Alfred Hitchcock. Starring: James Stewart, Kim Novak, Barbara Bel Geddes.
Must See

6:00pm – TCM – Rear Window
Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create one of the greatest films of all time.
1954 USA. Director: Alfred Hitchcock. Starring: James Stewart, Grace Kelly, Thelma Ritter, Raymond Burr.
Must See

8:00pm – TCM – The Thin Man
If there’s such a genre as “sophisticated comedy-mystery,” The Thin Man is the apex of it. William Powell and Myrna Loy starred in thirteen films together, but never did their chemistry sparkle quite so much as here, in their first of six outings as husband-and-wife detectives Nick and Nora Charles. In between cocktails and marital moments, they investigate the disappearance of the titular thin man (later in the series, “thin man” erroneously became associated with Nick). There’s so much to love about this film – the great dialogue, hilarious supporting characters (only a few of which go too far over the top), and honestly, most of all, the amazing portrayal of a solid, loving marriage in the midst of so much chaos.
1934 USA. Director: W.S. Van Dyke. Starring: William Powell, Myrna Loy, Maureen O’Sullivan.
Must See

9:45pm – TCM – After the Thin Man
TCM is playing all of the Thin Man movies today, so keep watching if you’re enjoying them, but this one (second in the series), is the only other one that’s actually worth seeking out. Returning to Nora’s home for a visit, she and Nick find a hubbub surrounding a killed fiance and are pressed into service to find the killer. A young Jimmy Stewart’s on hand, as well.
1936 USA. Director: W.S. Van Dyke. Starring: William Powell, Myrna Loy, James Stewart, Elissa Landi.
Newly Featured!

12:30pm (1st) – Sundance – INLAND EMPIRE
David Lynch’s latest magnum opus, which pretty much can’t be understood by any use of normal narrative logic. However, it works thematically and emotionally as well as any movie I’ve seen ever. Stories weave in and out of each other, characters merge and separate, the plot you thought you had a hold of becomes elusive and it’s essentially impossible to tell what’s real. But if you let yourself go to it, you’re in for a special treat. You know those 3D images that you can only see by throwing your eyes out of focus? Do that with your mind in order to “see” INLAND EMPIRE.
2006 USA. Director: David Lynch. Starring: Laura Dern, Justin Theroux, Jeremy Irons, Jan Hencz, Karolina Gruszka, Grace Zabriski
Must See

Friday, January 1

8:30am – TCM – Anatomy of a Murder
One of the best courtroom dramas ever made – James Stewart vs. George C. Scott as lawyers on a murder/rape trial that may not be quite what it seems. And that’s aside from the top-notch jazz score by Duke Ellington, which is in itself reason enough to see the film.
1959 USA. Director: Otto Preminger. Starring: James Stewart, George C. Scott, Lee Remick.
Must See

9:00am – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
2004 USA. Director: Joshua Marston. Starring: Catalina Sandino Moreno, Virginia Ariza, Yenny Paola Vega.
(repeats at 4:30pm)

1:15pm – TCM – The Man From Laramie
One of several westerns that James Stewart and Anthony Mann made together, and this one is one of the most solid; in this one, Stewart is a wagon train leader who gets pulled into a territorial feud against his will when one side torches his wagons. These westerns begin to show the dark side of the west, where the hero is only a hero because it’s expedient for him, or because he has some personal gain to get out of it.
1955 USA. Director: Anthony Mann. Starring: James Stewart, Arthur Kennedy, Donald Crisp, Cathy O’Donnell.

3:00pm – TCM – The Man Who Shot Liberty Valance
Three of the greatest names in westerns – John Ford, John Wayne, and James Stewart – teamed up to make this film just as the classical western was fading out of popularity. Perhaps fittingly, then, it’s a film about western myth and the transition from outlaw gunslingers to government rule, a transition aided in one town at least by the man who shot outlaw Liberty Valance.
1962 USA. Director: John Ford. Starring: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien.

10:00pm – TCM – Fahrenheit 451
François Truffaut’s first foray in English-language film was this adaptation of Ray Bradbury’s classic dystopian novel, following fireman (that is, book-burner) Montag as he comes into contact with a group of fugitives intent on preserving the knowledge in books even as the government tries to destroy them, and he begins to wonder if perhaps they are right. It’s a great book, and a pretty good film, with Julie Christie in an interestingly-cast double role.
1966 UK. Director: François Truffaut. Starring: Oskar Werner, Julie Christie, Cyril Cusack.
Newly Featured!

12:00M – IFC – Pulp Fiction
Tarantino’s enormously influential and entertaining film pretty much needs no introduction from me. Samuel L. Jackson and John Travolta give the performances of their careers, Tarantino’s dialogue is spot-on in its pop-culture-infused wit, and the chronology-shifting, story-hopping editing style has inspired a host of imitators, most nowhere near as good.
1994 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Samuel L. Jackson, John Travolta, Tim Roth, Bruce Willis, Ving Rhames.
Must See

Saturday, January 2

10:20am – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 3:15pm, and 5:40am on the 3rd)

6:30pm – TCM – Old Yeller
One of the great tear-jerker family films, about a family in the old west who adopt a stray dog, growing to love and depend on the animal in the absence of their father (away on a cattle drive). Ah, yes, the good old days, when kids movies weren’t all happy-peppy all the time.
1957 USA. Director: Robert Stevenson. Starring: Dorothy Maguire, Fess Parker, Tommy Kirk, Kevin Corcoran.

Sunday, January 3

11:00pm – IFC – A Fish Called Wanda
It’s not a Monty Python picture, but with John Cleese and Michael Palin on board as participants in a zany crime story, along with ambiguous-relationshiped Jamie Lee Curtis and Kevin Kline, it has some of the same absurd charm.
1988 USA/UK. Director: Charles Crichton. Starring: John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin, Maria Aitken, Tom Georgeson.
(repeats at 4:35am on the 4th)

Film on TV: November 30-December 6

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Old Yeller, playing on TCM on Friday at 6:00am

Almost ALL repeats this week – seriously, the only two ones I added are Old Yeller, playing on TCM on Friday, and Christmas in Connecticut, on TCM on Sunday. The former is a family classic that every kid should grow up seeing (I’m of the school, though, that believes children shouldn’t be sheltered from death in film) and the latter is a lesser holiday entry that’s still enjoyable thanks to Barbara Stanwyck’s engaging performance. There are still plenty of good repeats to go around, though, so check for stuff you may have missed.

I’m really sorry for not getting this posted last night; I have no excuse, really. I simply forgot – had the template all laid out and then didn’t think about it again until this morning. I’ll try not to let it happen again.

Tuesday, December 1

6:30am – TCM – The Man Who Knew Too Much (1934)
Hitchcock’s first take on this story of an attempted assassination and associated kidnapping stars Peter Lorre as one of the bad guys. I haven’t seen it myself yet, but many people claim it’s better than his glossier Hollywood remake.
1934 UK. Director: Alfred Hitchcock. Starring: Peter Lorre, Leslie Banks, Edna Best.

9:30am – TCM – The Lady from Shanghai
Most of Welles’ films, no matter the genre, feel a little noirish in mood, but The Lady from Shanghai is the real thing, complete with fatalistic hero who gets dragged into a murder plot by a femme fatale (Rita Hayworth).
1948 USA. Director: Orson Welles. Starring: Orson Welles, Rita Hayworth.

6:00pm – TCM – Take the Money and Run
An early Woody Allen movie, when he was mostly focused on being funny and absurd, and this film about a set of totally inept bank robbers is both. It’s actually my favorite of the pre-Annie Hall Allen films.
1969 USA. Director: Woody Allen. Starring: Woody Allen, Janet Margolin.

7:15pm – IFC – Before Sunrise
Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done.
1995 USA. Director: Richard Linklater. Starring: Ethan Hawke, Julie Delpy.
Must See
(repeats at 7:45am and 1:15pm on the 2nd)

Wednesday, December 2

9:30am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 3:00pm)

7:55pm – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See

8:00pm – TCM – The Petrified Forest
Bette Davis and Leslie Howard are top billed in this 1936 crime drama, but the thing you’ll remember is Humphrey Bogart in his first major film role as criminal-on-the-run Duke Mantee. They’re all holed up in a remote gas station while Mantee figures out his scheme to escape the manhunt for him. He fairly sizzles on screen.
1936 USA. Director: Archie Mayo. Starring: Bette Davis, Leslie Howard, Humphrey Bogart, Genevieve Tobin, Dick Foran.

1:30m (3rd) – TCM – Angels With Dirty Faces
One of the classic gangster pictures has James Cagney as a criminal idolized by the youth of Hell’s Kitchen and Pat O’Brien as Cagney’s boyhood buddy who grew up to be a priest. Though the two remain friends, they wind up understandably at odds with each other when O’Brien starts working to clean up the neighborhood.
1938 USA. Director: Michael Curtiz. Starring: James Cangye, Pat O’Brien, Ann Sheridan, Humphrey Bogart.

Thursday, December 3

12:30am (4th) – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See

Friday, December 4

6:00am – TCM – Old Yeller
One of the great tear-jerker family films, about a family in the old west who adopt a stray dog, growing to love and depend on the animal in the absence of their father (away on a cattle drive). Ah, yes, the good old days, when kids movies weren’t all happy-peppy all the time.
1957 USA. Director: Robert Stevenson. Starring: Dorothy Maguire, Fess Parker, Tommy Kirk, Kevin Corcoran.
Must See
Newly Featured!

7:30am – TCM – The 400 Blows
Francois Truffaut’s first feature, a semi-autobiographical look at a boy’s childhood in Paris, dealing with strict teachers, fighting parents, etc. This film along with Jean-Luc Godard’s Breathless usually mark the beginning of the New Wave. Truffaut’s sentimental tendencies come out already, as well as his incredible ability to direct children to great performances. Jean-Pierre Leaud would go on to star in many more Truffaut films, but for me, his adult roles never match this one.
Must See

8:15am – IFC – The Station Agent
One of the most pleasant surprises (for me, anyway) of 2003. Peter Dinklage moves into a train depot to indulge his love for trains and stay away from people, only to find himself befriended by a loquacious Cuban hot-dog stand keeper and an emotionally delicate Patricia Clarkson. A quiet but richly rewarding film.
2003 USA. Director: Thomas McCarthy. Starring: Peter Dinklage, Patricia Clarkson, Bobby Cannavale.
(repeats at 4:00pm)

12:00M – IFC – Shadow of the Vampire
What if actor Max Schreck, who played the vampire in F.W. Murnau’s 1922 Nosferatu, actually WAS a vampire and kept eating various members of the cast and crew? That’s the premise set forth by this slight but entertaining film, with John Malkovich as Murnau and Willem Dafoe as the eccentric Schreck.
2000 USA. Director: E. Elias Merhige. Starring: John Malkovich, Willem Dafoe, Cary Elwes, Catherine McCormack.

Saturday, December 5

9:55am – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See
(repeats at 3:05pm)

3:15pm – TCM – The Clock
This was Judy Garland’s first real purely dramatic role, directed by her then-husband Vincente Minnelli in 1945. It’s a wartime story of a soldier on leave (Robert Walker) who meets a girl (Garland) and their attempts to get married before he has to return to his unit. It’s a sweet, unassuming little film that showcases Garland’s charm quite well, and has a nice supporting role for comedian Keenan Wynn.
1945 USA. Director: Vincente Minnelli. Starring: Judy Garland, Robert Walker, Keenan Wynn.

5:00pm – TCM – My Fair Lady
George Cukor finally won an Oscar in 1964 for this film, a high-quality adaptation of Lerner and Loewe’s musical, itself an adaptation of George Bernard Shaw’s Pygmalion, itself based on the Greek story of Svengali and Trilby. Rex Harrison and Audrey Hepburn acquit themselves well as phonetics professor Henry Higgens and street urchin Eliza Doolittle. I guess I just find it a bit overlong and overproduced, as most 1960s musicals were, but I’m in the minority.
1964 USA. Director: George Cukor. Starring: Rex Harrison, Audrey Hepburn, Stanley Holloway, Wilfrid Hyde-White.

8:00pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.1999 USA. Director: Mike Judge. Starring: Ron Livingston, Jennifer Aniston.
(repeats at 1:00am on the 6th)

10:00pm – Sundance – Adaptation.
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
2002 USA. Director: Spike Jonze. Starring: Nicolas Cage, Meryl Streep, Tilda Swinton, Chris Cooper.
(repeats at 3:35am on the 6th)

11:15pm – IFC – Garden State
First-time director Braff brings his quirky personality and taste in indie music to this story of a young man who returns to his home town for the first time in years for his mother’s funeral. While there, he meets a girl who teaches him how to feel for the first time since his father started prescribing meds to him as a child. It’s become a popular pastime to hate on Garden State and its self-conscious quirk, but I refuse. I loved it when I first saw it, and I love it now.
2004 USA. Director: Zach Braff. Starring: Zach Braff, Natalie Portman, Peter Sarsgaard.
(repeats at 4:15am and 12:30pm on the 6th)

Sunday, December 6

6:00am – IFC – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See
(repeats at 2:15pm)

12:00N – TCM – Christmas in Connecticut
Not in the upper echelon of great Christmas movies, but really, how many times in a row can you watch those over and over (okay, actually, a lot, but I digress). The always-worth-watching Barbara Stanwyck is a magazine columnist who makes up a traditional country home for her column while living in New York, a subterfuge which causes no problems until a serviceman on leave wants nothing more than to spend Christmas on her farm and her editor thinks it’s a great human interest piece. Her attempts to recreate that world while falling for the serviceman are funny, warm, and enjoyable enough to add this to your holiday rotation.
1945 USA. Director: Peter Godfrey. Starring: Barbara Stanwyck, Dennis Morgan, Sydney Greenstreet, Reginald Gardiner, S.Z. “Cuddles” Sakall, Una O’Connor.
Newly Featured!

5:55am (7th) Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See

Film on TV: 29 Dec – 4 Jan

A bit late again. Good thing there wasn’t a lot on Monday or Tuesday worth looking at anyway. So we’ll start in on Wednesday. The movie channels apparently decided to dump EVERYTHING they had for the turn of the new year, because the 31st and 1st are jam packed. Craziness. I also threw in some listings from the Fox Movie Channel, since I noticed some great stuff while setting my DVR this week.

Wednesday, December 31

6:00am / 5:00am – TCM – Stagecoach
TCM is apparently doing a John Ford/John Wayne tribute today, and that’s never a bad thing. In this 1939 film, Wayne is an outlaw traveling in a cramped stagecoach along with a prostitute (Claire Trevor, who turns in an amazing performance) and various other staple characters of the Western genre perfectly calculated for maximum uncomfortability.

7:45am / 6:45am – TCM – They Were Expendable
One of the best WWII films made during the war (1945). Wayne is the only one who thinks u-boats have any use in combat, but he proves everyone else wrong. Equal parts action and pathos, this is one that seems fairly routine at any given moment, but put all the moments together (especially the last few) and you get blown away by how good it is.

12:30pm / 11:30am – TCM – The Quiet Man
Ford and Wayne are probably best known for the westerns and war movies they made together, but this romantic drama may be the best of the bunch. Wayne is an American former boxer who travels to Ireland to seek his roots; he finds frequent costar Maureen O’Hara there and wants to marry her, but has to overcome her stubborn streak and her lunkish brother’s objections before he can. Filled with charm and humor, Ford received one of his Oscars for it. One wonders if it would’ve won Best Picture if it had come from a major studio instead of upstart Republic (consider that overblown corker The Greatest Show on Earth won that year). Must See

7:00pm / 6:00pm – Fox Movie Channel – Planet of the Apes
I saw this not knowing anything about the ending. I suggest that if you haven’t seen it and don’t already know the ending that you do the same. One of the classic sci-fi films.
(repeats at 4pm EST on the 1st and 3:30am EST on the 2nd)

8:00pm / 7:00pm – TCM – That’s Entertainment!
If you like musicals, you’ll love That’s Entertainment!, MGM’s celebration of its history of movie musicals. If you don’t like musicals…you won’t. It’s that simple. This was put together in 1974 as a theatrical release in honor of MGM’s 50th anniversary, so it’s really well put together and hosted by many of the stars who were there at the time (and some whose connection to MGM is tenuous at best – like Paramount’s Bing Crosby).

10:00pm / 9:00pm – Sundance – Adaptation
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
(repeats at 5:00am EST on the 1st)

10:30pm / 9:30pm – TCM – That’s Entertainment, Part 2
MGM couldn’t get all their great musical clips into one compilation film, so two years later they made another one. And it’s almost as good, especially because it includes some great non-musical moments as well.

12:00am / 11:00pm – Sundance – Eternal Sunshine of the Spotless Mind
Charlie Kaufman again, this time with Michel Gondry instead of Spike Jonze, and this may be his greatest collaboration – in fact, neither Kaufman nor Gondry apart from each other have matched the perfection of this film. After a painful breakup with his girlfriend Kate Winslet, Jim Carrey decides to undergo a procedure to remove her completely from his memory. But is forgetting the bad times worth losing the good? Must See

12:45pm / 11:45pm – TCM – That’s Entertainment III
This completes the That’s Entertainment! series, really (they did a straight-to-video That’s More Entertainment later), and they are starting to run out of clips. Still. If you liked the first two, it’s worth a watch.

3:00am / 2:00am – TCM – That’s Dancing!
The only downside to the That’s Entertainment series is that it only includes MGM films. That’s Dancing does rectify that, bringing in clips from other studios, but it doesn’t have the panache of MGM’s series.

Thursday, January 1

6:00am / 5:00am – Cartoon Network – Looney Tunes Marathon
Okay, folks, there’s a lot going on today moviewise, and you probably have other stuff going on on New Years, but Cartoon Network is showing like fourteen straight hours of Looney Tunes. This is like a gold mine. These cartoons are like sixty years old, and they’re still among the most hilarious and innovative films ever made, cartoon or live-action, short or feature-length. I’m pretty much going to be parked here all day, since I’ve seen almost all the stuff on TCM today. :) Not that I haven’t seen most of the Looney Tunes…never mind, reasoning broke down.

6:00am / 5:00am – TCM – Nothing Sacred
And TCM is devoting New Year’s Day (during the day at least) to screwball comedy, and that’s hard to pass up. In this one, terminally ill Carole Lombard gets a big newspaper to pay her way to New York and the high society life in exchange for her human interest story. Except she’s only pretending to be terminally ill. Oops.

6:00am / 5:00am – Fox Movie – The Seven Year Itch
I actually can’t remember much about this film (Tom Ewell had a mid-life crisis and dabbles with neighbor Marilyn Monroe), but it is the one with the iconic image of Marilyn’s skirt being blown up as she walks over a grate. So there’s that.
(repeats at 1:30pm EST)

9:00am / 8:00am – TCM – Libeled Lady
Throw William Powell, Myrna Loy, Spencer Tracy, and Jean Harlow all together in an MGM comedy, and you’re almost guaranteed a winner. And Libeled Lady delivers with a twisty story, fast-talking script, and the best these stars have to offer.

11:00am / 10:00am – TCM – Bringing Up Baby
Poor Cary Grant just can’t get away from delightfully ditzy Katharine Hepburn, especially after her dog steals his museum’s priceless dinosaur bone. Oh, and after her pet leopard escapes (and a dangerous zoo leopard escapes at the same time). Incredible situation follows incredible situation in this zaniest of all screwball comedies. Must See

4:15pm / 3:15pm – TCM – The Awful Truth
Married couple Cary Grant and Irene Dunne can’t stand living together any more and divorce, but they also can’t live apart and end up working overtime to sabotage each other’s new relationships. Epitomizes the battle-of-the-sexes aspect of screwball comedy perhaps better than any other film.

6:00pm / 5:00pm – TCM – It Happened One Night
Spoiled heiress Claudette Colbert runs off to marry against Daddy’s wishes, but gets sidetracked by reporter Clark Gable, who wants her story but ends up winning her heart. (Damn, that was corny. I apologize.) MGM sent Gable to Columbia to make this picture as a punishment for getting too big for his contract’s britches, but it backfired – he won an Oscar for his role, as did Colbert, director Frank Capra, writer Robert Riskin, and the film itself. Must See

8:00pm / 7:00pm – TCM – King Kong
The 1933 special effects are a bit creaky at times, but by and large with a little imagination, King Kong more than holds up to its remakes and imitators. I’m one that didn’t mind Peter Jackson’s version as much as a lot fo cinephiles did, but for the real King Kong, go back to the original.

10:00pm / 9:00pm – TCM – Them!
Atomic anxiety strikes again, this time in the form of radiation-created giant ants that threaten Texas and then California. I was actually far more entranced with this surprisingly solid 1950s sci-fi B-movie than I expected to be. Frankly, I loved it, and I wish we could still manage to make creature feature as simple and as simply great as this one.

11:00pm / 10:00pm – Fox Movie – Die Hard
All John McClane wants to do is get home for Christmas. But plans change, especially when a bunch of terrorists take over his wife’s office building and McClane has to take them out almost singlehandedly. And give us one of the best action movies ever made. The sequels are not that good. Skip ’em.

Friday, January 2

The networks overcrowded the 31st and the 1st, and ran out of good stuff for the 2nd. But then found a bunch more for the 3rd. Go figure.

Saturday, January 3

10:00am / 9:00am – IFC – The Cat’s Meow
I throw this in here because for a while it was one of my arguments that Kirsten Dunst is actually good if given the right part. Now Marie Antoinette is my argument for that, but The Cat’s Meow remains a fun little Hollywood period piece. Dunst plays Marion Davies, a 1920s actress who’s now better known for being William Randolph Hearst’s mistress – the film is set at one of Hearst’s parties at which producer Thomas Ince mysteriously died. Director Peter Bogdanovich has made 1920s-1930s nostalgia (often with a cinematic twist) his specialty, and while The Cat’s Meow ain’t no Last Picture Show or even Paper Moon, it’s still enjoyable.
(repeats at 4pm EST)

12:00pm / 11:00am – Fox Movie – Two for the Road
Once in a while a film comes out of nowhere and blindsides me with brilliance. Two for the Road is directed by Stanley Donen, best known for lighthearted musicals, comedies, and mysteries. It stars Audrey Hepburn and Albert Finney; Hepburn at least also best known for lighthearted, whimsical fare. But Two for the Road is one of the most thoughtful and adult films of the 1960s, and I mean that in a good way. It dissects Hepburn’s and Finney’s relationship, cutting back and forth between their meeting, their marriage, and their separation almost as if all three are happening at the same time – every moment of their life together becomes part of who they are and part of the sum of their relationship, and Donen has found the perfect way to depict that. Must See

2:00pm / 1:00pm – TCM – Invasion of the Body Snatchers
My favorite thing about this 1956 sci-fi classic is that it can be read either as pro-Left or pro-Right with very little difficulty (which shows just how close totalitarian Fascism and Communism end up being in practice). So it’s politically charged, but never in a way that feels overly heavy-handed and manipulative. Aliens are invading by taking over people’s bodies, turning them into emotionless pod people. They’ve tried remaking it a couple of times, but somehow it never ends up packing quite the punch of the original.

8:00pm / 7:00pm – TCM – Modern Times
Charlie Chaplin’s masterpiece (to my mind, anyway) thrusts our hapless Little Tramp into an overly mechanized factory world, brilliantly skewering the industrial revolution and its reduction of humanity to gears and cogs. He escapes with the gamine Paulette Goddard, who shines as much here as in any of her other films. It’s a mostly silent film, despite being made in 1936, but it’s hard to argue with any conviction that Chaplin was behind the times. Must See

8:00pm / 7:00pm – IFC – Fargo
This blackest of black comedies has it all: hitmen, theft, blackmail, murder, and woodchipper-as-body-disposal-mechanism, not to mention an extremely pregnant policewoman to sort it all out. The Coen Brothers spin one of their finest yarns (I place it third behind O Brother Where Art Thou and No Country For Old Men, which still leaves it really darn high in my overall film list), proving why they’re the masters of the everyday macabre. Must See
(repeats at 1:00am EST on the 4th)

11:00pm / 10:00pm – TCM – The 5,000 Fingers of Dr. T
Ooh, I haven’t seen this for such a long time! Let’s see what I remember…it’s based on a Dr. Seuss story about a kid who dreams his piano teacher is an evil prison-master. What I really remember is that it’s just about the most surreal and innovative children’s movie I’ve ever seen. I’d compare it only to Jean-Pierre Jeunet’s The City of Lost Children, except I wouldn’t actually show Jeunet’s film to kids. In any case, Dr. T‘s a trip that’s well-worth taking.

2:30am / 1:30am (4th) – TCM – Shall We Dance
Not one of Fred and Ginger’s best, but hey. It’s still Fred and Ginger.

Sunday, January 4

10:30pm / 9:30pm – TCM – The Red Shoes
Real ballerina Moira Shearer plays an aspiring ballerina in Michael Powell and Emeric Pressburger’s version of Hans Christian Anderson’s fairy tale. Actually, the fairy tale is the story within the story – the main story is more Svengali and Trilby, as a producer extraordinaire takes Shearer under his wing, but is outraged when she falls in love with poor young composer instead. In between all this is probably the greatest ballet sequence ever put on film (on a set that would never have fit on any stage), as the Anderson story becomes Shearer’s signature role. The Technicolor is breathtaking, too.

Non-related, probably non-interesting side note. I write a lot more when I’m tired (i.e., longer descriptions of the movies). Apparently the energy-intensive part of writing for me is not the actual writing, but the editing. Or the writing concisely.

Film on TV: December 8-14

Monday, 8 December

None. Can you believe it?

Tuesday, 9 December

11:30am / 10:30am – TCM – The Bad and the Beautiful
TCM is running a Kirk Douglas festival, but including both The Bad and the Beautiful and Two Weeks in Another Town (at 6pm) makes a nice double feature of Douglas/Vincente Minnelli/Hollywood-on-Hollywood films. Gloria Grahame won her Best Supporting Oscar for this one.

1:05pm / 12:05pm – IFC – Les enfants du paradise (Children of Paradise)
A shy mime loves a popular actress in this classic French film set in the artsy district in Paris. This is one of the most magical, beautiful, captivating films I’ve ever seen. It’s almost three hours long, and it feels like half that.

6:00pm / 5:00pm – TCM – Two Weeks in Another Town
I haven’t actually seen this one, but as a post-Bad and the Beautiful Minnelli/Douglas collaboration, I want to.

6:15pm / 5:15pm – IFC – Garden State
Somehow it has apparently become fashionable to hate on Garden State, but I refuse. I love it, and I don’t think that’s going to change any time soon.

4:00am / 3:00am (9th) – IFC – The Cooler
In this under-the-radar film, William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, introduced me to Maria Bello, and gave Alec Baldwin pretty his best role until 30 Rock.

Wednesday, 10 December

Nothing again! Wowsers.

Thursday, 11 December

8:30am / 7:30am – IFC – Strictly Ballroom
Baz Luhrmann’s Australia is now in theatres, and though I liked Australia quite a lot, it isn’t actually nearly as Australian as this first entry in his informal “Red Curtain” trilogy (the others being Romeo + Juliet and Moulin Rouge!). Strictly Ballroom has a Latin dancer shaking up the world of Australian ballroom competition by introducing his own moves. The film is exuberant, colorful, in-your-face, and fabulous.

11:35am / 10:30am – IFC – A Hard Day’s Night
Part concert film, part documentary, and part musical comedy, Richard Lester’s film depicts a day in the life of The Beatles, at the height of the British Invasion in 1964. It’s like a breath of fresh air when compared with the over-produced, bloated monsters that most musicals had become in the 1960s, and remains one of the best music-centric films ever made.
(repeats at 6:25am EST on the 12th)

11:45pm / 10:45pm – TCM – High Society
This is not one of the best music-centric films ever made, but it is the musical version of The Philadelphia Story, with both Bing Crosby and Frank Sinatra crooning it up with songs by Cole Porter. Oh, and one of Grace Kelly’s last roles before she retired to become a princess and stuff. Still, you wish with that pedigree that it were better than it is. Ah, well.

Friday, 12 December

8:00pm / 7:00pm – TCM – Little Women (1933)
A repeat from last week, but mentioning it again because this time it’s followed by its 1949 remake. This is the Katharine Hepburn-led version.

10:00pm / 8:00pm – TCM – Little Women (1949)
And this is the June Allyson-led version, though it tends to be marketed now (when it’s marketed at all) as the Elizabeth Taylor version – she plays Amy. The interesting thing is that the 1933 version and the 1949 version have basically the same exact script. I mean, almost to the word. Yet, the 1933 version is actually good, and this one is mediocre at best. Watch both and tell me I’m wrong.

Saturday, 13 December

2:15pm / 1:15pm – TCM – Gentlemen Prefer Blondes
I dare anyone to watch Gentlemen Prefer Blondes all the way through (and Some Like It Hot) and tell me that Marilyn Monroe either was a dumb blonde or played only dumb blondes. Her Lorelei Lee seems like the quintessential airhead, but she’s not – it’s a highly calculated act. Similarly, the film seems like a total fluff piece, but I rank it among my favorite comedies of all time. Jane Russell is equally brilliant as Lorelei’s smart-alecky cohort, and Howard Hawks proves yet again that he can direct any genre and make it amazingly special.

4:00pm / 3:00pm – TCM – Christmas in Connecticut
Geez, Christmas is coming close fast. How does this happen every year? Barbara Stanwyck has a way of making even routine films seems special, and that’s what she does here (and in the next film, Remember the Night). She’s a popular columnist who writes about her wonderful family and cozy farm, which is all well and good except she hasn’t got a wonderful family or cozy farm, and her editor has invited himself and a lucky soldier over for Christmas to experience the great things she writes about. Madcap coverups ensue, and her falling for the soldier doesn’t serve to untangle matters at all.

6:00pm / 5:00pm – TCM – Remember the Night
Again, not really a great film, but Stanwyck and Fred MacMurray (four years pre-Double Indemnity) make it an enjoyable one. Then again, I did see it when I was in the midst of a super-Stanwyck-fan phase, so I might have a biased memory of it.

Sunday, 14 December

5:30am / 4:30am – TCM – Singin’ in the Rain
If you haven’t seen this potentially greatest movie musical of all time, DO IT NOW. If you have? WATCH IT AGAIN.

8:00am / 7:00am – IFC – Jules et Jim
Francois Truffaut directs this enigmatic love triangle of a film, as Jules and Jim have their close friendship threatened by their mutual love for the elusive Catherine (the ever-perfect Jeanne Moreau). I’m due for a rewatch on it myself; I expect I’ll get a lot more out of it now than I did when I saw it several years ago, with only one other Truffaut and no other New Wave films under my belt.

10:00pm / 9:00pm – Sundance – Adaptation
Spike Jonze and Charlie Kaufman followed Being John Malkovich with this film, which seems to be just as polarizing. In typical Kaufman-esque self-referentiality, Nicolas Cage plays a writer named Charlie Kaufman struggling to adapt a book to film. Adding to his difficulty is his doppelganger, Donald Kaufman, who writes blockbuster movies with ease. The film becomes an exploration of the adaptation process, as well as the Hollywoodization of screenplays. Many people think it falls apart toward the end, but I think it only seems to; in fact, what happens to Charlie’s sceenplay within the film happens TO the film as well. It’s trippy, but it’s brilliant.

2:15am / 1:15am (15th) – TCM – Das Boot
Another one I haven’t seen, but gets highly recommended to me quite often. Wolfgang Petersen’s most well-known pre-Hollywood film set aboard a submarine. Yeah, I really don’t know much more about it than that, but it routinely makes it onto “best non-English language film” type lists.

3:30am / 2:30am (15th) – IFC – Chicago
This is one of the films that started making movie musicals a viable genre again, and for that, I thank it. I also happen to like it quite a lot on its own terms.