Tag Archives: Broadway Danny Rose

Film on TV: November 30-December 6

yeller_rex_159750s.jpg
Old Yeller, playing on TCM on Friday at 6:00am

Almost ALL repeats this week – seriously, the only two ones I added are Old Yeller, playing on TCM on Friday, and Christmas in Connecticut, on TCM on Sunday. The former is a family classic that every kid should grow up seeing (I’m of the school, though, that believes children shouldn’t be sheltered from death in film) and the latter is a lesser holiday entry that’s still enjoyable thanks to Barbara Stanwyck’s engaging performance. There are still plenty of good repeats to go around, though, so check for stuff you may have missed.

I’m really sorry for not getting this posted last night; I have no excuse, really. I simply forgot – had the template all laid out and then didn’t think about it again until this morning. I’ll try not to let it happen again.

Tuesday, December 1

6:30am – TCM – The Man Who Knew Too Much (1934)
Hitchcock’s first take on this story of an attempted assassination and associated kidnapping stars Peter Lorre as one of the bad guys. I haven’t seen it myself yet, but many people claim it’s better than his glossier Hollywood remake.
1934 UK. Director: Alfred Hitchcock. Starring: Peter Lorre, Leslie Banks, Edna Best.

9:30am – TCM – The Lady from Shanghai
Most of Welles’ films, no matter the genre, feel a little noirish in mood, but The Lady from Shanghai is the real thing, complete with fatalistic hero who gets dragged into a murder plot by a femme fatale (Rita Hayworth).
1948 USA. Director: Orson Welles. Starring: Orson Welles, Rita Hayworth.

6:00pm – TCM – Take the Money and Run
An early Woody Allen movie, when he was mostly focused on being funny and absurd, and this film about a set of totally inept bank robbers is both. It’s actually my favorite of the pre-Annie Hall Allen films.
1969 USA. Director: Woody Allen. Starring: Woody Allen, Janet Margolin.

7:15pm – IFC – Before Sunrise
Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done.
1995 USA. Director: Richard Linklater. Starring: Ethan Hawke, Julie Delpy.
Must See
(repeats at 7:45am and 1:15pm on the 2nd)

Wednesday, December 2

9:30am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 3:00pm)

7:55pm – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See

8:00pm – TCM – The Petrified Forest
Bette Davis and Leslie Howard are top billed in this 1936 crime drama, but the thing you’ll remember is Humphrey Bogart in his first major film role as criminal-on-the-run Duke Mantee. They’re all holed up in a remote gas station while Mantee figures out his scheme to escape the manhunt for him. He fairly sizzles on screen.
1936 USA. Director: Archie Mayo. Starring: Bette Davis, Leslie Howard, Humphrey Bogart, Genevieve Tobin, Dick Foran.

1:30m (3rd) – TCM – Angels With Dirty Faces
One of the classic gangster pictures has James Cagney as a criminal idolized by the youth of Hell’s Kitchen and Pat O’Brien as Cagney’s boyhood buddy who grew up to be a priest. Though the two remain friends, they wind up understandably at odds with each other when O’Brien starts working to clean up the neighborhood.
1938 USA. Director: Michael Curtiz. Starring: James Cangye, Pat O’Brien, Ann Sheridan, Humphrey Bogart.

Thursday, December 3

12:30am (4th) – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See

Friday, December 4

6:00am – TCM – Old Yeller
One of the great tear-jerker family films, about a family in the old west who adopt a stray dog, growing to love and depend on the animal in the absence of their father (away on a cattle drive). Ah, yes, the good old days, when kids movies weren’t all happy-peppy all the time.
1957 USA. Director: Robert Stevenson. Starring: Dorothy Maguire, Fess Parker, Tommy Kirk, Kevin Corcoran.
Must See
Newly Featured!

7:30am – TCM – The 400 Blows
Francois Truffaut’s first feature, a semi-autobiographical look at a boy’s childhood in Paris, dealing with strict teachers, fighting parents, etc. This film along with Jean-Luc Godard’s Breathless usually mark the beginning of the New Wave. Truffaut’s sentimental tendencies come out already, as well as his incredible ability to direct children to great performances. Jean-Pierre Leaud would go on to star in many more Truffaut films, but for me, his adult roles never match this one.
Must See

8:15am – IFC – The Station Agent
One of the most pleasant surprises (for me, anyway) of 2003. Peter Dinklage moves into a train depot to indulge his love for trains and stay away from people, only to find himself befriended by a loquacious Cuban hot-dog stand keeper and an emotionally delicate Patricia Clarkson. A quiet but richly rewarding film.
2003 USA. Director: Thomas McCarthy. Starring: Peter Dinklage, Patricia Clarkson, Bobby Cannavale.
(repeats at 4:00pm)

12:00M – IFC – Shadow of the Vampire
What if actor Max Schreck, who played the vampire in F.W. Murnau’s 1922 Nosferatu, actually WAS a vampire and kept eating various members of the cast and crew? That’s the premise set forth by this slight but entertaining film, with John Malkovich as Murnau and Willem Dafoe as the eccentric Schreck.
2000 USA. Director: E. Elias Merhige. Starring: John Malkovich, Willem Dafoe, Cary Elwes, Catherine McCormack.

Saturday, December 5

9:55am – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See
(repeats at 3:05pm)

3:15pm – TCM – The Clock
This was Judy Garland’s first real purely dramatic role, directed by her then-husband Vincente Minnelli in 1945. It’s a wartime story of a soldier on leave (Robert Walker) who meets a girl (Garland) and their attempts to get married before he has to return to his unit. It’s a sweet, unassuming little film that showcases Garland’s charm quite well, and has a nice supporting role for comedian Keenan Wynn.
1945 USA. Director: Vincente Minnelli. Starring: Judy Garland, Robert Walker, Keenan Wynn.

5:00pm – TCM – My Fair Lady
George Cukor finally won an Oscar in 1964 for this film, a high-quality adaptation of Lerner and Loewe’s musical, itself an adaptation of George Bernard Shaw’s Pygmalion, itself based on the Greek story of Svengali and Trilby. Rex Harrison and Audrey Hepburn acquit themselves well as phonetics professor Henry Higgens and street urchin Eliza Doolittle. I guess I just find it a bit overlong and overproduced, as most 1960s musicals were, but I’m in the minority.
1964 USA. Director: George Cukor. Starring: Rex Harrison, Audrey Hepburn, Stanley Holloway, Wilfrid Hyde-White.

8:00pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.1999 USA. Director: Mike Judge. Starring: Ron Livingston, Jennifer Aniston.
(repeats at 1:00am on the 6th)

10:00pm – Sundance – Adaptation.
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
2002 USA. Director: Spike Jonze. Starring: Nicolas Cage, Meryl Streep, Tilda Swinton, Chris Cooper.
(repeats at 3:35am on the 6th)

11:15pm – IFC – Garden State
First-time director Braff brings his quirky personality and taste in indie music to this story of a young man who returns to his home town for the first time in years for his mother’s funeral. While there, he meets a girl who teaches him how to feel for the first time since his father started prescribing meds to him as a child. It’s become a popular pastime to hate on Garden State and its self-conscious quirk, but I refuse. I loved it when I first saw it, and I love it now.
2004 USA. Director: Zach Braff. Starring: Zach Braff, Natalie Portman, Peter Sarsgaard.
(repeats at 4:15am and 12:30pm on the 6th)

Sunday, December 6

6:00am – IFC – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See
(repeats at 2:15pm)

12:00N – TCM – Christmas in Connecticut
Not in the upper echelon of great Christmas movies, but really, how many times in a row can you watch those over and over (okay, actually, a lot, but I digress). The always-worth-watching Barbara Stanwyck is a magazine columnist who makes up a traditional country home for her column while living in New York, a subterfuge which causes no problems until a serviceman on leave wants nothing more than to spend Christmas on her farm and her editor thinks it’s a great human interest piece. Her attempts to recreate that world while falling for the serviceman are funny, warm, and enjoyable enough to add this to your holiday rotation.
1945 USA. Director: Peter Godfrey. Starring: Barbara Stanwyck, Dennis Morgan, Sydney Greenstreet, Reginald Gardiner, S.Z. “Cuddles” Sakall, Una O’Connor.
Newly Featured!

5:55am (7th) Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See

Film on TV: October 12-18th

O Brother.jpg
O Brother Where Art Thou, playing on October 15th at 10pm on TCM

Mostly a lot of repeats this week, but a lot of those are extremely good – be sure to check through for anything you might’ve missed in previous weeks. Among the newly featured films, don’t miss Fellini’s masterpiece 8 1/2 on Monday, Whit Stillman’s Metropolitan (a film which ought to be better-known than it is) on Tuesday, and The Misfits (the last film for both Clark Gable and Marilyn Monroe) on Sunday. Also, TCM’s doing a tribute to the Depression era on Thursday night, showing two of my favorite ’30s throwback films, Paper Moon and O Brother Where Art Thou, as well as They Shoot Horses, Don’t They, which I have yet to see. And TCM’s one notable horror entry of the month is Dreyer’s Vampyr, playing late on Sunday.

Monday, October 12th

7:00am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 12:00N and 5:00pm)

8:25am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
2004 UK. Director: Danny Boyle. Starring: Alex Etel, Lewis McGibbon, James Nesbitt, Daisy Donovan, Christopher Fulford.
(repeats at 1:25pm)

1:45pm – TCM – 8 1/2
Federico Fellini translates his creative block in making his next film into a film about a director with a creative block – and in so doing, makes one of the most brilliant and creative films of all time.
1963 Italy. Director: Federico Fellini. Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée.
Must See
Newly Featured!

8:00pm – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See
(repeats at 1:45am and 1:45pm on the 13th)

9:45pm – IFC – Annie Hall
Often considered Woody Allen’s transition film from “funny Woody” to “serious Woody,” Annie Hall is both funny, thoughtful, and fantastic. One of the best scripts ever written, a lot of warmth as well as paranoid cynicism, and a career-making role for Diane Keaton (not to mention fashion-making).
1977 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane.
Must See
(repeats at 3:35am and 10:15am on the 13th)

Tuesday, October 13th

8:35am – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See
(repeats at 4:00am on the 14th)

12:00M – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
Newly Featured!

3:45am (14th) – TCM – Angels with Dirty Faces
One of the classic gangster pictures has James Cagney as a criminal idolized by the youth of Hell’s Kitchen and Pat O’Brien as Cagney’s boyhood buddy who grew up to be a priest. Though the two remain friends, they wind up understandably at odds with each other when O’Brien starts working to clean up the neighborhood.
1938 USA. Director: Michael Curtiz. Starring: James Cangye, Pat O’Brien, Ann Sheridan, Humphrey Bogart.

Wednesday, October 14th

11:30am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (”comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly.
2003 USA. Directors: Shari Springer Berman & Robert Pulcini. Starring: Paul Giamatti, Hope Davis.
(repeats at 4:30pm)

7:40pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator working for the Nazis assigned is to eavesdrop on a famous writer who may be working for the Resistance – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.

8:00pm – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall

8:00pm – Fox Movie Channel – Miller’s Crossing
The Coen brothers take on 1930s gangland with this film, and do so admirably well. As they do most things. I have to admit I wasn’t quite as enamored of it as I usually am of Coen films, but it definitely has its moments.
1990 USA. Director: Joel Coen. Starring: Gabriel Byrne, Marcia Gay Harden, John Turturro, Jon Polito, Albert Finney.

10:00pm – Fox Movie Channel – Barton Fink
One of the Coen Brothers’ most brilliant dark comedies (heh, I think I say that about all of their dark comedies, though), Barton Fink follows its title character, a New York playwright whose hit play brings him to the attention of Hollywood, where he goes to work for the movies. And it all goes downhill from there. Surreal, quirky, and offbeat, even among the Coens work. It’s based loosely on the experiences of Clifford Odets, whose heightened poetic style of writing has clearly been influential on the Coens throughout their career.
1991 USA. Director: Joel Coen. Starring: John Turturro, John Goodman, Judy Davis, Michael Lerner, Tony Shalhoub.
(repeats at 2:30am on the 15th)

10:30pm – Sundance – 4 Months, 3 Weeks and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See
(repeats at 4:20am on the 15th)

Thursday, October 15th

2:30pm – TCM – The War of the Worlds (1953)
The post-H.G. Wells, post-Orson Welles, pre-Steven Spielberg version. Mysterious ships land, disintegrate people with their laser beams, and generally wreak havok. The special effects are hokey now, of course, but still pretty cool-looking in a retro way; the really interesting thing is the way Haskin cut in actual newsreel war footage to lend an air of realism in with all of George Pal’s science fiction effects.
1953 USA. Director: Byron Haskin. Starring: Gene Barry, Ann Robinson.

8:00pm – TCM – Paper Moon
Peter Bogdanovich is known for his nostalgic streak, and he’s never worn it more firmly on his sleeve than with this film – a homage both to the 1930s and the films from that time period. Shot in lovely black and white, it follows the exploits of a con man and the young girl he begrudgingly lets accompany him, only to discover that she’s a tremendous asset to his “business.” Real-life father and daughter Ryan and Tatum O’Neal play off each other perfectly (so well on Tatum’s part that at age ten she became the youngest person to ever win an Oscar). There’s not a lot to the story, but Bogdanovich’s loving attention to detail, a strong script and performances, and a scene-stealing turn by Madeline Khan can’t fail to charm.
1973 USA. Director: Peter Bogdanovich. Starring: Ryan O’Neal, Tatum O’Neal, Madeline Khan, John Hillerman, P.J. Johnson.
Must See
Newly Featured!

8:15pm – Sundance – Wristcutters: A Love Story
Patrick Fujit slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.
2006 USA. Director: Goran Dukic. Starring: Patrick Fujit, Shannyn Sossamon, Abraham Benrubi, Will Arnett.
(repeats at 4:00am on the 16th)

10:00pm – TCM – O Brother Where Art Thou
I have great love for nearly all the Coen Brothers films, but O Brother Where Art Thou is the one I keep coming back to again and again. From its brilliant appropriation of The Odyssey to its oddball evocation of the American South, from the sublime to the just plain goofy, from its use of classic cinema tropes to the washed-out color scheme, it’s simply perfect.
2000 USA. Director: Joel Coen. Starring: George Clooney, John Turturro, Tim Blake Nelson, Holly Hunter, John Goodman.
Must See
Newly Featured

10:30pm – IFC – The Cooler
In this under-the-radar film, William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty much his best role until 30 Rock.
2003 USA. Director: Wayne Cramer. Starring: William H. Macy, Mario Bello, Alec Baldwin.

Friday, October 16th

5:00pm – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 9:45am and 3:15pm on the 17th)

Saturday, October 17th

4:30pm – Fox Movie Channel – Two for the Road
Once in a while a film comes out of nowhere and blindsides me with brilliance. Two for the Road is directed by Stanley Donen, best known for lighthearted musicals, comedies, and mysteries. It stars Audrey Hepburn and Albert Finney; Hepburn at least also best known for lighthearted, whimsical fare. But Two for the Road is one of the most thoughtful and adult films of the 1960s, and I mean that in a good way. It dissects Hepburn’s and Finney’s relationship, cutting back and forth between their meeting, their marriage, and their separation almost as if all three are happening at the same time – every moment of their life together becomes part of who they are and part of the sum of their relationship, and Donen has found the perfect way to depict that.
1967 USA. Director: Stanley Donen. Starring: Audrey Hepburn, Albert Finney.
Must See

10:00pm – Sundance – Eraserhead
David Lynch’s first feature is a weird post-apocalyptic dreamscape of a film – what, you were expecting something normal? When you can have industrial decay and mutant babies?
1977 USA. Director: David Lynch. Starring: Jack Nance, Charlotte Stewart.

2:30am (18th) – TCM – The African Queen
One of several films John Huston and Humphrey Bogart made together pits Bogart against the Amazon river – and straight-laced missionary Katharine Hepburn, who is forced to travel with him to escape Germany enemies. Well, boats are small, and one things leads to another, you know.
1951 USA. Director: John Huston. Starring: Humphrey Bogart, Katharine Hepburn, Robert Morley.

Sunday, October 18th

7:45am – Fox Movie Channel – My Darling Clementine
John Ford’s version of the famous confrontation at the OK Corral actually focuses more on Wyatt Earp’s fictional romance with the fictional Clementine than on the real-life Earp/Clanton feud, but history aside, this is one of the greatest and most poetic westerns on film, proving yet again Ford’s mastery of the genre and of cinema.
1946 USA. Director: John Ford. Starring: Henry Fonda, Victor Mature, Linda Darnell, Cathy Downs, Walter Brennan, Tim Holt.
Must See

1:00pm – TCM – Anatomy of a Murder
One of the best courtroom dramas ever made – James Stewart vs. George C. Scott as lawyers on a murder/rape trial that may not be quite what it seems. And that’s aside from the top-notch jazz score by Duke Ellington, which is in itself reason enough to see the film.
1959 USA. Director: Otto Preminger. Starring: James Stewart, George C. Scott, Lee Remick.
Must See

4:00pm – TCM – The Misfits
John Huston directs and Arthur Miller writes this final film for both Clark Gable and Marilyn Monroe. Though the film is remembered for that tragic fact, it’s also a pretty solid film on its own, about a divorcee caught between two rough and ready men of the west (Gable and Montgomery Clift), then opposing them when she discovers their plans for the wild horses in the area. And of course, with Miller behind it, there’s far more going on than just that.
1961 USA. Director: John Huston. Starring: Clark Gable, Marilyn Monroe, Montgomery Clift, Thelma Ritter, Eli Wallach.
Newly Featured!

6:15pm – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.
1941 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, Joan Leslie, Ida Lupino.

10:00pm – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 5:15am on the 19th)

2:00am (19th) – TCM – Vampyr (1932)
Carl Theodor Dreyer takes on the vampire genre with this moody and imaginative entry. Dreyer and his cinematographer Rudolph Mate are both visual artists of the highest degree, and though I haven’t seen Vampyr yet, it’s one I’ve been anticipating for a long while, so I’m thankful TCM is including it this month.
1932 Germany. Director: Carl Theodor Dreyer. Starring: Julian West, Maurice Schutz, Rena Mandel, Sybille Schmitz.
Newly Featured!

Film on TV: June 8-14

vlcsnap-12520200.png
Singin’ in the Rain, playing Tuesday, June 9th at 12:30am on TCM

This week, TCM continues their celebration of great directors with Stanley Donen, Fred Zinnemann, Preston Sturges, Akira Kurosawa, Woody Allen, Billy Wilder, and Howard Hawks. They also seem to be doing director mini-marathons for John Huston, Michael Powell & Emeric Pressburger, and Val Lewton/Jacques Tourneur, though they aren’t officially in the Great Director series. Whether they should be or not is definitely arguable. And IFC and Sundance have a few gems to throw in, as well.

Monday, June 8

12:45pm – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).

6:15pm – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.

Great Directors on TCM: Stanley Donen
Stanley Donen shone at directing flashy musicals and mod comedies throughout the 1950s and 1960s. The films he co-directed with Gene Kelly (On the Town and Singin’ in the Rain, see below) stand among the best musicals ever made, and his later films like Charade and Arabesque merged Hitchcockian thrills with 1960s comic panache in a way that no-one else really matched.

9:00pm – TCM – On the Town
Sailors on leave Gene Kelly, Frank Sinatra, and Jules Munshin hit New York City, spending the day sightseeing and searching for Kelly’s dream girl Vera-Ellen, meanwhile picking up Betty Garrett and Ann Miller for the other boys. Not much plot here, but enough to precipitate some of the best song and dance numbers on film. Also one of the first musicals shot on location. Must See

9:45pm – IFC – Far From Heaven
Director Todd Haynes homages 1950s melodrama king Douglas Sirk with this film, loosely based on Sirk’s All That Heaven Allows. I don’t think he succeeded as well as he might’ve (Sirk’s sort of in a class by himself), but he and lead Julianne Moore make a darn good attempt. Moore plays a 1950s housewife, trapped in her marriage to a man struggling with his own sexual identity (Dennis Quaid), and slowly falling into an affair with her black gardener (Dennis Haysbert).
(repeats at 3:30am)

10:45pm – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).

12:30am (9th) – TCM – Singin’ in the Rain
After On the Town, Stanley Donen and Gene Kelly teamed up for what is now usually considered one of the greatest musicals of all time. Inspired by songs written by MGM producer Arthur Freed at the beginning the sound era, Singin’ in the Rain takes that seismic shift in film history for its setting, focusing on heartthrob screen couple Don Lockwood (Kelly) and Lina Lamont (the hilarious Jean Hagen) as the transition into sound – problem being that Lamont’s voice, like many actual silent screen stars, doesn’t fit her onscreen persona. Hollywood’s often best when it turns on its own foibles, and this is no exception. Must See

2:30am (9th) – TCM – Seven Brides for Seven Brothers
What do you do when you’re seven brothers in the backwoods and need wives? Why, go kidnap them of course! Patriarchal values aside, Seven Brides is one of the most entertaining movie musicals ever made, and I defy anyone to outdo the barn dance/raising scene.

Tuesday, June 9

6:00am – TCM – I Know Where I’m Going!
This is one of those little films that doesn’t get much press and is very quiet and unassuming, but once you watch it you won’t easily forget it. Wendy Hiller is a confident young woman who knows exactly what she wants and where she’s going – that is, to meet her wealthy fiance and marry him on one of the Scottish Hebrides. But when a storm strands her on the way, she finds herself thrown off-course in more ways than one. There’s nothing wasted here, and I Know Where I’m Going! stands as one of Michael Powell and Emeric Pressburger’s crowning achievements, even if it’s not as well-known as Black Narcissus or The Red Shoes.

1:00pm – TCM – A Matter of Life and Death
An RAP pilot bails out of his crashing plane and survives, even though he was meant to die, due to a mix-up in heaven. He’s granted the chance to plead his case for life in a heavenly trial in Powell & Pressburger’s fantasy drama. I haven’t seen this one, but I have friends who place it among their all-time favorites, so I’m looking forward to it.

5:15pm – TCM – The Life and Death of Colonel Blimp
Another Powell & Pressburger film I haven’t seen, this one follows an idealistic army colonel from the Boer War through WWII, focusing on his romantic pursuits as well as the changes in military strategy and notions of honor. I find WWI films interesting for the juxtaposition of modern warfare with 19th century nobility, and looks like this will draw on that. Plus, really young Deborah Kerr.

6:05pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.

Great Directors on TCM: Fred Zinnemann
I don’t tend to think of Fred Zinnemann when I think of great directors, and I’m sure that’s influenced by my auteurist outlook. Yet I do quite like several of the films he’s directed, such as the ones below.

8:00pm – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.

9:30pm – TCM – Oklahoma!
I can’t begin to guess how many times I watched Oklahoma! growing up, but it’s well into double-digits. It’s a nothing story, about minor conflicts between farmers and cowboys, a couple of young lovers, and the obsessive farmhand who wants the girl for himself. It’s the way the music and dancing is integrated that’s wonderful (and groundbreaking in the 1943 play the film is based on). It’s worthwhile just for the surreal dream ballet in the middle.

12:00M – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.

Wednesday, June 10

6:00am – TCM – Kiss Me Kate
It’s hard to improve Shakespeare, but it usually works best to place his stories and words in a new context. Kiss Me Kate does just that by coupling a musical version of Taming of the Shrew with a backstage story that mirrors Shrew‘s fighting protagonists. Great supporting work from Ann Miller, James Whitmore, Keenan Wynn, etc. helps out leads Howard Keel and Kathryn Grayson considerably, as do Cole Porter’s songs.

7:00am – Sundance – Nights of Cabiria
Nights of Cabiria and La Strada, two films that Federico Fellini made during his sorta-neo-realist phase in the mid-1950s with Giulietta Masina, always stand out to me almost even more than his more famous, more flamboyant 1960s films like 8 1/2 and La Dolce Vita. Nights of Cabiria casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen. Must See
(repeats at 6:00pm, and 1:00pm on the 13th, and 5:00am on the 14th)

Great Directors on TCM: Preston Sturges
Preston Sturges is responsible, as writer and director, for many of the most insane, provocative, and lasting comedies of the early 1940s. He consistently pushed envelopes, and while some of his films may come across a little shrill today, I still love them to pieces.

8:00pm – TCM – The Lady Eve
Barbara Stanwyck and her father Charles Coburn are cardplayers, cheating cruise ship denizens of their wealth. Millionaire (and snake afficianado) Henry Fonda is a good mark, especially since he’s a bit dense and spacey. Stanwyck’s plot is hugely elaborate, only a little muddled by her falling in love with Fonda as well, and she’s a delight from start to finish. As she usually is. Must See

10:00pm – TCM – Sullivan’s Travels
Sullivan’s Travels is a slightly more serious turn for Preston Sturges, but ultimately upholds his comedic tendencies. Joel McCrea is a filmmaker known for his comedies who decides he wants to make a serious film about the depression; but as a successful Hollywood director, he doesn’t know anything about poverty and the working class, so he embarks on an odyssey to learn about them, picking up waifish Veronica Lake as a traveling companion. Must See

12:00M – TCM – The Palm Beach Story
Similar in tone but less consistent than The Lady Eve, this film follows bickering couple Joel McCrea and Claudette Colbert as she leaves him to gold dig for a richer man. He follows her, pretending to be her brother, and they get all entangled with a wealthy brother and sister. The ending is a weak bit of trickery, but there are enough moments of hilarity to make it worth watching.

2:00am (11th) – The Miracle of Morgan’s Creek
Preston Sturges’ zaniest and most irreverent comedy gives Betty Hutton her best role as Trudy Kockenlocker, who goes out for a night on the town with a group of soldiers about to ship out. A few months later, she finds out she’s pregnant and can only vaguely remember an impromptu wedding ceremony with a soldier who may or may not be named Ratskiwatski. I’m always impressed that Sturges got away with as much as he did in this film in 1944.

Thursday, June 11

7:45am – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.

2:00pm – TCM – The Maltese Falcon
Humphrey Bogart inhabits the role of Dashiell Hammett’s private eye Sam Spade, creating one of the definitive on-screen hard-boiled detective (vying only with Bogart’s Philip Marlowe in The Big Sleep, really). Not mention setting the early benchmark for noir films. Must See

3:45pm – TCM – The Treasure of the Sierra Madre
One of Bogart’s best films casts him as greedy prospector Fred C. Dobbs, who teams up with old-timer Walter Huston and youngster Tim Holt to find a horde of gold. Along the way, they uncover instead the darker sides of human nature. One of director John Huston’s most impressive films.

6:00pm – TCM – The African Queen
Yet another team up of John Huston and Humphrey Bogart pits Bogart against the Amazon river – and straight-laced missionary Katharine Hepburn, who is forced to travel with him to escape Germany enemies. Well, boats are small, and one things leads to another, you know.

Great Directors on TCM : Akira Kurosawa
Between his flawless translations of American genre films (especially crime films and westerns) to Japanese settings both contemporary and medieval, his groundbreaking experiments with cinematic point of view and narrative reliability, and his brilliant juxtapositions of Shakespeare with Japanese tradition, Akira Kurosawa can easily claim to be one of the greatest and most influential directors of all time.

8:00pm – TCM – The Seven Samurai
Probably Kurosawa’s best-known film, The Seven Samurai is an eastern version of a Western, with down-on-their-luck samurai (led by Kurosawa regular Toshiro Mifune) working together to help a ravaged village hold off bandit invaders. Completing the cycle of cinematic borrowing, the film was remade in the US as The Magnificent Seven. Must See

10:00pm – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision.

Friday, June 12

12:30pm – TCM – Out of the Past
Out of the Past comes up in most conversations about film noir. It’s got all the elements: low-key lighting (due in this case to budgetary concerns), an existential anti-hero (Robert Mitchum), a femme fatale (Jane Greer), etc. It’s honestly not my favorite noir, but it’s a good one to see once.

2:00pm – Sundance – A Woman Under the Influence
Gena Rowlands gives a tour-de-force performance as Mabel, a woman whose teetering madness threatens her marriage to Nick (Peter Falk). Their relationship edges back and forth between love, frustration, and anger with amazing quickness, yet it’s not clear whether Mabel’s instability is causing the problems, or the other way around. John Cassavetes directs with an unwavering camera, refusing to look away.

5:15pm – TCM – I Walked With a Zombie
Or, Jane Eyre in the West Indies. In Val Lewton’s moody little fantastic horror flick, mousy nurse Betsy goes to the Caribbean to care for afflicted Jessica, the wife of an important plantation owner. Turns out her affliction is due to zombification, a curse of the voodoo-practicing natives. Certainly the acting and script are nothing special here, but the noirish cinematography and direction by Jacques Tourneur as well as producer Lewton’s peculiarly literary sensibility certainly are.

6:30pm – TCM – Cat People
Val Lewton and Jacques Tourneur team up for this suggestive horror film, tapping into Eastern European legends of women who turn into cats to protect themselves against oppressive male attention. Highly creepy while showing almost nothing – and I happen to quite like that in a film.

Great Directors on TCM: Woody Allen
Woody Allen is one of the most prolific writer/directors currently working, having turned out a new film nearly every year since the early 1970s. He’s gone through several creative phases, gained and lost popularity, been in and out of the tabloids, etc etc ad nauseum. But when he’s on, he manages to create films that are by turn watchably philosophical, absurdly hilarious, movingly emotional, cinematically and personally nostalgic, and caustically witty. TCM’s hitting almost every base with the films they’ve chosen – throw in Crimes and Misdemeanors and it’d be perfect.

9:45pm – TCM – Broadway Danny Rose
In this lesser Woody Allen film, Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not only does Danny worry about the tenor’s wife, he also gets himself in trouble with the woman’s family.

11:15pm – TCM – Hannah and Her Sisters
Say what you want about Annie Hall and even Manhattan, both of which I love, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do. Must See

1:15am (13th) – TCM – The Purple Rose of Cairo
A love letter to cinema, The Purple Rose of Cairo has Woody Allen at his most romantic. Unhappy housewife Cecilia (Mia Farrow) escapes to the cinema to see The Purple Rose of Cairo again and again, where she fantasizes over hunky character Tom Baxter (Jeff Daniels). Much to her surprise (and the other characters’ consternation), Baxter steps off the screen to join her. It makes it even more complicated when Gil, the actor who played Baxter, turns up as well.

2:45am (13th) – TCM – Interiors
In case anyone doubted Woody Allen’s admiration for Ingmar Bergman, he made this film to prove it. Interiors is about the best imitation of a Bergman chamber drama you could ask for, down to the spare set design, strained family relations, and a climax involving an angry sea. Still, it is also very much Allen’s film – his first straight drama – focusing on deeply neurotic, introspective characters unable to get outside their own heads for long enough to form really true relationships.

4:30am (13th) – TCM – Take the Money and Run
An early Woody Allen movie, when he was mostly focused on being funny and absurd, and this film about a set of totally inept bank robbers is both. It’s actually my favorite of the pre-Annie Hall Allen films.

Saturday, June 13

Great Directors on TCM: Billy Wilder
Billy Wilder had an incredible ability to make definitive films in most genres – screwball comedy, film noir, socially conscious drama, bittersweet comedy-drama. Rarely are his films bad; most of the time they’re brilliant.

8:30am – TCM – The Apartment
Wilder had a knack for combining comedy and drama into bittersweet goodness, and that’s exactly what he does here, garnering Oscars for Picture, Director, and Screenplay in the process. Jack Lemmon lends his apartment to his boss Fred MacMurray for romantic trysts – a situation that gets even more complicated when MacMurray trysts with Shirley MacLaine, who Lemmon happens to love from afar. Everything comes together perfectly in this film, one of Wilder’s best. MUST SEE

3:30pm – TCM – Some Like It Hot
After musicians Tony Curtis and Jack Lemmon unwittingly witness the St. Valentines Day Massacre, they have to escape the mob by impersonating women and joining an all-girls band. The fact that Marilyn Monroe is the band’s lead singer doesn’t help them stay undercover. Easily one of the greatest comedies ever put on film. Must See

8:00pm – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
(repeats at 1:00am on the 14th)

10:15pm – TCM – Double Indemnity
Quite probably the most definitive film noir film in existence (vying only with The Big Sleep in my head, anyway) has insurance salesman Walter Neff (Fred MacMurray) being seduced by bored housewife Phyllis Dietrichson (Barbara Stanwyck) and convinced by her to help murder her husband for the insurance money. Wilder’s crackling dialogue and Stanwyck’s perfectly tuned mixture of calculation and innocence can hardly be beat. Must See

12:15am (14th) – TCM – Sunset Boulevard
Billy Wilder’s classic noir explores the dark side of the rich and formerly famous, as a struggling screenwriter (William Holden) gets involved with a silent screen star seeking to make a comeback in the sound era. In one of the most brilliant cast films ever, actual silent screen star Gloria Swanson returned to the movies to play the delusional Norma Desmond and actual silent star/director Erich von Stroheim (who worked with Swanson on the never-finished Queen Kelly, portions of which appear in Sunset Boulevard) plays her former director/current butler. The film is a bit on the campy side now, but that doesn’t diminish its enjoyability one bit. Must See

Sunday, June 14

Great Directors on TCM: Howard Hawks
Even more so than Wilder, Howard Hawks genre-shifted with ease, including westerns and musicals along with comedies, action films, noir and drama. Yet they all somehow bore his stamp, making him one of the first directors given auteur status by the French film critics who coined the term. (I tend to have more difficulty finding his stamp than I do with, say, Hitchcock – someday I’m going to a specifically auterist study of Hawks so I can write about him more knowledgably. For now I only know that I usually like most everything he did.)

9:30am – TCM – Sergeant York
Gary Cooper won his first Oscar for this film, portraying pacifist-turned-WWI hero Alvin C. York. Unfortunately, I’ve never actually seen it all the way through, so I don’t have much more to offer about it.

12:00N – TCM – Bringing Up Baby
Poor Cary Grant just can’t get away from delightfully ditzy Katharine Hepburn, especially after her dog steals his museum’s priceless dinosaur bone. Oh, and after her pet leopard escapes (and a dangerous zoo leopard escapes at the same time). Incredible situation follows incredible situation in this screwiest of all screwball comedies. Must See

2:00pm – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for.

4:00pm – TCM – His Girl Friday
This is a remake of a 1931 film called The Front Page about newspaper buddies who go after a major story – Hawks took it to a whole new level by turning one of the men into a woman, and setting reporters Rosalind Russell and Cary Grant as a former couple, now divorced who can’t seem to stay apart, either personally or professionally. The dialogue is a stroke of genius, as well, overlapping in a maelstrom of words that’s overwhelming and delightful all at the same time. I call this one of the greatest American films ever made. Must See

6:00pm – TCM – Ball of Fire
Hawks tries to recapture a little bit of Bringing Up Baby in this tale of a showgirl (Barbara Stanwyck, who’s trying to recapture a bit of The Lady Eve) who ends up among a bunch of stuffy professors, including Gary Cooper. Ball of Fire isn’t as memorable as either of those other films, but it has its own charm, and it’s certainly worth a watch.

8:00pm – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. It’s honestly mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.

10:00pm – TCM – The Big Sleep
Only one of the greatest detective/mysteries/films noir ever made. Humphrey Bogart is the definite hard-boiled detective, Lauren Bacall is the potential love interest/femme fatale. Don’t try to follow the story; whodunit is far less important than crackling dialogue and dry humor. Watch out for future Oscar-winner Dorothy Malone (Written on the Wind) in the small but extremely memorable part of the bookshop girl. Must See

12:00M – TCM – Only Angels Have Wings
I’ve never gotten into Only Angels Have Wings as much as I have into other Hawks’ films – why I don’t know. It has elements I like – Cary Grant as a daring pilot making dangerous cargo runs in exotic locales, Jean Arthur in an uncharacteristically dramatic turn, and a sighting of a young Rita Hayworth. Just doesn’t seem to come together in a memorable whole for me.

December 2007 Reading/Watching/Playing Recap

New record set again! Twenty-six movies this month. I love vacation time. And having awesome libraries around. And art-house theatres. After the jump, reactions to No Country for Old Men, Cars, Rushmore, Flags of Our Fathers, Slacker, The Squid and the Whale, The Three Burials of Melquiades Estrada, Underworld: Evolution, The Black Dahlia, MirrorMask, Juno, Notes on a Scandal, Interiors, The Illusionist, Mass Effect, Gears of War, and others.

Continue reading