Delicious | The Frame

Bookmarks for July 15th through August 2nd

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Posted by Jandy ADD COMMENTS

Posted by Jandy ADD COMMENTS

Posted by Jandy ADD COMMENTS

Culture Warrior: The Great ‘Kane’ Debate – Film School Rejects – Landon Palmer takes a look at one of the most hotly debated topics in the history of film — that of the best there ever was, and whether or not Citizen Kane is it.
iPad App Review Marathon Live – Ipad app reviews – Gizmodo –
Gizmodo’s Essential iPad Apps – Best ipad apps – Gizmodo –
Building Community Sites with WordPress: 15 Plugins to Get Started – Noupe –
Avatar, the French New Wave and the morality of deep-focus (in 3-D) – scanners – Jim Emerson wonders why James Cameron would use a shallow depth of field in Avatar, a technique that often uses blur to signal depth, in a film that already has depth through its use of 3D. He bolsters his position through references to Cahier critics' defense of the freedom deep focus allows viewers, arguing that with so much to look at in Avatar, Cameron's dictatorial shallow focus is inexcusable.

Posted by Jandy ADD COMMENTS

Posted by Jandy ADD COMMENTS

Posted by Jandy ADD COMMENTS

Posted by Jandy ADD COMMENTS

Antichrist: Chronicles of a Psychosis Foretold | Senses of Cinema – "Not surprisingly, Lars von Trier’s film has divided opinion. Nor is there much consensus on how best to interpret this tale of grief, pain, and despair. Daniel Vilensky comes at this most enigmatic of films from a range of critical angles."
Orson Welles – Painter | Senses of Cinema – "Citizen Kane, rightly so, owes much of its fame to its deep-focus effects, but Orson Welles’ staging of shots also points to a whole host of pictorial references. Michael Riedlinger’s analysis uncovers Welles’ ‘painterly’ eye for composition."
Godard’s Comic Strip Mise-en-Scène | Senses of Cinema – "Taking the three films Made in USA, La Chinoise and Tout va bien as a focus, Drew Morton looks at how Jean-Luc Godard (and Jean-Pierre Gorin in the latter case) engaged with the art of the comic strip."
Notes on Some Limits of Technicolor: The Antonioni Case | Senses of Cinema – "Whilst looking at the long and illustrious history of Technicolor films, Murray Pomerance uncovers the remarkable uses Michelangelo Antonioni put the Technicolor process through in his 1964 Red Desert and beyond."
40 Beautiful Typography Tutorials | dpxmag.com –
50 Free Resources Of Hand Drawing Style Icons, Brushes, Textures and Fonts @ SmashingApps –
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