[This is an entry in the For the Love of Film Blogathon, which supports film restoration and preservation. Please enjoy the post, and look for the link to donate at the bottom.]
Lost movies appeal to our sense of doomed artistry. The movies in your head are always much better than the movies you sit down to see. We build up heroic concepts of certain directors. Then, when their work is lost, we imagine what we’re missing as even better than the movies we have. In that sense, we need lost movies. They fortify our Romantic ideal of cinema, that’s cap-R Romantic of course.
That’s a quote from a character in Farran Smith Nehme’s Missing Reels; Nehme is perhaps better known in these parts as The Self-Styled Siren, co-founder of the For the Love of Movies Film Preservation Blogathon (though she is not hosting it this year), so you’ll have to forgive me for appearing to suck up a bit by beginning with a quote from her novel. In fact, I didn’t know what I was going to write about for this year’s blogathon (or in fact, if I would manage to come up with anything at all) until I happened across this quote.
The speaker in the story is Andy Evans, a colleague of main character Ceinwen’s boyfriend Matthew. Andy is a math professor who happens to be a big collector of silent film memorabilia (and silent films themselves, as well). Nobody likes him much, and in fact, this particular quote is followed by all the other characters saying that this particular sentiment is balderdash, and that Andy’s spent way too much time hanging out with the humanities crowd.
I’m not F.W. Murnau, I’m not Tod Browning, I’m not interested in my own puny concept of what they’d have done. I want to see those movies. I don’t want to get my kicks imagining little scenes with Janet Gaynor.
Harry Engleman in Missing Reels
Perhaps it’s my own background in the humanities (I spend a couple of years doing a masters in English lit, where I did in fact do a very intense semester on Romanticism), but Andy’s words make sense to me – after a fashion. He’s talking here about capital-R Romanticism, meaning he’s referencing the 18th-19th century aesthetic movement of Romanticism and its collective ideals.
