Tag Archives: Father of the Bride

Film on TV: January 18-24

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Away from Her, playing on IFC on Tuesday, January 20

Among the new offerings this week: A pair of “great teacher” movies on Monday with Blackboard Jungle and To Sir, With Love, the classic and not very often screened Max Ophuls film Lola Montes late Sunday night, and Sarah Polley’s highly impressive directorial debut Away from Her on Wednesday. Not a lot of new stuff, but what’s there is good.

Monday, January 18

3:45pm – Sundance – Man on Wire
One of last year’s most highly-acclaimed documentaries tells the story of high-wire walker Philippe Petit as he embarks on perhaps his most dangerous stunt yet.
2008 UK/USA. Director: James Marsh. Starring: Philippe Petit, Jean François Heckel, Jean-Louis Blondeau.

4:00pm – TCM – Blackboard Jungle
Glenn Ford is the teacher who takes on rowdy inner-city kids in one of the earlier “heroic teacher” films. A young Sidney Poitier is one of the students, and a scene in which a record of “Rock Around the Clock” is played is reputed to be the first time rock n’ roll appeared in a film.
1955 USA. Director: Richard Brooks. Starring: Glenn Ford, Anne Francis, Louis Calhern, Sidney Poitier.
Newly Featured!

6:00pm – TCM – To Sir, With Love
Twelve years after being the troubled student in Blackboard Jungle, Sidney Poitier takes on the role of the teacher, trying to take hold of a bunch of bored, acting-out London teenagers.
1967 UK. Director: James Clavell. Starring: Sidney Poitier, Judy Gleeson, Christian Roberts, Suzy Kendall, Lulu.
Newly Featured!

Tuesday, January 19

7:30am – TCM – The Band Wagon
There are many reasons to consider The Band Wagon among the best movie musicals ever made. The satirical plot involving a Shakespearean director who tries to turn a lighthearted musical into a doom-and-gloom version of Faust, the bright yet sardonic script and score by Betty Comden and Adolph Green (who basically appear in the film as the characters played by Nanette Fabrey and Oscar Levant), the last really great role for Fred Astaire (maybe Funny Face is a contender, but barely), and of course, the never-surpassed beauty of dance numbers like “Dancing in the Dark” with Fred and Cyd Charisse. But even if it didn’t have all that, I’d still rank it among my favorites for the epic “Girl Hunt Ballet” number spoofing hard-boiled detective fiction.
1953 USA. Director: Vincente Minnelli. Starring: Fred Astaire, Cyd Charisse, Jack Buchanan, Oscar Levant, Nanette Fabrey.
Must See

11:15pm – TCM – Sunset Boulevard
Billy Wilder’s classic noir explores the dark side of the rich and formerly famous, as a struggling screenwriter (William Holden) gets involved with a silent screen star seeking to make a comeback in the sound era. In one of the most brilliant cast films ever, actual silent screen star Gloria Swanson returned to the movies to play the delusional Norma Desmond and actual silent star/director Erich von Stroheim (who worked with Swanson on the never-finished Queen Kelly, portions of which appear in Sunset Boulevard) plays her former director/current butler.
1950 USA. Director: Billy Wilder. Starring: William Holden, Gloria Swanson, Nancy Olsen, Erich Von Stroheim, Buster Keaton.
Must See

4:15am (20th) – TCM – Some Like It Hot
After musicians Tony Curtis and Jack Lemmon unwittingly witness the St. Valentines Day Massacre, they have to escape the mob by impersonating women and joining an all-girls band. The fact that Marilyn Monroe is the band’s lead singer doesn’t help them stay undercover. Easily one of the greatest comedies ever put on film.
1959 USA. Director: Billy Wilder. Starring: Marilyn Monroe, Tony Curtis, Jack Lemmon, Joe E. Brown, George Raft.
Must See

Wednesday, January 20

6:05pm – IFC – A Fish Called Wanda
It’s not a Monty Python picture, but with John Cleese and Michael Palin on board as participants in a zany crime story, along with ambiguous-relationshiped Jamie Lee Curtis and Kevin Kline, it has some of the same absurd charm.
1988 USA/UK. Director: Charles Crichton. Starring: John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin, Maria Aitken, Tom Georgeson.
(repeats at 6:35am and 2:15pm on the 21st)

9:35pm – IFC – Away from Her
A very strong directing debut film from actress Sarah Polley, about an older woman (Julie Christie) suffering from Alzheimer’s and her husband’s difficulty in dealing with essentially the loss of his wife as she has more and more difficulty remembering their life together. It’s a lovely, heartbreaking film, bolstered by great understated performances.
2006 Canada. Director: Sarah Polley. Starring: Julie Christie, Gordon Pinsent, Olympia Dukakis, Stacey LaBerge.
Newly Featured!
(repeats at 4:35am on the 21st)

Thursday, January 21

11:30pm – IFC – The Cooler
William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty much his best role until 30 Rock.
2003 USA. Director: Wayne Cramer. Starring: William H. Macy, Mario Bello, Alec Baldwin.

4:45am (22nd) – IFC – The Seven Samurai
Probably Kurosawa’s best-known film, The Seven Samurai is an eastern version of a Western, with down-on-their-luck samurai (led by Kurosawa regular Toshiro Mifune) working together to help a ravaged village hold off bandit invaders. Completing the cycle of cinematic borrowing, the film was remade in the US as The Magnificent Seven.
1954 Japan. Director: Akira Kurosawa. Starring: Toshiro Mifune, Takashi Shimura, Keiko Tsushima.
Must See

Friday, January 22

8:45am – Sundance – Bob le flambeur
Jean-Pierre Melville’s noirish crime film about an aging gambler/thief who takes on one last job – knocking over a casino. Melville was the master of French crime films, and an important figure leading up to the New Wave – Godard name-checks this film in Breathless, mentioning Bob le flambeur (Bob the Gambler) as an associate of Michel’s.
1956 France. Director: Jean-Pierre Melville. Starring: Roger Duchesne, Isabelle Corey, Gérard Buhr, Daniel Gauchy.
(repeats at 3:15pm)

9:00am – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).
1951 USA. Director: Stanley Donen. Starring: Fred Astaire, Jane Powell, Sarah Churchill, Peter Lawford.

10:45am – TCM – Father of the Bride (1950)
Long before Steve Martin kicked off his nearly twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).
1950 USA. Director: George Cukor. Starring: Spencer Tracy, Elizabeth Taylor, Joan Bennett, Russ Tamblyn.

8:30pm – IFC – Kill Bill: Vol. 1
A lot of people would point to Pulp Fiction as Tarantino’s best film, and I think Inglourious Basterds is right up there, too, but I vote Kill Bill Vol. 1 for sheer amount of fun. He homages spaghetti westerns, Hong Kong fighting flicks, and revenge-sploitation, and ties it all together with incredible style.
2003 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah, David Carradine.
Must See
(repeats at 3:00am on the 23rd)

Saturday, January 23

8:00am – TCM – In a Lonely Place
Simply a brilliant film from director Nicholas Ray – Humphrey Bogart gives probably his best performance as washed-up screenwriter Dixon Steele, who’s trying to make a comeback with a new adaptation. When a coatcheck girl gets murdered after he was the last to see her, he naturally comes under suspicion, but his neighbor Laurel (Gloria Grahame) gives him an alibi and soon the two begin a relationship which just might save Dix from more than a murder charge – or might not. There’s a raw intensity here that few films have ever matched.
1951 USA. Director: Nicholas Ray. Starring: Humphrey Bogart, Gloria Grahame.
Must See

8:15am – IFC – Renaissance
In near-future Paris, a brilliant young scientist is kidnapped; her employer Avalon (a highly influential company that sells youth and beauty itself) wants her found, but her importance to them may be more sinister than first meets the eye. The story’s not handled perfectly here, but it’s worth watching for the beautifully stark black and white animation.
2006 France. Director: Christian Volckman. Starring (English version): Daniel Craig, Romola Garai, Ian Holm, Catherine McCormack, Jonathan Pryce.
(repeats at 3:15pm)

10:05am – IFC – Hero
Jet Li is the titular hero in this Zhang Yimou film, arguably the best of Yimou’s period action-on-wires films (though I’m partial to House of Flying Daggers myself). The story unfolds in flashback as Li explains to a warlord how he eliminated three would-be assassins (who happen to be three of Hong Kong cinema’s biggest stars, incidentally) – but all may not be precisely how it seems.
2002 China. Director: Zhang Yimou. Starring: Jet Li, Zhang Ziyi, Tony Leung, Maggie Cheung.
(repeats at 5:15pm)

8:00pm – IFC – Pulp Fiction
Tarantino’s enormously influential and entertaining film pretty much needs no introduction from me. Samuel L. Jackson and John Travolta give the performances of their careers, Tarantino’s dialogue is spot-on in its pop-culture-infused wit, and the chronology-shifting, story-hopping editing style has inspired a host of imitators, most nowhere near as good.
1994 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Samuel L. Jackson, John Travolta, Tim Roth, Bruce Willis, Ving Rhames.
Must See

8:00pm – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
Must See
(repeats at 4:10am on the 24th)

10:35pm – IFC – Gangs of New York
It’s hard to argue with the concept of a Scorsese/diCaprio/Day-Lewis trifecta in a story about Irish gangs at the dawn of New York’s existence, though I found myself underwhelmed with it.
2003 USA. Director: Martin Scorsese. Starring: Daniel Day-Lewis, Leonardo diCaprio, Cameron Diaz.

Sunday, January 24

4:00pm – TCM – Breakfast at Tiffany’s
Audrey Hepburn’s signature role in a career full of memorable films, as party girl Holly Golightly, trying to make her way in mod New York City. Breakfast at Tiffany’s for me encapsulates 1960s style probably more than any other film, and with a grace and warmth that never grows old.
1961 USA. Director: Blake Edwards. Starring: Audrey Hepburn, George Peppard, Patricia Neal, Mickey Rooney.
Must See

2:45am (25th) – TCM – Lola Montes
Max Ophuls’ only widescreen, color feature about the rise and fall of the title character in the courts of Europe is sumptuous and a great example of the circular plotting he tends toward as well as the elaborate tracking shots he’s known for. Quite lovely visually, and recently restored, so hopefully this is that version.
1955 France. Director: Max Ophuls. Starring: Martine Carol, Peter Ustinov, Anton Walbrook.
Newly Featured!

Film on TV: December 7-13

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The More the Merrier, playing on TCM on Thursday, December 10th, at 6pm

After last week’s sparse pair of newly featured films, we’ve got a few more to highlight this week. Jean Arthur costars in a Capra classic in Mr. Deeds Goes to Town on Monday, then moves on to the war-time romance The More the Merrier on Thursday. Quintessential film noir D.O.A. stumbles in on Friday, and of my favorites of this decade, Tarantino’s Kill Bill Vol. 1 hits the Friday midnight slot. On Saturday, TCM has a pair of 1960s greats, The Man Who Shot Liberty Valance and The Lion in Winter, then check out the 1925 version of Ben-Hur: A Tale of the Christ on Silent Sunday Nights. Plenty of great stuff we haven’t seen for a while, too, like The Big Heat and The Third Man on Tuesday, and Bergman’s Persona late Friday/early Saturday.

Monday, December 7

6:50am – IFC – Love’s Labour’s Lost
Kenneth Branagh has taken on a lot of Shakespeare plays and usually does them with incredible fidelity (like his uncut, four-plus hour-long Hamlet). This time around, he takes a lesser-known comedy and adds music by Cole Porter, the Gershwins, Irving Berlin, and Jerome Kern to turn it into a 1930s style musical. It doesn’t work all the time, but for fans of Shakespeare and old musicals (like me), it’s still a fun watch.
2000 USA. Director: Kenneth Branagh. Starring: Alessandro Nivolo, Alicia Silverstone, Natascha McElhone, Kenneth Branagh, Matthew Lillard.
(repeats at 12:45pm)

8:30am – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.
1953 USA. Director: Fred Zinnemann. Starring: Burt Lancaster, Deborah Kerr, Frank Sinatra, Donna Reed, Montgomery Clift, Lee J. Cobb.

8:30am – IFC – Bride & Prejudice
Laugh at me if you must for recommending Chadha’s Bollywood-infused version of Pride and Prejudice, but I love it. It’s silly, it’s beautiful, it’s a fun exercise in adaptation of literary classics, and it’s only slightly weighed down by Martin Henderson’s woodenness.
2005 UK. Director: Gurinder Chadha. Starring: Aishwarya Rai, Martin Henderson, Naveen Andrews, Alexis Bledel.
(repeats at 2:30pm)

8:00pm – TCM – It Happened One Night
In 1934, It Happened One Night pulled off an Academy Award sweep that wouldn’t be repeated until 1975’s One Flew Over the Cuckoo’s Nest, snagging awards for Best Picture, Director, Screenplay, Actor, and Actress. Colbert is a rebellious heiress, determined to run away and marry against her father’s wishes. Along the way, she picks up Gable, a journalist who senses a juicy feature. This remains one of the most enjoyable comedies of all time, with great scenes like Colbert using her shapely legs rather than her thumb to catch a ride, Gable destroying undershirt sales by not wearing one, and a busload of people singing “The Man on the Flying Trapeze.”
1934 USA. Director: Frank Capra. Starring: Clark Gable, Claudette Colbert.
Must See

9:35pm – TCM – Secretary
Maggie Gyllenhaal and James Spader – making sado-masochism fun since 2002! But seriously, this was Maggie’s breakout role, and it’s still probably her best, as a damaged young woman whose only outlet is pain. And despite the subject, Secretary is somehow one of the sweetest and most tender romances of recent years.
2002 USA. Director: Steven Shainberg. Starring:James Spader, Maggie Gyllenhaal.
(repeats at 4:05am on the 8th)

10:00pm – TCM – Mr. Deeds Goes to Town
One of Frank Capra’s most whimsical films stars Gary Cooper as an unassuming country boy who suddenly inherits a great amount of money. When he decides to give it all away to whoever comes and asks for some, he garners a media frenzy, everyone thinking he’s crazy. Idealistic, warmly funny, and, yes, Capracorny. But as corn goes, it’s among the best. Also, any chance to see Jean Arthur is worth taking.
1936 USA. Director: Frank Capra. Starring: Gary Cooper, Jean Arthur, George Bancroft, Lionel Stander, Douglass Dumbrille.
Newly Featured!

12:00M – TCM – You Can’t Take It With You
Capra won his third directing Oscar for this film (the others were for It Happened One Night and Mr. Deeds Goes to Town), but to me it’s not one of his more interesting pieces. Young couple James Stewart and Jean Arthur invite chaos when his staid, wealthy family meets her wacky, irreverent one.
1938 USA. Director: Frank Capra. Starring: Lionel Barrymore, James Stewart, Jean Arthur, Spring Byington.

2:15am (8th) – TCM – Arsenic and Old Lace
In what is probably Frank Capra’s zaniest, least Capra-corn-esque film, Cary Grant plays Mortimer Brewster – a perfectly normal man until he discovers that his sweet old maid aunts have accumulated several dead bodies in the basement due to poisoning lonely old men. Add in another nephew who is a serial killer, a quack plastic surgeon, and an uncle who thinks he’s Teddy Roosevelt, and Mortimer’s got his hands full trying to keep his family secrets away from the girl he loves. It’s over-the-top, sure, but you gotta love the crazy.
1944 USA. Director: Frank Capra. Starring: Cary Grant, Priscilla Lane, Josephine Hull, Jean Adair, Raymond Massey, Peter Lorre.

Tuesday, December 8

7:30am – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.
1953 USA. Director: Fritz Lang. Starring: Glenn Ford, Gloria Grahame.

1:00pm – TCM – North by Northwest
Roger O. Thornhill (Cary Grant) gets mistaken for George Kaplan and pulled into an elaborate web of espionage in one of Hitchcock’s most enjoyable and funniest thrillers. So many great scenes it’s impossible to list them all.
1959 USA. Director: Alfred Hitchcock. Starring: Cary Grant, Eva Marie Saint, James Mason, Martin Landau.
Must See

8:00pm – TCM – Radio Days
This essentially plotless Woody Allen film consists of a series of nostalgic vignettes about a 1940s working class New York family. The title comes from their love for the radio, the center of pop culture at the time; the radio also provides the subplot following Mia Farrow as a wanna-be radio singer who gets mixed up with gangsters. It’s not particularly deep, but it’s also pretty enjoyable.
1987 USA. Director: Woody Allen. Starring: Julie Kavner, Mia Farrow, Seth Green, Dianne Wiest.
Newly Featured!

1:00am (9th) – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed.
1949 UK/US. Director: Carol Reed. Starring: Joseph Cotten, Alida Valli, Orson Welles.
Must See

Wednesday, December 9

11:00pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator is assigned to eavesdrop on a famous writer who may be working against the government regime – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.
(repeats at 4:15am on the 10th)

11:30pm – TCM – They Drive By Night
Humphrey Bogart and George Raft play truck driver brothers, trying to get ahead before they get killed (who knew truck driving was so dangerous?), or, you know, framed into murder plots by Ida Lupino – their boss’s wife who has amorous designs on Raft, despite his much healthier relationship with a young Ann Sheridan. Not a great movie, but a solid example of Warner’s pre-noirish studio style.
1940 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, George Raft, Ida Lupino, Ann Sheridan.

1:30am (10th) – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.
1941 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, Joan Leslie, Ida Lupino.

Thursday, December 10

6:45am – IFC – Picnic at Hanging Rock
I have a love-hate relationship with Aussie director Peter Weir. His films are almost always slow and methodical, which works for me sometimes and not others. It works in Picnic at Hanging Rock, one of his earlier films, in which a group of schoolgirls goes into the wilderness for a picnic and mysteriously disappear.
1975 Australia. Director: Peter Weir. Starring: Anne-Louise Lambert, Rachel Roberts, Vivean Gray, Tony Llewellyn-Jones, Karen Robson.
(repeats at 2:30pm)

9:00am – TCM – Brief Encounter
In this quiet little doomed romance, a married woman bored with her dull husband meets a man on a train – and continues to meet him every week, indulging herself in the way he makes her feel, even though she knows it can’t really be. David Lean brings a lushness and depth to this deceptively simple story (by Noel Coward), making into one of the most memorable romances of the 1940s.
1945 UK. Director: David Lean. Starring: Celia Johnson, Trevor Howard, Stanley Holloway, Cyril Raymond.

6:00pm – TCM – The More the Merrier
A World War II housing shortage has Charles Coburn, Joel McCrea and Jean Arthur sharing an apartment; soon Coburn is matchmaking for McCrea and Arthur, and we get a wonderful, adorable romance out of it.
1943 USA. Director: George Stevens. Starring: Jane Arthur, Joel McCrea, Charles Coburn.
Newly Featured!

4:00am (11th) – TCM – Little Women (1933)
This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless.
1933 USA. Director: George Cukor. Starring: Katharine Hepburn, Joan Bennett, Paul Lukas, Edna May Oliver, Jean Parker, Frances Dee.
Newly Featured!

Friday, December 11

9:00am – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 2:30pm)

5:15pm – TCM – D.O.A.
A man staggers into a police office to report a murder…his own. He’s been poisoned with an antidote-less poison, and he spends the rest of the film trying to convince the police what’s happened and trying to figure out who poisoned him and why. It’s not my favorite film noir, but it’s unusual premise and solid quality makes it worth watching.
1950 USA. Director: Rudolph Maté. Starring: Edmond O’Brien, Pamela Britton, Luther Adler, Beverly Garland.
Newly Featured!

12:00M – IFC – Kill Bill Vol. 1
A lot of people would point to Pulp Fiction as Tarantino’s best film, and I think Inglourious Basterds is right up there, too, but I vote Kill Bill Vol. 1 for sheer amount of fun. He homages spaghetti westerns, Hong Kong fighting flicks, and revenge-sploitation, and ties it all together with incredible style.
2003 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah, David Carradine.
Must See
Newly Featured!

3:45am (12th) – TCM – Persona
Of all of Ingmar Bergman’s films, Persona is the one I always come back to. A nurse takes her patient, a former actress who one day simply refused to talk any more, to a lonely island to try to help her recover. They soon engage in a battle of the wills, and their identities start merging. Meanwhile, Bergman interrogates not only the concept of identity within the film, but the apparatus of film itself and its capacity for understanding and communication. There’s more to it every time I watch it.
1966 Sweden. Director: Ingmar Bergman. Starring: Bib Andersson, Liv Ullmann.
Must See

Saturday, December 12

10:00am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 3:30pm)

3:15pm – TCM – The Man Who Shot Liberty Valance
Three of the greatest names in westerns – John Ford, John Wayne, and James Stewart – teamed up to make this film just as the classical western was fading out of popularity. Perhaps fittingly, then, it’s a film about western myth and the transition from outlaw gunslingers to government rule, a transition aided in one town at least by the man who shot outlaw Liberty Valance.
1962 USA. Director: John Ford. Starring: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien.
Newly Featured!

5:30pm – TCM – The Lion in Winter
Katharine Hepburn won her third (of four) Oscars for her role in this film as Plantagenet matriarch Eleanor of Aquitaine, a woman who probably had more to do with the course of British and European history than most men. The film concerns her, her husband King Henry II of England, and their quarrelsome sons Richard and John (who’d make their fair share of history as King Richard Coeur de Leone and King John, of the Magna Carta) during a particularly tense Christmas reunion. It can be difficult to make medieval-set films seem immediate, but this one does.
1968 UK. Director: Anthony Harvey. Starring: Peter O’Toole, Katharine Hepburn, Anthony Hopkins, Nigel Terry, Timothy Dalton, Jane Merrow.
Newly Featured!

11:00pm – TCM – Father of the Bride
Long before Steve Martin kicked of his nearly twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).
1950 USA. Director: George Cukor. Starring: Spencer Tracy, Elizabeth Taylor, Joan Bennett, Russ Tamblyn.

11:00pm – TCM – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See

Sunday, December 13

4:00pm – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made.
1940 USA. Director: George Cukor. Starring: Katharaine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Ralph Bellamy, Virginia Weidler.
Must See

12:00M – TCM – Ben-Hur: A Tale of the Christ
Everyone knows about Charlton Heston’s Ben-Hur. You know, the one that won eleven Oscars, a record which stood for, like, fifty years? This isn’t that one. This is the 1925 silent version of the same story, with pre-talkie hearththrob Ramon Novarro as Ben-Hur, and an equally impressive (for its time) chariot race sequence. In some ways, I actually prefer this version to the bombastic 1959 version, and it’s definitely worth a watch.
1925 USA. Director: Fred Niblo. Starring: Ramon Novarro, Francis X. Bushman, May McAvoy, Betty Bronson, Kathleen Key.
Newly Featured!

2:30am (14th) – TCM – Ordet
This one I haven’t seen, but it’s on my list as I work my way toward watching more Carl Theodor Dreyer films. I have to admit that it is work for me; I watched Day of Wrath a couple of years ago and found it rather tedious (I appreciate it more in retrospect). I’m going to tape Ordet and see what happens, but I think I’m more likely to find my Dreyer “aha” moment with Vampyr or The Passion of Joan of Arc. Thoughts, any Dreyer fans?
1955 Denmark. Director: Carl Theodor Dreyer. Starring: Emil Haas Christiansen, Birgitte Federspiel, Sylvia Eckhausen, Ejner Federspiel.
Newly Featured!

Film on TV: June 15-21

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The 400 Blows, playing Thursday, June 18th, at 10pm on TCM

This week TCM pays tribute to Elia Kazan, Orson Welles, William A. Wellman, François Truffaut, Martin Scorsese, Mervyn LeRoy, and Vincente Minnelli, as well as throwing in some shorter director marathons for Tony Richardson (on Wednesday) and Blake Edwards (on Friday). I only highlighted a couple from those last two, but if you like them, check out the full morning schedule on TCM for those days.

Monday, June 15

3:30pm – TCM – National Velvet
One of my favorite movies growing up, probably not least of all because I was mad about anything to do with horses. Even so, National Velvet stands pretty tall among family friendly films, with a young Elizabeth Taylor fighting to run her beloved horse in England’s most prestigious steeplechase with the help of world-weary youth Mickey Rooney.

Great Directors on TCM: Elia Kazan
I gotta say I don’t really count Elia Kazan among my favorite directors – he tends to be a little message-y for me. Still, he got some great performances out of some great actors, and the Academy Awards loved him – although I’m not entirely sure that’s a positive.

9:30pm – TCM – On the Waterfront
Marlon Brando’s performance as a former boxer pulled into a labor dispute among dock workers goes down as one of the greatest in cinematic history. I’m not even a huge fan of Brando, but this film wins me over. Must See

12:00M – Sundance – Sex and Lucia
This isn’t a favorite of mine, but a lot of people around Row Three like it a lot, so I’ll let them defend it in the comments if they so choose. :)

Tuesday, June 16

8:30am – Sundance – A Woman Under the Influence
Gena Rowlands gives a tour-de-force performance as Mabel, a woman whose teetering madness threatens her marriage to Nick (Peter Falk). Their relationship edges back and forth between love, frustration, and anger with amazing quickness, yet it’s not clear whether Mabel’s instability is causing the problems, or the other way around. John Cassavetes directs with an unwavering camera, refusing to look away.
(repeats 5:30pm on the 21st)

6:00pm – TCM – The Haunting
No worries, this is the good, 1963 version of The Haunting, not the overblown 1999 remake. The story’s the same, but Robert Wise’s original is creepy, disturbing, and, like, good.

7:55pm – IFC – The Player
Robert Altman takes on Hollywood in this story of a script screener (Tim Robbins) who gets drawn further and further into a web of blackmail and double-crosses when he’s threatened by a screenwriter whose script he rejected. You gotta love it for the virtuosic opening pan at the very least; the rest of the Hollywood insider references are just gravy.

Great Directors on TCM: Orson Welles
Hollywood’s wunderkind director/writer/actor/producer always seemed to run afoul of studio interference, but he still managed to make many of the best things ever put on film.

8:00pm – TCM – Citizen Kane
Widely considered the greatest American film ever made, I’d be very surprised if anyone reading this hasn’t seen it. The quest for what makes publisher/politician Charles Foster Kane tick takes a journalist through a fractured narrative that never seems to give any definitive answers. Personally, I respect and recommend Kane for its innovations in narrative, cinematography, and cinema language, but I find it a difficult film to love (yet even that is fitting, as the difficulty of loving or being loved by Kane himself is a central theme). Must See

10:15pm – TCM – The Lady from Shanghai
Most of Welles’ films, no matter the genre, feel a little noirish in mood, but The Lady from Shanghai is the real thing, complete with fatalistic hero who gets dragged into a murder plot by a femme fatale (Rita Hayworth).

12:00M – TCM – The Magnificent Ambersons
Welles followed up Citizen Kane with this film about a wealthy but decaying American family, but wasn’t given nearly as much creative freedom. But even with studio interference, it’s well worth seeing.

12:00M – Sundance – Wristcutters: A Love Story
Patrick Fujit (Almost Famous) slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.

Wednesday, June 17

3:45pm – TCM – Tom Jones
The book Tom Jones, written in the late 1700s by Henry Fielding, is usually considered one of the earliest novels, and part of its charm is the way it pastiches earlier literary forms as it tells its story of a rakish young English nobleman and his adventures with women. Though the film version can’t really claim the same place in cinematic history that the novel does in literary history, it’s still quite enjoyable, and manages to convey a similar playfulness by pastiching earlier filmmaking styles – which never fails to earn it a spot in texts on adaptation.

Great Directors on TCM: William A. Wellman
William Wellman was a workhorse director in the 1930s, directing mostly gangster films and dramas – I’m not familiar enough with him to write very competently about him, though.

9:00pm – TCM – The Public Enemy
Famous for the scene where James Cagney smashes a grapefruit into Mae Marsh’s face, it’s one of the gold standards of early gangster films, along with Little Caesar and Howard Hawks’s Scarface.

9:35pm – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
(repeats at 3:30am on the 18th)

2:45am (18th) – TCM – A Star is Born (1937)
This is not the better-known Judy Garland version, but the non-musical version featuring Janet Gaynor in one of her last roles. Gaynor’s not well remembered now, but she won the very first Academy Award for Best Actress back in 1928, and she holds this story of a hopeful ingenue married to a has-been actor together. I still love Judy’s version better (because I can’t get enough of her singing “The Man That Got Away”), but this one is well worth watching as well.

Thursday, June 18

7:00am – IFC – La Jetee
Very few short films become classics (outside of silent films and arguably Looney Tunes), but Chris Marker’s La Jetee, told entirely in sequences of still photographs, is one of them. In a postapocalyptic future, a man is sent back in time to try and stop WWIII from happening. But he both falls in love and is haunted by a childhood memory – two things that are fatefully interconnected. It’s the basis for the film Twelve Monkeys, which I’ve tried to watch but haven’t ever made it through – partially, I think, because La Jetee is so hauntingly beautiful and I haven’t found that beauty in Twelve Monkeys.

7:35am – IFC – Three Times
Hsiao-hsien Hou directs this tripartite film – three stories set in three different time periods (1911, 1966, and 2005), each with the same actors, and each depicting a relationship that’s both very specific and individual and also sheds light on the mores of its respective time period. I liked the 1966 story the best, but they were all intriguing, and the contrast between them even more so.
(repeats at 1:45pm)

4:00pm – TCM – Topkapi
One of the classic heist capers, with a group of ragtag criminals (led by Melina Mercouri and including comic relief Peter Ustinov) planning to steal a jewel-encrusted dagger from the Topkapi Museum in Istanbul. Suspenseful and funny, with great scenery.

Great Directors on TCM: François Truffaut
Oh, Truffaut, Truffaut. I can credit Truffaut with a huge amount of my cinephiliac tendencies – he was one of the first directors that got me truly interested in foreign film and the New Wave, and I can pretty much say without question that my life wouldn’t be the same now if I hadn’t ever seen The 400 Blows. His criticism as a writer for the Cahiers du cinema is just as important as his filmmaking, too – he’s the one who first started the idea behind the auteur theory, though many others have modified it far from his original intent

8:00pm – TCM – Jules and Jim
Jules and Jim are best friends. Then Catherine falls into their lives like a hurricane – she’s almost a force of chaotic primal nature. She marries Jules, but when Jim reconnects with the couple after WWII (in which the two friends fought on opposite sides), their relationship gets…um…complicated. This is one of the classics of the New Wave, and exemplifies the movement’s realistic style, dispassionate camera and narration, and intellectual pursuits.

10:00pm – TCM – The 400 Blows
Francois Truffaut’s first feature, a semi-autobiographical look at a boy’s childhood in Paris, dealing with strict teachers, fighting parents, etc. This film along with Jean-Luc Godard’s Breathless usually mark the beginning of the New Wave. Truffaut’s sentimental tendencies come out already, as well as his incredible ability to direct children to great performances. Jean-Pierre Leaud would go on to star in many more Truffaut films, but for me, his adult roles never match this one. Must See

12:00M – TCM – The Bride Wore Black
Truffaut was an especial fan of Alfred Hitchcock (even devoted an entire book to a series of interviews with him), and that comes out in this revenge thriller. That I haven’t seen. Yet. But it’s Truffaut imitating Hitchcock with Jeanne Moreau onscreen – that combination can’t hardly help but be good, right?

Friday, June 19

6:00am – IFC – Waking Life
Richard Linklater’s first foray into overlaid animation is a philosophical dreamscape that’ll either leave you cold or inhabit your thoughts for weeks. It’s the latter for me. Like most of Linklater’s films, it’s largely made up of people talking, but with the added interest of the unique ever-shifting, never-solid animation style (which he’d reuse with a slightly more standard sci-fi story in A Scanner Darkly).
(repeats at 12:00N)

4:00pm – TCM – A Shot in the Dark
Here’s your counter example for the “sequels are never as good as the original” argument. This second film in the Pink Panther series is easily the best, and stands as ones of the zaniest 1960s comedies ever.

6:00pm – TCM – The Pink Panther
Why TCM decided to show A Shot in the Dark before The Pink Panther is anybody’s guess. Most people would agree that A Shot in the Dark is the best of the series, but the first entry is still well worth watching. Peter Sellers is perfect as bumbling detective Jacques Clouseau, trying to recover a stolen diamond for David Niven.

7:15pm – IFC – Far From Heaven
Director Todd Haynes homages 1950s melodrama king Douglas Sirk with this film, loosely based on Sirk’s All That Heaven Allows. I don’t think he succeeded as well as he might’ve (Sirk’s sort of in a class by himself), but he and lead Julianne Moore make a darn good attempt. Moore plays a 1950s housewife, trapped in her marriage to a man struggling with his own sexual identity (Dennis Quaid), and slowly falling into an affair with her black gardener (Dennis Haysbert).
(repeats 12:45pm on the 20th)

Great Directors on TCM: Martin Scorsese
Martin Scorsese has been a leading American director since the 1970s, when he burst on the New Hollywood scene with gritty urban dramas like Mean Streets and Taxi Driver – and he’s stayed on top pretty much ever since, and shows no signs of slowing down. I have to admit to being woefully behind on my Scorsese watching, so I’m going to link to a Row Three post – Dave’s Scorsese marathon from March, in which he talks both about Scorsese as a director and every one of his films. For here, I’m just going to list the films TCM is playing. The only one I’ve seen is GoodFellas, which ranks among my favorite gangster films of all time.

8:00pm – TCM – Alice Doesn’t Live Here Anymore

11:30pm – TCM – The King of Comedy

1:30am (20th) – TCM – GoodFellas

4:00am (20th) – TCM – Mean Streets

Saturday, June 20

Great Directors on TCM: Mervyn LeRoy
One of Warner Bros. and later MGM’s most reliable contract directors, most everything LeRoy put his hands on turned out to be a little better than the average programmer. Unfortunately, I’d say very few of them turn out be bona-fide classics, but maybe that’s just me. His films are enjoyable enough, but that’s about it.

7:15am – TCM – I am a Fugitive from a Chain Gang
Paul Muni plays an initially optimistic and energetic young man who struggles to find a job during the Depression. Eventually he ends up unwillingly involved in a robbery and sentenced to the chain gang. One of Warner Bros’ best “ripped from the headlines” socially conscious films – they did a lot of them in the 1930s.

9:00am – TCM – Little Caesar
One of the classic early 1930s gangster films, the one that essentially typecast Edward G. Robinson in the role of the cigar-chewing tough guy.

9:45pm – IFC – The Cooler
In this under-the-radar film, William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty his best role until 30 Rock.
(repeats at 3:00am on the 21st)

Sunday, June 21

Great Directors on TCM: Vincente Minnelli
Vincente Minnelli pretty much exemplifies the MGM studio style of the 1940s and 1950s – lush and colorful with A-list actors. Yet there’s something more about Minnelli; other MGM directors of the time had similar things to work with, but despite how gorgeous his films are on the surface, there’s nothing purely superficial about them. There’s a depth to a Minnelli film, both in story and use of cinematic space, that most studio directors never achieved.

8:00am – TCM – Meet Me in St. Louis
The ultimate nostalgia film, harking back to the turn of the century and the year leading up to the 1903 St. Louis World’s Fair. Judy Garland holds the film and the family in it together as the girl who only wants to love the boy next door, but it’s Margaret O’Brien as the little willful sister who adds the extra bit of oomph, especially in the manic Halloween scene and the violent Christmas scene that carries the film from an exercise in sentimentality into a deeper territory of loss and distress. Must See

10:00am – TCM – The Band Wagon
There are many reasons to consider The Band Wagon among the best movie musicals ever made. The satirical plot involving a Shakespearean director who tries to turn a lighthearted musical into a doom-and-gloom version of Faust, the bright yet sardonic script and score by Betty Comden and Adolph Green (who basically appear in the film as the characters played by Nanette Fabrey and Oscar Levant), the last really great role for Fred Astaire (maybe Funny Face is a contender, but barely), and of course, the never-surpassed beauty of dance numbers like “Dancing in the Dark” with Fred and Cyd Charisse. But even if it didn’t have all that, I’d still rank it among my favorites for the epic “Girl Hunt Ballet” number spoofing hard-boiled detective fiction. Must See

12:00N – TCM – An American in Paris
Expat artist Gene Kelly in Paris, meets Leslie Caron, woos her away from rival Georges Guetarey, all set to Gershwin music and directed with panache by Vincente Minnelli. All that plus Kelly’s ground-breaking fifteen-plus-minute ballet to the title piece. Must See

2:00pm – TCM – Gigi
Maurice Chevalier’s “Thank Heaven for Little Girls” might come off as more pervy now than it was originally intended, but as a whole Gigi stands as one of the most well-produced and grown-up musicals made during the studio era. Vincente Minnelli gives it a wonderful visual richness and sophistication, while music from Lerner & Loewe (usually) stresses the right combination of innocence, exuberance, and ennui for its decadent French story.

8:00pm – TCM – Father of the Bride
Long before Steve Martin kicked of his nearly twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).

11:15pm – TCM – The Bad and the Beautiful
Vincente Minnelli directs Kirk Douglas, Lana Turner, Dick Powell, and Gloria Grahame in one of the best dark-side-of-Hollywood noirish films this side of Sunset Boulevard.

3:30am (22nd) – TCM – Some Came Running
Frank Sinatra gets to prove his acting chops again as a cynical soldier returning to his small-town home. Shirley MacLaine is a revelation, and Dean Martin gets probably his best role, as well. Meanders a bit in the middle, but ends up staying more memorable than you might expect.

Film on TV: April 28th – May 3rd

Blowup
Blowup, playing on TCM at 4:00am on May 2nd

Tuesday, April 28th

7:00am – IFC – Umberto D
Neo-realist masterpiece from Vittorio DeSica. I think I’ve talked about the main character and his dog before – have I mentioned the young girl who works in Umberto’s apartment building? Stunning natural performance from a non-actress that DeSica cast from an open audition. She wanted to get acting lessons, but he forbade her. Good move, because she’s great – formal training would’ve ruined her.
(repeats at 12:15pm)

10:15am – TCM – You Can’t Take It With You
Interestingly, this film rather than Mr. Deeds or Mr. Smith or It’s a Wonderful Life got Frank Capra a Best Picture Oscar. I think it’s a bit lesser than any of those, but it’s still quite good.

6:00pm – IFC – Miller’s Crossing
The Coen Brothers do 1930s gangsterland as only they can do it. And by that, I mean AWESOMELY.
(repeats at 4:00am on the 29th)

Wednesday, April 29th

6:00am – TCM – Father of the Bride (1950)
Spencer Tracy is the father, Elizabeth Taylor the bride in the original classic.

9:30am – TCM – The Bad and the Beautiful
Vincente Minnelli directs Kirk Douglas, Lana Turner, Dick Powell, Gloria Grahame, and others in one of the best dark-side-of-Hollywood noirish films this side of Sunset Boulevard.

1:30pm – TCM – Anatomy of a Murder
One of the best courtroom dramas ever made – James Stewart vs. George C. Scott as lawyers on a murder/rape trial that may not be quite what it seems. And that’s aside from the top-notch jazz score by Duke Ellington, which is in itself reason enough to see the film. Must See

4:35pm – Sundance – The Discreet Charm of the Bourgeoisie
Luis Bunuel takes aim at his favorite target once again, eviscerating the bourgeoisie through absurdity and surrealism.

6:00pm – TCM – Roman Holiday
Audrey Hepburn. ‘Nuff said.

10:45pm – TCM – The Birds
Psycho notwithstanding, this is Hitchcock’s most intense film, for me anyway. Must see

Thursday, April 30th

8:00am – IFC – Millions
Simple story of two brothers who find a whole lot of British pounds (on the fanciful eve of Britain’s switch the Euro) and have to decide what to do with it – but in Danny Boyle’s hands, it becomes much more interesting and unique than any synopsis could convey.
(repeats at 2:30pm and 5:15am on the 1st)

12:30pm – TCM – Mildred Pierce
Exhibit A of what the Hollywood studio system was capable of on a good day. Also Exhibit A of what melodrama can be. Joan Crawford’s best role. Must See

8:00pm – TCM – Glory
Matthew Broderick commands an all-black unit of the Union army during the American Civil War. Director Edward Zwick has made movie after movie that seem to be blatant Oscar-bait, but he’s never bettered this one.

9:45pm – IFC – Fargo
Coen Brothers. ‘Nuff said.
(repeats at 3:30am on the 1st)

10:00pm – Sundance – 4 Months, 3 Weeks, and 2 Days
Oh, just click the tag at the bottom to see how many times I’ve said “Watch this!” Must See

10:15pm – TCM – Philadelphia
Tom Hanks sues his former company for firing him because he has AIDS. Powerful.

11:30pm – IFC – Blue Velvet
David Lynch’s best-known movie, probably, though one I have never been able to get into as much as many of his others. I need to give it another chance. I love the beginning, but then it devolves into pointlessness. Still, it’s Lynch. And thus ought to be seen. :)

Friday, May 1st

8:00pm – TCM – Dr. No
We’re up to, what, twenty-two Bond movies now? Here’s the first, back with the REAL Bond, Sean Connery. (Just kidding, I love Daniel Craig too, actually.) But really, Dr. No still stands as one of the best Bond films.
(repeats at 2pm on the 2nd)

10:00pm – TCM – From Russia With Love
And this second Bond film is also one of the best.
(repeats at 4pm on the 2nd)

4:00am (2nd) – TCM – Blowup
In Michelangelo Antonioni’s first (only?) English-language film, a photographer captures an image in the background of a shot that may or may not be a murder. Sounds like a detective film, but it’s far more abstract and distancing than detective stories can usually afford to be. Full of sixties-ness. Must See

Saturday, May 2nd

6:00pm – TCM – A Shot in the Dark
The second and arguably best of the Pink Panther movies. The original ones. The new ones don’t count.

8:00pm – TCM – I Am a Fugitive From a Chain Gang
Paul Muni as a man falsely accused of a crime and sentenced to a chain gang. One of Warner Bros’ best “ripped from the headlines” socially conscious films – they did a lot of them in the 1930s.

Sunday, May 3rd

12:00N – TCM – Kiss Me Kate
Shakespeare (“Taming of the Shrew”). With Cole Porter music. ‘Nuff said? ‘Nuff said.

1:50pm – IFC – The Cat’s Meow
Slight but enjoyably nostalgic Peter Bogdanovich film about the events surrounding silent film producer Thomas Ince’s death – which occurred during a party on the Hearst yacht. Film buffs will definitely get a kick out of it.

9:15pm – IFC – The Cooler
This under-the-radar film is probably not so much under-the-radar anymore for my readers, since I recommend it every time it’s on. But it’s that good, really. A small, quiet gem.
(repeats 4:15am on the 4th)

Film on TV: Jan 26 – Feb 1

Monday, January 26

9:45am – TCM – The Petrified Forest
Bette Davis and Leslie Howard are top billed in this 1936 crime drama, but the thing you’ll remember is Humphrey Bogart in his breakout role as criminal-on-the-run Duke Mantee. They’re all holed up in a remote gas station while Mantee figures out his scheme to escape the manhunt for him. He fairly sizzles on screen.

2:00am (27th) – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.

Tuesday, January 27

9:00am – IFC – Millions (repeats 2:30pm)
A young British boy finds millions of pounds a few days before the UK is set to switch to the Euro. A deceptively simple story because something more, in both style and substance, as director Danny Boyle brings his trademark visual panache and throws in an intriguing series of ethical dilemmas.

Wednesday, January 28

10:15am – TCM – Words and Music
MGM liked to do largely fictionalized composer biopics in the 1940s and ’50s, mostly because it gave them an opportunity to show off their stable of singing and dancing stars. Words and Music is their retelling of the career of Richard Rodgers and Lorenz Hart, and it’s pretty routine. What isn’t routine is Gene Kelly and Vera-Ellen’s dazzling rendition of “Slaughter on Tenth Avenue,” a ten-minute dance number that is 100% worth the price of the film.

Thursday, January 29

4:15pm – TCM – Father of the Bride
Long before Steve Martin kicked of his now-twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).

8:00pm – TCM – Annie Hall
I recommend this film every time. Just ’cause. Although the fact that TCM has played Annie Hall five or six times since I started writing these, and have only played Manhattan and Hannah and Her Sisters maybe once each? Bothering me a little. Balance, TCM, balance. Must See

11:45pm – TCM – The Apartment
I also recommend this one every time. Because it’s awesome. Must See

4:00am (30th) – TCM – The Clock
In 1945, Judy Garland took a break from doing all those wonderful musicals to do a purely dramatic film (in the capable directorial hands of her then-husband Vincente Minnelli). It worked out quite well, giving us this solid wartime romance between a soldier about to shove off and the girl he meets with only one day to spare.

Friday, January 30

12:45am (31st) – TCM – The Night of the Hunter
Actor Charles Laughton only directed one film in his career, this strange yet mesmerizing Southern gothic thriller. In one way, it’s easy to see why he never got another directing gig – the film is quite weird, and doesn’t fit easily into any genre that studios at the time knew how to produce. In another way, it’s a great pity we never got to see what else he could come up with, because Night of the Hunter is one of the most original and poetic films ever made. It starts off as a relatively straight suspenser, with conman-posing-as-a-preacher Robert Mitchum insinuating himself into a young family whose father died burying a heap load of stolen money (which Mitchum would like to have). Soon, however, it turns into a fantastic fable, rife with symbolism and images that will stay seared into your brain for ever. Must See

Saturday, January 31

1:30pm – TCM – Rear Window
Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create my favorite film of all time. Must See

6:00pm – TCM – The Pink Panther
Many other film buffs would join me in citing Pink Panther sequel A Shot in the Dark as the best of the series, but the first entry is still well worth watching. Peter Sellers is perfect as bumbling detective Jacques Clouseau, trying to recover a stolen diamond for David Niven.

Sunday, February 1

12:15am – TCM – Network
Peter Finch is as mad as hell, and he’s not going to take it anymore. And when he eschews his news script to say so live on national TV, he starts a phenomenon that his network initially fears but soon embraces when they realize that they stand to get more viewers for a deranged newscaster than for the actual news. Finch won the first posthumous acting Oscar for his role – in fact, the only one until Heath Ledger likely wins one this year.