Tag Archives: Fiddler on the Roof

Film on TV: January 25-31

Ladykillers.jpg
The Ladykillers, playing on TCM on Monday at 3:15pm

 

We had classic Ealing/Alec Guinness comedy Kind Hearts and Coronets recently, and now here comes The Ladykillers, possibly my favorite Ealing/Guinness comedy, playing on TCM on Monday. Not a lot of other newly featured stuff, though I did throw in some lower-level MGM musicals. Because I like musicals. And I can. Still a lot of great stuff among the repeats, and a lot of variety, too.

Monday, January 25

3:15pm – TCM – The Ladykillers
One of the most delightful of the Ealing comedies, with Alec Guinness leading a bunch of crooks (including a young Peter Sellers) whose bankrobbing plans get flustered by an unlikely old lady.
1955 UK. Director: Alexander Mackendrick. Starring: Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers.
Must See
Newly Featured!

Tuesday, January 26

7:05pm – IFC – Blow Out
Sound man John Travolta is recording sound samples one night, and may have accidentally recorded a murder occurring. As he tries to investigate, he’s drawn into a dangerous conspiracy. Inspired to some degree by Antonioni’s photography-based Blow-Up, but this is definitely DePalma’s film all the way.
1981 USA. Director: Brian DePalma. Starring: John Travolta, Nancy Allen, John Lithgow, Dennis Franz.

8:00pm – Sundance – Oldboy
Ultra-violent revenge films don’t get much better than this. A man is inexplicably locked up in a room for several years then just as inexplicably released, at which point he seeks revenge. A bloody and at times disturbing film, but with an underlying thoughtfulness that sets it apart.
2003 Korea. Director: Park Chan-Wook. Starring: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.
(repeats at 3:10am on the 27th)

Wednesday, January 27

12:30pm – TCM – I Love Melvin
Not a great film by any stretch of the imagination, but a fun one-off MGM musical starring Donald O’Connor and Debbie Reynolds. So if they were your favorite part of Singin’ in the Rain and you just wish Gene Kelly had got out of their way, here you go.
1953 USA. Director: Don Weis. Starring: Donald O’Connor, Debbie Reynolds, Una Merkel, Richard Anderson.
Newly Featured!

5:55pm – IFC – Annie Hall
Often considered Woody Allen’s transition film from “funny Woody” to “serious Woody,” Annie Hall is both funny, thoughtful, and fantastic. One of the best scripts ever written, a lot of warmth as well as paranoid cynicism, and a career-making role for Diane Keaton (not to mention fashion-making).
1977 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane.
Must See
(repeats 4:50am on the 28th)

12:00M – TCM – The Manchurian Candidate
Former soldier Frank Sinatra starts having nightmares about his war experience, then finds that he and his unit were part of a brainwashing experiment – the result of which was to turn his colleague Laurence Harvey into a sleeper agent assassin. A classic of the Cold War era, full of well-honed suspense and paranoia.
1962 USA. Director: John Frankenheimer. Starring: Frank Sinatra, Laurence Harvey, Angela Lansbury.
Must See

12:45am – Sundance – Wristcutters: A Love Story
Patrick Fujit slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.
2006 USA. Director: Goran Dukic. Starring: Patrick Fujit, Shannyn Sossamon, Abraham Benrubi, Will Arnett.

Thursday, January 28

8:30am – TCM – A Night at the Opera
One of the best of the Marx Brothers’ zany comedies finds them running awry through the world of opera. This is the one that contains the famous “how much stuff can we stuff into a stateroom” scene. And a subplot with Allan Jones and Kitty Carlisle, but that’s best ignored as much as possible.
1935 USA. Director: Sam Wood. Starring: The Marx Brothers, Allan Jones, Kitty Carlisle, Margaret Dumont.
Must See

11:45am – TCM – Only Angels Have Wings
I’ve never gotten into Only Angels Have Wings as much as I have into other Howard Hawks films – why I don’t know. It has elements I like – Cary Grant as a daring pilot making dangerous cargo runs in exotic locales, Jean Arthur in an uncharacteristically dramatic turn, and a sighting of a young Rita Hayworth. Just doesn’t seem to come together in a memorable whole for me.
1939 USA. Director: Howard Hawks. Starring: Cary Grant, Jean Arthur, Richard Barthelmess, Rita Hayworth, Thomas Mitchell.

2:00pm – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.
1939 USA. Director: Ernst Lubitsch. Starring: Greta Garbo, Melvyn Douglas.

4:00pm – TCM – The Shop Around the Corner
The original, better version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.
1940 USA. Director: Ernst Lubitsch. Starring: James Stewart, Margaret Sullavan.

6:00pm – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made.
1940 USA. Director: George Cukor. Starring: Katharaine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Ralph Bellamy, Virginia Weidler.
Must See

7:30pm – IFC – Go
In the first section of this tripartite film, bored grocery store clerk Sarah Polley seizes an opportunity to broker a drug deal when her dealing coworker takes a trip to Vegas. It goes very wrong. Meanwhile, her coworker in Vegas gets mixed up in a murder there. Also meanwhile, two actors work with a narcotics officer to break up the drug ring. All three stories tie up together in the end, but not before a lot of quite well-constructed Pulp Fiction-esque jumping around. A lot of fun, and better than you might expect.
1999 USA. Director: Doug Liman. Starring: Sarah Polley, Katie Holmes, Jay Mohr, Scott Wolf.

8:00pm-4:00am – TCM – The Road Movies
Bob Hope, Bing Crosby, and Dorothy Lamour made seven Road to… movies between 1940 and 1962, and TCM is playing all but two of them (skipping 1947’s Road to Rio and 1962’s afterthought The Road to Hong Kong). There’s not a lot to them other than some tunes and back-lot versions of exotic locations, but they’re good fun. Road to Morocco is probably the best of the bunch, starting at 11:15pm.
Newly Featured!

11:15pm – IFC – Pulp Fiction
Tarantino’s enormously influential and entertaining film pretty much needs no introduction from me. Samuel L. Jackson and John Travolta give the performances of their careers, Tarantino’s dialogue is spot-on in its pop-culture-infused wit, and the chronology-shifting, story-hopping editing style has inspired a host of imitators, most nowhere near as good.
1994 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Samuel L. Jackson, John Travolta, Tim Roth, Bruce Willis, Ving Rhames.
Must See

Friday, January 29

10:30am – TCM – Johnny Guitar
Nicholas Ray’s rather strange feminist western has become something of a cult classic – Joan Crawford is Vienna, a tough-but-vulnerable saloon owner that all the other women in town want gone. She calls on old friend Johnny Guitar to help her out, but he many not be quite as advertised either. I didn’t love this the way I wanted to when I first saw it, but I feel like some of that was just not knowing what to expect (also, I had a craptastic VHS copy). Hoping to improve its standing with a second viewing.
1954 USA. Director: Nicholas Ray. Starring: Joan Crawford, Sterling Hayden, Mercedes McCambridge, Ward Bond, Ernest Borgnine.

8:05pm – IFC – Kill Bill Vol 2
On the one hand, Kill Bill Vol 1 isn’t quite complete without Kill Bill Vol 2. And there are a lot of good parts in here – the film noirish opening as the Bride catches us up on what’s going on, the fight with Daryl Hannah in the trailer, training with the kung fu master, her getting out of the coffin, etc. But the ending lags a little too much for me to truly say I enjoy watching it as much as Vol. 1.
2004 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Daryl Hannah, David Carradine, Michael Madsen.
(repeats at 3:05am on the 30th)

Saturday, January 30

7:05am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
(repeats at 1:15pm)

8:15am – Sundance – Bob le flambeur
Jean-Pierre Melville’s noirish crime film about an aging gambler/thief who takes on one last job – knocking over a casino. Melville was the master of French crime films, and an important figure leading up to the New Wave – Godard name-checks this film in Breathless, mentioning Bob le flambeur (Bob the Gambler) as an associate of Michel’s.
1956 France. Director: Jean-Pierre Melville. Starring: Roger Duchesne, Isabelle Corey, Gérard Buhr, Daniel Gauchy.

2:15pm – TCM – Fiddler on the Roof
A Tzarist-era Russian Jewish village doesn’t seem a particularly likely place to set a musical, but Fiddler on the Roof does a good job of it, exploring the clashing cultures as patriarch Tevye tries to marry his daughters off to good Jewish husbands with decreasing success.
1971 USA. Director: Norman Jewison. Starring: Topol, Norma Crane, Leonard Frey, Rosalind Harris, Michele Marsh, Neva Small, Michael Glaser.

5:30pm – TCM – National Velvet
One of my favorite movies growing up, probably not least of all because I was mad about anything to do with horses. Even so, National Velvet stands pretty tall among family friendly films, with a young Elizabeth Taylor fighting to run her beloved horse in England’s most prestigious steeplechase with the help of world-weary youth Mickey Rooney.
1944 USA. Director: Clarence Brown. Starring: Elizabeth Taylor, Mickey Rooney, Donald Crisp, Anne Revere, Angela Lansbury.

8:00pm – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? With the recent news that Andrea Arnold will be directing a new adaptation of Wuthering Heights, now’s the perfect time to catch up on the earlier versions, of which this is the best.
1939 USA. Director: William Wyler. Starring: Laurence Olivier, Merle Oberon, Geraldine Fitzgerald, David Niven, Flora Robson.

Sunday, January 31

7:45am – IFC – Away from Her
A very strong directing debut film from actress Sarah Polley, about an older woman (Julie Christie) suffering from Alzheimer’s and her husband’s difficulty in dealing with essentially the loss of his wife as she has more and more difficulty remembering their life together. It’s a lovely, heartbreaking film, bolstered by great understated performances.
2006 Canada. Director: Sarah Polley. Starring: Julie Christie, Gordon Pinsent, Olympia Dukakis, Stacey LaBerge.
(repeats at 2:00pm)

10:00pm – TCM – Annie Get Your Gun
The best part about this film for me is imagining what it would’ve been like had Judy Garland played Annie Oakley, as she was meant to do, instead of semi-retiring for four years to deal with her drug problems. She had basically the whole Irving Berlin soundtrack recorded already (those tracks are available on TCM/Rhino Records). But looking past the fact that Betty Hutton ain’t no Judy Garland, the film still has a great bunch of songs and is a fair amount of fun.
1950 USA. Director: George Sidney. Starring: Betty Hutton, Howard Keel, Louis Calhern, J. Carrol Naish, Keenan Wynn, Edward Arnold.
Newly Featured!

Film on TV: December 21-27

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Bicycle Thieves, playing late Sunday night on TCM

Well, it’s Christmas this week, and TCM’s throwing a Christmas party of course, with some of Robert Osbourne’s favorite Christmas films – they aren’t all the obvious well-known ones you might expect, though, which is part of the fun. That starts on Christmas Eve with Remember the Night and Christmas in July, then moving on to Meet Me in St. Louis and The Shop Around the Corner. On Christmas Day, they’re throwing us a marathon of Basil Rathbone Sherlock Holmes films – whether they’re consciously trying to counter Guy Ritchie’s Sherlock Holmes, opening on Christmas, I’m not sure. But I figure you can never have too much Holmes. Meanwhile, it’s still Humphrey Bogart month, and all four Bogart-Bacall films are lined up on Wednesday night.

Among our newly featured films this week, IFC has Fellini’s nostalgic Amarcord on Monday, Sundance breaks out hard-hitting thriller 13 Tzameti on Thursday, and late Sunday TCM is showing Bicycle Thieves, a masterpiece of Neo-Realist cinema that should not be missed.

Monday, December 21

6:15am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
(repeats at 1:05pm)

8:15am – TCM – Jules and Jim
Jules and Jim are best friends. Then Catherine falls into their lives like a hurricane – she’s almost a force of chaotic primal nature. She marries Jules, but when Jim reconnects with the couple after WWII (in which the two friends fought on opposite sides), their relationship gets…um…complicated. This is one of the classics of the New Wave, and exemplifies the movement’s realistic style, dispassionate camera and narration, and intellectual pursuits.
1963 France. Director: François Truffaut. Starring: Jeanne Moreau, Oskar Werner, Henri Serre.

10:30am – IFC – Amarcord
One of Federico Fellini’s four Best Foreign Film statuettes is for this film, and though I rail against many of Oscar’s choices when it comes to foreign films, Fellini deserved all of his. Amarcord is a slice-of-life film showcasing a small 1930s Italian village, with Fellini’s typically flair.
1973 Italy. Director: Federico Fellini. Starring: Bruno Zanin, Pupella Maggio, Armando Brancia, Josiane Tanzilli.
Newly Featured!
(repeats at 5:20pm)

12:15pm – TCM – Tom Jones
The book Tom Jones, written in the late 1700s by Henry Fielding, is usually considered one of the earliest novels, and part of its charm is the way it pastiches earlier literary forms as it tells its story of a rakish young English nobleman and his adventures with women. Though the film version can’t really claim the same place in cinematic history that the novel does in literary history, it’s still quite enjoyable, and manages to convey a similar playfulness by pastiching earlier filmmaking styles – which never fails to earn it a spot in texts on adaptation.
1963 UK. Director: Tony Richardson. Starring: Albert Finney, Susanna York, Hugh Griffiths.

8:00pm – IFC – Garden State
First-time director Braff brings his quirky personality and taste in indie music to this story of a young man who returns to his home town for the first time in years for his mother’s funeral. While there, he meets a girl who teaches him how to feel for the first time since his father started prescribing meds to him as a child. It’s become a popular pastime to hate on Garden State and its self-conscious quirk, but I refuse. I loved it when I first saw it, and I love it now.
2004 USA. Director: Zach Braff. Starring: Zach Braff, Natalie Portman, Peter Sarsgaard.
(repeats at 2:00am, 12:30pm, and 4:00pm on the 22nd)

10:15pm – TCM – Mr. Smith Goes to Washington
Frank Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.
1939 USA. Director: Frank Capra. Starring: James Stewart, Jean Arthur, Claude Rains, Eugene Pallette, Thomas Mitchell.
Must See

Tuesday, December 22

7:45am – TCM – The Women
Only the cattiest, most man-less film ever made. Several of Hollywood’s greatest female stars, from established divas like Norma Shearer and Joan Crawford to up-and-comers like Rosalind Russell and Joan Fontaine to character actresses like Mary Boland and Marjorie Main (and even non-actresses like gossip columnist Hedda Hopper), give their all to one of the wittiest scripts ever written.
1939 USA. Director: George Cukor. Starring: Norma Shearer, Joan Crawford, Rosalind Russell, Joan Fontaine, Paulette Goddard, Virginia Weidler, Mary Boland, Marjorie Main, Hedda Hopper.

10:00am – TCM – Fiddler on the Roof
A Tzarist-era Russian Jewish village doesn’t seem a particularly likely place to set a musical, but Fiddler on the Roof does a good job of it, exploring the clashing cultures as patriarch Tevye tries to marry his daughters off to good Jewish husbands with decreasing success.
1971 USA. Director: Norman Jewison. Starring: Topol, Norma Crane, Leonard Frey, Rosalind Harris, Michele Marsh, Neva Small, Michael Glaser.
Newly Featured!

8:00pm – TCM – My Fair Lady
George Cukor finally won an Oscar in 1964 for this film, a high-quality adaptation of Lerner and Loewe’s musical, itself an adaptation of George Bernard Shaw’s Pygmalion, itself based on the Greek story of Svengali and Trilby. Rex Harrison and Audrey Hepburn acquit themselves well as phonetics professor Henry Higgens and street urchin Eliza Doolittle. I guess I just find it a bit overlong and overproduced, as most 1960s musicals were, but I’m in the minority.
1964 USA. Director: George Cukor. Starring: Rex Harrison, Audrey Hepburn, Stanley Holloway, Wilfrid Hyde-White.

1:00am (23rd) – TCM – Silk Stockings
The musical version of Ninotchka, about a staid, repressed Communist woman who goes to Paris on a mission, only to get loosened up by a Western guy. You’re better off with Ninotchka, honestly (and this week, you’re in luck, it’s on next). Silk Stocking substitutes Cyd Charisse (who’s really only ever convincing when she’s dancing), Fred Astaire (who’s fine, though a bit on the old side by 1957), and adds Cole Porter music, which is really the major reason to check this version out.
1957 USA. Director: Rouben Mamoulian. Starring: Fred Astaire, Cyd Charisse, Janis Paige, Peter Lorre, Jules Munshin, George Tobias.
Newly Featured!

3:00am (23rd) – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.
1939 USA. Director: Ernst Lubitsch. Starring: Greta Garbo, Melvyn Douglas.

Wednesday, December 23

7:45am – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Giulietta Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 6:20am on the 26th)

8:00pm – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. Mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.
1944 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Walter Brennan.

10:00pm – TCM – The Big Sleep
One of the greatest detective/mysteries/films noir ever made. Humphrey Bogart is the definite hard-boiled detective, Lauren Bacall is the potential love interest/femme fatale. Don’t try to follow the story; whodunit is far less important than crackling dialogue and dry humor. Watch out for future Oscar-winner Dorothy Malone (Written on the Wind) in the small but extremely memorable part of the bookshop girl.
1946 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Martha Vickers, Elisha Cook Jr., Dorothy Malone.
Must See

12:00M – TCM – Dark Passage
Okay, so this is the least memorable of the four films that Humphrey Bogart and Lauren Bacall made together. It’s still Bogart and Bacall, and it’s a perfectly respectable and enjoyable film noir.
1947 USA. Director: Delmer Daves. Starring: Humphrey Bogart, Lauren Bacall, Agnes Moorehead, Bruce Bennett.

2:00am (24th) – TCM – Key Largo
Humphrey Bogart and Lauren Bacall team up for the final time on this great noirish melodrama of a group of people, including a wheelchair-bound hotel owner, his recently widowed daughter-in-law (Bacall), a war veteran (Bogart), and a ruthless gangster and his girl, forced to take refuge against a fierce hurricane. Among the best films for all involved, and that’s saying something considering who all is involved.
1948 USA. Director: John Huston. Starring: Humphrey Bogart, Lauren Bacall, Lionel Barrymore, Edward G. Robinson, Claire Trevor.
Must See

Thursday, December 24

5:45pm – IFC – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See
(repeats at 5:00am on the 25th)

8:00pm – TCM – Remember the Night
Barbara Stanwyck is caught shoplifting just before Christmas. The prosecuting attorney, Fred MacMurray, puts off the trial till after Christmas and ends up feeling sorry for her, bailing her out, and taking her home with him so she won’t have to spend Christmas alone in jail. It’s fairly predictable what’s going to happen next, but as usual, Stanwyck makes relatively routine material worth watching. And of course, a Preston Sturges script doesn’t hurt either.
1940 USA. Director: Mitchell Leisen. Starring: Barbara Stanwyck, Fred MacMurray, Beulah Bondi, Elizabeth Patterson, Sterling Holloway.
Newly Featured!

9:45pm – TCM – Christmas in July
A bit of a lesser Preston Sturges film to my mind, but it has its vociferous defenders. A lowly office clerk dreams of winning a contest that would make his fortune and allow him to marry the girl he loves; as a joke, his friends fake a telegram telling him he’s won one, but things get out of hand quickly. It’s pretty slight, but has a lot of charm.
1940 USA. Director: Preston Sturges. Starring: Dick Powell, Ellen Drew, Raymond Walburn, Alexander Carr, William Demarest, Franklin Pangborn.
Newly Featured!

10:00pm – Sundance – The Discreet Charm of the Bourgeoisie
Luis Buñuel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
1972 France. Director: Luis Buñuel. Starring: Fernando Rey, Paul Fankeur, Delphine Seyrig, Stéphane Audran, Jean-Pierre Cassel.

1:00am (25th) – TCM – Meet Me in St. Louis
The ultimate nostalgia film, harking back to the turn of the century and the year leading up to the 1903 St. Louis World’s Fair. Judy Garland holds the film and the family in it together as the girl who only wants to love the boy next door, but it’s Margaret O’Brien as the little willful sister who adds the extra bit of oomph, especially in the manic Halloween scene and the violent Christmas scene that carries the film from an exercise in sentimentality into a deeper territory of loss and distress.
1944 USA. Director: Vincente Minnelli. Starring: Judy Garland, Tom Drake, Lucille Bremer, Margaret O’Brien, Leon Ames, Mary Astor.
Must See

5:00am (25th) – TCM – The Shop Around the Corner
The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.
1940 USA. Director: Ernst Lubitsch. Starring: James Stewart, Margaret Sullavan.

6:00am (25th) – Sundance – 13 Tzameti
A young man acquires instructions meant for someone else and decides to follow them anyway, soon finding himself immersed in an underground gambling ring betting on the lives of desperate men. Ultra-low budget and minimalistic, but does a lot with what it’s got. This is in process of being remade in the US, but check out the original first.
2005 France. Director: Géla Babluani. Starring: George Babluani, Pascal Bongard, Aurélien Recoing, Fred Ulysse.
Newly Featured!
(repeats at 12:00N on the 25th)

Friday, December 25

7:00am – TCM – Little Women (1933)
This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless.
1933 USA. Director: George Cukor. Starring: Katharine Hepburn, Joan Bennett, Paul Lukas, Edna May Oliver, Jean Parker, Frances Dee.

10:15am – TCM – The Man Who Came to Dinner
A rare comedic film for Bette Davis, though the film mainly focuses on Monty Woolley as an acerbic newspaper critic forced to take up residence with a midwestern family when he breaks his hip outside their house. Woolley was a great character actor here given the spotlight, and he takes it and runs with it. A great script by Julius and Philip Epstein (of Casablanca) doesn’t hurt, either.
1942 USA. Director: William Keighley. Starring: Bette Davis, Ann Sheridan, Monty Woolley, Jimmy Durante, Billie Burke.

12:15pm – TCM – Christmas in Connecticut
The always-worth-watching Barbara Stanwyck is a magazine columnist who makes up a traditional country home for her column while living in New York, a subterfuge which causes no problems until a serviceman on leave wants nothing more than to spend Christmas on her farm and her editor thinks it’s a great human interest piece. Her attempts to recreate that world while falling for the serviceman are funny, warm, and enjoyable enough to add this to your holiday rotation.
1945 USA. Director: Peter Godfrey. Starring: Barbara Stanwyck, Dennis Morgan, Sydney Greenstreet, Reginald Gardiner, S.Z. “Cuddles” Sakall, Una O’Connor.

8:00pm-6:30pm 26th – TCM – Sherlock Holmes marathon
Guy Ritchie’s new Sherlock Holmes movie comes out on Christmas day, but TCM reminds us that Basil Rathbone made literally dozens of Holmes films in the 1930s and 1940s by playing a whole slew of them, starting at 8pm on Christmas Eve and running all the way through 6:30pm on Christmas Day. I haven’t seen most of these, but if you’re tired of family festivities and feel like kicking back with some old-school mystery serials, here you go.

12:00M – IFC – Kill Bill, Vol 2
On the one hand, Kill Bill Vol 1 isn’t quite complete without Kill Bill Vol 2. And there are a lot of good parts in here – the film noirish opening as the Bride catches us up on what’s going on, the fight with Daryl Hannah in the trailer, training with the kung fu master, her getting out of the coffin, etc. But the ending lags a little too much for me to truly say I enjoy watching it as much as Vol. 1.
2004 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Daryl Hannah, David Carradine, Michael Madsen.

4:15am (26th) – Sundance – Oldboy
Ultra-violent revenge films don’t get much better than this. A man is inexplicably locked up in a room for several years then just as inexplicably released, at which point he seeks revenge. A bloody and at times disturbing film, but with an underlying thoughtfulness that sets it apart.
2003 Korea. Director: Park Chan-Wook. Starring: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.

Saturday, December 26

8:00pm – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.
1950 USA. Director: John Huston. Starring: Sterling Hayden, Louis Calhern, Jean Hagen, James Whitmore, Sam Jaffe.

10:00pm – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting.
1949 USA. Director: George Cukor. Starring: Spencer Tracy, Katharine Hepburn, Judy Holliday, Tom Ewell, Jean Hagen, Gig Young

2:00am (27th) – TCM – Singin’ in the Rain
Stanley Donen and Gene Kelly team up for what is now usually considered one of the greatest musicals of all time. Inspired by songs written by MGM producer Arthur Freed at the beginning the sound era, Singin’ in the Rain takes that seismic shift in film history for its setting, focusing on heartthrob screen couple Don Lockwood (Kelly) and Lina Lamont (the hilarious Jean Hagen) as the transition into sound – problem being that Lamont’s voice, like many actual silent screen stars, doesn’t fit her onscreen persona. Hollywood’s often best when it turns on its own foibles, and this is no exception.
1952 USA. Directors: Stanley Donen & Gene Kelly. Starring: Gene Kelly, Debbie Reynolds, Donald O’Connor, Jean Hagen.
Must See

Sunday, December 27

6:00am – IFC – The Station Agent
One of the most pleasant surprises (for me, anyway) of 2003. Peter Dinklage moves into a train depot to indulge his love for trains and stay away from people, only to find himself befriended by a loquacious Cuban hot-dog stand keeper and an emotionally delicate Patricia Clarkson. A quiet but richly rewarding film.
2003 USA. Director: Thomas McCarthy. Starring: Peter Dinklage, Patricia Clarkson, Bobby Cannavale.
(repeats at 2:45pm)

8:00am – TCM – Top Hat
For me, Top Hat and Swing Time battle it out for the top spot constantly, with the one I’ve seen more recently usually taking the crown. Mistaken identity follows mistaken identity here, as Ginger thinks Fred is her best friend’s husband, causing her a lot of consternation when Fred starts romancing her. That’s far from the end of it all, though. Also has the most definitive collection of Astaire-Rogers supporting actors.
1935 USA. Director: Mark Sandrich. Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Helen Broderick, Erik Rhodes, Eric Blore.
Must See

4:00pm – TCM – The Odd Couple
Before Jack Lemmon and Walter Matthau became grumpy old men, they originated these neat-freak and slob characters forced to share an apartment. They actually did a lot of other films together all the way through the 1960s and 1970s, but this is the one that’s usually remembered the most, not least of all because it was turned into a highly successful TV series with Tony Randall and Jack Klugman. But the movie (itself based on a play by Neil Simon, which he adapted himself) is quite funny and worth a watch.
1968 USA. Director: Gene Saks. Starring: Jack Lemmon, Walter Matthau, John Fiedler, Herb Edelman, David Sheiner.
Newly Featured!

12:00M – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See

2:00am (28th) – TCM – Bicycle Thieves
One of the best and most iconic films from the Italian Neo-Realist movement. A man finally acquires a job, because he has the requisite bicycle needed to do the job. But when his bicycle is stolen, he and his son go on an increasingly desperate odyssey to try to recover it. Neo-Realism is known for its use of urban, location shooting and non-actors to deliver an authentic picture of life, and Bicycle Thieves succeeds superbly on every front. (aka The Bicycle Thief)
1948 Italy. Director: Vittorio De Sica. Starring: Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Gino Saltamerenda.
Must See
Newly Featured!

2:35am (28th) – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator is assigned to eavesdrop on a famous writer who may be working against the government regime – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.

Film on TV: 24-30 Nov 2008

Monday, November 24

9:00pm EST / 8:00pm CST – IFC – The Proposition
One of the best reviewed westerns in recent memory hails from Australia; the “proposition” is that outlaw Guy Pearce, in order to save himself and his younger brothers from corrupt lawmen, must find and kill his estranged oldest brother. I honestly didn’t like the movie as much as most critics – a bit too realistically violent for me – but it’s been influential already on newer westerns like 3:10 to Yuma. And director John Hillcoat is currently working on the adaptation of Cormac McCarthy’s The Road, which should be pretty stark (in a good way), if this film is any indication. (repeats at 1:00am, Tuesday Nov. 24)

10:15pm / 9:15pm – TCM – Witness for the Prosecution
The last great film for three classic Hollywood actors: Charles Laughton (as a brilliant but ailing laywer), Tyrone Power (as the murder suspect Laughton defends), and Marlene Dietrich (as Power’s wife and the titular witness). Billy Wilder writes and directs this twisty-turny courtroom drama, which is beginning to creak a little more than Wilder’s best, but is still worth it for Laughton and Dietrich’s performances.

Tuesday, November 25

1:15pm / 12:15pm – TCM – Arsenic and Old Lace
One of the zaniest comedies you’ll ever see has kindly old ladies poisoning lonely men for their own good. When their nephew Mortimer (Cary Grant) finds out he tries to get them committed, but even more hijinks are in order when another murdering relative turns up (Raymond Massey, with sidekick Peter Lorre in tow). A change of pace for director Frank Capra, and a good one at that.

Wednesday, November 26

12:00pm / 11:00am – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.

8:00pm / 7:00pm – TCM – West Side Story
Stylized musicals based on Shakespeare for the win!

10:45pm / 9:45pm – TCM – The King and I
I still love Oklahoma! the best of all the Rodgers & Hammerstein musicals, but The King and I is a really close second. Having Yul Brynner and Deborah Kerr around doesn’t hurt.

1:00am / 12:00am (27th) – TCM – My Fair Lady
You oughta see My Fair Lady at least once, so here it is.

Thursday, November 27

6:30am / 5:30am – TCM – That’s Entertainment!
In 1974, MGM celebrated its glorious musical past by producing this compilation film hosted by Frank Sinatra, Gene Kelly, Fred Astaire, Debbie Reynolds, Elizabeth Taylor, James Stewart, and others looking back on MGM’s history (specifically musicals) from the advent of sound through the 1950s. It’s a great overview of Hollywood’s golden age, studio-specific as it is, and chock-full of great musical moments. Two years later, That’s Entertainment! Part 2 showed that MGM had more than one feature worth of great moments, and added in some non-musical sections as well.

10:15am / 9:15am – TCM – Guys and Dolls
Damon Runyon’s slice-of-Broadway-life musical comes to film with Marlon Brando as an unlikely musical leading man, but he muscles through, with the help of Frank Sinatra and Vivian Blaine, who steal the show as a fast-talking gambler and his long-suffering fiancee. Some great tunes, including “Luck Be a Lady,” don’t hurt either.

1:00pm / 12:00pm – Sundance – Monsoon Wedding
A good intro to Indian film (though it’s not really an Indian film) from Mira Nair – she’s got a great visual eye and this is easily her best film.

4:45pm / 3:45pm – TCM – Fiddler on the Roof
A Tzarist-era Russian Jewish village doesn’t seem a particularly likely place to set a musical, but Fiddler on the Roof does a good job of it, exploring the clashing cultures as patriarch Tevye tries to marry his daughters off to good Jewish husbands with decreasing success.

3:15am / 2:15am – TCM – You Can’t Take It With You
Frank Capra’s Best Picture Oscar winner from 1938 is still a wacky good time, as Jean Arthur’s unconventional family bumps heads with her new boyfriend Jimmy Stewart’s family of conservative bankers. There’s perhaps more fluff than substance here, but that’s not always bad.

Friday, November 28

10:00am / 9:00am – IFC – Picnic at Hanging Rock
I have a love-hate relationship with Aussie director Peter Weir. His films are almost always slow and methodical, which works for me sometimes and not others. It works in Picnic at Hanging Rock, one of his earlier films, in which a group of schoolgirls goes into the wilderness for a picnic and mysteriously disappear. (Repeats at 4:05pm EST.)

6:00pm / 5:00pm – TCM – Mildred Pierce
I used to roll my eyes at the very idea of melodrama. Mildred Pierce is one of the films that changed my mind, and taught me to see value in the melodrama as a legitimate genre. Joan Crawford, despite her star status, isn’t a terribly versatile actress, but Mildred is possibly her most perfectly fitting role – a working class woman who claws her way to prosperity in any way she can, much as Crawford herself had done working her way into the movies in the 1920s. Oh, and there’s murder and evil children and stuff along the way, too.

11:30pm / 10:30pm – TCM – The Misfits
I swear I have seen this, but I couldn’t tell you much about the plot. *sets own DVR* What I can tell you is that this is the last completed film for both Marilyn Monroe and Clark Gable, and they both go out at the top of their game.

Saturday, November 29

6:15am / 5:15am – IFC – Everyone Says I Love You
Nowhere near Woody Allen’s best, but a sunny fun time nonetheless, with a great cast randomly breaking out into song and dance. I will admit a large soft spot for movies in which people randomly break out into song and dance. Just for the record. (Repeats at 2:45pm EST.)

8:00am / 7:00am – IFC – Throne of Blood
Akira Kurosawa does Shakespeare’s Macbeth. I haven’t seen this one myself, but it’s got a good rep, and if it’s anything like as good as Ran (his version of King Lear, which is essentially the only version of King Lear I like, including the original play), it’s pretty darn good.

8:00pm / 7:00pm – TCM – The Postman Always Rings Twice
Sizzling adaptation of James M. Cain’s classic pulp novel has Lana Turner as the unhappy wife of a middle-of-nowhere gas station owner and John Garfield as the drifter who drops in and plots her husband’s demise with her. Skip the 1982 remake, from what I’ve heard, but if you’re feeling adventurous, check out Luchino Visconti’s Ossession, a 1943 Italian adaptation of the novel widely considered to be a forerunner of the Italian Neo-Realist movement.

10:00pm / 9:00pm – TCM – Hannah and Her Sisters
Say what you want about Annie Hall, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do.

Sunday, November 30

10:00am / 9:00am – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for. Howard Hawks directs, yet more proof that the man can do anything.