Tag Archives: Gosford Park

Film on TV: 15-21 December

Though I obviously recommend all these films (or I wouldn’t list them here), I’m going to start putting MUST-SEE on ones that I’d say you, well, must see. That is, if you aren’t able to catch them on TV this week, put them in your Netflix queue. Or buy them. Something.

Thanks to those of you who’ve mentioned liking these recommendations. If you do end up seeing any of them, it’d be fun to hear what you thought!

Monday, 15 December

10:30am EST / 9:30am CST – TCM – My Favorite Wife
Cary Grant and Irene Dunne made three films together, and though My Favorite Wife doesn’t hold a candle to their earlier outing The Awful Truth, it’s still an enjoyable screwball comedy, if you’re a fan of that sort of thing. Dunne returns to her husband Grant after seven years of being shipwrecked and believed dead, only to find him about to be remarried. Oh, and she’s brought fellow shipwreckee Randolph Scott with her.

8:00pm / 7:00pm – TCM – Guys and Dolls
Marlon Brando gets his musical on as charming gambler Sky Masterson and romances straight-laced Jean Simmons as part of a bet – at first. But Frank Sinatra and Vivian Blaine steal the show as the city’s go-to craps game host and his long-suffering fiance.

9:00pm / 8:00pm – IFC – Trainspotting
Days in the lives of Scottish heroin addicts. Sounds like a downer, and I won’t say it’s not, but it’s also brilliant and searing. Danny Boyle is a director who can take stories that could be routine and make them into something special. His current film Slumdog Millionaire is getting rave reviews, so check that one out, too.
(repeats at 1:00am EST 16th)

10:45pm / 9:45pm – TCM – Hamlet (1948)
Is Laurence Olivier’s moody Dane the definitive Hamlet? I’m not sure, so take a look for yourself and get back to me.

Tuesday, 16 December

11:25am / 10:25am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).

8:00pm / 7:00pm – TCM – Shadow of a Doubt
Said to be Hitchcock’s personal favorite of all of his films – an interesting choice, given the plethora of more iconic films from him, but Shadow of a Doubt definitely has its charms. The ever-great and too often underused Teresa Wright is young Charlie, who idolizes her namesake Uncle Charlie, who we know (though she does not) is the infamous Black Widow murderer.

12:00pm / 11:00pm – TCM – The Third Man
Orson Welles is the elusive Harry Lime in this intelligent thriller from director Carol Reed and screenwriter Graham Greene, Joseph Cotten the journalist trying to track him down. From the moody noir lighting to Lime’s ingenious monologue about power and cuckoo clocks, The Third Man is one of the greatest films of all time. MUST SEE

1:00am / 12:00pm (17th) – Sundance – Topsy-Turvy
Gilbert & Sullivan played a large part in the development of the musical comedy, and Topsy-Turvy details their tumultuous working relationship and their stage successes. This film flew under the radar a bit a few years ago, but got a fair amount of critical praise and deserves more play than it’s had.

Wednesday, 17 December

2:45pm / 1:45pm – TCM – The Apartment
Billy Wilder had a knack for combining comedy and drama into bittersweet goodness, and that’s exactly what he does here, garnering Oscars for Picture, Director, and Screenplay in the process. Jack Lemmon lends his apartment to his boss Fred MacMurray for romantic trysts – a situation that gets even more complicated when MacMurray trysts with Shirley MacLaine, who Lemmon happens to love from afar. Everything comes together perfectly in this film, one of Wilder’s best. MUST SEE

5:00pm / 4:00pm – TCM – The Great Escape
I expected to mildly enjoy or at least get through this POW escape film. What happened was I was completely enthralled with every second of it, from failed escape attempts to planning the ultimate escape to the dangers of carrying it out. It’s like a heist film in reverse, and extremely enjoyable in pretty much every way.

10:00pm / 9:00pm – Sundance – 4 Months, 3 Weeks, and 2 Days
In case you hadn’t noticed, I pretty much think this film is the greatest thing since sliced bread. Okay, that might be a little much. (Or not, since I’m not really a sliced bread fan. But that’s by the by.) Anyway, I’ve hyped 4 Months just about every chance I’ve gotten, so why should I stop now? See it. See it now. Or, like, Wednesday at 10pm. MUST SEE

Thursday, 18 December

2:00pm / 1:00pm – TCM – Topkapi
If The Great Escape is the greatest example of a reverse heist film, then Topkapi is at least one of the top five actual heist films. I love me some heist films.

10:00pm / 9:00pm – TCM – 12 Angry Men
My dad is fond of pointing out that 12 Angry Men must’ve been one of the most economical movies to make ever, given that it basically only needed one set. And yet, watching and listening to twelve jurors debate the fate of one defendant accused of murder remains a riveting experience, even sixty years later.

Friday, 19 December

9:45am / 8:45am – TCM – Paths of Glory
In this early Stanley Kubrick film, Kirk Douglas argues against implacable military brass for the lives of his soldiers, accused of cowardice in battle because they refused to obey an idiotic order calling for a suicidal charge. I didn’t love it as much as I wanted to, but there are definitely a lot of interesting things going on – I particularly liked the exploration of the disconnect between old military tactics and new warfare reality (which is a particular favorite historical topic of mine, somehow, and likely the source of my fascination with World War I).

7:15pm / 6:15pm – IFC – The Player
I forget what all happens in this Robert Altman film. I remember it being good, except that Tim Robbins for some reason annoys me so I had a difficult time caring about his character, which was kind of a problem. So why did I put it on here? Because it has an amazing opening tracking shot, intentionally meant to beat the record for longest opening tracking shot but also serving as an extremely good introduction to the world of the Hollywood film studio within which the film is set.

9:30pm / 8:30pm – IFC – The Life Aquatic with Steve Zissou
This is the one Wes Anderson film I haven’t seen. I need to rectify that, because I LOVE everything else he’s done.

Saturday, 20 December

10:25am / 9:25am – IFC – Strictly Ballroom
The first in Baz Luhrmann’s informal Red Curtain trilogy, set in the world of Australian ballroom dancing, which gets shook up when one of the dancers dares to introduce *gasp* his own flavor of Latin dancing into the highly-regulated competition.
(repeats 3:15pm EST)

12:15pm / 11:15am – TCM – Mr. Smith Goes to Washington
Naive and idealistic James Stewart gets appointed junior senator at the behest of conniving senator Claude Rains, who expects to control the state with Stewart in his pocket. But Rains underestimated Stewart’s drive for goodness and justice, which leads to one of the most famous filibusters in cinematic (or probably real-life) history. Capra favorite Jean Arthur is on hand as the hardboiled cynic warmed by Stewart’s presence. MUST SEE

6:35pm / 5:35pm – IFC – Gosford Park
Murder, intrigue, and understated class strife rule the day in Altman’s foray into British drama, though he keeps his signature ensemble cast.
(repeats 1:15pm EST on the 21st)

8:00pm / 7:00pm – TCM – You Can’t Take It With You
Capra again, with Stewart and Arthur again, this time as a newly affianced couple whose families – one conservative bankers, the other unconventional kooks – clash as they get to know each other.

10:00pm / 9:00pm – Sundance – All About My Mother
I have yet to see all of Spanish filmmaker Pedro Almodovar’s films, but if he had just made this one, he’d go down as a master in my book. A mother loses her son in a car accident, and in the process of mourning him returns to her home town to reconnect with her past. Oh, and there’s a lot of theatre (the title is a take-off from theatre story All About Eve), a pregnant nun, and some transvestites. Par for the course for Almodovar, really, but All About My Mother has such heart and depth that I can’t help falling in love with it every time, due in no small part to a terrific performance by Cecilia Roth. MUST SEE

Sunday, 21 December

6:30am / 5:30am – TCM – The Man Who Knew Too Much (1934)
As far as I know, this is the only film Hitchcock made twice, directing a remake in 1956 with James Stewart and Doris Day. I actually haven’t seen the earlier version myself yet, but it has Peter Lorre in it, and that’s never a bad thing.

8:00am / 7:00am – TCM – Good News
If you’re the type of person who a) likes people randomly breaking out into song and b) is willing to believe that thirty-somethings June Allyson and Peter Lawford could be college students, you’ll probably like Good News. It’s mindless fun of the type MGM did so well, as braniac Allyson takes on the arduous task of tutoring jock Lawford in French. One of those that isn’t that great a film, but everyone seems to have had a lot of fun making it, and I’m willing to reciprocate by enjoying myself watching it.

1:15am / 12:15am (22nd) – TCM – Ben-Hur: A Tale of the Christ (1926)
Everyone knows about Charlton Heston’s Ben-Hur. You know, the one that won eleven Oscars, a record which stood for, like, fifty years? This isn’t that one. This is the 1926 silent version of the same story, with pre-talkie hearththrob Ramon Novarro as Ben-Hur, and an equally impressive (for its time) chariot race sequence. In some ways, I actually prefer this version to the bombastic 1959 version, and it’s definitely worth a watch.

3:45am / 2:45am (22nd) – TCM – The 400 Blows
Ah, Truffaut. Oh, The 400 Blows. Words can hardly describe how much I love this film, and what it has meant to me, cinematically speaking. It was the beginning of my love affair with the French New Wave, one of the first non-English films I whole-heartedly loved, and really opened up a whole world of filmic experience and critical thought to me. Beyond that, it’s a beautiful and unforgettable film in and of itself, a remarkably real, moving, and unmanipulative (okay, maybe a little manipulative) foray into the life of a young Parisian boy on the cusp of adulthood. Don’t miss it. MUST SEE

Film on TV: 2-7 December

Sorry I missed the first couple of days of this week. I’m finally learning what it’s like to take work home over the weekends. And can you believe it’s already December?!

Tuesday, December 2

4:00pm / 3:00pm – IFC – Rosencrantz and Guildenstern are Dead
Or, Tom Stoppard turns Shakespeare on its ear and comes up with a fantastic play that’s equal parts absurdity, humor, existential philosophy, and pathos. I don’t think the movie version is quite as good as the play, but it’s a good start. Then go read and see the play.

4:00pm / 3:00pm – Sundance – Fahrenheit 451
Francois Truffaut’s first (only?) English-language film is this adaptation of Bradbury’s classic dystopian novel. Interestingly, it sort of takes a similar interperative tack as Bradbury himself recently has, emphasizing the omnipresent screen’s threat to written culture rather than censorship.
(repeats 12:00 NOON EST on the 6th)

Wednesday, December 3

6:00pm / 5:00pm – TCM – Captain Blood
The first of eight films Errol Flynn and Olivia de Havilland made together, and it remains one of the best adventure movies of all time. A doctor gets forced into the life of a pirate after being wrongfully exiled from England. “Blood” happens to be his name rather than a descriptor of his ways, but hey.

8:00pm / 7:00pm – TCM – Great Expectations (1946)
I haven’t seen David Lean’s highly respected version of Dickens’ novel. Neither have I read the novel. Dickens and me are not a particularly happy combination. But the film has a great reputation, and I may have to overcome my Dickens apathy at some point and watch it.

1:45am / 12:45am (4th) – Sundance – Oldboy
Oldboy is about to be remade by Steven Spielberg and Will Smith. This is a huge mistake, so see the original Korean film before that happens. A man is inexplicably locked up in a room for several years then just as inexplicably released, at which point he seeks revenge. A bloody and at times disturbing film, but with an underlying thoughtfulness that sets it apart.

Thursday, December 4

10:00am / 9:00am – TCM – Rio Grande
The last in John Ford’s series of John Wayne-starring Cavalry trilogy, and possibly the best. Not least of which because it also stars Wayne’s most capable costar, Maureen O’Hara.

10:15am / 9:15am – IFC – The Princess and the Warrior
Tom Tykwer’s follow-up to Run Lola Run also stars Franka Potente, and is just as mesmerizing, but in a far less frenetic way. Run Lola Run holds you with its techno-inspired energy, while The Princess and the Warrior entrances with its slower, dreamlike tempo. It never gained the traction that Lola did, which is a shame.
(repeats at 4:15pm and 5:45am on the 5th EST)

Friday, December 5

8:00am / 7:00am – IFC – The Pianist
I’ve got to be honest, I didn’t make it all the way through this Holocaust film – nothing against the film itself, I just wasn’t at a time in my life that I could do Holocaust films. I might give it another go at this point, as the film that brought Roman Polanksi back into America’s good graces, earning Oscars for him and Adrian Brody.

1:45pm / 12:45pm – TCM – Anatomy of a Murder
Classic courtroom drama has Jimmy Stewart facing off with George C. Scott in a case of rape/murder/self-defense that may not be quite what it seems. The jazz score is a special highlight.

5:05pm / 4:05pm – IFC – Gosford Park
Robert Altman moves his signature ensemble films to England, detailing a murder case at an aristocratic estate, complete with a penetrating investigation of class relations. Lots of great roles in here, as you expect from Altman.

8:00pm / 7:00pm – TCM – Meet Me in St. Louis
It’s the 1903 World’s Fair. It’s Judy Garland. It’s Vincente Minnelli. It’s nostalgic Americana at its best. What more do you want?

9:30pm / 8:30pm – IFC – Crouching Tiger, Hidden Dragon
The film that started the influx of Chinese action films into the United States. I honestly like some of Zhang Yimou’s later lyric actioners more than Ang Lee’s film, but this is a good place to start.
(repeats 5:50am EST on the 6th)

Saturday, December 6

8:00pm / 7:00pm – TCM – Swing Time
Many people call Swing Time the best of the Fred Astaire-Ginger Rogers musicals, and it’s certainly up there. Frothy story? Check. Jerome Kern music? Check. Fantastic dances? Check. Of course.

11:15pm / 10:15pm – TCM – Kitty Foyle
Ginger Rogers won an Oscar for this film, which sounds like a good sign. It’s not necessarily, because honestly? This is not Ginger’s style, and today the film is more a curio of now-passe Hollywood cliches.

1:15am / 12:15am (7th) – TCM – Bachelor Mother
THIS is Ginger’s style. I don’t know who gave her the idea that she should be a dramatic actress, because comedy is where she shines. Specifically 1930s comedy, like this one of a wisecracking department store employee who comforts a baby on some orphanage steps and can’t convince the orphanage workers (and soon, her boss David Niven) that it’s not hers and ends up stuck with it. I love this movie, and more people need to see it.

4:30am / 3:30am (7th) – TCM – Paper Moon
Peter Bogdanovich did 1950s tragic nostalgia in The Last Picture Show, and here he takes on depression-era comic nostalgia. Real-life father-daughter actors Ryan and Tatum O’Neal play a con man and the kid he picks up to help him with his hits. Throw in the brilliant Madeline Kahn, and you have a film I want to watch again right now.

Sunday, December 7

10:00am / 9:00am – TCM – Little Women (1933)
TCM’s really hitting the nostalgia hard this week – Sunday is all about the movies I loved as a kid. This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless, and it’s a personal favorite of mine.

11:00am / 10:00am – IFC – The New World
IFC has been playing this like twice a week, so if you haven’t seen Terrence Malick’s gorgeous cinematic tone poem disguised as an adventure epic, it’s your own fault. Because I’m going to stop pointing it out every week.
(repeats 5:45am EST 8th)

1:45pm / 12:45pm – TCM – Swiss Family Robinson
I’m sure I saw this as a kid (who didn’t), but I don’t remember it very well, except for the awesome tree house, which I may be remembering from Disney World. So I’m looking foward to revisiting it.

6:15pm / 5:15pm – TCM – Old Yeller
I wore my tape of Old Yeller out, I swear.

8:00pm / 7:00pm – TCM – The Parent Trap
Aw, Hayley Mills. Yeah, I have nothing intelligent to say about any of these films. You all know them, I’m sure, but here’s a chance to introduce your kids to them if you haven’t already.

10:15pm / 9:15pm – TCM – Pollyanna
Ditto above.

12:30am / 11:30pm – IFC – Trainspotting
Wow, from Pollyanna to Trainspotting. I think my brain might explode on that one. Danny Boyle’s film about a group of Scottish heroin addicts (including a breakout role for Ewan McGregor) is about as far from cheerful Pollyanna-land as you can get, but it’s nonetheless brilliant. Hard to watch, maybe. But brilliant.