Tag Archives: Guess Who’s Coming to Dinner

Film on TV: February 1-7

lawrence1.jpg
Lawrence of Arabia, playing Monday at 11pm on TCM

This is February, which means Oscars are coming up, which means TCM has launched into their annual 31 Days of Oscar lineup, meaning every film they play in the month of February has been at least nominated for an Academy Award. Now, that could mean it was nominated for Best Costume Design in 1937, but hey. Generally it means a fairly high overall quality of programming, and a number of films they don’t play very often the rest of the year.

Monday, February 1

8:55am – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
(repeats at 3:40pm and 10:30pm, and 5:45pm on the 6th)

8:00pm – TCM – Funny Girl
Barbra Streisand tied Katharine Hepburn, no less, to win an Oscar for her role as Ziegfeld comedienne Fanny Brice. I’m neither a big Brice fan nor a big Streisand fan, so I haven’t seen it, but maybe I’ll get around to it one day.
1968 USA. Director: William Wyler. Starring: Barbra Streisand, Omar Sharif, Kay Medford, Anne Francis, Walter Pidgeon.

11:00pm – TCM – Lawrence of Arabia
Most epics are over-determined and so focused on spectacle that they end up being superficial – all big sets and sweeping music with no depth. The brilliance of Lawrence of Arabia is that it looks like an epic with all the big sets and sweeping music and widescreen vistas, but at its center is an enigmatic character study of a man who lives bigger-than-life, but is as personally conflicted as any intimate drama has ever portrayed.
1962 UK. Director: David Lean. Starring: Peter O’Toole, Omar Sharif, Alec Guinness, Jose Ferrer.
Must See
Newly Featured!

Tuesday, February 2

5:30am – TCM – Great Expectations
David Lean’s definitive version of one of Charles Dickens’ most well-known books, about the boy Pip and his rise to fortune through the aid of a mysterious benefactor. I’ve avoided this because of my distaste for Dickens, but hey. The movie can’t have time to ramble on like Dickens does, so maybe I’d like it.
1946 UK. Director: David Lean. Starring: John Mills, Tony Wager, Valerie Hobson, Jean Simmons, Bernard Miles, Martita Hunt.
Newly Featured!

8:05am – IFC – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See
(repeats at 1:35pm)

8:00pm – TCM – The Thin Man
If there’s such a genre as “sophisticated comedy-mystery,” The Thin Man is the apex of it. William Powell and Myrna Loy starred in thirteen films together, but never did their chemistry sparkle quite so much as here, in their first of six outings as husband-and-wife detectives Nick and Nora Charles. In between cocktails and marital moments, they investigate the disappearance of the titular thin man (later in the series, “thin man” erroneously became associated with Nick). There’s so much to love about this film – the great dialogue, hilarious supporting characters (only a few of which go too far over the top), and honestly, most of all, the amazing portrayal of a solid, loving marriage in the midst of so much chaos.
1934 USA. Director: W.S. Van Dyke. Starring: William Powell, Myrna Loy, Maureen O’Sullivan.
Must See

10:00pm – TCM – The Best Years of Our Lives
One of the first films to deal with the aftermath of WWII, as servicemen return home to find both themselves and their homes changed by the long years of war. Director William Wyler and a solid ensemble cast do a great job of balancing drama and realism without delving too much into sentimentality.
1946 USA. Director: William Wyler. Starring: Fredric March, Myrna Loy, Dana Andrews, Teresa Wright, Virginia Mayo, Herbert Russell, Cathy O’Donnell.
Newly Featured!

3:15am (3rd) – TCM – Sergeant York
Gary Cooper won his first Oscar for his portrayal of WWI hero Sgt. Alvin York, a pacifist who somehow decided that the fastest way to stop the killing was to join up and kill as many Germans as he could to end the war.
1941 USA. Director: Howard Hawks. Starring: Gary Cooper, Walter Brennan, Joan Leslie, George Tobias, Margaret Wycherly, Ward Bond.
Newly Featured!

Wednesday, February 3

6:00am – IFC – Garden State
First-time director Braff brings his quirky personality and taste in indie music to this story of a young man who returns to his home town for the first time in years for his mother’s funeral. While there, he meets a girl who teaches him how to feel for the first time since his father started prescribing meds to him as a child. It’s become a popular pastime to hate on Garden State and its self-conscious quirk, but I refuse. I loved it when I first saw it, and I love it now.
2004 USA. Director: Zach Braff. Starring: Zach Braff, Natalie Portman, Peter Sarsgaard.
(repeats at 11:15am and 4:35pm)

7:15am – TCM – The Champ
Wallace Beery earned an Oscar for his role as a has-been prizefighter, living hand to mouth with his adoring son. But then the boy has a chance to go live with his mother, long-divorced from Beery and now married to a well-to-do man. This is a great example of a high-end Warner Bros. programmer from the early 1930s – it’s very lean, nothing extra in it, but it’s got a heart that I didn’t expect.
1931 USA. Director: King Vidor. Starring: Wallace Beery, Jackie Cooper, Irene Rich, Roscoe Ates.

7:45am – IFC – Hannah and Her Sisters
Though I love Manhattan and Annie Hall to bits, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do.
1986 USA. Director: Woody Allen. Starring: Barbara Hershey, Mia Farrow, Carrie Fisher, Michael Caine, Dianne Wiest, Woody Allen.
Must See
(repeats at 1:00pm, and 4:35am on the 4th)

10:45am – TCM – The Public Enemy
Famous for the scene where James Cagney smashes a grapefruit into Mae Clarke’s face, this is one of the gold standards of early gangster films, along with Little Caesar and Howard Hawks’s Scarface.
1931 USA. Director: William A. Wellman. Starring: James Cagney, Jean Harlow, Edward Woods, Joan Blondell, Mae Clarke.

12:15pm – TCM – Yankee Doodle Dandy
James Cagney won an Oscar putting on his dancing shoes to play song-and-dance man and Broadway composer George M. Cohan in this biopic. Though it seems strange to think of gangster picture regular Cagney in a musical, he actually got his start in show business as a hoofer, and returned to musicals many times throughout his career, though this remains the most notable example.
1942 USA. Director: Michael Curtiz. Starring: James Cagney, Joan Leslie.

Thursday, February 4

7:30am – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See
(repeats at 11:30am and 4:30pm)

7:15am – TCM – Captain Blood
This was Errol Flynn and Olivia de Havilland’s first of eight films together, and it’s one of the best. Flynn is the eponymous captain, a dentist named Blood who gets captured by pirates and ends up escaping and taking over the pirate ship himself. Full of swashbuckling and derring-do.
1935 USA. Director: Michael Curtiz. Starring: Errol Flynn, Olivia de Havilland, Lionel Atwill, Basil Rathbone, Guy Kibbee.

9:45am – IFC – Tristram Shandy: A Cock and Bull Story
Lawrence Sterne’s 1769 proto-postmodern novel The Life and Opinions of Tristram Shandy has long been considered unfilmable. So what does director Michael Winterbottom do? He makes a film about the difficulty of filming Tristram Shandy. Winterbottom’s film is something of an experiment, but it’s a delightful one, showing the behind-the-scenes antics of production as well as highlighting the circularity and self-defeating narrative of Sterne’s novel in the film-within-the-film.
2005 UK. Director: Michael Winterbottom. Starring: Steve Coogan, Rob Brydon, Keeley Hawes, Shirley Henderson, Jeremy Northam.
(repeats at 2:50pm)

8:00pm – TCM – The Uninvited (1944)
Not to be confused with the 2009 film The Uninvited, which is actually a remake of Korea’s A Tale of Two Sisters, this unrelated ghost story film is a lovely example of a certain style of 1940s horror – quiet, understated, atmospheric, and yet chilling and haunting.
1944 USA. Director: Lewis Allen. Starring: Ray Milland, Ruth Hussey, Donald Crisp.
Newly Featured!

10:00pm – Sundance – Adaptation.
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
2002 USA. Director: Spike Jonze. Starring: Nicolas Cage, Meryl Streep, Tilda Swinton, Chris Cooper.

12:00M – TCM – The Adventures of Robin Hood
I will state almost categorically that this is the greatest adventure film ever made. Maybe it’s a dead heat between this one and Raiders of the Lost Ark. Errol Flynn is Robin Hood, Olivia de Havilland is Maid Marion, a whole raft of fantastic character actors fill out the rest of the cast, and it’s all done in gorgeous Technicolor (it’s one of the earliest Technicolor films).
1938 USA. Directors: William Keighley & Michael Curtiz. Starring: Errol Flynn, Olivia de Havilland, Claude Rains, Basil Rathbone, Eugene Pallette, Alan Hale, Patric Knowles, Una O’Connor.
Must See

4:15am (5th) – TCM – Little Women (1933)
This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless.
1933 USA. Director: George Cukor. Starring: Katharine Hepburn, Joan Bennett, Paul Lukas, Edna May Oliver, Jean Parker, Frances Dee.

Friday, February 5

7:45am – Sundance – Paris je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.
2006 France. Director: various. Starring: many.
(repeats at 3:00pm)

10:45am – TCM – Gold Diggers of 1933
The story’s nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression-era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.
1933 USA. Director: Mervyn LeRoy. Starring: Joan Blondell, Warren William, Ruby Keeler, Dick Powell, Aline MacMahon, Ginger Rogers, Guy Kibbee.

8:00pm – TCM – True Grit
John Wayne had a career full of iconic western roles before he won an Oscar for this one, as tough old U.S. Marshall “Rooster” Cogburn, recruited by a young woman to help her avenge her father’s death, a quest that takes them deep into Indian territory.
1969 USA. Director: Henry Hathaway. Starring: John Wayne, Glen Campbell, Kim Darby, Robert Duvall, Dennis Hopper.
Newly Featured!

2:30am (6th) – TCM – Guess Who’s Coming to Dinner
Interracial marriage may not be quite the hot topic now that it was in 1967 (although if you check some parts of the American South, you might be surprised), but at the time, Katharine Houghton bringing home Sidney Poitier to meet her parents Katharine Hepburn and Spencer Tracy (in his last film) was the height of socially conscious filmmaking.
1967 USA. Director: Stanley Kramer. Starring: Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton, Cecil Kellaway.
Newly Featured!

Saturday, February 6

12:30pm – TCM – The Magnificent Seven
Homage comes full circle as American John Sturges remakes Akira Kurosawa’s The Seven Samurai as a western – Kurosawa’s film itself was a western transposed into a Japanese setting. Sturges ain’t no Kurosawa, but the story of a group of outcast cowboys banding together to protect an oppressed village is still a good one, plus there’s a young Steve McQueen and Charles Bronson in the cast.
1960 USA. Director: John Sturges. Starring: Yul Brynner, Steve McQueen, Charles Bronson.

5:00pm – TCM – The Great Escape
I expected to mildly enjoy or at least get through this POW escape film. What happened was I was completely enthralled with every second of it, from failed escape attempts to planning the ultimate escape to the dangers of carrying it out. It’s like a heist film in reverse, and extremely enjoyable in pretty much every way.
1963 USA. Director: John Sturges. Starring: Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasance, James Coburn, James Donald.
Must See
Newly Featured!

10:00pm – Sundance – The Discreet Charm of the Bourgeoisie
Luis Bu˜uel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
1972 France. Director: Luis Buñuel. Starring: Fernando Rey, Paul Fankeur, Delphine Seyrig, Stéphane Audran, Jean-Pierre Cassel.
(repeats at 4:00am on the 7th)

12:00M – TCM – Bonnie and Clyde
This is a perfect film. If you have not seen it, see it. If you have seen it, see it again. In either case, rather than write again how much I love it, I will just refer you here.
1967 USA. Director: Arthur Penn. Starring: Warren Beatty, Faye Dunaway, Gene Hackman, Estelle Parsons.
Must See

2:00am – Sundance – 4 Months, 3 Weeks, and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See

Sunday, February 7

1:45pm – TCM – Rebecca
Hitchcock’s first American film, based on Daphne du Maurier’s romantic novel. Rebecca is actually the previous wife of our mousy narrator’s new husband – her greatest fear is that he still loves Rebecca too much to care for her, but the truth may be more sinister than that. A lot of people really love this film, but I personally dislike the Hollywoodized ending enough that I’m not a huge fan.
1940 USA. Director: Alfred Hitchcock. Starring: Laurence Olivier, Joan Fontaine, Judith Anderson, George Sanders.

4:00pm – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? It’s also probably the best film version of the story up till now.
1939 USA. Director: William Wyler. Starring: Laurence Olivier, Merle Oberon, Geraldine Fitzgerald, David Niven, Flora Robson.

6:00pm – TCM – The Pink Panther
Most people would agree that A Shot in the Dark is the best of the Pink Panther series, but the first entry is still well worth watching. Peter Sellers is perfect as bumbling detective Jacques Clouseau, trying to recover a stolen diamond for David Niven.
1963 UK/USA. Director: Blake Edwards. Starring: David Niven, Peter Sellers, Robert Wagner, Capucine.

8:00pm – TCM – 8 1/2
Federico Fellini translates his creative block in making his next film into a film about a director with a creative block – and in so doing, makes one of the most elusively brilliant and creative films of all time.
1963 Italy. Director: Federico Fellini. Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée.
Must See

10:30pm – TCM – Juliet of the Spirits
I’ve seen this Fellini film, but darned if I could tell you anything about it except Guilietta Masina has crazy weird surrealist visions. It’s gorgeous looking, at any rate, and would be worth a rewatch on my part, for sure.
1965 Italy. Director: Federico Fellini. Starring: Giulietta Masina, Sandro Milo, Mario Pisu, Valentine Cortese.
Newly Featured!

3:15am (7th) – TCM – On the Beach
After nuclear war, most of humanity is destroyed; a small outpost in Australia survives, but not for long. See David’s longer take here.
1959 USA. Director: Stanley Kramer. Starring: Gregory Peck, Ava Gardner, Fred Astaire.
Newly Featured!

Film on TV: March 16-23

Monday, March 16

5:00am – TCM – Henri Langlois: Phantom of the Cinematheque
If you like American film since about 1970 or French film since the 1950s, then take a minute to thank Henri Langlois, founder of the Cinematheque Française in Paris. He showed American films from the 1940s, Italian Neo-Realist films, European artsy films, anything he could get his hands on, and fed a love of cinema to the writers and filmmakers who would lead the Nouvelle Vague in France, which in turn would influence the New Hollywood of the ’70s. Without Langlois, there’s no Truffaut, no Godard, no Chabrol, no Rivette, but also no Scorsese, no Bogdanovich, no Coppola, etc. This fascinating documentary follows the ups and downs of the great cinematic hero.

2:30pm – IFC – Raging Bull

8:00pm – TCM – The Navigator
I can’t remember if I’ve seen this Buster Keaton film or not, but it’s Buster Keaton. Therefore it’s worthwhile.

9:30pm – TCM – The Brain That Wouldn’t Die
A cult classic of the first degree. There’s even a Mystery Science Theatre 3000 version, if you’d rather seek that one out.

1:15am (17th) – TCM – Frenzy
One of Hitchcock’s last films, made in 1972 when many of the content rules had been lifted and he could be a lot more explicit than he previously could. And he is, in a somewhat lurid story of the Necktie Killer, a serial killer terrorizing London with failed rape attempts and successful murders.

Tuesday, March 17

6:45pm – IFC – A Hard Day’s Night
Sorta musical, sorta comedy, sorta documentary, sorta concert film, all Beatles, and all fantastic.
(repeats 7:50am and 1:30pm on the 18th)

8:00pm – TCM – The Quiet Man

Wednesday, March 18

8:15am – TCM – Holiday
Besides Bringing Up Baby, Cary Grant and Katharine Hepburn also made this film in 1938, and though it isn’t as well known and possibly hasn’t aged as well, it’s still well worth watching, not least of all for the great supporting turns by Lew Ayres (All Quiet on the Western Front) and Gail Patrick.

10:00am – TCM – Top Hat

8:00pm – IFC – The Life Aquatic with Steve Zissou
(repeats 1:45am on the 19th)

10:00pm – IFC – The Royal Tenenbaums
(repeats 3:45am on the 19th)

12:00M – IFC – This Film Is Not Yet Rated
Documentary about the abuses of the MPAA ratings board gets a little sensationalist at times, but still manages to bring up very good points about the ratings system’s fallibility and arbitraryness.

Thursday, March 19

6:00am – TCM – Dark Victory

7:15am – IFC – Picnic at Hanging Rock
(repeats at 12:45pm)

6:05pm – Sundance – Avenue Montaigne

6:25pm – IFC – Trainspotting

9:30pm – IFC – Moulin Rouge!
(repeats 11:50 am on the 20th)

11:45pm – IFC – Dogville
Lars von Trier specializes in making difficult films, and Dogville is difficult both stylistically and thematically, and many people hate it. Love isn’t quite the right word for the emotion I have towards it, either, but it remains one of the most powerfully impactful films I’ve ever seen. Not to mention it has what is quite possibly Nicole Kidman’s greatest performance (and I love Nicole, so I don’t mean that sarcastically).

Friday, March 20

9:15am – TCM – Seven Brides for Seven Brothers

4:15pm – TCM – Guess Who’s Coming to Dinner

5:45pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.

6:15pm – TCM – Freaky Friday (1978)
Jodie Foster as a kid who switches bodies with her mom! Gotta love it.

2:30am (21st) – TCM – Two-Lane Blacktop
Fiercely independent road picture – a sort of Easy Rider but with cars, less plot, and no stars.

Saturday, March 21

3:30pm – TCM – The Caine Mutiny

1:00am (22nd) – TCM – Oklahoma!

Sunday, March 22

6:00am – TCM – The Roaring Twenties
One of James Cagney’s classic gangster pictures.

8:00am – TCM – Angels With Dirty Faces
Another of James Cagney’s classic gangster pictures, this time with kids and a priest thrown in.

6:15pm – IFC – Wassup Rockers
I watched this last time it was on IFC, and quite liked it. Small, intimate little film about a group of teenage Latino skateboarders from South Central LA. They go up to Beverly Hills to skateboard, get caught by cops, escape, meet up with some girls, get in fights with preppy 90210 guys, and try to get home. But the moments that’ll get you are when they’re just talking, to the camera, or to the girls, about their life and what it’s like to live in South Central. The acceptance that one of their older friends was recently shot by a black gang, or the shy recounting of their last experience trying to find a girlfriend. It doesn’t go anywhere, really, but it’s a wonderful slice of life.

12:00M – TCM – Sunrise: A Song of Two Humans

Film on TV: 19-25 January

It has come to my attention that the movie channels don’t tend to delay programming for the west coast; I somehow always assumed all stations did that, which was why I was giving EST and CST (figuring MST and PST would be the same as EST), but I suppose when there’s no specific primetime programming there’s no real need. So I’m just going to put up the EST start time from now on; subtract one, two, or three hours depending on where you are, and double-checking the listings for your time zone wouldn’t be a bad idea.

Monday, January 19

Ha, this was today. There wasn’t anything on. It’s nice for me how the networks keep scheduling nothing good on Mondays so I can be lazy Sunday afternoons.

Tuesday, January 20

9:45am EST – IFC – The Cat’s Meow
Slight but enjoyable Peter Bogdanovich-directed period piece, with Edward Herrmann as publishing magnate William Randolph Hearst and Kirsten Dunst well-cast as his actress mistress Marion Davies. Based on the real-life events surrounding the mysterious death of wunderkind producer Thomas Ince at one of Hearst’s yacht parties.
(repeats 2:30pm)

8:00pm EST – TCM – Guess Who’s Coming to Dinner
It’s fitting that Spencer Tracy’s last role was opposite Katharine Hepburn; they play a couple whose daughter plans to marry a black man (Sidney Poitier), a volatile topic in 1967.

10:00pm EST – TCM – Bringing Up Baby
Classic screwball comedy, Kate Hepburn, Cary Grant, Howard Hawks, pet leopards, dinosaur bones, the dog from The Thin Man, cross-dressing, paleontology, broken heels, yada yada yada. It’s amazing, watch it, love it.

2:00am EST (21st) – TCM – The Philadelphia Story
Strangely, after 1938, the year of Bringing Up Baby and Holiday, Katharine Hepburn was declared box office poison and shunted out of Hollywood for a couple of years. The Philadelphia Story marked her return in 1940, and what a return. A sparkling high society comedy that still sets the standard for old Hollywood class.

Wednesday, January 21

Not a thing to watch, oh dear, what shall I do? Oh, right, catch up on all those other things I was supposed to watch…

Thursday, January 22

8:00pm EST – TCM – 42nd Street
By 1932 when 42nd Street came out, the Hollywood musical had already died. So excited by the musical possibilities that sound brought in 1927, Hollywood pumped out terrible musical after terrible musical until everyone was sick of them. 42nd Street almost single-handedly turned the tide and remains one of the all-time classic backstage musicals. It looks creaky by later standards, but there’s a vitality and freshness to it that can’t be beat.

9:45pm EST – TCM – A Star is Born (1937)
This is not the better-known Judy Garland version, but the non-musical version featuring Janet Gaynor in one of her last roles. Gaynor’s not well remembered now, but she won the very first Academy Award for Best Actress back in 1928, and she holds the story of a hopeful ingenue married to a has-been actor together. I still love Judy’s version better (because I can’t get enough of her singing “The Man That Got Away”), but this one is well worth watching as well.

11:45pm EST – TCM – All About Eve
If you wanna talk great movies about Broadway, you gotta start with All About Eve. The titular Eve (Anne Baxter) fangirls her way right into Broadway diva Margo’s (Bette Davis) dressing room and life, but her fawning attention masks her scheming motives. It takes a lot to match Bette Davis on screen, but Baxter holds her own wonderfully, and the rest of the ensemble cast (Celeste Holm, Gary Merrill, Hugh Marlowe, Thelma Ritter, George Sanders, and a young Marilyn Monroe) plus a brilliantly catty script round this out to one of the best films ever made.

2:15am EST (23rd) – TCM – Sunset Boulevard
I wish I were as big a fan of Sunset Boulevard as I feel like I ought to be. Film noirish? Check. Seedy underbelly of Hollywood? Check. Steeped in cinematic lore? Check. Written and directed by Billy Wilder? Check and check. And yet – it has never quite caught me the way I want it to. You know what that means… Rewatch!

4:15am EST (23rd) – TCM – The Producers (1968)
The original, non-musical version of the recent Broadway hit. Zero Mostel and Gene Wilder play theatrical producers who figure out that they can make more money by producing a flop then by producing a hit, and they find the perfect vehicle: a musical titled “Springtime for Hitler.” Absolutely brilliant from start to finish.

Friday, January 23

5:45am EST – TCM – Singin’ in the Rain
You don’t need to be told to see this. So I won’t tell you. I’ll just casually point out the fact that it’s on.

8:00pm EST – TCM – Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
Trust Stanley Kubrick to find the funny side of the Cold War. Peter Sellers plays multiple parts, including the President, an insane general who wants to nuke Russia, and the limb-control-impaired doctor of the title. It’s zany, it’s over-the-top, it’s bitingly satirical, and it remains one of Kubrick’s best films in a career full of amazing work.

Saturday, January 24

9:45am EST – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.

Sunday, January 25

6:00am EST – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.

2:00am EST (26th) – TCM – Jules and Jim
Jules and Jim are best friends. Then Catherine falls into their lives like a hurricane – she’s almost a force of chaotic primal nature. She marries Jules, but when Jim reconnects with the couple after WWII (in which the two friends fought on opposite sides), their relationship gets…um…complicated. I keep trying to write more, because I just saw this again in the cinema, and it’s all roiling around in my head, but Truffaut will do that to you. Not as much as Godard does, but then Jules and Jim feels quite Godardian to me, but with more angst. But I won’t go into it all right now. Just know that this is one of the classics of the New Wave, and exemplifies the movement’s realistic style, dispassionate camera and narration, and intellectual pursuits.