Tag Archives: High Sierra

Film on TV: December 7-13

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The More the Merrier, playing on TCM on Thursday, December 10th, at 6pm

After last week’s sparse pair of newly featured films, we’ve got a few more to highlight this week. Jean Arthur costars in a Capra classic in Mr. Deeds Goes to Town on Monday, then moves on to the war-time romance The More the Merrier on Thursday. Quintessential film noir D.O.A. stumbles in on Friday, and of my favorites of this decade, Tarantino’s Kill Bill Vol. 1 hits the Friday midnight slot. On Saturday, TCM has a pair of 1960s greats, The Man Who Shot Liberty Valance and The Lion in Winter, then check out the 1925 version of Ben-Hur: A Tale of the Christ on Silent Sunday Nights. Plenty of great stuff we haven’t seen for a while, too, like The Big Heat and The Third Man on Tuesday, and Bergman’s Persona late Friday/early Saturday.

Monday, December 7

6:50am – IFC – Love’s Labour’s Lost
Kenneth Branagh has taken on a lot of Shakespeare plays and usually does them with incredible fidelity (like his uncut, four-plus hour-long Hamlet). This time around, he takes a lesser-known comedy and adds music by Cole Porter, the Gershwins, Irving Berlin, and Jerome Kern to turn it into a 1930s style musical. It doesn’t work all the time, but for fans of Shakespeare and old musicals (like me), it’s still a fun watch.
2000 USA. Director: Kenneth Branagh. Starring: Alessandro Nivolo, Alicia Silverstone, Natascha McElhone, Kenneth Branagh, Matthew Lillard.
(repeats at 12:45pm)

8:30am – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.
1953 USA. Director: Fred Zinnemann. Starring: Burt Lancaster, Deborah Kerr, Frank Sinatra, Donna Reed, Montgomery Clift, Lee J. Cobb.

8:30am – IFC – Bride & Prejudice
Laugh at me if you must for recommending Chadha’s Bollywood-infused version of Pride and Prejudice, but I love it. It’s silly, it’s beautiful, it’s a fun exercise in adaptation of literary classics, and it’s only slightly weighed down by Martin Henderson’s woodenness.
2005 UK. Director: Gurinder Chadha. Starring: Aishwarya Rai, Martin Henderson, Naveen Andrews, Alexis Bledel.
(repeats at 2:30pm)

8:00pm – TCM – It Happened One Night
In 1934, It Happened One Night pulled off an Academy Award sweep that wouldn’t be repeated until 1975’s One Flew Over the Cuckoo’s Nest, snagging awards for Best Picture, Director, Screenplay, Actor, and Actress. Colbert is a rebellious heiress, determined to run away and marry against her father’s wishes. Along the way, she picks up Gable, a journalist who senses a juicy feature. This remains one of the most enjoyable comedies of all time, with great scenes like Colbert using her shapely legs rather than her thumb to catch a ride, Gable destroying undershirt sales by not wearing one, and a busload of people singing “The Man on the Flying Trapeze.”
1934 USA. Director: Frank Capra. Starring: Clark Gable, Claudette Colbert.
Must See

9:35pm – TCM – Secretary
Maggie Gyllenhaal and James Spader – making sado-masochism fun since 2002! But seriously, this was Maggie’s breakout role, and it’s still probably her best, as a damaged young woman whose only outlet is pain. And despite the subject, Secretary is somehow one of the sweetest and most tender romances of recent years.
2002 USA. Director: Steven Shainberg. Starring:James Spader, Maggie Gyllenhaal.
(repeats at 4:05am on the 8th)

10:00pm – TCM – Mr. Deeds Goes to Town
One of Frank Capra’s most whimsical films stars Gary Cooper as an unassuming country boy who suddenly inherits a great amount of money. When he decides to give it all away to whoever comes and asks for some, he garners a media frenzy, everyone thinking he’s crazy. Idealistic, warmly funny, and, yes, Capracorny. But as corn goes, it’s among the best. Also, any chance to see Jean Arthur is worth taking.
1936 USA. Director: Frank Capra. Starring: Gary Cooper, Jean Arthur, George Bancroft, Lionel Stander, Douglass Dumbrille.
Newly Featured!

12:00M – TCM – You Can’t Take It With You
Capra won his third directing Oscar for this film (the others were for It Happened One Night and Mr. Deeds Goes to Town), but to me it’s not one of his more interesting pieces. Young couple James Stewart and Jean Arthur invite chaos when his staid, wealthy family meets her wacky, irreverent one.
1938 USA. Director: Frank Capra. Starring: Lionel Barrymore, James Stewart, Jean Arthur, Spring Byington.

2:15am (8th) – TCM – Arsenic and Old Lace
In what is probably Frank Capra’s zaniest, least Capra-corn-esque film, Cary Grant plays Mortimer Brewster – a perfectly normal man until he discovers that his sweet old maid aunts have accumulated several dead bodies in the basement due to poisoning lonely old men. Add in another nephew who is a serial killer, a quack plastic surgeon, and an uncle who thinks he’s Teddy Roosevelt, and Mortimer’s got his hands full trying to keep his family secrets away from the girl he loves. It’s over-the-top, sure, but you gotta love the crazy.
1944 USA. Director: Frank Capra. Starring: Cary Grant, Priscilla Lane, Josephine Hull, Jean Adair, Raymond Massey, Peter Lorre.

Tuesday, December 8

7:30am – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.
1953 USA. Director: Fritz Lang. Starring: Glenn Ford, Gloria Grahame.

1:00pm – TCM – North by Northwest
Roger O. Thornhill (Cary Grant) gets mistaken for George Kaplan and pulled into an elaborate web of espionage in one of Hitchcock’s most enjoyable and funniest thrillers. So many great scenes it’s impossible to list them all.
1959 USA. Director: Alfred Hitchcock. Starring: Cary Grant, Eva Marie Saint, James Mason, Martin Landau.
Must See

8:00pm – TCM – Radio Days
This essentially plotless Woody Allen film consists of a series of nostalgic vignettes about a 1940s working class New York family. The title comes from their love for the radio, the center of pop culture at the time; the radio also provides the subplot following Mia Farrow as a wanna-be radio singer who gets mixed up with gangsters. It’s not particularly deep, but it’s also pretty enjoyable.
1987 USA. Director: Woody Allen. Starring: Julie Kavner, Mia Farrow, Seth Green, Dianne Wiest.
Newly Featured!

1:00am (9th) – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed.
1949 UK/US. Director: Carol Reed. Starring: Joseph Cotten, Alida Valli, Orson Welles.
Must See

Wednesday, December 9

11:00pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator is assigned to eavesdrop on a famous writer who may be working against the government regime – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.
(repeats at 4:15am on the 10th)

11:30pm – TCM – They Drive By Night
Humphrey Bogart and George Raft play truck driver brothers, trying to get ahead before they get killed (who knew truck driving was so dangerous?), or, you know, framed into murder plots by Ida Lupino – their boss’s wife who has amorous designs on Raft, despite his much healthier relationship with a young Ann Sheridan. Not a great movie, but a solid example of Warner’s pre-noirish studio style.
1940 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, George Raft, Ida Lupino, Ann Sheridan.

1:30am (10th) – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.
1941 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, Joan Leslie, Ida Lupino.

Thursday, December 10

6:45am – IFC – Picnic at Hanging Rock
I have a love-hate relationship with Aussie director Peter Weir. His films are almost always slow and methodical, which works for me sometimes and not others. It works in Picnic at Hanging Rock, one of his earlier films, in which a group of schoolgirls goes into the wilderness for a picnic and mysteriously disappear.
1975 Australia. Director: Peter Weir. Starring: Anne-Louise Lambert, Rachel Roberts, Vivean Gray, Tony Llewellyn-Jones, Karen Robson.
(repeats at 2:30pm)

9:00am – TCM – Brief Encounter
In this quiet little doomed romance, a married woman bored with her dull husband meets a man on a train – and continues to meet him every week, indulging herself in the way he makes her feel, even though she knows it can’t really be. David Lean brings a lushness and depth to this deceptively simple story (by Noel Coward), making into one of the most memorable romances of the 1940s.
1945 UK. Director: David Lean. Starring: Celia Johnson, Trevor Howard, Stanley Holloway, Cyril Raymond.

6:00pm – TCM – The More the Merrier
A World War II housing shortage has Charles Coburn, Joel McCrea and Jean Arthur sharing an apartment; soon Coburn is matchmaking for McCrea and Arthur, and we get a wonderful, adorable romance out of it.
1943 USA. Director: George Stevens. Starring: Jane Arthur, Joel McCrea, Charles Coburn.
Newly Featured!

4:00am (11th) – TCM – Little Women (1933)
This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless.
1933 USA. Director: George Cukor. Starring: Katharine Hepburn, Joan Bennett, Paul Lukas, Edna May Oliver, Jean Parker, Frances Dee.
Newly Featured!

Friday, December 11

9:00am – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 2:30pm)

5:15pm – TCM – D.O.A.
A man staggers into a police office to report a murder…his own. He’s been poisoned with an antidote-less poison, and he spends the rest of the film trying to convince the police what’s happened and trying to figure out who poisoned him and why. It’s not my favorite film noir, but it’s unusual premise and solid quality makes it worth watching.
1950 USA. Director: Rudolph Maté. Starring: Edmond O’Brien, Pamela Britton, Luther Adler, Beverly Garland.
Newly Featured!

12:00M – IFC – Kill Bill Vol. 1
A lot of people would point to Pulp Fiction as Tarantino’s best film, and I think Inglourious Basterds is right up there, too, but I vote Kill Bill Vol. 1 for sheer amount of fun. He homages spaghetti westerns, Hong Kong fighting flicks, and revenge-sploitation, and ties it all together with incredible style.
2003 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah, David Carradine.
Must See
Newly Featured!

3:45am (12th) – TCM – Persona
Of all of Ingmar Bergman’s films, Persona is the one I always come back to. A nurse takes her patient, a former actress who one day simply refused to talk any more, to a lonely island to try to help her recover. They soon engage in a battle of the wills, and their identities start merging. Meanwhile, Bergman interrogates not only the concept of identity within the film, but the apparatus of film itself and its capacity for understanding and communication. There’s more to it every time I watch it.
1966 Sweden. Director: Ingmar Bergman. Starring: Bib Andersson, Liv Ullmann.
Must See

Saturday, December 12

10:00am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 3:30pm)

3:15pm – TCM – The Man Who Shot Liberty Valance
Three of the greatest names in westerns – John Ford, John Wayne, and James Stewart – teamed up to make this film just as the classical western was fading out of popularity. Perhaps fittingly, then, it’s a film about western myth and the transition from outlaw gunslingers to government rule, a transition aided in one town at least by the man who shot outlaw Liberty Valance.
1962 USA. Director: John Ford. Starring: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien.
Newly Featured!

5:30pm – TCM – The Lion in Winter
Katharine Hepburn won her third (of four) Oscars for her role in this film as Plantagenet matriarch Eleanor of Aquitaine, a woman who probably had more to do with the course of British and European history than most men. The film concerns her, her husband King Henry II of England, and their quarrelsome sons Richard and John (who’d make their fair share of history as King Richard Coeur de Leone and King John, of the Magna Carta) during a particularly tense Christmas reunion. It can be difficult to make medieval-set films seem immediate, but this one does.
1968 UK. Director: Anthony Harvey. Starring: Peter O’Toole, Katharine Hepburn, Anthony Hopkins, Nigel Terry, Timothy Dalton, Jane Merrow.
Newly Featured!

11:00pm – TCM – Father of the Bride
Long before Steve Martin kicked of his nearly twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).
1950 USA. Director: George Cukor. Starring: Spencer Tracy, Elizabeth Taylor, Joan Bennett, Russ Tamblyn.

11:00pm – TCM – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See

Sunday, December 13

4:00pm – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made.
1940 USA. Director: George Cukor. Starring: Katharaine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Ralph Bellamy, Virginia Weidler.
Must See

12:00M – TCM – Ben-Hur: A Tale of the Christ
Everyone knows about Charlton Heston’s Ben-Hur. You know, the one that won eleven Oscars, a record which stood for, like, fifty years? This isn’t that one. This is the 1925 silent version of the same story, with pre-talkie hearththrob Ramon Novarro as Ben-Hur, and an equally impressive (for its time) chariot race sequence. In some ways, I actually prefer this version to the bombastic 1959 version, and it’s definitely worth a watch.
1925 USA. Director: Fred Niblo. Starring: Ramon Novarro, Francis X. Bushman, May McAvoy, Betty Bronson, Kathleen Key.
Newly Featured!

2:30am (14th) – TCM – Ordet
This one I haven’t seen, but it’s on my list as I work my way toward watching more Carl Theodor Dreyer films. I have to admit that it is work for me; I watched Day of Wrath a couple of years ago and found it rather tedious (I appreciate it more in retrospect). I’m going to tape Ordet and see what happens, but I think I’m more likely to find my Dreyer “aha” moment with Vampyr or The Passion of Joan of Arc. Thoughts, any Dreyer fans?
1955 Denmark. Director: Carl Theodor Dreyer. Starring: Emil Haas Christiansen, Birgitte Federspiel, Sylvia Eckhausen, Ejner Federspiel.
Newly Featured!

Film on TV: October 12-18th

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O Brother Where Art Thou, playing on October 15th at 10pm on TCM

Mostly a lot of repeats this week, but a lot of those are extremely good – be sure to check through for anything you might’ve missed in previous weeks. Among the newly featured films, don’t miss Fellini’s masterpiece 8 1/2 on Monday, Whit Stillman’s Metropolitan (a film which ought to be better-known than it is) on Tuesday, and The Misfits (the last film for both Clark Gable and Marilyn Monroe) on Sunday. Also, TCM’s doing a tribute to the Depression era on Thursday night, showing two of my favorite ’30s throwback films, Paper Moon and O Brother Where Art Thou, as well as They Shoot Horses, Don’t They, which I have yet to see. And TCM’s one notable horror entry of the month is Dreyer’s Vampyr, playing late on Sunday.

Monday, October 12th

7:00am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 12:00N and 5:00pm)

8:25am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
2004 UK. Director: Danny Boyle. Starring: Alex Etel, Lewis McGibbon, James Nesbitt, Daisy Donovan, Christopher Fulford.
(repeats at 1:25pm)

1:45pm – TCM – 8 1/2
Federico Fellini translates his creative block in making his next film into a film about a director with a creative block – and in so doing, makes one of the most brilliant and creative films of all time.
1963 Italy. Director: Federico Fellini. Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée.
Must See
Newly Featured!

8:00pm – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See
(repeats at 1:45am and 1:45pm on the 13th)

9:45pm – IFC – Annie Hall
Often considered Woody Allen’s transition film from “funny Woody” to “serious Woody,” Annie Hall is both funny, thoughtful, and fantastic. One of the best scripts ever written, a lot of warmth as well as paranoid cynicism, and a career-making role for Diane Keaton (not to mention fashion-making).
1977 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane.
Must See
(repeats at 3:35am and 10:15am on the 13th)

Tuesday, October 13th

8:35am – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See
(repeats at 4:00am on the 14th)

12:00M – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
Newly Featured!

3:45am (14th) – TCM – Angels with Dirty Faces
One of the classic gangster pictures has James Cagney as a criminal idolized by the youth of Hell’s Kitchen and Pat O’Brien as Cagney’s boyhood buddy who grew up to be a priest. Though the two remain friends, they wind up understandably at odds with each other when O’Brien starts working to clean up the neighborhood.
1938 USA. Director: Michael Curtiz. Starring: James Cangye, Pat O’Brien, Ann Sheridan, Humphrey Bogart.

Wednesday, October 14th

11:30am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (”comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly.
2003 USA. Directors: Shari Springer Berman & Robert Pulcini. Starring: Paul Giamatti, Hope Davis.
(repeats at 4:30pm)

7:40pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator working for the Nazis assigned is to eavesdrop on a famous writer who may be working for the Resistance – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.

8:00pm – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall

8:00pm – Fox Movie Channel – Miller’s Crossing
The Coen brothers take on 1930s gangland with this film, and do so admirably well. As they do most things. I have to admit I wasn’t quite as enamored of it as I usually am of Coen films, but it definitely has its moments.
1990 USA. Director: Joel Coen. Starring: Gabriel Byrne, Marcia Gay Harden, John Turturro, Jon Polito, Albert Finney.

10:00pm – Fox Movie Channel – Barton Fink
One of the Coen Brothers’ most brilliant dark comedies (heh, I think I say that about all of their dark comedies, though), Barton Fink follows its title character, a New York playwright whose hit play brings him to the attention of Hollywood, where he goes to work for the movies. And it all goes downhill from there. Surreal, quirky, and offbeat, even among the Coens work. It’s based loosely on the experiences of Clifford Odets, whose heightened poetic style of writing has clearly been influential on the Coens throughout their career.
1991 USA. Director: Joel Coen. Starring: John Turturro, John Goodman, Judy Davis, Michael Lerner, Tony Shalhoub.
(repeats at 2:30am on the 15th)

10:30pm – Sundance – 4 Months, 3 Weeks and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See
(repeats at 4:20am on the 15th)

Thursday, October 15th

2:30pm – TCM – The War of the Worlds (1953)
The post-H.G. Wells, post-Orson Welles, pre-Steven Spielberg version. Mysterious ships land, disintegrate people with their laser beams, and generally wreak havok. The special effects are hokey now, of course, but still pretty cool-looking in a retro way; the really interesting thing is the way Haskin cut in actual newsreel war footage to lend an air of realism in with all of George Pal’s science fiction effects.
1953 USA. Director: Byron Haskin. Starring: Gene Barry, Ann Robinson.

8:00pm – TCM – Paper Moon
Peter Bogdanovich is known for his nostalgic streak, and he’s never worn it more firmly on his sleeve than with this film – a homage both to the 1930s and the films from that time period. Shot in lovely black and white, it follows the exploits of a con man and the young girl he begrudgingly lets accompany him, only to discover that she’s a tremendous asset to his “business.” Real-life father and daughter Ryan and Tatum O’Neal play off each other perfectly (so well on Tatum’s part that at age ten she became the youngest person to ever win an Oscar). There’s not a lot to the story, but Bogdanovich’s loving attention to detail, a strong script and performances, and a scene-stealing turn by Madeline Khan can’t fail to charm.
1973 USA. Director: Peter Bogdanovich. Starring: Ryan O’Neal, Tatum O’Neal, Madeline Khan, John Hillerman, P.J. Johnson.
Must See
Newly Featured!

8:15pm – Sundance – Wristcutters: A Love Story
Patrick Fujit slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.
2006 USA. Director: Goran Dukic. Starring: Patrick Fujit, Shannyn Sossamon, Abraham Benrubi, Will Arnett.
(repeats at 4:00am on the 16th)

10:00pm – TCM – O Brother Where Art Thou
I have great love for nearly all the Coen Brothers films, but O Brother Where Art Thou is the one I keep coming back to again and again. From its brilliant appropriation of The Odyssey to its oddball evocation of the American South, from the sublime to the just plain goofy, from its use of classic cinema tropes to the washed-out color scheme, it’s simply perfect.
2000 USA. Director: Joel Coen. Starring: George Clooney, John Turturro, Tim Blake Nelson, Holly Hunter, John Goodman.
Must See
Newly Featured

10:30pm – IFC – The Cooler
In this under-the-radar film, William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty much his best role until 30 Rock.
2003 USA. Director: Wayne Cramer. Starring: William H. Macy, Mario Bello, Alec Baldwin.

Friday, October 16th

5:00pm – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 9:45am and 3:15pm on the 17th)

Saturday, October 17th

4:30pm – Fox Movie Channel – Two for the Road
Once in a while a film comes out of nowhere and blindsides me with brilliance. Two for the Road is directed by Stanley Donen, best known for lighthearted musicals, comedies, and mysteries. It stars Audrey Hepburn and Albert Finney; Hepburn at least also best known for lighthearted, whimsical fare. But Two for the Road is one of the most thoughtful and adult films of the 1960s, and I mean that in a good way. It dissects Hepburn’s and Finney’s relationship, cutting back and forth between their meeting, their marriage, and their separation almost as if all three are happening at the same time – every moment of their life together becomes part of who they are and part of the sum of their relationship, and Donen has found the perfect way to depict that.
1967 USA. Director: Stanley Donen. Starring: Audrey Hepburn, Albert Finney.
Must See

10:00pm – Sundance – Eraserhead
David Lynch’s first feature is a weird post-apocalyptic dreamscape of a film – what, you were expecting something normal? When you can have industrial decay and mutant babies?
1977 USA. Director: David Lynch. Starring: Jack Nance, Charlotte Stewart.

2:30am (18th) – TCM – The African Queen
One of several films John Huston and Humphrey Bogart made together pits Bogart against the Amazon river – and straight-laced missionary Katharine Hepburn, who is forced to travel with him to escape Germany enemies. Well, boats are small, and one things leads to another, you know.
1951 USA. Director: John Huston. Starring: Humphrey Bogart, Katharine Hepburn, Robert Morley.

Sunday, October 18th

7:45am – Fox Movie Channel – My Darling Clementine
John Ford’s version of the famous confrontation at the OK Corral actually focuses more on Wyatt Earp’s fictional romance with the fictional Clementine than on the real-life Earp/Clanton feud, but history aside, this is one of the greatest and most poetic westerns on film, proving yet again Ford’s mastery of the genre and of cinema.
1946 USA. Director: John Ford. Starring: Henry Fonda, Victor Mature, Linda Darnell, Cathy Downs, Walter Brennan, Tim Holt.
Must See

1:00pm – TCM – Anatomy of a Murder
One of the best courtroom dramas ever made – James Stewart vs. George C. Scott as lawyers on a murder/rape trial that may not be quite what it seems. And that’s aside from the top-notch jazz score by Duke Ellington, which is in itself reason enough to see the film.
1959 USA. Director: Otto Preminger. Starring: James Stewart, George C. Scott, Lee Remick.
Must See

4:00pm – TCM – The Misfits
John Huston directs and Arthur Miller writes this final film for both Clark Gable and Marilyn Monroe. Though the film is remembered for that tragic fact, it’s also a pretty solid film on its own, about a divorcee caught between two rough and ready men of the west (Gable and Montgomery Clift), then opposing them when she discovers their plans for the wild horses in the area. And of course, with Miller behind it, there’s far more going on than just that.
1961 USA. Director: John Huston. Starring: Clark Gable, Marilyn Monroe, Montgomery Clift, Thelma Ritter, Eli Wallach.
Newly Featured!

6:15pm – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.
1941 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, Joan Leslie, Ida Lupino.

10:00pm – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 5:15am on the 19th)

2:00am (19th) – TCM – Vampyr (1932)
Carl Theodor Dreyer takes on the vampire genre with this moody and imaginative entry. Dreyer and his cinematographer Rudolph Mate are both visual artists of the highest degree, and though I haven’t seen Vampyr yet, it’s one I’ve been anticipating for a long while, so I’m thankful TCM is including it this month.
1932 Germany. Director: Carl Theodor Dreyer. Starring: Julian West, Maurice Schutz, Rena Mandel, Sybille Schmitz.
Newly Featured!

Film on TV: August 24-30

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Some Came Running, playing Friday, August 28th, at 8pm EST on TCM.

Monday, August 24

7:30am – TCM – A Star is Born (1937)
This is not the better-known Judy Garland version, but the non-musical version featuring Janet Gaynor in one of her last roles. Gaynor’s not well remembered now, but she won the very first Academy Award for Best Actress back in 1928, and she holds this story of a hopeful ingenue married to a has-been actor together. I still love Judy’s version better (because I can’t get enough of her singing “The Man That Got Away”), but this one is well worth watching as well.
1937 USA. Director: William A. Wellman. Starring: Janet Gaynor, Fredric March, Adolphe Menjou

8:30am – IFC – Mr. Hulot’s Holiday
French writer/actor/director Jacques Tati specialized in nearly-silent physical comedy that reminds one at times of Chaplin or Keaton, but with a slightly more ironic French flair about it. In Mr. Hulot’s Holiday, a trip to the seashore turns out to be anything but relaxing.
1953 France. Director: Jacques Tati. Starring: Jacques Tati
(repeats at 1:30pm and 5:00am on the 25th)

6:45pm – TCM – Nothing Sacred
A newspaper offers to give terminally-ill Carole Lombard her dream trip to New York City in exchange for publishing her experiences. Only problem is, she’s lying about being terminally ill. One of the zaniest of all 1930s zany comedies – that said, it can be a little on the shrill side.
1937 USA. Director: William A. Wellman. Starring: Carole Lombard, Fredric March, Charles Winninger, Walter Connolly.
Newly Featured!

10:00pm – TCM – Dr. Jekyll and Mr. Hyde (1932)
Fredric March won his first Oscar for his role as the meek doctor and his violent alter ego, but honestly, the make-up department deserves most of those accolades. Well-done, posh version of the story.
1931 USA. Director: Rouben Mamoulian. Starring: Fredric March, Miriam Hopkins.
Newly Featured!

Tuesday, August 25

6:15pm – Sundance – The Discreet Charm of the Bourgeoisie
Luis Buñuel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
1972 France. Director: Luis Buñuel. Starring: Fernando Rey, Jean-Pierre Cassel, Stephane Audran.
(repeats at 10:15am on the 26th)

8:00pm – IFC – Blue Velvet
I’ll be honest, this is not one of my favorite David Lynch films. There are a lot of things I like about it. The unsettling take on suburbia, the gorgeously disturbing photography, the kids playing detective, the severed ear, you know, the normal Lynch stuff. But then it just gets to be too cruel for me. Still, it’s a Lynch classic, and you oughta see it. And I oughta see it again, see if my opinion has changed.
1986 USA. Director: David Lynch. Starring: Kyle MacLachlan, Laura Dern, Isabella Rossellini, Dennis Hopper.
(repeats at 3:45am on the 26th)

2:30am (26th) – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? Interestingly, I’m more impressed generally with Geraldine Fitzgerald’s Isabella than Merle Oberon’s Catherine/Cathy, but it’s been a while since I’ve seen it.
1939 USA. Director: William Wyler. Starring: Laurence Olivier, Merle Oberon, Geraldine Fitzgerald, David Niven, Flora Robson.

Wednesday, August 26

8:00pm – TCM – The King and I
Oklahoma! is my unabashed favorite Rodgers & Hammerstein musical, but I have a lot of admiration for The King and I, if only because it addresses far more serious topics with far less happy outcomes than most musicals ever do.
1956 USA. Director: Walter Lang. Starring: Yul Brynner, Deborah Kerr, Rita Moreno.
Newly Featured!

10:30pm – TCM – The Magnificent Seven
Homage comes full circle as American John Sturges remakes Akira Kurosawa’s The Seven Samurai as a western – Kurosawa’s film itself was a western transposed into a Japanese setting. Sturges ain’t no Kurosawa, but the story of a group of outcast cowboys banding together to protect an oppressed village is still a good one, plus there’s a young Steve McQueen and Charles Bronson in the cast.
1960 USA. Director: John Sturges. Starring: Yul Brynner, Steve McQueen, Charles Bronson, Eli Wallach, James Coburn.

11:00pm – Sundance – Black Book
Paul Verhoeven invests Black Book with just enough of his signature over-the-top brashness to give the WWII story of a Dutch Jewish woman infiltrating the Gestapo for the Resistance a healthy dose of panache. Every time you think it won’t go the next step, it does, and it’s ravishingly entertaining the whole time.
2006 Netherlands. Director: Paul Verhoeven. Starring: Carice van Houten, Sebastian Koch, Thom Hoffman.
Newly Featured!

12:00M – IFC – Pulp Fiction
With Quentin Tarantino’s newest film Inglourious Basterds out in cinemas this week, what better time to revisit his most iconic, game-changing film of all? Must See
1994 USA. Director: Quentin Tarantino. Starring: John Travolta, Samuel L. Jackson, Uma Thurman, Tim Roth, Amanda Plummer, Bruce Willis, Eric Stoltz, Ving Rhames.
Newly Featured!

4:30am (27th) – Sundance – Hannah Takes the Stairs
One of the first Mumblecore films to get a decent release, Hannah shows the rather mundane existence of a girl trying to decide which relationship to pursue. It’s talky, it’s low-fi, it’s simultaneously naturalistic and affected, but there’s something raw about it that’s compelling. I didn’t love it, but I’m glad there’s a place for films like this in our cinematic landscape.
2007 USA. Director: Joe Swanberg. Starring: Greta Gerwig, Andrew Bujalski, Kent Osborne, Mark Duplass.
Newly Featured!

Thursday, August 27

4:00pm – TCM – The Big Knife
Clifford Odets’ searing play about his hatred of Hollywood comes to the screen, with Jack Palance mugging as a frustrated actor who wants out of his contract, but can’t get out because the studio is blackmailing him. Between Odets’ overly poetic dialogue, director Robert Aldrich’s melodramatic style, and Palance’s scenery-chewing, this is a camptastic good time.
1955 USA. Director: Robert Aldrich. Starring: Jack Palance, Ida Lupino, Wendell Corey, Jean Hagen, Rod Steiger, Shelley Winters.
Newly Featured!

6:00pm – TCM – While the City Sleeps
The head of a New York newspaper dies, leaving it in his son Vincent Price’s hands to choose someone to promote: managing editor Thomas Mitchell, lead reporter Dana Andrews, or a couple of other people. The way to get the job? Get the scoop on the serial killer taking out women around the city. It gets a little plot-heavy at times, but it’s so full of classic character actors and the noirish feel that director Fritz Lang does so well that it’s still very worthwhile.
1956 USA. Director: Fritz Lang. Starring: Dana Andrews, Rhonda Fleming, Thomas Mitchell, Vincent Price, Ida Lupino.

6:15pm – IFC – Wassup Rockers
Small, intimate little film about a group of teenage Latino skateboarders from South Central LA. They go up to Beverly Hills to skateboard, get caught by cops, escape, meet up with some girls, get in fights with preppy 90210 guys, and try to get home. But the moments that’ll get you are when they’re just talking, to the camera, or to the girls, about their life and what it’s like to live in South Central. It doesn’t go anywhere, really, but it’s a wonderful slice of life.
2005 USA. Director: Larry Clark. Starring: Jonathan Velasquez, Francisco Pedrasa, Milton Velasquez, Iris Zelaya.

2:00am (28th) – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.
1941 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, Joan Leslie, Ida Lupino.

Friday, August 28

11:30am – TCM – Anchors Aweigh
What’s that you say? Your life won’t be complete until you see Gene Kelly dance with an animated Jerry the Mouse from the Tom & Jerry cartoons? Well, you’re in luck with this film. Oh, right, there’s also a story-type thing with Kelly and Frank Sinatra as sailors and Kathryn Grayson as the love interest, but really, it’s all about Gene and Jerry.
1945 USA. Director: George Sidney. Starring: Gene Kelly, Frank Sinatra, Kathryn Grayson, José Iturbi, Dean Stockwell.

2:00pm – TCM – On the Town
Sailors on leave Gene Kelly, Frank Sinatra, and Jules Munshin hit New York City, spending the day sightseeing and searching for Kelly’s dream girl Vera-Ellen, meanwhile picking up Betty Garrett and Ann Miller for the other boys. Not much plot here, but enough to precipitate some of the best song and dance numbers on film. Also one of the first musicals shot on location.
1949 USA. Directors: Stanley Donen and Gene Kelly. Starring: Gene Kelly, Frank Sinatra, Jules Munshin, Vera-Ellen, Ann Miller, Betty Garrett.

8:00pm – TCM – Some Came Running
Frank Sinatra gets to prove his acting chops again as a cynical soldier returning to his small-town home. Shirley MacLaine is a revelation, and Dean Martin gets probably his best role, as well. Meanders a bit in the middle, but ends up more memorable than it seems at first, thanks to Vincente Minnelli’s subtle but effective direction. Also, right up there with Douglas Sirk’s best work in terms of widescreen mise-en-scène and use of cinematic space.
1958 USA. Director: Vincente Minnelli. Starring: Frank Sinatra, Dean Martin, Shirley MacLaine, Martha Hyer, Arthur Kennedy.

10:30pm – TCM – High Society
This is not one of the best music-centric films ever made, but it is the musical version of The Philadelphia Story, with both Bing Crosby and Frank Sinatra crooning it up with songs by Cole Porter. Oh, and one of Grace Kelly’s last roles before she retired to become a princess and stuff. Still, you wish with that pedigree that it were better than it is. Ah, well.
1956 USA. Director: Charles Walters. Starring: Bing Crosby, Frank Sinatra, Grace Kelly, Celeste Holm, John Lund, Louis Calhern.

Saturday, August 29

8:00am – IFC – Yojimbo
One of oh-so-many Akira Kurosawa films I have not yet scene, despite everyone from respected film critics to the clerk I used to work with at the video store singing its praises. Toshirô Mifune is a samurai who plays the two violent factions controlling a village against each other. Maybe I’ll rectify my non-watching of it this time around. (But I also keep saying that, and all these films keep piling up on my DVR.)
1961 Japan. Director: Akira Kurosawa. Starring: Toshirô Mifune, Tatsuya Nakadai.
Newly Featured!

12:00M – IFC – Crouching Tiger, Hidden Dragon
The combination of mysticism and martial arts on wires turned magical in this film, spawning a mess of imitators in the subsequent years, though none have quite equaled Crouching Tiger‘s success. Must See
2000 Taiwan. Director: Ang Lee. Starring: Chow Yun-Fat, Michelle Yeoh, Zhang Ziyi, Chen Chang, Cheng Pei-Pei.
(repeats at 12:15pm on the 30th)

Sunday, August 30

2:00pm – TCM – Shane
Alan Ladd plays the titular cowboy, idolized by the young son of the family he takes refuge with as he tries to escape Jack Palance.
1953 USA. Director: George Stevens. Starring: Alan Ladd, Van Heflin, Jean Arthur, Jack Palance.

5:45pm – TCM – Mr. Smith Goes to Washington
Frank Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause. Must See
1939 USA. Director: Frank Capra. Starring: James Stewart, Jean Arthur, Claude Rains, Thomas Mitchell, Edward Arnold, Guy Kibbee, Eugene Pallette.

8:00pm – TCM – You Can’t Take It With You
Capra won his third directing Oscar for this film (the others were for It Happened One Night and Mr. Deeds Goes to Town), but to me it’s not one of his more interesting pieces. Young couple James Stewart and Jean Arthur invite chaos when his staid, wealthy family meets her wacky, irreverent one.
1938 USA. Director: Frank Capra. Starring: James Stewart, Jean Arthur, Lionel Barrymore, Edward Arnold, Spring Byington, Ann Miller.

Film on TV: June 29-July 5

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Cléo from 5 to 7, playing on IFC at 6:45am on July 4th

Well, TCM’s showcase of great directors is winding down this week, but don’t worry, there’s still plenty of great cinema playing. On Thursday, TCM is running a bit of a tribute to 1939, widely considered one of the best years in filmmaking history, at least in terms of the sheer quantity of great films released that year. Also, IFC really picked up the ball this week, and are showing a bunch of really great films.

Monday, June 29

8:00pm – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
(repeats 2:30am on the 30th)

9:45pm – IFC – The Player
Robert Altman takes on Hollywood in this story of a script screener (Tim Robbins) who gets drawn further and further into a web of blackmail and double-crosses when he’s threatened by a screenwriter whose script he rejected. You gotta love it for the virtuosic opening pan at the very least; the rest of the Hollywood insider references are just gravy.
(repeats 4:05am on the 30th)

Tuesday, June 30

Great Directors on TCM: Anthony Mann
Though Sergio Leone and Sam Peckinpah and later Clint Eastwood often get well-deserved credit for developing the revisionist western, some of it should also probably go to Anthony Mann. Along with frequent star James Stewart, Mann tapped into a darker side of the quintessential American cowboy hero, showing him as a little more morally compromised, a little more expedient, and a little more personally haunted than most classic westerns.

8:00pm – TCM – The Man from Laramie
Of course TCM is playing the one Mann-Stewart western I HAVEN’T seen. But given the high quality of their other films together, I set my DVR for it immediately.

Wednesday, July 1

7:45am – IFC – Miller’s Crossing
The Coen brothers take on 1930s gangland with this film, and do so admirably well. As they do most things. I have to admit I wasn’t quite as enamored of it as I usually am of Coen films, but it definitely has its moments and I think a rewatch would jump it up in my estimation greatly.
(repeats 2:15pm)

9:45pm – IFC – Mad Max
The first entry in the post-apocalyptic punk-action series that made Mel Gibson a star.
(repeats at 3:45am on the 2nd)

12:00M – IFC – Platoon
Director Oliver Stone won an Oscar for this Vietnam film (as did the film itself). I haven’t seen it, but I’m gonna DVR it and see if I get around to it.

12:30am (2nd) – TCM – The Public Enemies: The Golden Age of the Gangster Film
Warner Bros. basically created the gangster film in the 1930s with a series of great, gritty and hard-hitting (for the time) crime films. This documentary looks to be a nice introduction to the genre.

2:30am (2nd) – TCM – The Petrified Forest
Bette Davis and Leslie Howard are top billed in this 1936 crime drama, but the thing you’ll remember is Humphrey Bogart in his first major film role as criminal-on-the-run Duke Mantee. They’re all holed up in a remote gas station while Mantee figures out his scheme to escape the manhunt for him. He fairly sizzles on screen.

4:00am (2nd) – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.

Thursday, July 2

11:15am – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
(repeats at 4:30pm)

5:30pm – TCM – Rope
Hitchcock is well-known for his formal experimentation. In Rope, he shoots everything from a single camera position – on top of the chest containing the body of the boy that John Dall and Farley Granger killed before inviting several people over for a party. It’s also meant to appear as one take, though the ten-minute max reel length of the time forced him to fudge a bit on that. The story is based on the real-life Leopold-Loeb murder case, where two young men killed an acquaintance just to see if they could pull it off.

8:00pm – TCM – The Wizard of Oz
I’ve simply got nothing bad to say about The Wizard of Oz. It’s been one of my favorite movies for years, and I doubt that’ll change any time soon – one of the great classics of imagination, wonder, and self-fulfillment. Must See
(repeats 6:00pm on the 3rd)

11:15pm – TCM – The Women
Only the cattiest, most man-less film every made (there are no men at all, so of course George Cukor directed it, right?). Several of Hollywood’s greatest female stars, from established divas like Norma Shearer and Joan Crawford to up-and-comers like Rosalind Russell and Joan Fontaine to character actresses like Mary Boland and Marjorie Main (and even non-actresses like gossip columnist Hedda Hopper), give their all to one of the wittiest scripts ever written. Must See

1:30am (3rd) – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.

Friday, July 3

9:00am – TCM – Bachelor Mother
Slight Ginger Rogers vehicle, but one I always enjoy – she picks up a baby left on the steps of an orphanage just in time for everyone to think it’s hers, including her boss (David Niven) at the department store where she works. So she has to keep it.

9:15pm – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home (his behavior is both caused by and threatens his mother’s poor health).
(repeats at 2:00pm)

Saturday, July 4

6:45am – IFC – Cléo from 5 to 7
Almost all New Wave films were directed by men, and there’s a definite undercurrent of misogyny in most of them – or at least a clear lack of understanding of women. Enter Agnes Varda, who took New Wave sensibilities, added in her own painterly touches, and a strong feminine perspective – and you get incredible films like this one, a spare story of a woman who discovers she has cancer. The mix of New Wave detachment and the evocation of the woman’s flittering emotions just under the surface combine perfectly to skyrocket the film onto my all-time favorites list. Must See
(repeats at 1:30pm)

3:30pm – TCM – Mr. Smith Goes to Washington
Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.

5:45pm – TCM – Yankee Doodle Dandy
James Cagney won an Oscar putting on his dancing shoes to play song-and-dance man and Broadway composer George M. Cohan in this biopic. Though it seems strange to think of gangster picture regular Cagney in a musical, he actually got his start in show business as a hoofer, and returned to musicals many times throughout his career, though this remains the most notable example.

9:45pm – IFC – Fargo
Still one of the Coen Brothers’ best films, despite over a decade of mostly good films in the intervening years. Dark comedy is not an easy genre, and Fargo is the gold standard, blending shocking violence and a noir-ish crime story with comical inept criminals and a perfectly rendered performance from Frances McDormand. Must See
(repeats at 3:30am on the 5th)

1:15am (5th) – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made. Must See

Sunday, July 5

12:00N – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.

2:00pm – TCM – War of the Worlds
The 1953 version of H.G. Wells’ classic Martian attack story – the alien ships land mysteriously, then start randomly attacking without warning. The mix of realistic March-of-Time style narration, incorporation of actual war/newsreel footage within the film, and fairly decent special effects for the time make it one of the more interesting of 1950s sci-fi efforts. The ending is a little deus ex machina, but up until that, very enjoyable.

7:15pm – IFC – Moulin Rouge! (2001)
Baz Lurhmann admittedly has a love-it-or-hate-it flamboyantly trippy aesthetic, especially in the informal Red Curtain trilogy which Moulin Rogue! closes. And sure, it’s over the top; sure, the story is fairly routine; sure, the acting is so-so. I love it to pieces anyway.
(repeats 4:30am on the 6th)

8:00pm – TCM – Mr. Hulot’s Holiday
French writer/actor/director Jacques Tati specialized in nearly-silent physical comedy that reminds one at times of Chaplin or Keaton, but with a slightly more ironic French flair about it. In Mr. Hulot’s Holiday, a trip to the seashore turns out to be anything but relaxing.

9:30pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.
(repeats 3:00am on the 6th)

10:00pm – TCM – To Catch a Thief
Not one of my personal favorite Hitchcock films, but certainly one of his classiest, most sophisticated entries. Cary Grant is a notorious cat burglar, Grace Kelly the Monte Carlo socialite he woos. It’s one of Kelly’s last films, and she’s already looking like the princess she was about to become.

12:00M – IFC – Trainspotting
Days in the lives of Scottish heroin addicts. Sounds like a downer, and I won’t say it’s not, but it’s also brilliant and searing. Danny Boyle seems to always be able to take stories that could be routine and make them into something special. (Though I won’t deny he often loses control of his endings – the rest of the film is usually worth it, though.)

Film on TV – 22-28 December

Merry Christmas, everyone! I apologize for not getting this out on Sunday. I was having eureka moments in programming and it completely slipped my mind.

Tuesday, 23 December

12:35am / 11:35pm (24th) – Sundance – 4 Months, 3 Weeks, and 2 Days
Another chance at one of the best movies from last year.

Wednesday, 24 December

11:10am / 10:10am – Sundance – Fahrenheit 451
Truffaut’s first English-language film, an adaptation of Bradbury’s famous anti-censorship, anti-passive media novel. Rewatched it recently, and found it better than I had remembered.

6:00pm / 5:00pm – TCM – The Bishop’s Wife
Not one of my favorite Christmas films, but its popularity continues despite my ambivalence. :)

1:00am / 12:00am (25th) – TCM – Meet Me in St. Louis
I forget to count this as a Christmas film, but it is the origin of “Have Yourself a Merry Little Christmas,” so I guess it is. It’s also just plain great.

Thursday, 25 December

4:00pm / 3:00pm – Sundance – The Constant Gardener
I’d have to check and make sure, but I think The Constant Gardener is sitting pretty right at the top of my Best of 2005 list. Its combination of love story, conspiracy thriller, and human rights drama meshes perfectly, and isn’t hurt by gorgeous cinematography, a moody and contemplative tone, and a terrific performance from Rachel Weisz (which earned her an Oscar).

4:00pm / 3:00pm – TCM – Ben-Hur (1959)
TCM showed the silent version of Ben-Hur a couple of weeks ago; here’s the Charlton Heston version. They’re also doing King of Kings and The Greatest Story Ever Told earlier in the day, if your need for life-of-Jesus epics isn’t satiated.

8:00pm / 7:00pm – TCM – Casablanca
Bogart. Bergman. Witty bon mots. Thwarted romance and nobility. Classic.

10:00pm / 9:00pm – TCM – The Big Sleep
Bogart and Bacall in Howard Hawks’ version of Raymond Chandler’s best detective novel. Can’t get any better than that.

12:00pm /11:00pm – TCM – The Maltese Falcon
Bogart inhabits Dashiell Hammett’s private eye Sam Spade, creating pretty much the definitive on-screen hard-boiled detective. Not mention setting the early benchmark for noirs films.

2:00am / 1:00am (26th) – TCM – The African Queen
I didn’t love The African Queen as much as I wanted to, and I don’t know why. Bad mood probably. I felt like Bogart, despite his Oscar win for this, was phoning it in a little, and Hepburn felt over the top. Anyway, it’s still one you oughta see once, just so you can say you have.

4:00am / 3:00am (26th) – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.

Friday, 26 December

8:00pm / 7:00pm – TCM – Lawrence of Arabia
There were a lot of epics made in the 1950s and ’60s. Today most of them are laughable to one degree or another. But Lawrence of Arabia stands as tall as it ever did, refusing to reduce its enigmatic subject into the confines of normal biography or explain his conflicting actions and traits. Plus, the most gorgeous desert cinematography you’ll ever see. Ever.

Saturday, 27 December

8:00am / 7:00am – IFC – The Seven Samurai
Akira Kurosawa’s Samurai epic usually appears very near the top of any list of favorite/best foreign films. My difficulty with Japanese cinema means it’s not that high for me yet, but I respect it for its influence alone. It’s basically Kurosawa’s take on the Western, and in return it spawned the revisionist Western of the 1960s with its complicated heroes and moral ambiguity.

12:00pm / 11:00am – TCM – The Great Escape
Steve McQueen, cool as only Steve McQueen could be, leads an elaborate escape attempt from a WWII POW camp. It’s a lot more fun than that sounds.

3:00pm / 2:00pm – TCM – True Grit
John Wayne won an Oscar for his role in this. I feel like it may have been a lifetime achievement sort of thing, despite being in a competitive category, but hey – what do I know? I actually haven’t seen it yet.

3:30pm / 2:30pm – IFC – Howl’s Moving Castle
My favorite of Hayao Miyazaki’s fantastic animated features.

8:00pm / 7:00pm – TCM – Woman of the Year
Katharine Hepburn and Spencer Tracy, together for the first time. And would you believe that this is one of only a couple of their eight films together that I haven’t seen yet? I’ve DVR’d it at least twice, but it keeps getting deleted before I watch it. Third time’s the charm?

10:45pm / 9:45pm – IFC – The Cooler
I mentioned The Cooler as one of my favorite Maria Bello films in my 20 Favorite Actresses post, and in fact, it’s one of my favorite recent indie films, no qualifications. William H. Macy, who’s always worth watching, turns in one of his most sympathetic performances, and Alec Baldwin hones his ironic boss skills before he moved on to 30 Rock.

2:00am / 1:00am (28th) – TCM – Annie Hall
I’ve been denigrating Annie Hall in favor of Manhattan for a long time now, but I just rewatched Annie Hall last week, and wow. It’s way better than I remembered. I still love Manhattan to bits, but it’s at least a tie now between them. Brilliant writing. Brilliant.

Sunday, 28 December

8:00am / 7:00am – IFC – Rashomon
I actually like Kurosawa’s Rashomon quite a bit better than The Seven Samurai, and I imagine that’s due to my love of ambiguous narratives. A woman and two men meet in the woods. One man is killed. But what caused his death is unknown – we have conflicting stories from three witnesses, but cannot judge the truth. Rashomon is the first film to a) have completely unreliable cinematic segments and b) refuse to tell the audience which is true. It breaks the rule that what you see on screen is real, and it doesn’t allow either the characters or the audience any way to figure out what is real. Truly groundbreaking.

5:00pm / 4:00pm – IFC – The Princess and the Warrior
Tom Tykwer’s second film with Franka Potente isn’t as frenetic as the first (Run Lola Run), but has a quieter sort of mesmerizing power all its own. It never gained the traction that Lola did, but it deserves more of an audience than it’s gotten.

3:00am / 2:00am (29th) – TCM – Mr. Hulot’s Holiday
French writer/actor/director Jacques Tati specialized in nearly-silent physical comedy that reminds one at times of Chaplin or Keaton, but with a slightly more ironic French flair about it. In Mr. Hulot’s Holiday, a trip to the seashore turns out to be anything but relaxing.