Tag Archives: It Happened One Night

Film on TV: February 22-28

stagedoor.jpg
Stage Door, playing at 3:30am on Sunday, Febuary 28th (late Saturday)

As TCM’s Oscar-celebratory month winds down, they’ve still got a few new ones to throw at us – the first musical to win a Best Picture Oscar, The Broadway Melody, shows on Monday; an actual good Merchant-Ivory film in A Room With a View turns up on Thursday; and fantastic underrated film noir The Killers plays on Thursday; finally, one of my personal all-time favorite films, Stage Door, hits the screen late Saturday/early Sunday (trust me, picture quality is higher than the still above; couldn’t find a decent cap). Sundance also springs Zhang Yimou historical actioner Curse of the Golden Flower to us on Sunday. As expected, the rest of the week is filled out with great repeats on all channels – many classics, both new and old.

Monday, February 22

2:00pm – TCM – The Broadway Melody
After Warner Bros. thrust the film industry into the sound era with Jolson’s musical numbers in The Jazz Singer, it wasn’t long before other studios latched onto the musical possibilities provided by the debut of synchronized sound. MGM led the way with this backstage entry (the first of a series of unrelated “Broadway Melody” films) and earned themselves a Best Picture Academy Award. That’d never hold up today – this is extremely creaky and old-fashioned now – but hey. It has historical interest.
1929 USA. Director: Harry Beaumont. Starring: Charles King, Anita Page, Bessie Love.
Newly Featured!

6:00pm – TCM – Sunset Boulevard
Billy Wilder’s classic noir explores the dark side of the rich and formerly famous, as a struggling screenwriter (William Holden) gets involved with a silent screen star seeking to make a comeback in the sound era. In one of the most brilliant cast films ever, actual silent screen star Gloria Swanson returned to the movies to play the delusional Norma Desmond and actual silent star/director Erich von Stroheim (who worked with Swanson on the never-finished Queen Kelly, portions of which appear in Sunset Boulevard) plays her former director/current butler. The film is a bit on the campy side now, but that doesn’t diminish its enjoyability one bit.
1950 USA. Director: Billy Wilder. Starring: William Holden, Gloria Swanson, Nancy Olsen, Erich Von Stroheim, Buster Keaton.
Must See

11:45pm – TCM – It Happened One Night
In 1934, It Happened One Night pulled off an Academy Award sweep that wouldn’t be repeated until 1975’s One Flew Over the Cuckoo’s Nest, snagging awards for Best Picture, Director, Screenplay, Actor, and Actress. Colbert is a rebellious heiress, determined to run away and marry against her father’s wishes. Along the way, she picks up Gable, a journalist who senses a juicy feature. This remains one of the most enjoyable comedies of all time, with great scenes like Colbert using her shapely legs rather than her thumb to catch a ride, Gable destroying undershirt sales by not wearing one, and a busload of people singing “The Man on the Flying Trapeze.”
1934 USA. Director: Frank Capra. Starring: Clark Gable, Claudette Colbert.
Must See

Tuesday, February 23

8:45am – TCM – 42nd Street
By 1933 when 42nd Street came out, the Hollywood musical had already died. So excited by the musical possibilities that sound brought in 1927, Hollywood pumped out terrible musical after terrible musical until everyone was sick of them. 42nd Street almost single-handedly turned the tide and remains one of the all-time classic backstage musicals. It may look a little creaky by later standards, but there’s a vitality and freshness to it that can’t be beat.
1932 USA. Director: Lloyd Bacon. Starring: Warner Baxter, Ruby Keeler, George Brent, Bebe Daniels, Dick Powell, Ginger Rogers, Una Merkel.

2:45pm – TCM – The Awful Truth
This is one of the definitive screwball comedies, starring Cary Grant and Irene Dunne as a married couple who constantly fight and decide to divorce, only to wind up meddling in each other’s lives (and screw up other relationship attempts) because they just can’t quit each other. Dunne’s impersonation of a Southern belle showgirl is a highlight.
1937 USA. Director: Leo McCarey. Starring: Cary Grant, Irene Dunne, Ralph Bellamy.
Must See

5:45pm – IFC – Bananas
Woody Allen in full-on zany mode in one of his earlier films, as the wonderfully named Fielding Mellish. In an attempt to impress a politically-minded girl, Mellish runs off to a Latin American country and takes it over.
1971 USA. Director: Woody Allen. Starring: Woody Allen, Louise Lasser, Carlos Montalbán.

6:15pm – TCM – Topper
Cary Grant and Constance Bennett are hard-living young couple who crash their fancy car after a night of drinking and end up as ghosts. They choose to spend their afterlife haunting Grant’s uptight boss Cosmo Topper (Roland Young) and teaching him to enjoy life again. Something of a screwball comedy without the battle of the sexes part; slight but a lot of fun.
1937 USA. Director: Norman Z. McLeod. Starring: Roland Young, Cary Grant, Constance Bennett.

10:30pm – Sundance – 4 Months, 3 Weeks, and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See

11:15pm – TCM – Gigi
Maurice Chevalier’s “Thank Heaven for Little Girls” might come off as more pervy now than it was originally intended, but as a whole Gigi stands as one of the most well-produced and grown-up musicals made during the studio era. Vincente Minnelli gives it a wonderful visual richness and sophistication, while music from Lerner & Loewe (usually) stresses the right combination of innocence, exuberance, and ennui for its decadent French story.
1958 USA. Director: Vincente Minnelli. Starring: Louis Jourdan, Leslie Caron, Maurice Chevalier, Hermione Gingold.

12:00M – IFC – The Good German
Steven Soderbergh’s attempt using 1940s equipment and filming techniques didn’t actually turn into a particularly good movie, but as a filmmaking experiment, it’s still fairly interesting. And has George Clooney and Cate Blanchett in gorgeous B&W as former lovers/current spies, if you’re into that sort of thing.
2006 USA. Director: Steven Soderbergh. Starring: George Clooney, Cate Blanchett, Tobey Maguire.

1:15am (24th) – TCM – An American in Paris
Expat artist Gene Kelly in Paris, meets Leslie Caron, woos her away from rival Georges Guetarey, all set to Gershwin music and directed with panache by Vincente Minnelli. All that plus Kelly’s ground-breaking fifteen-plus-minute ballet to the title piece.
1951 USA. Director: Vincente Minnelli. Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetarey.
Must See

Wednesday, February 24

10:30am – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed.
1949 UK/US. Director: Carol Reed. Starring: Joseph Cotten, Alida Valli, Orson Welles.
Must See

12:30pm – TCM – The Magnificent Ambersons
Welles followed up Citizen Kane with this film about a wealthy but decaying American family, but wasn’t given nearly as much creative freedom. But even with studio interference, it’s well worth seeing.1942 USA. Director: Orson Welles. Starring: Joseph Cotten, Tim Holt, Anne Baxter, Agnes Moorehead.

2:00pm – TCM – The Treasure of the Sierra Madre
One of Humphrey Bogart’s best films casts him as greedy prospector Fred C. Dobbs, who teams up with old-timer Walter Huston and youngster Tim Holt to find a horde of gold. Along the way, they uncover instead the darker sides of human nature. One of director John Huston’s most impressive films.
1948 USA. Director: John Huston. Starring: Humphrey Bogart, Tim Holt, Walter Huston.
Must See

6:00pm – Sundance – Paris je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.
2006 France. Director: various. Starring: many.
(repeats at 4:30am on the 25th)

8:00pm – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
(repeats at 2:55pm on the 25th)

1:15am (25th) – TCM – A Room With a View
One of Merchant-Ivory’s best films out of their many classy adaptations of period literary classics – and less, uh, stuffy than they often tend to be. For me, it vies only with Howards End (another E.M. Forster adaptation) in their repertoire. A young Helena Bonham Carter, a veteran Maggie Smith, and Daniel Day-Lewis in one of his earliest film roles, don’t hurt at all.
1985 UK. Director: James Ivory. Starring: Helen Bonham Carter, Maggie Smith, Denholm Elliott, Julian Sands, Simon Callow, Judi Dench, Daniel Day-Lewis.
Newly Featured!

Thursday, February 25

2:00pm – TCM – A Day at the Races
The Marx Brothers take over the racetrack in what is probably the last of their really great comedies. As with A Night at the Opera you do have to put up with the silly romantic subplot, but it’s not too big a strain.
1937 USA. Director: Sam Wood. Starring: The Marx Brothers, Allan Jones, Maureen O’Sullivan, Margaret Dumont.
Must See

4:00pm – TCM – Mr. Deeds Goes to Town
One of Frank Capra’s most whimsical films stars Gary Cooper as an unassuming country boy who suddenly inherits a great amount of money. When he decides to give it all away to whoever comes and asks for some, he garners a media frenzy, everyone thinking he’s crazy. Idealistic, warmly funny, and, yes, Capracorny. But as corn goes, it’s among the best. Also, any chance to see Jean Arthur is worth taking.
1936 USA. Director: Frank Capra. Starring: Gary Cooper, Jean Arthur, George Bancroft, Lionel Stander, Douglass Dumbrille.

5:45pm – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See
(repeats at 11:20am on the 26th)

8:00pm – TCM – The Killers (1946)
Burt Lancaster made his film debut in this excellent noir, an expansion of an Ernest Hemingway short story. Lancaster is a quiet gas station attendant killed in the opening of the film by two hitmen – the events that lead up to his death (involving, among other things, a classic femme fatale played by Ava Gardner) are told in flashback throughout the rest of the film.
1946 USA. Director: Robert Siodmak. Starring: Burt Lancaster, Ava Gardner, Edmond O’Brien, Albert Dekker, Sam Levene.
Newly Featured!

10:00pm – TCM – The Man Who Shot Liberty Valance
Three of the greatest names in westerns – John Ford, John Wayne, and James Stewart – teamed up to make this film just as the classical western was fading out of popularity. Perhaps fittingly, then, it’s a film about western myth and the transition from outlaw gunslingers to government rule, a transition aided in one town at least by the man who shot outlaw Liberty Valance.
1962 USA. Director: John Ford. Starring: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien.

Friday, February 26

9:30am – TCM – Mrs. Miniver
One of the more celebrated World War II home front films has Greer Garson in an Oscar-winning turn as the stalwart title character, holding her home together against the German Blitz. It’s the kind of movie that could only be made in 1942, and it won awards all over the place. It comes off a bit over-earnest today, though.
1942 USA. Director: William Wyler. Starring: Greer Garson, Walter Pidgeon, Teresa Wright.

5:45pm – TCM – Victor/Victoria
Making a living proves tough for singer Julie Andrews, until she decides to try cross-dressing, pretending to be a man performing as a female impersonator. This creates, um, interesting situations in her personal life, as well. Andrews’ husband Blake Edwards directs this amusing farce.
1982 USA. Director: Blake Edwards. Starring: Julia Andrews, Robert Preston, James Garner, Lesley Ann Warren.
Newly Featured!

7:45pm – IFC – Se7en
Detectives Brad Pitt and Morgan Freeman pursue a serial killer who bases his murders on the seven deadly sins. One of the great serial killer thrillers, with one of the great serial killer speeches of all time.
1995 USA. Director: David Fincher. Starring: Brad Pitt, Morgan Freeman, Gwyneth Paltrow, Kevin Spacey.
Newly Featured!
(repeats at 3:05am on the 27th)

Saturday, February 27

6:00am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
2004 UK. Director: Danny Boyle. Starring: Alex Etel, Lewis McGibbon, James Nesbitt, Daisy Donovan, Christopher Fulford.
(repeats at 11:35am and 5:15pm)

10:30am – TCM – The Manchurian Candidate
Former soldier Frank Sinatra starts having nightmares about his war experience, then finds that he and his unit were part of a brainwashing experiment – the result of which was to turn his colleague Laurence Harvey into a sleeper agent assassin. A classic of the Cold War era, full of well-honed suspense and paranoia.
1962 USA. Director: John Frankenheimer. Starring: Frank Sinatra, Laurence Harvey, Angela Lansbury.

12:45pm – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.
1953 USA. Director: Fred Zinnemann. Starring: Burt Lancaster, Deborah Kerr, Frank Sinatra, Donna Reed, Montgomery Clift, Lee J. Cobb.

8:00pm – TCM – Tom Jones
The book Tom Jones, written in the late 1700s by Henry Fielding, is usually considered one of the earliest novels, and part of its charm is the way it pastiches earlier literary forms as it tells its story of a rakish young English nobleman and his adventures with women. Though the film version can’t really claim the same place in cinematic history that the novel does in literary history, it’s still quite enjoyable, and manages to convey a similar playfulness by pastiching earlier filmmaking styles – which never fails to earn it a spot in texts on adaptation.
1963 UK. Director: Tony Richardson. Starring: Albert Finney, Susanna York, Hugh Griffiths.

10:00pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator is assigned to eavesdrop on a famous writer who may be working against the government regime – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.

12:20am (28th) – Sundance – Oldboy
Ultra-violent revenge films don’t get much better than this. A man is inexplicably locked up in a room for several years then just as inexplicably released, at which point he seeks revenge. A bloody and at times disturbing film, but with an underlying thoughtfulness that sets it apart.
2003 Korea. Director: Park Chan-Wook. Starring: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.

3:30am (28th) – TCM – Stage Door
I cannot describe to you how much I love this film. I’m not sure it’s wholly rational. Katharine Hepburn plays an heiress who wants to make it on her own as an actress, so she moves (incognito) into a New York boarding house for aspiring actresses. Her roommate ends up being Ginger Rogers (who’s never been better or more acerbic), and the boarding house is rounded out with a young Lucille Ball, a young Eve Arden, a very young Ann Miller, and various others. The dialogue is crisp and everyone’s delivery matter-of-fact and perfectly timed, and the way the girls use humor to mask desperation makes most every moment simultaneously funny and tragic – so that when it does turn tragic, it doesn’t feel like a shift in mood, but a culmination of the inevitable.
1937 USA. Director: Gregory La Cava. Starring: Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Andrea Leeds, Gail Patrick, Eve Arden, Lucille Ball, Ann Miller, Constance Collier.
Must See
Newly Featured!

Sunday, February 28

6:05am – IFC – Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties.
2004 USA. Director: Shane Carruth. Starring: Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya, Carrie Crawford.
(repeats at 2:05pm)

8:15am – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made.
1940 USA. Director: George Cukor. Starring: Katharaine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Ralph Bellamy, Virginia Weidler.
Must See

10:15am – TCM – You Can’t Take it With You
Capra won his third directing Oscar for this film (the others were for It Happened One Night and Mr. Deeds Goes to Town), but to me it’s not one of his more interesting pieces. Young couple James Stewart and Jean Arthur invite chaos when his staid, wealthy family meets her wacky, irreverent one.
1938 USA. Director: Frank Capra. Starring: Lionel Barrymore, James Stewart, Jean Arthur, Spring Byington.

5:15pm – TCM – The Greatest Show on Earth
Widely considered one of the least deserving films ever to win the Best Picture Academy Award, Cecil B. DeMille’s circus picture is big, loud, and gaudy – and okay, kinda fun. No, it didn’t deserve an Oscar that year, but in terms of spectacle, you get death-defying trapeze acts, clowns with shady pasts, and one of the most incredible train crashes ever on film.
1952 USA. Director: Cecil B. DeMille. Starring: Betty Hutton, Charlton Heston, Cornel Wilde, James Stewart, Gloria Grahame, Dorothy Lamour.

8:00pm – TCM – Ben-Hur
Charlton Heston is the titular character, going through pretty much everything a Jew in the first century could expect – mistreatment from the Romans, being sold as a galley slave as punishment for a minor offense, fighting for his life as an arena chariot racer, and becoming convinced by Jesus of Nazareth’s promises of hope and a better kingdom to come. Ben-Hur practically defines the word “epic,” and remains one of the best of the sword-and-sandal films so popular in the ’50s and ’60s.
1959 USA. Director: William Wyler. Starring: Charlton Heston, Stephen Boyd, Jack Hawkins, Hugh Griffith, Cathy O’Donnell, Martha Scott.
Must See

10:00pm – Sundance – Curse of the Golden Flower
One of the weaker entries in Zhang Yimou’s series of historical martial-arts-on-wires films, but it still has its moments – and the production design, as usual, is flawlessly beautiful. Definitely worth a watch if you’re a fan of the style.
2006 China. Director: Zhang Yimou. Starring: Chow Yun-Fat, Gong Li, Jay Chou, Ye Liu.
Newly Featured!
(repeats at 4:15am on the 29th)

12:00M – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
Must See

Film on TV: December 7-13

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The More the Merrier, playing on TCM on Thursday, December 10th, at 6pm

After last week’s sparse pair of newly featured films, we’ve got a few more to highlight this week. Jean Arthur costars in a Capra classic in Mr. Deeds Goes to Town on Monday, then moves on to the war-time romance The More the Merrier on Thursday. Quintessential film noir D.O.A. stumbles in on Friday, and of my favorites of this decade, Tarantino’s Kill Bill Vol. 1 hits the Friday midnight slot. On Saturday, TCM has a pair of 1960s greats, The Man Who Shot Liberty Valance and The Lion in Winter, then check out the 1925 version of Ben-Hur: A Tale of the Christ on Silent Sunday Nights. Plenty of great stuff we haven’t seen for a while, too, like The Big Heat and The Third Man on Tuesday, and Bergman’s Persona late Friday/early Saturday.

Monday, December 7

6:50am – IFC – Love’s Labour’s Lost
Kenneth Branagh has taken on a lot of Shakespeare plays and usually does them with incredible fidelity (like his uncut, four-plus hour-long Hamlet). This time around, he takes a lesser-known comedy and adds music by Cole Porter, the Gershwins, Irving Berlin, and Jerome Kern to turn it into a 1930s style musical. It doesn’t work all the time, but for fans of Shakespeare and old musicals (like me), it’s still a fun watch.
2000 USA. Director: Kenneth Branagh. Starring: Alessandro Nivolo, Alicia Silverstone, Natascha McElhone, Kenneth Branagh, Matthew Lillard.
(repeats at 12:45pm)

8:30am – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.
1953 USA. Director: Fred Zinnemann. Starring: Burt Lancaster, Deborah Kerr, Frank Sinatra, Donna Reed, Montgomery Clift, Lee J. Cobb.

8:30am – IFC – Bride & Prejudice
Laugh at me if you must for recommending Chadha’s Bollywood-infused version of Pride and Prejudice, but I love it. It’s silly, it’s beautiful, it’s a fun exercise in adaptation of literary classics, and it’s only slightly weighed down by Martin Henderson’s woodenness.
2005 UK. Director: Gurinder Chadha. Starring: Aishwarya Rai, Martin Henderson, Naveen Andrews, Alexis Bledel.
(repeats at 2:30pm)

8:00pm – TCM – It Happened One Night
In 1934, It Happened One Night pulled off an Academy Award sweep that wouldn’t be repeated until 1975’s One Flew Over the Cuckoo’s Nest, snagging awards for Best Picture, Director, Screenplay, Actor, and Actress. Colbert is a rebellious heiress, determined to run away and marry against her father’s wishes. Along the way, she picks up Gable, a journalist who senses a juicy feature. This remains one of the most enjoyable comedies of all time, with great scenes like Colbert using her shapely legs rather than her thumb to catch a ride, Gable destroying undershirt sales by not wearing one, and a busload of people singing “The Man on the Flying Trapeze.”
1934 USA. Director: Frank Capra. Starring: Clark Gable, Claudette Colbert.
Must See

9:35pm – TCM – Secretary
Maggie Gyllenhaal and James Spader – making sado-masochism fun since 2002! But seriously, this was Maggie’s breakout role, and it’s still probably her best, as a damaged young woman whose only outlet is pain. And despite the subject, Secretary is somehow one of the sweetest and most tender romances of recent years.
2002 USA. Director: Steven Shainberg. Starring:James Spader, Maggie Gyllenhaal.
(repeats at 4:05am on the 8th)

10:00pm – TCM – Mr. Deeds Goes to Town
One of Frank Capra’s most whimsical films stars Gary Cooper as an unassuming country boy who suddenly inherits a great amount of money. When he decides to give it all away to whoever comes and asks for some, he garners a media frenzy, everyone thinking he’s crazy. Idealistic, warmly funny, and, yes, Capracorny. But as corn goes, it’s among the best. Also, any chance to see Jean Arthur is worth taking.
1936 USA. Director: Frank Capra. Starring: Gary Cooper, Jean Arthur, George Bancroft, Lionel Stander, Douglass Dumbrille.
Newly Featured!

12:00M – TCM – You Can’t Take It With You
Capra won his third directing Oscar for this film (the others were for It Happened One Night and Mr. Deeds Goes to Town), but to me it’s not one of his more interesting pieces. Young couple James Stewart and Jean Arthur invite chaos when his staid, wealthy family meets her wacky, irreverent one.
1938 USA. Director: Frank Capra. Starring: Lionel Barrymore, James Stewart, Jean Arthur, Spring Byington.

2:15am (8th) – TCM – Arsenic and Old Lace
In what is probably Frank Capra’s zaniest, least Capra-corn-esque film, Cary Grant plays Mortimer Brewster – a perfectly normal man until he discovers that his sweet old maid aunts have accumulated several dead bodies in the basement due to poisoning lonely old men. Add in another nephew who is a serial killer, a quack plastic surgeon, and an uncle who thinks he’s Teddy Roosevelt, and Mortimer’s got his hands full trying to keep his family secrets away from the girl he loves. It’s over-the-top, sure, but you gotta love the crazy.
1944 USA. Director: Frank Capra. Starring: Cary Grant, Priscilla Lane, Josephine Hull, Jean Adair, Raymond Massey, Peter Lorre.

Tuesday, December 8

7:30am – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.
1953 USA. Director: Fritz Lang. Starring: Glenn Ford, Gloria Grahame.

1:00pm – TCM – North by Northwest
Roger O. Thornhill (Cary Grant) gets mistaken for George Kaplan and pulled into an elaborate web of espionage in one of Hitchcock’s most enjoyable and funniest thrillers. So many great scenes it’s impossible to list them all.
1959 USA. Director: Alfred Hitchcock. Starring: Cary Grant, Eva Marie Saint, James Mason, Martin Landau.
Must See

8:00pm – TCM – Radio Days
This essentially plotless Woody Allen film consists of a series of nostalgic vignettes about a 1940s working class New York family. The title comes from their love for the radio, the center of pop culture at the time; the radio also provides the subplot following Mia Farrow as a wanna-be radio singer who gets mixed up with gangsters. It’s not particularly deep, but it’s also pretty enjoyable.
1987 USA. Director: Woody Allen. Starring: Julie Kavner, Mia Farrow, Seth Green, Dianne Wiest.
Newly Featured!

1:00am (9th) – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed.
1949 UK/US. Director: Carol Reed. Starring: Joseph Cotten, Alida Valli, Orson Welles.
Must See

Wednesday, December 9

11:00pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator is assigned to eavesdrop on a famous writer who may be working against the government regime – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.
(repeats at 4:15am on the 10th)

11:30pm – TCM – They Drive By Night
Humphrey Bogart and George Raft play truck driver brothers, trying to get ahead before they get killed (who knew truck driving was so dangerous?), or, you know, framed into murder plots by Ida Lupino – their boss’s wife who has amorous designs on Raft, despite his much healthier relationship with a young Ann Sheridan. Not a great movie, but a solid example of Warner’s pre-noirish studio style.
1940 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, George Raft, Ida Lupino, Ann Sheridan.

1:30am (10th) – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.
1941 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, Joan Leslie, Ida Lupino.

Thursday, December 10

6:45am – IFC – Picnic at Hanging Rock
I have a love-hate relationship with Aussie director Peter Weir. His films are almost always slow and methodical, which works for me sometimes and not others. It works in Picnic at Hanging Rock, one of his earlier films, in which a group of schoolgirls goes into the wilderness for a picnic and mysteriously disappear.
1975 Australia. Director: Peter Weir. Starring: Anne-Louise Lambert, Rachel Roberts, Vivean Gray, Tony Llewellyn-Jones, Karen Robson.
(repeats at 2:30pm)

9:00am – TCM – Brief Encounter
In this quiet little doomed romance, a married woman bored with her dull husband meets a man on a train – and continues to meet him every week, indulging herself in the way he makes her feel, even though she knows it can’t really be. David Lean brings a lushness and depth to this deceptively simple story (by Noel Coward), making into one of the most memorable romances of the 1940s.
1945 UK. Director: David Lean. Starring: Celia Johnson, Trevor Howard, Stanley Holloway, Cyril Raymond.

6:00pm – TCM – The More the Merrier
A World War II housing shortage has Charles Coburn, Joel McCrea and Jean Arthur sharing an apartment; soon Coburn is matchmaking for McCrea and Arthur, and we get a wonderful, adorable romance out of it.
1943 USA. Director: George Stevens. Starring: Jane Arthur, Joel McCrea, Charles Coburn.
Newly Featured!

4:00am (11th) – TCM – Little Women (1933)
This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless.
1933 USA. Director: George Cukor. Starring: Katharine Hepburn, Joan Bennett, Paul Lukas, Edna May Oliver, Jean Parker, Frances Dee.
Newly Featured!

Friday, December 11

9:00am – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 2:30pm)

5:15pm – TCM – D.O.A.
A man staggers into a police office to report a murder…his own. He’s been poisoned with an antidote-less poison, and he spends the rest of the film trying to convince the police what’s happened and trying to figure out who poisoned him and why. It’s not my favorite film noir, but it’s unusual premise and solid quality makes it worth watching.
1950 USA. Director: Rudolph Maté. Starring: Edmond O’Brien, Pamela Britton, Luther Adler, Beverly Garland.
Newly Featured!

12:00M – IFC – Kill Bill Vol. 1
A lot of people would point to Pulp Fiction as Tarantino’s best film, and I think Inglourious Basterds is right up there, too, but I vote Kill Bill Vol. 1 for sheer amount of fun. He homages spaghetti westerns, Hong Kong fighting flicks, and revenge-sploitation, and ties it all together with incredible style.
2003 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Lucy Liu, Vivica A. Fox, Daryl Hannah, David Carradine.
Must See
Newly Featured!

3:45am (12th) – TCM – Persona
Of all of Ingmar Bergman’s films, Persona is the one I always come back to. A nurse takes her patient, a former actress who one day simply refused to talk any more, to a lonely island to try to help her recover. They soon engage in a battle of the wills, and their identities start merging. Meanwhile, Bergman interrogates not only the concept of identity within the film, but the apparatus of film itself and its capacity for understanding and communication. There’s more to it every time I watch it.
1966 Sweden. Director: Ingmar Bergman. Starring: Bib Andersson, Liv Ullmann.
Must See

Saturday, December 12

10:00am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 3:30pm)

3:15pm – TCM – The Man Who Shot Liberty Valance
Three of the greatest names in westerns – John Ford, John Wayne, and James Stewart – teamed up to make this film just as the classical western was fading out of popularity. Perhaps fittingly, then, it’s a film about western myth and the transition from outlaw gunslingers to government rule, a transition aided in one town at least by the man who shot outlaw Liberty Valance.
1962 USA. Director: John Ford. Starring: John Wayne, James Stewart, Vera Miles, Lee Marvin, Edmond O’Brien.
Newly Featured!

5:30pm – TCM – The Lion in Winter
Katharine Hepburn won her third (of four) Oscars for her role in this film as Plantagenet matriarch Eleanor of Aquitaine, a woman who probably had more to do with the course of British and European history than most men. The film concerns her, her husband King Henry II of England, and their quarrelsome sons Richard and John (who’d make their fair share of history as King Richard Coeur de Leone and King John, of the Magna Carta) during a particularly tense Christmas reunion. It can be difficult to make medieval-set films seem immediate, but this one does.
1968 UK. Director: Anthony Harvey. Starring: Peter O’Toole, Katharine Hepburn, Anthony Hopkins, Nigel Terry, Timothy Dalton, Jane Merrow.
Newly Featured!

11:00pm – TCM – Father of the Bride
Long before Steve Martin kicked of his nearly twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).
1950 USA. Director: George Cukor. Starring: Spencer Tracy, Elizabeth Taylor, Joan Bennett, Russ Tamblyn.

11:00pm – TCM – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See

Sunday, December 13

4:00pm – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made.
1940 USA. Director: George Cukor. Starring: Katharaine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Ralph Bellamy, Virginia Weidler.
Must See

12:00M – TCM – Ben-Hur: A Tale of the Christ
Everyone knows about Charlton Heston’s Ben-Hur. You know, the one that won eleven Oscars, a record which stood for, like, fifty years? This isn’t that one. This is the 1925 silent version of the same story, with pre-talkie hearththrob Ramon Novarro as Ben-Hur, and an equally impressive (for its time) chariot race sequence. In some ways, I actually prefer this version to the bombastic 1959 version, and it’s definitely worth a watch.
1925 USA. Director: Fred Niblo. Starring: Ramon Novarro, Francis X. Bushman, May McAvoy, Betty Bronson, Kathleen Key.
Newly Featured!

2:30am (14th) – TCM – Ordet
This one I haven’t seen, but it’s on my list as I work my way toward watching more Carl Theodor Dreyer films. I have to admit that it is work for me; I watched Day of Wrath a couple of years ago and found it rather tedious (I appreciate it more in retrospect). I’m going to tape Ordet and see what happens, but I think I’m more likely to find my Dreyer “aha” moment with Vampyr or The Passion of Joan of Arc. Thoughts, any Dreyer fans?
1955 Denmark. Director: Carl Theodor Dreyer. Starring: Emil Haas Christiansen, Birgitte Federspiel, Sylvia Eckhausen, Ejner Federspiel.
Newly Featured!

Film on TV: September 14-20

cranesareflying01.jpg
The Cranes are Flying, playing on TCM Monday the 21st at 2:00am (or really late Sunday night, depending on your point of view)

Mostly repeats this week, but a few really cool new additions this week, all courtesy of TCM. First, one of Hitchcock’s most lighthearted thrillers, The Trouble With Harry, is showing on Tuesday. Then Friday night/Saturday morning, don’t miss one of the all-time great so-bad-it’s-good movies, Russ Meyer’s Faster, Pussycat! Kill! Kill!. And then The Cranes are Flying, a Soviet classic I’ve never seen TCM run before, is playing late Sunday night/early Monday morning.

Monday, September 14

8:00pm – IFC – Fargo
Still one of the Coen Brothers’ best films, despite over a decade of mostly good films in the intervening years. Dark comedy is not an easy genre, and Fargo is the gold standard, blending shocking violence and a noir-ish crime story with comical inept criminals and a perfectly rendered performance from Frances McDormand.
1996 USA. Director: Joel Coen. Starring: Frances McDormand, William H. Macy, Steve Buscemi.
Must See
(repeats at 2:00am)

Tuesday, September 15

7:15am – IFC – Waking Life
Richard Linklater’s first foray into overlaid animation is a philosophical dreamscape that’ll either leave you cold or inhabit your thoughts for weeks. It’s the latter for me. Like most of Linklater’s films, it’s largely made up of people talking, but with the added interest of the unique ever-shifting, never-solid animation style (which he’d reuse with a slightly more standard sci-fi story in A Scanner Darkly).
2001 USA. Director: Richard Linklater. Starring: Wiley Wiggins, Ethan Hawke, Julie Delpy.
(repeats at 11:45am and 5:35pm)

8:00pm – TCM – The Trouble With Harry
A group of small-town New Englanders find a dead body (that of Harry) in the woods and, fearing they’ll be murder suspects if it’s found, conspire to hide it. One of Hitchcock’s funniest films, mixing the macabre and the absurd adeptly.
1955 USA. Director: Alfred Hitchcock. Starring: Shirley MacLaine, Edmund Gwenn, John Forsythe, Mildred Natwick.
Newly Featured!
(repeats at 10:00am on the 20th)

8:05pm – IFC – I Heart Huckabees
Not too many films take philosophy as their base, but this one basically does, following a man (Jason Schwartzman) plagued by coincidence who hires a couple of existentialists to figure out what’s going on.
2004 USA. Director: David O. Russell. Starring: Jason Schwartzman, Isabelle Huppert, Dustin Hoffman, Naomi Watts, Mark Wahlberg, Lily Tomlin, Jude Law.

10:00pm – TCM – The Man Who Knew Too Much (1956)
Hitchcock’s second version of this story (the first was 1934) has Doris Day and James Stewart as a couple who discover an assassination plot and have their son kidnapped to try to keep them quiet. It’s a well-done film and worth watching, though not quite up to many of Hitchcock’s other classics.
1956 USA. Director: Alfred Hitchcock. Starring: James Stewart, Doris Day, Bernard Miles, Brenda De Banzie.
Newly Featured!

12:15am (16th) – TCM – Vertigo
James Stewart is a detective recovering from a vertigo-inducing fall who’s asked by an old friend to help his wife, who has developed strange behavior. Hitchcock plays with doubling, fate, and obsession, all the while creating one of his moodiest and most mesmerizing films. And watch for a great supporting turn by Barbara Bel Geddes as Stewart’s long-suffering best friend.
1958 USA. Director: Alfred Hitchcock. Starring: James Stewart, Kim Novak, Barbara Bel Geddes.
Must See

Wednesday, September 16

7:10am – IFC – A Hard Day’s Night
Richard Lester’s 1964 Beatles-starring film straddles several genres – musical, concert film, documentary, comedy. The good news is that it’s an excellent film in any genre. You’ll be hard-pressed to find any film an exuberant as this one, and with the Beatles right on the cusp of becoming the greatest band of all time.
1964 UK. Director: Richard Lester. Starring: John Lennon, Paul McCartney, George Harrison, Ringo Starr.
Must See
(repeats at 12:30pm)

11:45am – TCM – It Happened One Night
In 1934, It Happened One Night pulled off an Academy Award sweep that wouldn’t be repeated until 1975’s One Flew Over the Cuckoo’s Nest, snagging awards for Best Picture, Director, Screenplay, Actor, and Actress. Colbert is a rebellious heiress, determined to run away and marry against her father’s wishes. Along the way, she picks up Gable, a journalist who senses a juicy feature. This remains one of the most enjoyable comedies of all time, with great scenes like Colbert using her shapely legs rather than her thumb to catch a ride, Gable destroying undershirt sales by not wearing one, and a busload of people singing “The Man on the Flying Trapeze.”
1934 USA. Director: Frank Capra. Starring: Clark Gable, Claudette Colbert.
Must See

3:45pm – TCM – Nothing Sacred
A newspaper offers to give terminally-ill Carole Lombard her dream trip to New York City in exchange for publishing her experiences. Only problem is, she’s lying about being terminally ill. One of the zaniest of all 1930s zany comedies – that said, it can be a little on the shrill side.
1937 USA. Director: William A. Wellman. Starring: Carole Lombard, Fredric March, Charles Winninger, Walter Connolly.

8:00pm – IFC – The Player
Robert Altman takes on Hollywood in this story of a script screener (Tim Robbins) who gets drawn further and further into a web of blackmail and double-crosses when he’s threatened by a screenwriter whose script he rejected. You gotta love it for the virtuosic opening pan at the very least; the rest of the Hollywood insider references are just gravy.
1992 USA. Director: Robert Altman. Starring: Tim Robbins, Greta Scacchi, Fred Ward, Whoopie Goldberg.
(repeats at 2:30am on the 17th)

12:00M – IFC – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See
(repeats at 11:35am on the 17th)

Thursday, September 17

10:30am – Fox Movie – How Green Was My Valley
This film won Oscars for Best Picture and director John Ford; it’s a bit overly sentimental at times, perhaps, but by and large its simple story of Welsh mining village is pretty solid, thanks in no small part to great supporting turns by its stellar supporting cast.
1941 USA. Director: John Ford. Starring: Walter Pidgeon, Maureen O’Hara, Anna Lee, Donald Crisp, Roddy McDowall, Sara Allgood, Barry Fitzgerald.

10:00pm – TCM – Johnny Guitar
Nicholas Ray’s rather strange feminist western has become something of a cult classic – Joan Crawford is Vienna, a tough-but-vulnerable saloon owner that all the other women in town want gone. She calls on old friend Johnny Guitar to help her out, but he many not be quite as advertised either. I didn’t love this the way I wanted to when I first saw it, but I feel like some of that was just not knowing what to expect (also, I had a craptastic VHS copy). Hoping to improve its standing with a second viewing.
1954 USA. Director: Nicholas Ray. Starring: Joan Crawford, Sterling Hayden, Mercedes McCambridge, Ward Bond, Ernest Borgnine.
Newly Featured!

10:00pm – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See
(repeats at 5:15am on the 18th)

10:05pm – IFC – Moulin Rouge!
Baz Lurhmann admittedly has a love-it-or-hate-it flamboyantly trippy aesthetic, especially in the informal Red Curtain trilogy which Moulin Rogue! closes. And sure, it’s over the top; sure, the story is fairly routine; sure, the acting is so-so. I love it to pieces anyway.
2001 USA. Director: Baz Lurhmann. Starring: Nicole Kidman, Ewan McGregor, Jim Broadbent, John Leguizamo.
(repeats at 4:15am on the 18th)

12:15am (18th) – IFC – Bride & Prejudice
Laugh at me if you must for recommending Chadha’s Bollywood-infused version of Pride and Prejudice, but I love it. It’s silly, it’s beautiful, it’s a fun exercise in adaptation of literary classics, and it’s only slightly weighed down by Martin Henderson’s woodenness.
2005 UK. Director: Gurinder Chadha. Starring: Aishwarya Rai, Martin Henderson, Naveen Andrews, Alexis Bledel.

Friday, September 18

7:30am – TCM – Grand Hotel
This 1932 Best Picture Oscar-winner is honestly pretty creaky around the joints these days, but if you wanna see how they used to do ensemble pictures in the studio days, this is it. MGM’s top talent, from Garbo and Crawford to Beery and two Barrymores are all on hand.
1932 USA. Director: Edmund Goulding. Starring: Greta Garbo, John Barrymore, Joan Crawford, Wallace Beery, Lionel Barrymore, Lewis Stone, Jean Hersholt.
Newly Featured!

8:25am – IFC – Vagabond
One of Agnès Varda’s best-known films, about the last few weeks of wandering woman’s life as she struggles to make it. I absolutely loved the only Varda film I’ve seen (Cléo from 5 to 7), so I’m anxious to see more.
1985 France. Director: Angès Varda. Starring: Sandrine Bonnaire.
(repeats at 2:00pm on the 18th and 5:15am on the 19th)

7:15pm – IFC – Wassup Rockers
Small film about a group of teenage Latino skateboarders from South Central LA. They go up to Beverly Hills to skateboard, get caught by cops, escape, meet up with some girls, get in fights with preppy 90210 guys, and try to get home. But the moments that’ll get you are when they’re just talking, to the camera, or to the girls, about their life and what it’s like to live in South Central. It doesn’t go anywhere, really, but it’s a wonderful slice of life.
2005 USA. Director: Larry Clark. Starring: Jonathan Velasquez, Francisco Pedrasa, Milton Velasquez, Usvaldo Panameno, Eddie Velasquez.

8:00pm – TCM – Carmen Jones
Oscar Hammerstein takes on Bizet’s Carmen, transposing it into a contemporary setting at a Korean War army base and writing new lyrics to go with Bizet’s operatic melodies. It’s interesting not only for the adaptation of opera to musical, but also its use of an all-African American cast – giving Dorothy Dandridge, Harry Belafonte and many others lead roles in an era when they were still all-too-often relegated to roles as servants or one-off entertainers.
1954 USA. Director: Otto Preminger. Starring: Dorothy Dandridge, Harry Belafonte, Pearl Bailey.
Newly Featured!

12:00M – IFC – Trainspotting
Days in the lives of Scottish heroin addicts. Sounds like a downer, and I won’t say it’s not, but it’s also brilliant and searing. Danny Boyle seems to always be able to take stories that could be routine and make them into something special.
1996 UK. Director: Danny Boyle. Starring: Ewan McGregor, Ewen Bremner, JOnny Lee Miller, Kelly McDonald.
Must See

2:00am (19th) – TCM – Faster, Pussycat! Kill! Kill!
Russ Meyer is known for making great trashy movies, and Faster, Pussycat! Kill! Kill! is one of his greatest. Three girls race their car around the desert, taking a defeated competitor’s girlfriend hostage when they hear about the possibility of scoring a bunch of cash from an old guy who lives nearby. This is one of those films that has you constantly going “they did not just do/say that, did they? OH YES THEY DID” and “it can’t possibly get more messed up than this, can it? OH YES IT CAN.” A gold standard of awesome bad movies, right here.
1965 USA. Director: Russ Meyer. Starring: Tura Satana, Haji, Lori Williams, Sue Bernard.
Must See
Newly Featured!

Saturday, September 19

6:45pm – Sundance – Paris je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.
2006 France. Director: various. Starring: many.
(repeats at 6:25am on the 20th)

8:00pm – TCM – Wuthering Heights (1939)
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? Interestingly, I’m more impressed generally with Geraldine Fitzgerald’s Isabella than Merle Oberon’s Catherine/Cathy, but it’s been a while since I’ve seen it.
1939 USA. Director: William Wyler. Starring: Laurence Olivier, Merle Oberon, Geraldine Fitzgerald, David Niven, Flora Robson.

8:00pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.1999 USA. Director: Mike Judge. Starring: Ron Livingston, Jennifer Aniston.
(repeats at 2:00am on the 20th)

Sunday, September 20

12:30pm – Fox Movie – The Day the Earth Stood Still (1951)
The original The Day the Earth Stood Still is a classic of 1950s Cold War paranoia sci-fi. Alien Klaatu lands on Earth to warn us to abandon our penchant for war and destruction; seeing the world through his eyes as he lives among us for a time is thoughtful and a little sobering, especially in its original context.
1951 USA. Director: Robert Wise. Starring: Michael Rennie, Patricia Neal, Hugh Marlowe, Sam Jaffe.
Must See
Newly Featured!

3:00pm – Sundance – A Woman Under the Influence
Gena Rowlands gives a tour-de-force performance as Mabel, a woman whose teetering madness threatens her marriage to Nick (Peter Falk). Their relationship edges back and forth between love, frustration, and anger with amazing quickness, yet it’s not clear whether Mabel’s instability is causing the problems, or the other way around. John Cassavetes directs with an unwavering camera, refusing to look away.
1974 USA. Director: John Cassavetes. Starring: Gena Rowlands, Peter Falk, Fred Draper, Lady Rowlands.

10:30pm – Fox Movie – Die Hard
All John McClane wants to do is get home for Christmas. But plans change, especially when a bunch of terrorists take over his wife’s office building and McClane has to take them out almost singlehandedly. And give us one of the best action movies ever made.
1988 USA. Director: John McTiernan. Starring: Bruce Willis, Alan Rickman, Bonnie Bedelia
Must See

2:00am (21st) – TCM – The Cranes are Flying
Young lovers Boris and Veronika are separated when he volunteers for WWII. Never hearing from him, she marries his cousin, who has an exemption from the draft. Later, she realizes her mistake and continues to hope against hope (and reports from the front) that Boris remains alive and will return to her when the war ends. This Soviet film combines the strength of Soviet montage with the overwrought beauty of expressionism to depict the extremes of peace and war in a very visceral way. And Tatyana Samojlova gives a tour-de-force performance, encompassing both the silly pre-war girl and the strong woman she grows into, a woman battered, but not broken, by war. (More indepth piece.)
1957 USSR. Director: Mikhail Kalatozov. Starring: Tatyana Samojlova, Aleksey Batalov, Aleksandr Shvorin.
Must See
Newly Featured!

Film on TV: June 1-7

Persona
Ingmar Bergman’s Persona, playing at 12:30am on the 5th on TCM

Turner Classic Movies is apparently highlighting a different Great Director every night in June, showing some of their best movies. That means they are showing a BOATLOAD of great films. I’ve included a tiny intro to each director – note that after the director blurb, all the rest of the films that day on TCM are by that director. There may be films on other channels interspersed, because I’ve kept the times chronological.

All times are Eastern Standard.

Monday, June 1

9:30am – TCM – Love Affair (1939)
This film is not as well known as its remake, 1957’s An Affair to Remember, which has the advantage of having the more famous Cary Grant and Deborah Kerr rather than Irene Dunne and Charles Boyer – who were both huge stars at the time, but are less known now. Both films were directed by Leo McCarey, and tell of a shipboard romance and a fateful rendezvous. I actually like Love Affair a tad better, but that could be just because I like being contrarian.

2:30pm – TCM – Duck Soup
Leo McCarey directs the Marx Brothers in what many think is their best and zaniest film. This is the one with Groucho becoming the dictator of Freedonia and declaring war on nearby Sylvania. Frequent Marx Brothers foil Margaret Dumont is on board as the wealthy woman who causes the rivalry that leads to the war. Personally, I prefer A Night at the Opera to Duck Soup, but this may be your best bet if the idea of musical interludes from Allan Jones (of which Opera has several) turns you off. Must See

6:15pm – TCM – The Awful Truth
This is one of the definitive screwball comedies (along with Bringing Up Baby), starring Cary Grant and Irene Dunne as a married couple who constantly fight and decide to divorce, only to wind up meddling in each other’s lives (and screw up other relationship attempts) because they just can’t quit each other. Dunne’s impersonation of a Southern belle showgirl is a highlight. Must See

8:00pm – IFC – Clerks
Kevin Smith’s first feature, done for cheap, has become a cult classic, and though I think he’s done better films since Clerks, it’s definitely a worthwhile watch.
(repeats at 2:05am on the 2nd)

TCM – Great Director: John Ford
TCM starts off their celebration of great directors with John Ford, usually considered one of the greatest auteurs of the American studio era. He’s best known for westerns (like Stagecoach and She Wore a Yellow Ribbon, playing tonight) and war films, but turned out plenty of quality dramas as well (like The Quiet Man). Disappointingly, TCM is not playing The Searchers, arguably his best film. Pick it up on Blu-ray, though – it’s not very expensive and it looks incredible.

10:00pm – TCM – Stagecoach
Major breakthrough for John Wayne, here playing outlaw Cisco Kid – he and the various other people on a stagecoach form a cross-section of old West society that has to learn to get on together to make it to the end of the ride alive. The most memorable, though, is Claire Trevor’s prostitute – a woman who does what she must to survive, and is shunned by everyone except Wayne. Her reaction to him treating her as a lady is perfect. Must See

2:00am (2nd) – TCM – The Quiet Man
John Wayne plays a retired boxer returning to his ancestral home in Ireland, where he meets spitfire Maureen O’Hara and decides to marry her. She’s game, except her somewhat boorish brother Victor McLaglen disapproves and refuses to give up her dowry, and tradition is tradition! A great supporting cast of character actors and an epic (and comic) boxing match round out The Quiet Man into one of the most entertaining and endearing films John Ford ever made. Though I will say the last time I watched it, I was a little more concerned by its gender politics than I had been in the past.

4:15am (2nd) – TCM – She Wore a Yellow Ribbon
The first of John Ford’s informal “Cavalry trilogy,” which continued with Fort Apache and Rio Grande – all three films star John Wayne, though they’re unrelated in plot and character. Technically, I guess that makes them both westerns and war films, doesn’t it? Heh.

Tuesday, June 2

12:00N – TCM – Captains Courageous
Spencer Tracy won an Oscar for this film, based on Rudyard Kipling’s adventure story about a spoiled rich kid who falls off a steamship and ends up having to work on a fishing vessel to get home. A young Mickey Rooney plays the ship captain’s rough-and-tumble son.

6:00pm – TCM – Dr. Jekyll and Mr. Hyde (1941)
There have been a lot of versions of Dr Jekyll and Mr Hyde, and this one isn’t considered one of the better ones. It’s interesting to me, though, to contast it to the 1932 version, which won an Oscar for Fredric March. In March’s version, the highly effective transformation into Hyde is done with heaps of makeup that render March unrecognizable. In this 1941 version, Spencer Tracy plays the doctor and his alter-ego, expressing the transformation almost solely through his facial expressions and physical bearing – no change in makeup – and his intensity makes it work.

TCM – Great Director: Frank Capra
Frank Capra is sometimes derided these days for what is seen as over-sentimentalism, dubbed “Capra-corn” in his honor. I think that’s mostly a mistake – his most well-known film It’s a Wonderful Life is extremely dark, and his idealistic heroes and sometimes overly hopeful endings are usually balanced by a cynical character or two that can’t quite be shaken as easily as it seems, or at least a tacit knowledge that the victories won aren’t necessarily for keeps. And for every Capra-corn Mr. Deeds Goes to Town, there’s a zany screwball comedy that reminds us that Capra was an excellent comedic director, whether you buy his idealistic side or not.

8:00pm – TCM – It Happened One Night
In 1934, It Happened One Night pulled off an Academy Award sweep that wouldn’t be repeated until 1975’s One Flew Over the Cuckoo’s Nest, snagging awards for Best Picture, Director (Capra), Screenplay (Robert Riskin), Actor (Clark Gable), and Actress (Claudette Colbert). Colbert is a rebellious heiress, determined to run away and marry against her father’s wishes. Along the way, she picks up Gable, a journalist who senses a juicy feature. This remains one of the most enjoyable comedies of all time, with great scenes like Colbert using her shapely legs rather than her thumb to catch a ride, Gable destroying undershirt sales by not wearing one, and a busload of people singing “The Man on the Flying Trapeze.” Must See

10:00pm – TCM – Mr. Smith Goes to Washington
Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Extremely underrated comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.

11:00pm – Sundance – The Three Burials of Melquiades Estrada
Tommy Lee Jones takes up the directorial reins for the first time with this revisionist western about a rancher whose Mexican right-hand-man dies, his last request being that his body be returned across the border to his family. Thus begins an odyssey that’s more about mood and character than anything else. It’s not wholly even, but Jones has an excellent eye, and this was one of the more surprisingly good films of its year.

12:15am (3rd) – TCM – You Can’t Take It With You
Capra won his third directing Oscar for this film (the others were for It Happened One Night, see above, and Mr. Deeds Goes to Town), but to me it’s not one of his more interesting pieces. Young couple James Stewart and Jean Arthur invite chaos when his staid, wealthy family meets her wacky, irreverent one.

2:30am (3rd) – TCM – Arsenic and Old Lace
In what is probably Capra’s zaniest, least Capra-corn-esque film, Cary Grant plays Mortimer Brewster – a perfectly normal man until he discovers that his sweet old maid aunts have accumulated several dead bodies in the basement due to poisoning lonely old men. Add in another nephew who is a serial killer, a quack plastic surgeon, and an uncle who thinks he’s Teddy Roosevelt, and Mortimer’s got his hands full trying to keep his family secrets away from the girl he loves. It’s over-the-top, sure, but you gotta love the crazy.

Wednesday, June 3

8:10am – IFC – Three Times
Hsiao-hsien Hou directs this tripartite film – three stories set in three different time periods (1911, 1966, and 2005), each with the same actors, and each depicting a relationship that’s both very specific and individual and also sheds light on the mores of its respective time period. I liked the 1966 story the best, but they were all intriguing, and the contrast between them even more so.
(repeats 2:15pm)

TCM – Great Director: King Vidor
I’ve got to admit I don’t know very much about King Vidor, other than he directed some stuff. Maybe I should watch the documentary about him at 8:00pm, before I move on to his films?

9:00pm – TCM – The Crowd
This silent film has been on my to-watch list for a LONG time, so I’m glad TCM is giving me the opportunity to cross it off. It’s about a young couple moving to the big city, and their struggles against the impersonal, all-consuming nature of the city and the husband’s cog-in-the-wheel job.

10:45pm – TCM – The Champ
Wallace Beery earned an Oscar for his role as a has-been prizefighter, living hand to mouth with his adoring son. But then the boy has a chance to go live with his mother, long-divorced from Beery and now married to a well-to-do man. This is a great example of a high-end Warner Bros. programmer from the early 1930s – it’s very lean, nothing extra in it, but it’s got a heart that I didn’t expect.

Thursday, June 4

6:00pm – TCM – A Day at the Races
The Marx Brothers take over the racetrack in what is probably the last of their really great comedies. You do have to put up with the silly romantic subplot, but it’s not too big a strain.

TCM – Great Director: Ingmar Bergman
When Ingmar Bergman died a couple of years ago, floods of blog posts and articles came out, some valorizing his work and mentioning the profound effect his films had on the authors, others positing that he’s overrated and only wanna-be elitists claim to enjoy his films. But whether you love him or hate him, you can’t get around the staying power that images from The Seventh Seal, Persona and others have had. He’s sometimes a difficult director, but I believe the rewards are there.

9:00pm – TCM – The Seventh Seal
A medieval knight has a chess match with Death for the fate of his soul in one of Bergman’s best-known films. It’s not one of my favorites, although I’m probably due for a rewatch. It ought to be seen, but I don’t think it should be the only Bergman people see, nor the first.

10:45pm – TCM – Wild Strawberries
I’m looking forward to catching Wild Strawberries for the first time this week; I’ve got no excuse for not having watched it, other than the plot descriptions I’ve read (from IMDb: “After living a life marked by coldness, an aging professor is forced to confront the emptiness of his existence.”) don’t sound that interesting. But Bergman’s strength is in mood, so I’m giving that plot the benefit of the doubt.

12:30am (5th) – TCM – Persona
Of all Bergman’s films, Persona is the one I always come back to. A nurse takes her patient, a former actress who one day simply refused to talk any more, to a lonely island to try to help her recover. They soon engage in a battle of the wills, and their identities start merging. Meanwhile, Bergman interrogates not only the concept of identity within the film, but the apparatus of film itself and its capacity for understanding and communication. There’s more to it every time I watch it. Must See

1:30am (5th) – Sundance – Nights of Cabiria
Nights of Cabiria and La Strada, two films that Federico Fellini made during his sorta-neo-realist phase in the mid-1950s with Giulietta Masina, always stand out to me almost even more than his more famous, more flamboyant 1960s films like 8 1/2 and La Dolce Vita. Nights of Cabiria casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen. Must See

2:00am (5th) – TCM – Hour of the Wolf
Another Bergman I haven’t seen yet, but am really excited about. From IMDb: “An artist in crisis is haunted by nightmares from the past in Ingmar Bergman’s only horror film, which takes place on a windy island. During ‘the hour of the wolf’ – between midnight and dawn – he tells his wife about his most painful memories.” Everything I have heard about it suggests it’s nice and surreal, and probably an influence on David Lynch. I AM THERE.

Friday, June 5

5:15pm – IFC – Before Sunrise
Though some people think Richard Linklater’s 2004 follow-up Before Sunset is better than this 1995 original, I’m going to disagree, at least until I get the chance to see both together again. Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done. Must See
(repeats at 3:45pm on the 6th)

6:00pm – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed. Must See

TCM – Great Director: Steven Spielberg
Spielberg needs no introduction. Interestingly, TCM is only playing one really good Spielberg film – the other ones are, like, 1941. Not sure what’s up with that, unless they had trouble getting rights clearances or maybe just wanted to do some lesser known entries in his catalog.

9:30pm – TCM – Saving Private Ryan
I’m sure most everyone reading this has seen Saving Private Ryan, Spielberg’s take on D-Day and a post-D-Day rescue mission, so I’ll save my breath on it, and just point out when it’s on in case someone wants a rewatch.

3:35am (6th) – Sundance – Wristcutters: A Love Story
Patrick Fujit (Almost Famous) slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.

Saturday, June 6

6:15am – IFC – Waking Life
Richard Linklater’s first foray into overlaid animation is a philosophical dreamscape that’ll either leave you cold or inhabit your thoughts for weeks. It’s the latter for me. Like most of Linklater’s films, it’s largely made up of people talking, but with the added interest of the unique ever-shifting, never-solid animation style (which he’d reuse with a slightly more standard sci-fi story in A Scanner Darkly).
(repeats at 2pm)

TCM – Great Director – William Wyler
William Wyler was one of the most consistently reliable directors in the Hollywood studio system, helming many of the most prestigious studio pictures of the time and guiding Bette Davis, Greer Garson, Fredric March, Olivia de Havilland, and Audrey Hepburn to Oscars (and winning three of his own in the meantime).

9:30am – TCM – The Little Foxes
Bette Davis is at her most vicious here, as the conniving matriarch who uses her daughter to play upon her estranged husband’s weaknesses in order to carry off a money-making scheme.

11:30am – TCM – Mrs. Miniver
One of the more celebrated World War II home front films has Greer Garson in an Oscar-winning turn as the stalwart title character, holding her home together against the German Blitz. It’s the kind of movie that could only be made in 1942, and it won awards all over the place. It comes off a bit over-earnest today, though.

2:00pm – TCM – Ben-Hur (1959)
The epic of epics. Chariot race and all. Except I’m not really that huge a fan. But it’s epic!

6:00pm – TCM – Jezebel
Bette Davis got one of her Oscars for this film, playing a suspiciously Scarlett O’Hara-like Southern belle the year before Gone With the Wind made it onto the screen.

8:00pm – TCM – The Letter
In this cut-above-average melodrama, Bette Davis shoots a man in self-defense. Or was it self-defense?

9:35pm – IFC – The Player
Robert Altman takes on Hollywood in this story of a script screener (Tim Robbins) who gets drawn further and further into a web of blackmail and double-crosses when he’s threatened by a screenwriter whose script he rejected. You gotta love it for the virtuosic opening pan at the very least; the rest of the Hollywood insider references are just gravy.
(repeats 3:45am on the 7th)

9:45pm – TCM – Roman Holiday
Not Audrey Hepburn’s first film, as is often thought, but her first lead role, and the one that immediately catapulted her into stardom. She’s a princess who runs away to try out being normal, and spends an adventurous day exploring Rome with incognito journalist Gregory Peck. Pretty much delightful right the way through.

Sunday, June 7

8:00am – IFC – Les Diaboliques
In Henri-Georges Clouzot’s thriller, a man’s wife and mistress plot together to murder him (gee, I wonder why?), but find it more difficult than they expected to get rid of him for good.

TCM – Great Director: Michael Curtiz
Michael Curtiz was a solid workhorse director for Warner Bros. throughout the 1930s and 1940s. However, he tended more toward adventure and genre pictures and thus didn’t get the prestige pictures that, say, William Wyler was known for. That said, I find a lot more enjoyment in most Curtiz pictures than in most Wyler pictures.

8:15am – TCM – Angels With Dirty Faces
One of the classic gangster pictures has James Cagney as a criminal idolized by the youth of Hell’s Kitchen and Pat O’Brien as Cagney’s boyhood buddy who grew up to be a priest. Though the two remain friends, they wind up understandably at odds with each other when O’Brien starts working to clean up the neighborhood.

10:00am – IFC – The Wages of Fear
Many people think The Wages of Fear is Henri-Georges Clouzot’s finest film. It’s certainly intense, as a group of drifters in South America hoping to earn some money to get home take on the dangerous job of transporting truckloads of nitroglycerin to a burning oil drilling site. Every bump or snag in the road turns deadly – and there are a lot of bumps and snags.

2:00pm – TCM – Dodge City
Dodge City, not a particularly great movie. It’s a fun entry in the group of Errol Flynn-Olivia de Havilland matchups, as Flynn deals with the outlaw element in the western frontier town of Dodge. The real reason I like it? Fantastic barroom brawl at one point.

4:00pm – TCM – Captain Blood
This was Errol Flynn and Olivia de Havilland’s first of eight films together, and it’s one of the best. Flynn is the eponymous captain, a dentist named Blood who gets captured by pirates and ends up escaping and taking over the pirate ship himself. Full of swashbuckling and derring-do.

6:15pm – TCM – The Adventures of Robin Hood
I will state almost categorically that this is the greatest adventure film ever made. Maybe it’s a dead heat between this one and Raiders of the Lost Ark. Errol Flynn is Robin Hood, Olivia de Havilland is Maid Marion, a whole raft of fantastic character actors fill out the rest of the cast, and it’s all done in gorgeous Technicolor (it’s one of the earliest Technicolor films). I recently splurged on the Blu-ray, and at $13 from Amazon, it’s a total steal. Must See

8:00pm – TCM – Yankee Doodle Dandy
James Cagney won an Oscar putting on his dancing shoes to play song-and-dance man and Broadway composer George M. Cohan in this biopic. Though it seems strange to think of gangster picture regular Cagney in a musical, he actually got his start in show business as a hoofer, and returned to musicals many times throughout his career, though this remains the most notable example.

12:30am (8th) – TCM – Mildred Pierce
In quite probably Joan Crawford’s best role (only perhaps excepting her catty “other woman” in The Women), she plays a woman trying to work her way up in the world from lowly waitress to entrepreneur, all the while dealing with her shrew of a daughter. Melodrama isn’t a particularly prized genre these days, but films like Mildred Pierce show how good melodramas can be with the right confluence of studio style, director, and star.

2:30am (8th) – TCM – Casablanca
Curtiz’s crowing achievement also happens to be one of the best films Hollywood ever turned out. I won’t bother telling you about it, though – I’m sure you’ve all seen it. Must See

Film on TV: March 2-8

I’m going to start shortening these posts up a bit – especially this week, because I’m still on my iPhone, though that should be rectified in the next few days, but also in general. I’m only going to write about the ones that I particularly feel like highlighting, and that I haven’t written about before. To see earlier blurbs about anything, click on the appropriate tag below the post.

Monday, March 2

8:15am – TCM – Foreign Correspondent
A lesser-known but still, of course, worthwhile Hitchcock film.

4:00pm – TCM – Libeled Lady

9:30pm – TCM – The Philadelphia Story

11:30pm – TCM – It Happened One Night

1:30am (3rd) – TCM – Meet John Doe
One of the more corny of Capra’s capracorny films, and not as compelling as most of his others. Still, Barbara Stanwyck.

3:45am (3rd) – TCM – Mr. Deeds Goes to Town

Tuesday, March 3rd

9:05am – IFC – Moulin Rouge!
Baz Luhrmann’s trippy love-it-or-hate-it magnum opus. I happen to love it.
(repeats at 2:30pm)

5:30pm – TCM – Oklahoma!
I can’t even tell you how many times I watched this as a kid. I had it memorized. And it still holds up when I watch it now.

6:45pm – IFC – Waking Life
Richard Linklater’s brilliant animated philosophical meditation. How Linklater can make so many good films that consist entirely of people talking never ceases to amaze me, and this is one of his best.
(repeats at 5:00am on the 4th)

12:15am (4th) – TCM – Key Largo

Wednesday, March 4th

12:00Mid – IFC – Raging Bull
This Scorsese film that won DeNiro an Oscar is one of a two or three shameful gaps in my cinematic knowledge. I blame the boxing, which I avoid, but I’m gonna try this time.
(repeats at 3:30am and 1:00pm on the 5th)

Thursday, March 5th

6:30pm – IFC – Waiting for Guffman
(repeats at 8:20am and 3:15pm on the 6th)

9:30pm – IFC – The Life Aquatic with Steve Zissou
A Wes Anderson film. That’s my pitch right there, take it or leave it
(repeats at 3:00am on the 6th)

Friday, March 6th

9:45pm – IFC – The Cooler

Saturday, March 7th

1:30pm – TCM – Fort Apache
John Ford + John Wayne + Henry Fonda + a grown up Shirley Temple. Okay, not sure how much of a draw that last thing is, but the first three. Yeah.

6:00pm – TCM – Johnny Guitar
Nicholas Ray films are always worth watching, and this one is a campy Technicolor western starring a tough-talking Joan Crawford. I mean, come on!

8:00pm – TCM – A Night at the Opera
One of the best Marx Brothers films, and the romantic subplot is only halfway distracting.

8:00pm – IFC – The Royal Tenenbaums
Another Wes Anderson film, and his most brilliant, if you ask me.
(repeats at 10:05am on the 8th)

10:00pm – IFC – Clerks
Kevin Smith’s first film, before he had, like, a budget. Which actually works for him.
(repeats at 3:55am on the 8th)

Sunday, March 8th

8:00am – TCM – Pygmalion
The non-musical version of My Fair
Lady
. Well, technically it’s the other way around, but whatever.

8:00am – IFC – Wild Strawberries
One of Ingmar Bergman’s most celebrated films, and one which I have sadly not seen yet.

9:35am – IFC – The Silence
The third in Ingmar Bergman’s “faith” trilogy. They don’t really need to be watched in order.

10:00am – TCM – The More the Merrier

12:00N – TCM – The Women

9:45pm – IFC – The Pianist
Adrien Brody won an Oscar for his role in this Holocaust drama.
(repeats 4:00am on the 9th)

2:00am (9th) – TCM – Tokyo Story
Yasujiro Ozu is one of the most highly- praised Japanese filmmakers, and this is the film you hear about the most. To be honest, I’ve tried to watch it a couple of times, but haven’t been able to get into it. But I’m determined to rectify that.

4:30am (9th) – TCM – The Magnificent Ambersons
Orson Welles’ follow-up to Citizen Kane obviously isn’t as great a masterpiece, but is still pretty darn good, despite studio interference.