Tag Archives: Miriam Hopkins

Letterboxd Season Challenge: The Smiling Lieutenant (1931)

This is film 2 for the Letterboxd Season Challenge. The whole list of films I’m planning to watch is here.

Week 2: 1930s Musicals
Challenge: Watch an unseen 1930s musical
Film I Chose: The Smiling Lieutenant (1931), directed by Ernst Lubitsch

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We’re totally in my wheelhouse doing 1930s musicals, so much so that I had to go much more obscure than the Fred/Ginger and Busby Berkeley films many other Challengers are doing (though if you haven’t seen those, that’s absolutely the way to go). Instead I went for a Pre-Code Lubitsch/Chevalier musical I hadn’t seen.

Chevalier plays Nikki, a lieutenant in the Austrian army who’s something of a womanizer (his opening song, sung direct to camera, talks about how it’s “toujours l’amour in the army” and how much the ladies enjoy his ra-ta-ta-ta-ta, a double meaning for a trumpet fanfare), until he meets Franzie (Claudette Colbert), a violinist who quickly dumps Charles Ruggles in favor of Chevalier. The plot thickens when Nikki winks at Franzie while on duty as an entourage from a neighboring country drives through and the princess Anna (Miriam Hopkins) thinks he was winking at her and soon wants to marry him.

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2014 TCM Film Festival: The Stranger’s Return

The tightest scheduling block I attempted was between How Green Was My Valley (see here) and this film, and I was extremely lucky to get in – I was, in fact, the LAST person into a very full theatre. I felt kind of bad (and still do, since I know several people who tried the same schedule and didn’t make it in), because this was initially a filler film on my schedule. It’s short and fit in between How Green and Hat Check Girl, the Pre-Code comedy and MOMA restoration that I expected would be my favorite discovery of the festival. For some reason I didn’t read the program carefully on this film, and I thought “the stranger” was an aging man coming home to be with his family and their struggles in accepting him. I have NO IDEA why I thought that based on this program.

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In the end, though, I’m very glad I did make it in, because THIS, not Hat Check Girl (though that’s fine too, post forthcoming), turned out to my gleeful discovery of the fest. Unlike the description I gave above, the story actually concerns a quick-witted and cantankerous old gentleman played by Lionel Barrymore sporting a gruff-looking beard, whose dubious excuse for a family is basically waiting around for him to die so they can take over his lucrative farm. The “stranger” of the title is his orphaned granddaughter from the city (Miriam Hopkins), who has never been to the farm but is cut from the same cloth as Grandpa.

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Scorecard: April 2012

[At the end of every month I post a rundown of the movies I saw that month, tallying them according to how much I did or didn’t like them. You can always see my recent watches here and my ongoing list of bests for the whole year here.]

AKA, the TCM Classic Film Festival edition. There are a few others mixed in, but the majority of these are from that Fest. Which means it was a damn good month of moviewatching. Oh, and apparently my two favorite new-to-me films were both silent. I honestly do not try to do this, people. It just happens that way, I swear.

What I Loved

Girl Shy

I wouldn’t say Harold Lloyd is a recent discovery for me as I continue my odyssey through silent film; I saw Safety Last quite a while ago and always included him as one of the great silent comedians. But beyond that obligatory name-checking, I hadn’t had a lot of exposure to his work. I was very grateful to put that to rights this month with not one but THREE Lloyd films seen at the TCM Fest and at Cinefamily, and the presentation of Girl Shy at the Egyptian Theatre will definitely go down as a lifetime filmgoing highlight. This film is awesome, taking the nerdy, girl-shy Harold through a series of misadventures whereupon he meets a girl and overcomes his stuttering shyness as he tells her about his book – which is about how to get all kinds of women to fall in love with you. It’s extremely charming and quite funny, and all capped off with one of the most incredible chase stunt sequences I’ve ever seen, and yes, I’m including Keaton’s motorcycle chase in Sherlock Jr. in that assessment. Just when you think Lloyd has done about all he can do with this gag, he tops himself and does something even more gasp-worthy. Insta-favorite. Full review on Row Three.

1924 USA. Director: Fred C. Newmeyer, Sam Taylor. Starring: Harold Lloyd, Jobyna Ralston, Richard Daniels, Carleton Griffith.
Seen April 14 at the TCM Film Fest, Egyptian Theatre.
Flickchart ranking: 372 out of 2930

For Heaven’s Sake

My other Lloyd experience was a double feature (the other one is a bit lower on the list) Cinefamily and the Silent Treatment showed in honor of Lloyd’s April birthday. These were actually before Girl Shy, and were already enough to solidify my Lloyd fandom, I liked them so much. Particularly this one. Thoughtless millionaire Lloyd accidentally funds an inner-city mission, but his apathy turns to extreme interest when he meets the preacher’s lovely daughter. I really enjoyed this film, which has two fantastic extended chase/action sequences – one with Lloyd provoking all the street thugs he can find into chasing him right into the mission (where he wins their loyalty by nonchalantly passing the collection plate to rid them of stolen jewelry before a police search), the other with Lloyd trying to corral a group of five drunk friends and get back to the mission for his wedding. Both are filled with physical gags and insane stunts, all done with a charm and physicality that belies Lloyd’s milquetoast first impression.

1926 USA. Director: Sam Taylor. Starring: Harold Lloyd, Jobyna Ralston, Noah Young.
Seen April 4 at Cinefamily.
Flickchart ranking: 512 out of 2930

Cabin in the Woods

I’ve been looking forward to this Joss Whedon-penned horror film for literally years now, as it went through distributor hell along with everything else MGM owned as they fought bankruptcy. In fact, I’ve been watching its progress so long that I remember being disappointed that I was going to have to watch a horror film to keep up with Whedon, because I wasn’t into horror films yet. Thankfully by the time it came out, I had overcome that hurdle and managed to see and enjoy most of the films Cabin in the Woods references, plus this film isn’t really going for scares as much as laughs and meta in-jokes, which are precisely up my alley. I had a great time with this film, which is extremely clever in the way it plays with expectations, horror tropes, and manipulation. I won’t go as far as some in saying that revolutionizes the horror genre – it doesn’t do that so much as celebrate it, poke loving fun at it, and layer a great workplace comedy in on top of it. It’s a lark, not a deep satire, and that’s fine. I laughed a lot, gasped some, and had a ginormous smile plastered on my face the whole time.

2012 USA. Director: Drew Goddard. Starring: Kristen Connolly, Chris Hemsworth, Fran Kranz, Anna Hutchison, Jesse Williams, Bradley Whitford, Richard Jenkins, Amy Acker.
Seen April 21 at AMC Burbank 16.
Flickchart ranking: 534 out of 2930

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