Tag Archives: My Life as a Dog

Film on TV: March 22-28

Rashomon.jpg
Rashomon, playing at 8pm on TCM on the 23rd

After several weeks of lead-up, we’re almost up to the actual centennial of Akira Kurosawa’s birth, and TCM is blowing out with a nearly 24-hour marathon of his work on the 23rd. Several of the films being shown are ones that Row Three is also covering in a Kurosawa tribute, including Sanjuro and Dodes ‘Ka-Den, for which there are already reviews up, and there will be more soon, so keep an eye on Row Three for all the write-ups. Also, check out the Ray Harryhausen triple feature coming up on Friday, more Ginger Rogers films overnight on Wednesday, and a pair each of Buster Keaton and Jacques Tati films late Sunday/early Monday. As well as, of course, our usual crop of repeats on IFC, Sundance, and TCM.

Monday, March 22

4:00am – TCM – Some Like It Hot
After musicians Tony Curtis and Jack Lemmon unwittingly witness the St. Valentines Day Massacre, they have to escape the mob by impersonating women and joining an all-girls band. The fact that Marilyn Monroe is the band’s lead singer doesn’t help them stay undercover. Easily one of the greatest comedies ever put on film.
1959 USA. Director: Billy Wilder. Starring: Marilyn Monroe, Tony Curtis, Jack Lemmon, Joe E. Brown, George Raft.
Must See

6:30am – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home.
1985 Sweden. Director: Lasse Hallstrom. Starring: Anton Glanzelius, Tomas von Brömssen, Anki Lidén, Melinda Kinnaman.
(repeats at 1:30pm)

8:00pm – TCM – The Big Sleep
One of the greatest detective/mysteries/films noir ever made. Humphrey Bogart is the definite hard-boiled detective, Lauren Bacall is the potential love interest/femme fatale. Don’t try to follow the story; whodunit is far less important than crackling dialogue and dry humor. Watch out for future Oscar-winner Dorothy Malone (Written on the Wind) in the small but extremely memorable part of the bookshop girl.
1946 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Martha Vickers, Elisha Cook Jr., Dorothy Malone.
Must See

10:00pm – TCM – The Maltese Falcon
Humphrey Bogart inhabits the role of Dashiell Hammett’s private eye Sam Spade, creating one of the definitive on-screen hard-boiled detective (vying only with Bogart’s Philip Marlowe in The Big Sleep, really). Not mention setting the early benchmark for noir films.
1941 USA. Director: John Huston. Starring: Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet, Elisha Cook Jr, Walter Huston.
Must See

2:00am (23rd) – TCM – Stagecoach
Major breakthrough for John Wayne, here playing outlaw Cisco Kid – he and the various other people on a stagecoach form a cross-section of old West society that has to learn to get on together to make it to the end of the ride alive. Excellent performances and stunt-filled action sequences make this one of the best westerns ever made.
1939 USA. Director: John Wayne. Starring: John Wayne, Claire Trevor, John Carradine, Andy Devine, Thomas Mitchell.
Must See

Tuesday, March 23

6:00am – TCM – Akira Kurosawa Marathon
Today would be Akira Kurosawa’s 100th birthday were he still alive, and after a month of weekly primetime Kurosawa mini-marathons, TCM is giving this day and night over entirely to his films, starting with a series of ones that I’ve frankly never heard of, and then bringing out the big guns starting with Rashomon at 8pm. I’m just going to list them below. Remember to check out Row Three for reviews of several of the films TCM is playing today or played earlier in the month.
Sanshiro Sugata, The Most Beautiful, The Men Who Tread on the Tiger’s Tail, Sanshiro Sugata Part 2, No Regrets for Our Youth, One Wonderful Sunday, Drunken Angel, Stray Dog, Rashomon, The Seven Samurai, Yojimbo, Sanjuro, Dodes ‘Ka-Den.
Newly Featured!

8:30am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 1:30pm)

10:00am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
2004 UK. Director: Danny Boyle. Starring: Alex Etel, Lewis McGibbon, James Nesbitt, Daisy Donovan, Christopher Fulford.
(repeats at 3:25pm)

Wednesday, March 24

8:00pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator is assigned to eavesdrop on a famous writer who may be working against the government regime – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.
(repeats at 3:25am on the 25th)

9:45pm – TCM – Bachelor Mother
A very slight but rather charming Ginger Rogers vehicle that for some reason I like far more than I probably should. Ginger is a struggling department store clerk who happens by an orphanage just after someone leaves a baby there; she’s mistaken for the mother and through a series of miscommunications with the orphanage and her boss at the store (David Niven), ends up having to take the baby. It’s fairly silly at times, but also kind of heartwarming, and Ginger’s honestly at her best here.
1939 USA. Director: Garson Kanin. Starring: Ginger Rogers, David Niven, Charles Coburn, Frank Albertson.
Newly Featured!

10:30pm – Sundance – Eraserhead
David Lynch’s first feature is a weird post-apocalyptic dreamscape of a film – what, you were expecting something normal? When you can have industrial decay and mutant babies?
1977 USA. Director: David Lynch. Starring: Jack Nance, Charlotte Stewart.
(repeats at 5:45am on the 25th)

11:15pm – TCM – Stage Door
I cannot describe to you how much I love this film. I’m not sure it’s wholly rational. Katharine Hepburn plays an heiress who wants to make it on her own as an actress, so she moves (incognito) into a New York boarding house for aspiring actresses. Her roommate ends up being Ginger Rogers (who’s never been better or more acerbic), and the boarding house is rounded out with a young Lucille Ball, a young Eve Arden, a very young Ann Miller, and various others. The dialogue is crisp and everyone’s delivery matter-of-fact and perfectly timed, and the way the girls use humor to mask desperation makes most every moment simultaneously funny and tragic – so that when it does turn tragic, it doesn’t feel like a shift in mood, but a culmination of the inevitable.
1937 USA. Director: Gregory La Cava. Starring: Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Andrea Leeds, Gail Patrick, Eve Arden, Lucille Ball, Ann Miller, Constance Collier.
Must See

Thursday, March 25

6:00pm – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 5:15am and 12:30pm on the 26th)

8:00pm – TCM – Interiors
In case anyone doubted Woody Allen’s admiration for Ingmar Bergman, he made this film to prove it (I suppose his use of Smiles of a Summer Night as basis for A Midsummer Night’s Sex Comedy also counts). Interiors is about the best imitation of a Bergman chamber drama you could ask for, down to the spare set design, strained family relations, and a climax involving an angry sea. Still, it is also very much Allen’s film, focusing on deeply neurotic, introspective characters unable to get outside their own heads for long enough to form really true relationships.
1978 USA. Director: Woody Allen. Starring: Diane Keaton, Geraldine Page, Maureen Stapleton, Richard Jordan, Sam Waterston.

2:15am (26th) – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
Must See

Friday, March 26

2:30pm – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.
1950 USA. Director: John Huston. Starring: Sterling Hayden, Louis Calhern, Jean Hagen, James Whitmore, Sam Jaffe.

4:30pm – TCM – Johnny Guitar
Nicholas Ray’s rather strange feminist western has become something of a cult classic – Joan Crawford is Vienna, a tough-but-vulnerable saloon owner that all the other women in town want gone. She calls on old friend Johnny Guitar to help her out, but he many not be quite as advertised either.
1954 USA. Director: Nicholas Ray. Starring: Joan Crawford, Sterling Hayden, Mercedes McCambridge, Ward Bond, Ernest Borgnine.

8:00pm – TCM – Ray Harryhausen Triple Feature
With the new 3D extravaganza Clash of the Titans hitting a multiplex near you very soon, what better time to revisit the original, along with two other Ray Harryhausen films? I’ve got to admit that I’ve seen none of these, but I’m kind of excited to check them out. It appears my taste for cheese is only growing stronger. Jason and the Argonauts plays at 8pm, then Clash of the Titans at 10pm, followed by The Golden Voyage of Sinbad at 12:15am.
Newly Featured!

Saturday, March 27

8:15am – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.

8:30am – TCM – The Killers (1946)
Burt Lancaster made his film debut in this excellent noir, an expansion of an Ernest Hemingway short story. Lancaster is a quiet gas station attendant killed in the opening of the film by two hitmen – the events that lead up to his death (involving, among other things, a classic femme fatale played by Ava Gardner) are told in flashback throughout the rest of the film.
1946 USA. Director: Robert Siodmak. Starring: Burt Lancaster, Ava Gardner, Edmond O’Brien, Albert Dekker, Sam Levene.

8:00pm – TCM – Gigi
Maurice Chevalier’s “Thank Heaven for Little Girls” might come off as more pervy now than it was originally intended, but as a whole Gigi stands as one of the most well-produced and grown-up musicals made during the studio era. Vincente Minnelli gives it a wonderful visual richness and sophistication, while music from Lerner & Loewe (usually) stresses the right combination of innocence, exuberance, and ennui for its decadent French story.
1958 USA. Director: Vincente Minnelli. Starring: Louis Jourdan, Leslie Caron, Maurice Chevalier, Hermione Gingold.

Sunday, March 28

2:00pm – TCM – Sunset Boulevard
Billy Wilder’s classic noir explores the dark side of the rich and formerly famous, as a struggling screenwriter (William Holden) gets involved with a silent screen star seeking to make a comeback in the sound era. In one of the most brilliant cast films ever, actual silent screen star Gloria Swanson returned to the movies to play the delusional Norma Desmond and actual silent star/director Erich von Stroheim (who worked with Swanson on the never-finished Queen Kelly, portions of which appear in Sunset Boulevard) plays her former director/current butler. The film is a bit on the campy side now, but that doesn’t diminish its enjoyability one bit.
1950 USA. Director: Billy Wilder. Starring: William Holden, Gloria Swanson, Nancy Olsen, Erich Von Stroheim, Buster Keaton.
Must See

4:00pm – TCM – The Snake Pit
One of the earlier films to deal with the realities of mental illness seriously, with Olivia de Havilland as a woman in an insane asylum, brilliantly moving back and forth between lucidity and falling back in the fog of illness. She got an Oscar nom for her role, based on a true story.
1948 USA. Director: Anatole Litvak. Starring: Olivia de Havilland, Mark Stevens, Leo Genn, Celeste Holm.

12:00M – TCM – Sherlock Jr.
One of Buster Keaton’s best shorts, as he plays a projectionist who dreams himself right into the frame in a very famous sequence. There’s actually more to the movie than that, but it’s worth it just for that part.
1924 USA. Director: Buster Keaton. Starring: Buster Keaton, Kathryn McGuire, Joe Keaton, Erwin Connelly, Ward Crane.
Newly Featured!

2:15am (29th) – TCM – Mr. Hulot’s Holiday
French writer/actor/director Jacques Tati specialized in nearly-silent physical comedy that reminds one at times of Chaplin or Keaton, but with a slightly more ironic French flair about it. In Mr. Hulot’s Holiday, a trip to the seashore turns out to be anything but relaxing.
1953 France. Director: Jacques Tati. Starring: Jacques Tati, Nathalie Pascaud, Micheline Rolla.

4:00am (29th) – TCM – Mon Oncle
Jacques Tati’s Chaplin-esque character, Mr. Hulot, this time takes on modern life in the form of his sister’s house that has been mechanized with all the most modern electronic aids – think Disney’s 1950s House of Tomorrow. Of course, everything goes wrong, hilariously.
1958 France. Director: Jacques Tati. Starring: Jacques Tati, Jean-Pierre Zola, Adrienne Servantie, Jean-François Martial.

Film on TV: March 1-7

Contempt.jpg
Contempt, playing on TCM late Sunday/early Monday.

Of the new ones this week, I’m most excited about catching Days of Heaven myself (Monday on TCM), since it’s part of the Easy Riders, Raging Bulls marathon. Don’t know if I’ll watch it right away, though; I’m trying to keep in somewhat chronological order watching those. Other notable newly features ones: West Side Story and Rebel Without a Cause on Tuesday, Alien on Wednesday (I’m long overdue a rewatch on that one), All the President’s Men on Thursday, and Jean-Luc Godard’s Contempt late Sunday/early Monday.

Monday, March 1

8:30am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (”comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly.
2003 USA. Directors: Shari Springer Berman & Robert Pulcini. Starring: Paul Giamatti, Hope Davis.
(repeats at 3:30pm)

10:15pm – TCM – Days of Heaven
Terrence Malick has made his reputation on only four films; this is his second, some five years after debut Badlands. I haven’t watched it yet, but it’s on the Easy Riders, Raging Bulls Marathon list, so I will be before long – and judging by the screencaps I’ve already seen, I’m expecting to love it.
1978 USA. Director: Terrence Malick. Starring: Richard Gere, Brooke Adams, Sam Shepard.
Newly Featured!

Tuesday, March 2

9:30am – TCM – The Maltese Falcon
Humphrey Bogart inhabits the role of Dashiell Hammett’s private eye Sam Spade, creating one of the definitive on-screen hard-boiled detective (vying only with Bogart’s Philip Marlowe in The Big Sleep, really). Not mention setting the early benchmark for noir films.
1941 USA. Director: John Huston. Starring: Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet, Elisha Cook Jr, Walter Huston.
Must See

10:15am – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 3:45pm)

11:00am – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.

4:00pm – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).
1951 USA. Director: Stanley Donen. Starring: Fred Astaire, Jane Powell, Sarah Churchill, Peter Lawford.

6:00pm – TCM – West Side Story
I unabashedly love musicals, Shakespeare, and stylized choreography. Hence, I love West Side Story. I wish Richard Beymer and Natalie Wood were a little more interesting as the leads, but the supporting cast is electrifying enough that it doesn’t much matter, especially with Bernstein and Sondheim music and Jerome Robbins choreography.
1961 USA. Director: Richard Wise & Jerome Robbins. Starring: Natalie Wood, Richard Beymer, Russ Tamblyn, George Chakiris, Rita Moreno.
Must See
Newly Featured!

11:00pm – TCM – Rebel Without a Cause
Nicholas Ray’s best-known movie (though not, I’d argue, his best), likely because it’s one of James Dean’s three films. Dean is a rebellious teen, hanging out with the wrong crowd, whose parents don’t understand him. It all seems a little overwrought these days, but there’s an intensity to Dean and the film that manages to make it still relatable.
1955 USA. Director: Nicholas Ray. Starring: James Dean, Natalie Wood, Sal Mineo.
Newly Featured!

Wednesday, March 3

11:30am – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting.
1949 USA. Director: George Cukor. Starring: Spencer Tracy, Katharine Hepburn, Judy Holliday, Tom Ewell, Jean Hagen, Gig Young

1:30pm – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.
1950 USA. Director: John Huston. Starring: Sterling Hayden, Louis Calhern, Jean Hagen, James Whitmore, Sam Jaffe.

3:30pm – TCM – Oklahoma!
I can’t begin to guess how many times I watched Oklahoma! growing up, but it’s well into double-digits. It’s a nothing story, about minor conflicts between farmers and cowboys, a couple of young lovers, and the obsessive farmhand who wants the girl for himself. It’s the way the music and dancing is integrated that’s wonderful (and groundbreaking in the 1943 play the film is based on).
1955 USA. Director: Fred Zinnemann. Starring: Gordon MacRae, Shirley Jones, Rod Steiger, Gloria Grahame, Gene Nelson, Eddie Albert, Charlotte Greenwood, James Whitmore.

9:45pm – IFC – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See

10:15pm – TCM – Alien
Often considered one of the best sci-fi/horror creature features of all time (or just behind its sequel Aliens). Sigourney Weaver gets an iconic role as ass-kicking astronaut Ripley.
1979 USA. Director: Ridley Scott. Starring: Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, Ian Holm, John Hurt.
Newly Featured!

Thursday, March 4

6:00am – TCM – Four Daughters
Something of a high-B-level programmer, Four Daughters tells the fairly routine story of four sisters and their love interests; there’s more to it than meets the eye, though, and starlet Priscilla Lane (notably of Arsenic and Old Lace) carries it well with her two sisters Lola and Rosemary. It’s interesting to contrast with its 1954 musical remake Young at Heart, which boasts the greater star power of Doris Day and Frank Sinatra. They’re virtually identical in script, but this one strikes a more sincere note with me.
1938 USA. Director: Michael Curtiz. Starring: Priscilla Lane, Claude Rains, John Garfield.

5:30pm – TCM –The Postman Always Rings Twice
Sizzling adaptation of James M. Cain’s classic pulp novel has Lana Turner as the unhappy wife of a middle-of-nowhere gas station owner and John Garfield as the drifter who drops in and plots her husband’s demise with her. Skip the 1982 remake, from what I’ve heard, but if you’re feeling adventurous, check out Luchino Visconti’s Ossession, a 1943 Italian adaptation of the novel widely considered to be a forerunner of the Italian Neo-Realist movement.
1946 USA. Director: Tay Garnett. Starring: Lana Turner, John Garfield, Cecil Kellaway, Hume Cronyn.

8:00pm – Sundance – A Prairie Home Companion
I’ve been taken to task for ignoring Robert Altman films in these write-ups, and I’ll confess that’s true due to my woeful ignorance of Altman films. Though I’m working to rectify this blind spot, I just haven’t seen that many of his films, including this one, the last one he made before he died.
2006 USA. Director: Robert Altman. Starring: Woody Harrelson, Meryl Streep, Kevin Kline, Lindsay Lohan, Virginia Madsen, John C. Reilly, Maya Rudolph, Lily Tomlin.
Newly Featured!
(repeats at 4:10am on the 5th)

9:00pm – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. Mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.
1944 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Walter Brennan.

11:00pm – TCM – All the President’s Men
The Nixon and Watergate scandal is presented as a mystery almost, from the point of view of Woodward and Bernstein, the rookie Washington Post investigative reporters who broke the story. The film unfolds like a very good procedural, balancing the fact-finding itself with the roadblocks Woodward has to overcome at the paper because of his youth and inexperience. Not a showy film, but a really well-made one with excellent performances from Redford and Hoffman.
1976 USA. Director: Alan J. Pakula. Starring: Robert Redford, Dustin Hoffman, Jack Warden, Martin Balsam, Hal Holbrook.
Newly Featured!

1:30am (5th) – Sundance – The Death of Mr. Lazrescu
One of the major films in Romania’s current cinematic resurgence – emphasis on realism, slow pacing, and in this case, the failures of the Romanian health care system, which shunts poor Mr. Lazarescu around from hospital to hospital as he gets sicker and sicker. I wasn’t as captivated by this as I was by 4 Months, 3 Weeks, and 2 Days by a longshot, but if you’re interested in Romanian film, you oughta see it. If you didn’t like 4 Months, though, you almost certainly won’t like this. ;)
2005 Romania. Director: Cristi Puiu. Starring: Ion Fiscuteanu, Doru Ana, Monica Barladeanu, Doru Boguta.

Friday, March 5

7:00am – IFC – The Station Agent
One of the most pleasant surprises (for me, anyway) of 2003. Peter Dinklage moves into a train depot to indulge his love for trains and stay away from people, only to find himself befriended by a loquacious Cuban hot-dog stand keeper and an emotionally delicate Patricia Clarkson. A quiet but richly rewarding film.
2003 USA. Director: Thomas McCarthy. Starring: Peter Dinklage, Patricia Clarkson, Bobby Cannavale.
(repeats at 12:30pm)

8:35am – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
2004 USA. Director: Joshua Marston. Starring: Catalina Sandino Moreno, Virginia Ariza, Yenny Paola Vega.
(repeats at 2:00pm)

Saturday, March 6

8:30am – TCM – The Ladykillers
One of the most delightful of the Ealing comedies, with Alec Guinness leading a bunch of crooks (including a young Peter Sellers) whose bankrobbing plans get flustered by an unlikely old lady.
1955 UK. Director: Alexander Mackendrick. Starring: Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers.
Must See

1:30pm – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home.
1985 Sweden. Director: Lasse Hallstrom. Starring: Anton Glanzelius, Tomas von Brömssen, Anki Lidén, Melinda Kinnaman.
(repeats at 5:00am on the 7th)

5:30pm – TCM – On the Beach
After nuclear war, most of humanity is destroyed; a small outpost in Australia survives, but not for long. See David’s longer take here;.
1959 USA. Director: Stanley Kramer. Starring: Gregory Peck, Ava Gardner, Fred Astaire.

8:00pm – TCM – A Streetcar Named Desire
A Streetcar Named Desire won Vivien Leigh her second Oscar as fading Southern belle Blanche DuBois, and made a star out of Marlon Brando. It’s also one of the films I’m most embarrassed to say I’ve never seen. I even have it on DVD somewhere! Someday, I will get to it.
1951 USA. Director: Elia Kazan. Starring: Marlon Brando, Vivien Leigh, Kim Stanley, Karl Malden.

10:00pm – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 4:20am on the 7th)

2:30am (7th) – TCM – Blackboard Jungle
Glenn Ford is the teacher who takes on rowdy inner-city kids in one of the earlier “heroic teacher” films. A young Sidney Poitier is one of the students, and a scene in which a record of “Rock Around the Clock” is played is reputed to be the first time rock n’ roll appeared in a film.
1955 USA. Director: Richard Brooks. Starring: Glenn Ford, Anne Francis, Louis Calhern, Sidney Poitier.

4:15am (7th) – TCM – The Killers (1946)
Burt Lancaster made his film debut in this excellent noir, an expansion of an Ernest Hemingway short story. Lancaster is a quiet gas station attendant killed in the opening of the film by two hitmen – the events that lead up to his death (involving, among other things, a classic femme fatale played by Ava Gardner) are told in flashback throughout the rest of the film.
1946 USA. Director: Robert Siodmak. Starring: Burt Lancaster, Ava Gardner, Edmond O’Brien, Albert Dekker, Sam Levene.

Sunday, March 7

10:15pm – TCM – The Big Knife
Clifford Odets’ searing play about his hatred of Hollywood comes to the screen, with Jack Palance mugging as a frustrated actor who wants out of his contract, but can’t get out because the studio is blackmailing him. Between Odets’ overly poetic dialogue, director Robert Aldrich’s melodramatic style, and Palance’s scenery-chewing, this is a camptastic good time.
1955 USA. Director: Robert Aldrich. Starring: Jack Palance, Ida Lupino, Wendell Corey, Jean Hagen, Rod Steiger, Shelley Winters.

2:00am (8th) – TCM – Contempt
One of Jean-Luc Godard’s most consciously self-reflexive films, and that is saying a lot for someone who uses self-reflexivity the way most people use water. It took me longer to warm to this film than most of Godard’s (perhaps because of seeing it earlier than some of his lighter fare), but there’s a lot here to chew on, and a lot to enjoy, from the comments on his own relationship with Anna Karina to the foibles of filmmaking to the misunderstandings of translation.
1963 France. Director: Jean-Luc Godard. Starring: Michel Piccoli, Brigitte Bardot, Jack Palance, Fritz Lang.
Must See
Newly Featured!

4:00am (8th) – TCM – The Bad and the Beautiful
Vincente Minnelli directs Kirk Douglas, Lana Turner, Dick Powell, and Gloria Grahame in one of the best dark-side-of-Hollywood noirish films this side of Sunset Boulevard.
1952 USA. Director: Vincente Minnelli. Starring: Kirk Douglas, Lana Turner, Dick Powell, Gloria Grahame.

Film on TV: November 9-15

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Ride the High Country, playing on TCM Friday, November 13.

A few interesting new ones this week. I haven’t seen Nicholas Ray’s Bitter Victory, playing on Wednesday, but it comes highly recommended by Jean-Luc Godard. So there. Then there’s Hitchcock’s Dial M for Murder on Thursday, which I can’t believe we haven’t seen in this feature before, and Sam Peckinpah’s Ride the High Country on Friday – a film which sits, like many of Peckinpah’s films, right on the cusp between traditional and revisionist westerns – and Jean Cocteau’s poetic Orpheus late on Sunday. Finally, Sundance has both parts of Steven Soderbergh’s Che on Saturday, probably the first time it’s played on TV outside of PPV or premium cable.

Monday, November 9

5:30am – Sundance – A Woman Under the Influence
Gena Rowlands gives a tour-de-force performance as Mabel, a woman whose teetering madness threatens her marriage to Nick (Peter Falk). Their relationship edges back and forth between love, frustration, and anger with amazing quickness, yet it’s not clear whether Mabel’s instability is causing the problems, or the other way around. John Cassavetes directs with an unwavering camera, refusing to look away.
1974 USA. Director: John Cassavetes. Starring: Gena Rowlands, Peter Falk, Fred Draper, Lady Rowlands.

5:35pm – IFC – A Fish Called Wanda
It’s not a Monty Python picture, but with John Cleese and Michael Palin on board as participants in a zany crime story, along with ambiguous-relationshiped Jamie Lee Curtis and Kevin Kline, it has some of the same absurd charm.
1988 USA/UK. Director: Charles Crichton. Starring: John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin, Maria Aitken, Tom Georgeson.
Newly Featured!
(repeats at 3:30am on the 10th)

Tuesday, November 10

5:25am – IFC – Cléo from 5 to 7
Almost all New Wave films were directed by men, and there’s a definite undercurrent of misogyny in most of them – or at least a clear lack of understanding of women. Enter Agnès Varda, who took New Wave sensibilities, added in her own painterly touches, and a strong feminine perspective – and you get incredible films like this one, a spare story of a woman who discovers she has cancer. The mix of New Wave detachment and the evocation of the woman’s flittering emotions just under the surface combine perfectly to skyrocket the film onto my all-time favorites list.
1962 France. Director: Agnès Varda. Starring: Corinne Marchand, Antoine Bourseiller, Dominique Davray, Dorothée Blank, Michel Legrand.
Must See

Wednesday, November 11

5:15am – TCM – Bitter Victory
The major thing I know about this film is that it’s the one that prompted Jean-Luc Godard to write “Henceforth there is cinema. And cinema is Nicholas Ray” in his Cahiers du cinema review. And I love other Nicholas Ray films, so that’s enough for me to be interested in catching this one. TCM’s description: “A World War II commander jeopardizes his mission to endanger a colleague involved with his wife.”
1958 USA. Director: Nicholas Ray. Starring: Richard Burton, Curd Jürgens, Ruth Roman, Raymond Pellegrin.
Newly Featured!

6:55am – IFC – Three Times
Hsiao-hsien Hou directs this tripartite film – three stories set in three different time periods (1911, 1966, and 2005), each with the same actors, and each depicting a relationship that’s both very specific and individual and also sheds light on the mores of its respective time period. I liked the 1966 story the best, but they were all intriguing, and the contrast between them even more so.
2005 Hong Kong. Director: Hsiao-hsien Hou. Starring: Qi Shu, Chen Chang.
(repeats at 12:30pm)

Thursday, November 12

9:00am – Sundance – Le doulos
Jean-Paul Belmondo brings his signature style to Jean-Pierre Meville’s excellent crime film as a possible police informant working with another criminal on a jewel heist. These two men are played off each other in a sort of doubling motif – it’s often even difficult to tell which is which, due to careful cinematography and lighting work by Melville.
1962 France. Director: Jean-Pierre Melville. Starring: Jean-Paul Belmondo, Serge Reggiani, René Lefèvre.
(repeats at 4:30pm, and 4:25am on the 13th)

6:35pm – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
Must See

8:00pm – TCM – Dial M For Murder
A bit of a lesser Hitchcock film to my mind, but still pretty damn good – and any chance to see Grace Kelly is worthwhile. Ray Milland plays her husband whose plans to have her murdered go awry when her self-defense skills prove too good.
1954 USA. Director: Alfred Hitchcock. Starring: Grace Kelly, Ray Milland, Robert Cummings.
Newly Featured!

10:00pm – TCM – Rear Window
Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create one of the greatest films of all time.
1954 USA. Director: Alfred Hitchcock. Starring: James Stewart, Grace Kelly, Thelma Ritter, Raymond Burr.
Must See

10:30pm – IFC – Gangs of New York
It’s hard to argue with the concept of a Scorsese/diCaprio/Day-Lewis trifecta in a story about Irish gangs at the dawn of New York’s existence, though I found myself underwhelmed with it.
2003 USA. Director: Martin Scorsese. Starring: Daniel Day-Lewis, Leonardo diCaprio, Cameron Diaz.

Friday, November 13

8:00am – TCM – To Catch a Thief
Not one of my personal favorite Hitchcock films, but certainly one of his classiest, most sophisticated entries. Cary Grant is a notorious cat burglar, Grace Kelly the Monte Carlo socialite he woos. It’s one of Kelly’s last films, and she’s already looking like the princess she was about to become.
1955 USA. Director: Alfred Hitchcock. Starring; Cary Grant, Grace Kelly.

12:00N – TCM – Gigi
Maurice Chevalier’s “Thank Heaven for Little Girls” might come off as more pervy now than it was originally intended, but as a whole Gigi stands as one of the most well-produced and grown-up musicals made during the studio era. Vincente Minnelli gives it a wonderful visual richness and sophistication, while music from Lerner & Loewe (usually) stresses the right combination of innocence, exuberance, and ennui for its decadent French story.
1958 USA. Director: Vincente Minnelli. Starring: Louis Jourdan, Leslie Caron, Maurice Chevalier, Hermione Gingold.

3:30pm – Sundance – Bob le flambeur
Jean-Pierre Melville’s noirish crime film about an aging gambler/thief who takes on one last job – knocking over a casino. Melville was the master of French crime films, and an important figure leading up to the New Wave – Godard name-checks this film in Breathless, mentioning Bob le flambeur (Bob the Gambler) as an associate of Michel’s.
1956 France. Director: Jean-Pierre Melville. Starring: Roger Duchesne, Isabelle Corey, Gérard Buhr, Daniel Gauchy.
(repeats at 10pm on the 15th)

8:00pm – TCM – Ride the High Country
In the 1960s, Sam Peckinpah contributed to the beginnings of the revisionist western, taking complicated heroes and violence to new levels – in Ride the High Country, Joel McCrea and Randolph Scott (who had both starred in many westerns throughout the 1930s and 1940s) play jaded cowboys hired to transport gold who get caught up in a family feud that forces them to confront their own differences and troubled pasts. It’s a fairly simple plot on the surface, but goes much deeper than you’d expect.
1962 USA. Director: Sam Peckinpah. Starring: Joel McCrea, Randolph Scott, Mariette Hartley, Ron Starr.
Must See
Newly Featured!

1:35am (14th) – Sundance – Black Book
Paul Verhoeven invests Black Book with just enough of his signature over-the-top brashness to give the WWII story of a Dutch Jewish woman infiltrating the Gestapo for the Resistance a healthy dose of panache. Every time you think it won’t go the next step, it does, and it’s ravishingly entertaining the whole time.
2006 Netherlands. Director: Paul Verhoeven. Starring: Carice van Houten, Sebastian Koch, Thom Hoffman.

3:30am (14th) – TCM – The Night of the Hunter
If there’s ever a film that defined “Southern gothic,” it’s this one. Underhanded “preacher” Robert Mitchum weasels his way into a young widowed family to try to gain the money the late father hid before he died. But what starts off as a well-done but fairly standard crime thriller turns into a surreal fable somewhere in the middle, and at that moment, jumps from “good film” to “film you will be able to get out of your head NEVER.” In a good way.
1955 USA. Director: Charles Laughton. Starring: Robert Mitchum, Lillian Gish.
Must See

Saturday, November 14

10:00am – TCM – White Heat
James Cagney in one of his most powerful roles as the slightly (okay, make that more-than-slightly) unbalanced criminal Cody Jarrett. Probably counts as one of the last truly great Warner crime films, too.
1949 USA. Director: Raoul Walsh. Starring: James Cagney, Virginia Mayo, Edmond O’Brien, Margaret Wycherly.

2:00pm – TCM – Oklahoma!
I can’t begin to guess how many times I watched Oklahoma! growing up, but it’s well into double-digits. It’s a nothing story, about minor conflicts between farmers and cowboys, a couple of young lovers, and the obsessive farmhand who wants the girl for himself. It’s the way the music and dancing is integrated that’s wonderful (and groundbreaking in the 1943 play the film is based on).
1955 USA. Director: Fred Zinnemann. Starring: Gordon MacRae, Shirley Jones, Rod Steiger, Gloria Grahame, Gene Nelson, Eddie Albert, Charlotte Greenwood, James Whitmore.

2:00pm – Sundance – Che (parts 1 and 2)
Sundance is getting an early shot at Steven Soderbergh’s opus about South American freedom fighter Che Guevara, starring Benicio Del Toro as the titular character. I haven’t watched it yet, but it’s apparently worthy of Criterion release next year.
2008 USA. Director: Steven Soderbergh. Starring: Benicio Del Toro, Demián Bichir, Carlos Bardem.
Newly Featured!

12:00M – Sundance – The Discreet Charm of the Bourgiousie
Luis Buñuel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
1972 France. Director: Luis Buñuel. Starring: Fernando Rey, Paul Fankeur, Delphine Seyrig, Stéphane Audran, Jean-Pierre Cassel.
(repeats at 7:40am and 4:15pm on the 15th)

Sunday, November 15

6:45am – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home.
1985 Sweden. Director: Lasse Hallstrom. Starring: Anton Glanzelius, Tomas von Brömssen, Anki Lidén, Melinda Kinnaman.
(repeats at 2:50pm)

2:15pm – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? Interestingly, I’m more impressed generally with Geraldine Fitzgerald’s Isabella than Merle Oberon’s Catherine/Cathy, but it’s been a while since I’ve seen it.
1939 USA. Director: William Wyler. Starring: Laurence Olivier, Merle Oberon, Geraldine Fitzgerald, David Niven, Flora Robson.

4:35pm – IFC – Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties.
2004 USA. Director: Shane Carruth. Starring: Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya, Carrie Crawford.
(repeats at 5:25am on the 16th)

11:00pm – IFC – Pulp Fiction
Tarantino’s enormously influential and entertaining film pretty much needs no introduction from me. Samuel L. Jackson and John Travolta give the performances of their careers, Tarantino’s dialogue is spot-on in its pop-culture-infused wit, and the chronology-shifting, story-hopping editing style has inspired a host of imitators, most nowhere near as good.
1994 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Samuel L. Jackson, John Travolta, Tim Roth, Bruce Willis, Ving Rhames.
Must See

2:00am (16th) – TCM – Orpheus
Orpheus, a poet in post-war France, finds himself caught up with Death in the visage of a beautiful woman and her minions. When Death takes his wife Euridyce, Orpheus follows them into the underworld–but is it really Euridyce he desires, or is it Death herself? Director Cocteau was as much a poet as a filmmaker, and that poetic sense is in full force in this lovely film.
1950 France. Director: Jean Cocteau. Starring: Jean Marais, María Casare, Maria Déa, François Périer.
Newly Featured!

Film on TV: July 20-26

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In a Lonely Place, playing on TCM on Thursday, July 23rd, at 10:45am.

I started looking at the Fox Movie Channel as well this week – only one addition this time, but there may well be more in the future. Things on it keep catching my eye as I’m setting my DVR, so I figured I might as well add it to my list, especially this month as the other channels seem to be doing a lot of repeats. I also added a “Newly Featured!” tag at the bottom of entries that are NOT repeats. I still think the repeats are worth posting, though, in case someone wasn’t able to see them the first time and for new readers – that’s why I leave them on.

All times are Eastern.

Monday, July 20

6:05am – IFC – Umberto D
Vittorio De Sica’s neorealist classic about an aging man struggling to live on his meager pension in post-war Rome. Doesn’t sound like a lot, and granted, not a lot happens. But by the end, you’ll have extraordinary sympathy for gentle Umberto and his dog. Oh, and a fantastic performance by non-actress Maria Pia Casillio – she offered to take acting lessons for the part but De Sica forbade her. Good choice.
(repeats at 10:45am and 3:20pm)

8:55am – IFC – Picnic at Hanging Rock
I have a love-hate relationship with Aussie director Peter Weir. His films are almost always slow and methodical, which works for me sometimes and not others. It works in Picnic at Hanging Rock, one of his earlier films, in which a group of schoolgirls goes into the wilderness for a picnic and mysteriously disappear.
Newly Featured!

1:35pm – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.

6:05pm – IFC – Chasing Amy
Kevin Smith’s third film, not as low-fi indie as Clerks, as goofy as Mallrats, as irreverently genius as Dogma, as self-referential as Jay and Silent Bob Strike Back, or as racy as Zach and Miri Make a Porno, but perhaps sweeter than all of them – Ben Affleck falls for Joey Lauren Adams, with the only slight obstacle being that she’s a lesbian.

8:00pm – TCM – A Trip to the Moon
Georges Méliès’ 1903 sci-fi film is the best example of his innovations in trick photography and special effects. He figured out that if you stopped the camera, changed the scene, and then restarted it, you could create illusions of appearances and disappearances, which he used to great effect in his story of scientists traveling to the moon and meeting fantastic creatures there. It’s a piece of film history that every film buff should see at least once.
Newly Featured!

8:00pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.
(repeats at 4:00am on the 21st)

1:05am (21st) – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business. Must See
(repeats 11:30am on the 21st, and 8:20am and 3:50pm on the 23rd)

Tuesday, July 21

4:15pm – TCM – The Night of the Hunter
If there’s ever a film that defined “Southern gothic,” it’s this one. Underhanded “preacher” Robert Mitchum weasels his way into a young widowed family to try to gain the money the late father hid before he died. But what starts off as a well-done but fairly standard crime thriller turns into a surreal fable somewhere in the middle, and at that moment, jumps from “good film” to “film you will be able to get out of your head NEVER.” In a good way. Must See

Wednesday, July 22

5:45pm – Sundance – Le doulos
Jean-Paul Belmondo brings his signature style to Jean-Pierre Meville’s excellent crime film as a possible police informant working with another criminal on a jewel heist. These two men are played off each other in a sort of doubling motif – it’s often even difficult to tell which is which, due to careful cinematography and lighting work by Melville.
(repeats at 2:30am on the 23rd)

7:30pm – Sundance – The Lives of Others
This German film beat out Pan’s Labyrinth for the Best Foreign Film Oscar, but The Lives of Others is good enough that I managed to get over it. Mostly. Anyway, in the film, a surveillance operator working for the Nazis assigned is to eavesdrop on a famous writer who may be working for the Resistance – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
Newly Featured!

10:00pm – TCM – The Bridge on the River Kwai
British prisoners of war are commanded to build a bridge over the River Kwai for their Japanese captors – a task which becomes a source of pride for old-school British commander Alec Guinness. But American William Holden is having none of that and makes it his mission to blow the bridge up. One of the great war films.

1:00am (23rd) – TCM – The Adventures of Robin Hood
I will state almost categorically that this is the greatest adventure film ever made. Maybe it’s a dead heat between this one and Raiders of the Lost Ark. Errol Flynn is Robin Hood, Olivia de Havilland is Maid Marion, a whole raft of fantastic character actors fill out the rest of the cast, and it’s all done in gorgeous Technicolor (it’s one of the earliest Technicolor films). Must See

Thursday, July 23

8:45am – TCM – Shadow of a Doubt
Somewhat lesser-known Hitchcock film that ought to be top-tier. Small-town girl Teresa Wright idolizes her uncle Charlie, but we know that he’s an infamous murderer on the run. Hitchcock once made a distinction between mystery and suspense: mystery is when there’s tension because the audience doesn’t know whodunit, suspense is when there’s tension because the audience does. This film is a perfect example of suspense, and Hitchcock’s preference for telling the audience whodunit very early in the film and letting them squirm.
Newly Featured!

10:05am – IFC – Cléo from 5 to 7
Almost all New Wave films were directed by men, and there’s a definite undercurrent of misogyny in most of them – or at least a clear lack of understanding of women. Enter Agnes Varda, who took New Wave sensibilities, added in her own painterly touches, and a strong feminine perspective – and you get incredible films like this one, a spare story of a woman who discovers she has cancer. The mix of New Wave detachment and the evocation of the woman’s flittering emotions just under the surface combine perfectly to skyrocket the film onto my all-time favorites list. Must See
(repeats at 3:05pm)

10:45am – TCM – In a Lonely Place
Simply a brilliant film from director Nicholas Ray – Humphrey Bogart gives probably his best performance as washed-up screenwriter Dixon Steele, who’s trying to make a comeback with a new adaptation. When a coatcheck girl gets murdered after he was the last to see her, he naturally comes under suspicion, but his neighbor Laurel (Gloria Grahame) gives him an alibi and soon the two begin a relationship which just might save Dix from more than a murder charge – or might not. There’s a raw intensity here that few films have ever matched. Must See
Newly Featured!

12:30pm – TCM – Double Indemnity
Quite probably the most definitive film noir film in existence (vying only with The Big Sleep in my head, anyway) has insurance salesman Walter Neff (Fred MacMurray) being seduced by bored housewife Phyllis Dietrichson (Barbara Stanwyck) and convinced by her to help murder her husband for the insurance money. Wilder’s crackling dialogue and Stanwyck’s perfectly tuned mixture of calculation and innocence can hardly be beat. Must See

2:00am (24th) – TCM – Mr. Smith Goes to Washington
Frank Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.

Friday, July 24

10:30am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (”comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly. This is a favorite among Row Three writers, so check it out.
(repeats at 3:45pm)

12:00N – TCM – The Hunchback of Notre Dame (1939)
Charles Laughton plays the put-upon hunchback Quasimodo, a young Maureen O’Hara the lovely Esmerelda in one of the best film versions of Victor Hugo’s classic of gothic romanticism.
Newly Featured!

Saturday, July 25

6:15am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
(repeats at 11:45am and 5:15pm)

10:00am – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home (his behavior is both caused by and threatens his mother’s poor health).
Newly Featured!
(repeats at 3:30pm)

8:00pm – TCM – A Night at the Opera
One of the best of the Marx Brothers’ zany comedies finds them running awry through the world of opera. This is the one that contains the famous “how much stuff can we stuff into a stateroom” scene. And subplot with Allan Jones and Kitty Carlisle, but that’s best ignored as much as possible. Must See
Newly Featured!

8:00pm – Fox Movie Channel – Young Frankenstein
My pick for best Mel Brooks movie of all time, yes, over Blazing Saddles and Spaceballs. Gene Wilder is the title character, a relative of the original Dr. Frankenstein who derides the research into the animation of dead tissue as poppycock. Until he inherits the Frankenstein castle and starts doing some experimenting of his own. And hilarity ensues. Pretty much right up there with the most quotable movies ever for me. Must See
Newly Featured!
(repeats at 10:00pm and 12:00M)

10:00pm – Sundance – Paris, je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.
(repeats at 4:30am on the 26th)

4:15am (26th) – TCM – A Day at the Races
The Marx Brothers take over the racetrack in what is probably the last of their really great comedies. As with A Night at the Opera you do have to put up with the silly romantic subplot, but it’s not too big a strain.

Sunday, July 26

8:00am – IFC – Miller’s Crossing
The Coen brothers take on 1930s gangland with this film, and do so admirably well. As they do most things. I have to admit I wasn’t quite as enamored of it as I usually am of Coen films, but it definitely has its moments and I think a rewatch would jump it up in my estimation greatly.
(repeats at 3:15pm)

10:30am – TCM – Topper
Cary Grant and Constance Bennett are hard-living young couple who crash their fancy car after a night of drinking and end up as ghosts. They choose to spend their afterlife haunting Grant’s uptight boss Cosmo Topper (Roland Young) and teaching him to enjoy life again. Something of a screwball comedy without the battle of the sexes part; slight but a lot of fun.
Newly Featured!

8:00pm – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.

10:00pm – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene. Must See

10:45pm – TCM – Rope
Hitchcock is well-known for his formal experimentation. In Rope, he shoots everything from a single camera position – on top of the chest containing the body of the boy that John Dall and Farley Granger killed before inviting several people over for a party. It’s also meant to appear as one take, though the ten-minute max reel length of the time forced him to fudge a bit on that. The story is based on the real-life Leopold-Loeb murder case, where two young men killed an acquaintance just to see if they could pull it off.

3:30am (27th) – Sundance – 4 Months, 3 Weeks, and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it. Must See

Film on TV: June 29-July 5

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Cléo from 5 to 7, playing on IFC at 6:45am on July 4th

Well, TCM’s showcase of great directors is winding down this week, but don’t worry, there’s still plenty of great cinema playing. On Thursday, TCM is running a bit of a tribute to 1939, widely considered one of the best years in filmmaking history, at least in terms of the sheer quantity of great films released that year. Also, IFC really picked up the ball this week, and are showing a bunch of really great films.

Monday, June 29

8:00pm – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
(repeats 2:30am on the 30th)

9:45pm – IFC – The Player
Robert Altman takes on Hollywood in this story of a script screener (Tim Robbins) who gets drawn further and further into a web of blackmail and double-crosses when he’s threatened by a screenwriter whose script he rejected. You gotta love it for the virtuosic opening pan at the very least; the rest of the Hollywood insider references are just gravy.
(repeats 4:05am on the 30th)

Tuesday, June 30

Great Directors on TCM: Anthony Mann
Though Sergio Leone and Sam Peckinpah and later Clint Eastwood often get well-deserved credit for developing the revisionist western, some of it should also probably go to Anthony Mann. Along with frequent star James Stewart, Mann tapped into a darker side of the quintessential American cowboy hero, showing him as a little more morally compromised, a little more expedient, and a little more personally haunted than most classic westerns.

8:00pm – TCM – The Man from Laramie
Of course TCM is playing the one Mann-Stewart western I HAVEN’T seen. But given the high quality of their other films together, I set my DVR for it immediately.

Wednesday, July 1

7:45am – IFC – Miller’s Crossing
The Coen brothers take on 1930s gangland with this film, and do so admirably well. As they do most things. I have to admit I wasn’t quite as enamored of it as I usually am of Coen films, but it definitely has its moments and I think a rewatch would jump it up in my estimation greatly.
(repeats 2:15pm)

9:45pm – IFC – Mad Max
The first entry in the post-apocalyptic punk-action series that made Mel Gibson a star.
(repeats at 3:45am on the 2nd)

12:00M – IFC – Platoon
Director Oliver Stone won an Oscar for this Vietnam film (as did the film itself). I haven’t seen it, but I’m gonna DVR it and see if I get around to it.

12:30am (2nd) – TCM – The Public Enemies: The Golden Age of the Gangster Film
Warner Bros. basically created the gangster film in the 1930s with a series of great, gritty and hard-hitting (for the time) crime films. This documentary looks to be a nice introduction to the genre.

2:30am (2nd) – TCM – The Petrified Forest
Bette Davis and Leslie Howard are top billed in this 1936 crime drama, but the thing you’ll remember is Humphrey Bogart in his first major film role as criminal-on-the-run Duke Mantee. They’re all holed up in a remote gas station while Mantee figures out his scheme to escape the manhunt for him. He fairly sizzles on screen.

4:00am (2nd) – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.

Thursday, July 2

11:15am – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
(repeats at 4:30pm)

5:30pm – TCM – Rope
Hitchcock is well-known for his formal experimentation. In Rope, he shoots everything from a single camera position – on top of the chest containing the body of the boy that John Dall and Farley Granger killed before inviting several people over for a party. It’s also meant to appear as one take, though the ten-minute max reel length of the time forced him to fudge a bit on that. The story is based on the real-life Leopold-Loeb murder case, where two young men killed an acquaintance just to see if they could pull it off.

8:00pm – TCM – The Wizard of Oz
I’ve simply got nothing bad to say about The Wizard of Oz. It’s been one of my favorite movies for years, and I doubt that’ll change any time soon – one of the great classics of imagination, wonder, and self-fulfillment. Must See
(repeats 6:00pm on the 3rd)

11:15pm – TCM – The Women
Only the cattiest, most man-less film every made (there are no men at all, so of course George Cukor directed it, right?). Several of Hollywood’s greatest female stars, from established divas like Norma Shearer and Joan Crawford to up-and-comers like Rosalind Russell and Joan Fontaine to character actresses like Mary Boland and Marjorie Main (and even non-actresses like gossip columnist Hedda Hopper), give their all to one of the wittiest scripts ever written. Must See

1:30am (3rd) – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.

Friday, July 3

9:00am – TCM – Bachelor Mother
Slight Ginger Rogers vehicle, but one I always enjoy – she picks up a baby left on the steps of an orphanage just in time for everyone to think it’s hers, including her boss (David Niven) at the department store where she works. So she has to keep it.

9:15pm – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home (his behavior is both caused by and threatens his mother’s poor health).
(repeats at 2:00pm)

Saturday, July 4

6:45am – IFC – Cléo from 5 to 7
Almost all New Wave films were directed by men, and there’s a definite undercurrent of misogyny in most of them – or at least a clear lack of understanding of women. Enter Agnes Varda, who took New Wave sensibilities, added in her own painterly touches, and a strong feminine perspective – and you get incredible films like this one, a spare story of a woman who discovers she has cancer. The mix of New Wave detachment and the evocation of the woman’s flittering emotions just under the surface combine perfectly to skyrocket the film onto my all-time favorites list. Must See
(repeats at 1:30pm)

3:30pm – TCM – Mr. Smith Goes to Washington
Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.

5:45pm – TCM – Yankee Doodle Dandy
James Cagney won an Oscar putting on his dancing shoes to play song-and-dance man and Broadway composer George M. Cohan in this biopic. Though it seems strange to think of gangster picture regular Cagney in a musical, he actually got his start in show business as a hoofer, and returned to musicals many times throughout his career, though this remains the most notable example.

9:45pm – IFC – Fargo
Still one of the Coen Brothers’ best films, despite over a decade of mostly good films in the intervening years. Dark comedy is not an easy genre, and Fargo is the gold standard, blending shocking violence and a noir-ish crime story with comical inept criminals and a perfectly rendered performance from Frances McDormand. Must See
(repeats at 3:30am on the 5th)

1:15am (5th) – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made. Must See

Sunday, July 5

12:00N – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.

2:00pm – TCM – War of the Worlds
The 1953 version of H.G. Wells’ classic Martian attack story – the alien ships land mysteriously, then start randomly attacking without warning. The mix of realistic March-of-Time style narration, incorporation of actual war/newsreel footage within the film, and fairly decent special effects for the time make it one of the more interesting of 1950s sci-fi efforts. The ending is a little deus ex machina, but up until that, very enjoyable.

7:15pm – IFC – Moulin Rouge! (2001)
Baz Lurhmann admittedly has a love-it-or-hate-it flamboyantly trippy aesthetic, especially in the informal Red Curtain trilogy which Moulin Rogue! closes. And sure, it’s over the top; sure, the story is fairly routine; sure, the acting is so-so. I love it to pieces anyway.
(repeats 4:30am on the 6th)

8:00pm – TCM – Mr. Hulot’s Holiday
French writer/actor/director Jacques Tati specialized in nearly-silent physical comedy that reminds one at times of Chaplin or Keaton, but with a slightly more ironic French flair about it. In Mr. Hulot’s Holiday, a trip to the seashore turns out to be anything but relaxing.

9:30pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.
(repeats 3:00am on the 6th)

10:00pm – TCM – To Catch a Thief
Not one of my personal favorite Hitchcock films, but certainly one of his classiest, most sophisticated entries. Cary Grant is a notorious cat burglar, Grace Kelly the Monte Carlo socialite he woos. It’s one of Kelly’s last films, and she’s already looking like the princess she was about to become.

12:00M – IFC – Trainspotting
Days in the lives of Scottish heroin addicts. Sounds like a downer, and I won’t say it’s not, but it’s also brilliant and searing. Danny Boyle seems to always be able to take stories that could be routine and make them into something special. (Though I won’t deny he often loses control of his endings – the rest of the film is usually worth it, though.)