Tag Archives: Network

Film on TV: May 11-17

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The Third Man, playing on TCM, May 15th at 10:45am

As always, if I didn’t write anything for a film, it’s usually because I’ve pitched it in earlier posts. Use the tags at the bottom to find earlier posts regarding the same film if you so desire.

Monday, May 11th

4:15am (12th) – TCM – Network
Newscaster Peter Finch is as mad as hell and he’s not going to take it anymore. To see why, watch this incendiary unmasking of the ruthless world of network television. And this was 1976. Think what it’s like now!

Tuesday, May 12th

6:30am – TCM – Little Women (1933)
Katharine Hepburn is Jo March in this early adaptation of Alcott’s classic novel. There’s a bit of creak to this one, but Hepburn is luminous. I grew up with this one, so I have a special place in my heart for it, as well.

9:45am – TCM – Holiday
Kate Hepburn teams up with Cary Grant for their second film (TCM is playing all their pairings except the first, Sylvia Scarlet, for some reason) – this is the same year as Bringing Up Baby and has been overshadowed by it, but Holiday is also well worth a look.

11:30am – TCM – Bringing Up Baby
Must See

1:15pm – TCM – The Philadelphia Story
Hepburn here is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made.
Must See

5:30pm – TCM – The Lion in Winter

Wednesday, May 13th

10:45am – TCM – I Know Where I’m Going!
This is one of those films you probably haven’t heard of, doesn’t get much press, is very quiet and unassuming, but once you watch it you won’t easily forget it. Wendy Hiller is a confident young woman who knows exactly what she wants and where she’s going – that is, to meet her wealthy fiance and marry him on one of the Scottish Hebrides. But when a storm strands her on the way, she finds herself thrown off-course in more ways than one. There’s nothing wasted here, and I Know Where I’m Going! stands as one of Michael Powell and Emeric Pressburger’s crowning achievements, even if it’s not as well-known as Black Narcissus or The Red Shoes.

5:45pm – TCM – I Could Go On Singing
I haven’t actually seen this one, but it’s Judy Garland’s final film. So there’s that. Also, TCM is apparently doing a series of films today that start with “I” – which is just an interesting approach to programming. :)

Thursday, May 14th

5:00am – TCM – Dinner At Eight

7:00am – TCM – Remember the Night
Not a great film, this one, but it has Barbara Stanwyck, who always managed to transcend her material and make whatever she was in worth watching. This is no exception.

8:45am – TCM – The Letter
Bette Davis shoots a man on her front porch. But…is it self-defense? Murder? Something else? Classic melodrama on display here.

12:45pm – TCM – Anna Christie
Garbo Talks. And thus, silent screen superstar Greta Garbo leapt into the sound era. (Disclaimer: I haven’t seen this one, either. But it has the tagline Garbo Talks. I have to work that in.)

5:45pm – TCM – The Women
Only the cattiest, most man-less film every made. :) Several of Hollywood’s greatest female stars, from established divas like Norma Shearer and Joan Crawford to up-and-comers like Rosalind Russell and Joan Fontaine to character actresses like Mary Boland and Marjorie Main (and even non-actresses like gossip columnist Hedda Hopper), give their all to one of the wittiest scripts ever written. It’s tremendous fun every time I see it. And I’ve seen it like ten or fifteen times.
Must See

10:00pm – IFC – Blue Velvet
(repeats at 3:15am on the 15th)

Friday, May 15th

7:15am – TCM – Shadow of a Doubt
Must See

9:25am – IFC – Primer
(repeats at 2:35pm)

10:45am – TCM – The Third Man
Carol Reed directs Orson Welles and Joseph Cotten in a Graham Greene script with a film noir style that seems to point directly toward European filmmaking styles of the 1950s and 1960s. Can’t be beat, I tell you. Can’t.
Must See

9:30pm – IFC – The Proposition
Australia’s answer to the western; Guy Pearce must hunt down and capture his brothers for the law in order to save his own skin. Gritty and violent almost to a fault, but it definitely brought new life to the Western genre – maybe it’s finally due to recover in the 2000s?
(repeats at 3:00am on the 16th)

Saturday, May 16th

6:00am – TCM – Murder!
Best.Title.Ever for a Hitchcock film, right down to the included exclamation point. :) It’s an early Hitchcock, one of his first sound pictures.

Sunday, May 17th

9:45am – IFC – Far From Heaven
Director Todd Haynes homages 1950s melodrama king Douglas Sirk with this film, loosely based on Sirk’s All That Heaven Allows. I don’t think he succeeded as well as he might’ve (Sirk’s sort of in a class by himself), but he and lead Julianne Moore make a darn good attempt.
(repeats at 2:15pm)

11:30am – TCM – Double Indemnity
Must See

6:00pm – TCM – In the Heat of the Night
Northern police officer Sidney Poitier is brought in to aid racist small-town cop Rod Steiger. It’s 1967. You think sparks aren’t gonna fly from that? Come on. Steiger won an Oscar.

Film on TV: Jan 26 – Feb 1

Monday, January 26

9:45am – TCM – The Petrified Forest
Bette Davis and Leslie Howard are top billed in this 1936 crime drama, but the thing you’ll remember is Humphrey Bogart in his breakout role as criminal-on-the-run Duke Mantee. They’re all holed up in a remote gas station while Mantee figures out his scheme to escape the manhunt for him. He fairly sizzles on screen.

2:00am (27th) – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.

Tuesday, January 27

9:00am – IFC – Millions (repeats 2:30pm)
A young British boy finds millions of pounds a few days before the UK is set to switch to the Euro. A deceptively simple story because something more, in both style and substance, as director Danny Boyle brings his trademark visual panache and throws in an intriguing series of ethical dilemmas.

Wednesday, January 28

10:15am – TCM – Words and Music
MGM liked to do largely fictionalized composer biopics in the 1940s and ’50s, mostly because it gave them an opportunity to show off their stable of singing and dancing stars. Words and Music is their retelling of the career of Richard Rodgers and Lorenz Hart, and it’s pretty routine. What isn’t routine is Gene Kelly and Vera-Ellen’s dazzling rendition of “Slaughter on Tenth Avenue,” a ten-minute dance number that is 100% worth the price of the film.

Thursday, January 29

4:15pm – TCM – Father of the Bride
Long before Steve Martin kicked of his now-twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).

8:00pm – TCM – Annie Hall
I recommend this film every time. Just ’cause. Although the fact that TCM has played Annie Hall five or six times since I started writing these, and have only played Manhattan and Hannah and Her Sisters maybe once each? Bothering me a little. Balance, TCM, balance. Must See

11:45pm – TCM – The Apartment
I also recommend this one every time. Because it’s awesome. Must See

4:00am (30th) – TCM – The Clock
In 1945, Judy Garland took a break from doing all those wonderful musicals to do a purely dramatic film (in the capable directorial hands of her then-husband Vincente Minnelli). It worked out quite well, giving us this solid wartime romance between a soldier about to shove off and the girl he meets with only one day to spare.

Friday, January 30

12:45am (31st) – TCM – The Night of the Hunter
Actor Charles Laughton only directed one film in his career, this strange yet mesmerizing Southern gothic thriller. In one way, it’s easy to see why he never got another directing gig – the film is quite weird, and doesn’t fit easily into any genre that studios at the time knew how to produce. In another way, it’s a great pity we never got to see what else he could come up with, because Night of the Hunter is one of the most original and poetic films ever made. It starts off as a relatively straight suspenser, with conman-posing-as-a-preacher Robert Mitchum insinuating himself into a young family whose father died burying a heap load of stolen money (which Mitchum would like to have). Soon, however, it turns into a fantastic fable, rife with symbolism and images that will stay seared into your brain for ever. Must See

Saturday, January 31

1:30pm – TCM – Rear Window
Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create my favorite film of all time. Must See

6:00pm – TCM – The Pink Panther
Many other film buffs would join me in citing Pink Panther sequel A Shot in the Dark as the best of the series, but the first entry is still well worth watching. Peter Sellers is perfect as bumbling detective Jacques Clouseau, trying to recover a stolen diamond for David Niven.

Sunday, February 1

12:15am – TCM – Network
Peter Finch is as mad as hell, and he’s not going to take it anymore. And when he eschews his news script to say so live on national TV, he starts a phenomenon that his network initially fears but soon embraces when they realize that they stand to get more viewers for a deranged newscaster than for the actual news. Finch won the first posthumous acting Oscar for his role – in fact, the only one until Heath Ledger likely wins one this year.