Tag Archives: Pillow Talk

Film on TV (Nov 10 – 17)

Monday, 10 November

7:25pm EST / 6:25 CST – IFC – Clerks
Kevin Smith’s debut film is little more than a few convenience store clerks chatting, but its fresh feel fits right in with the mid-’90s indie scene. And the film introduces Smith stock characters Jay and Silent Bob, so there’s that.

Tuesday, 11 November

7:55am / 6:55am – IFC – Solaris (1972)
The original Andrei Tarkovsky version, not the George Clooney remake. I haven’t seen either, but I’ve heard really great things about the Tarkovsky, and it’s on my to-watch list.

12:15pm / 11:15am – AMC – The Bridge on the River Kwai
British military discipline in the form of commander Alec Guinness doesn’t mesh well with being in a WWII Japanese prison camp – or maybe it does, as Guinness puts his all into building the titular bridge for Japanese use, while American prisoner William Holden plots to blow it up. David Lean’s 1957 Best Picture winner doesn’t hold up for me as well as some of his other films, but it’s still got legs.

9:00pm / 8:00pm – TCM – This is the Army, Hollywood Canteen, Stage Door Canteen, and Thousands Cheer
None of these are good movies, let’s state that up front. But they’re a special genre of Hollywood war effort films featuring tons of cameos by famous stars, which makes them an interesting snapshot into the studio system of the time. This is the Army is based on an Irving Berlin Broadway revue, which donated virtually all of its box office returns to the war effort. Hollywood Canteen and Stage Door Canteen are named after famous USO locations in Hollywood and New York, respectively. Thousands Cheer is more story-oriented, but ends with a revue featuring numbers by Judy Garland, Virginia O’Brien, June Allyson, and others. The other one I would’ve put in this programme is Thank Your Lucky Stars, notable mostly because it makes Warner dramatic stars like Bette Davis and Ann Sheridan try to sing, which is just unavoidably amusing.

Wednesday, 12 November

10:00pm / 9:00pm – TCM – Strangers on a Train
Farley Granger meets Robert Walker on a train and jokes with him about exchanging murders – Granger’s unloved wife (who is in the way of Granger’s love for Ruth Roman) for Walker’s tyrannical father. Except Walker wasn’t joking. One of Hitchcock’s most intense films, with some of his most memorable shots and set-pieces (carousel, anyone?).

10:00pm / 9:00pm – Sundance – This is England
Shane Meadows’ film about a young boy in 1980s Britain becoming involved with skinheads got outstanding reviews from all quarters last year. I missed it in theatres, but definitely want to get a shot at it now.

1:30am / 12:30am (13th) – TCM – Blowup
In Michelangelo Antonioni’s first English-language film, a London photographer thinks he may have captured a murder on film, but he can’t be quite sure. What might have been a routine detective story becomes something else – a mystery without an answer. Related in a way to surveillance ethics stories like The Conversation, Antonioni brings his detached intellectualism to the film, making it quite unlike most anything else ever made.

Thursday, 13 November

9:45am / 8:45am – IFC – Amarcord
One of Federico Fellini’s four Best Foreign Film statuettes is for this film, and though I rail against many of Oscar’s choices when it comes to foreign films, Fellini deserved all of his. Amarcord is a slice-of-life film showcasing a small 1930s Italian village, with Fellini’s typically flair. [Playing again on the 14th at 5:50am EST]

11:00am / 10:00am – AMC – The Good, the Bad, and the Ugly
Sergio Leone’s most definitive spaghetti western finishes off his “Man with No Name” trilogy starring Clint Eastwood. It’s not necessary to see the other two entries (A Fistful of Dollars and For a Few Dollars More) first.

12:45pm / 11:45am – TCM – The Shop Around the Corner
The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.

8:00pm / 7:00pm – AMC – Close Encounters of the Third Kind
Remember when Steven Spielberg liked aliens? Contrary to many opinions, I think, I prefer Close Encounters to E.T. Maybe it’s the fact that the aliens communicate with such a distinctive musical phrase. I don’t know.

Friday, 14 November

9:30am / 8:30am – AMC – Pillow Talk
More recent movies have tried to replicate Pillow Talk‘s combination of innocence and sex (notably the near-remake Down With Love), but I haven’t found any that manage with the aplomb of the original. Accept no imitators!

4:00pm / 3:00pm – TCM – Rear Window
My all-time favorite film. Hitchcock, Stewart, Kelly, voyeurism, fashion, murder, paranoia, sarcastic nurses, I can’t get enough. Ever.

3:45am / 2:45am (15th) – TCM – The Haunting (1963)
There’s The Haunting and then there’s The Haunting. And this is the good one, not the overblown 1999 remake. Robert Wise’s original is creepy, disturbing, and, like, good.

Saturday, 15 November

8:00pm / 7:00pm – TCM – Paths of Glory
In this early Stanley Kubrick film, soldier Kirk Douglas has to decide what to do when three of his men are charged with cowardice (a capitol offense) for refusing to obey orders to make a suicidal charge at the enemy. The film is not only an historical exploration of the shift from pre-WWI tactics to post-machine gun tactics, but also a pointed inquiry into military ethics.

8:00pm / 7:00pm – AMC – The Godfather
If AMC is still doing commercial breaks in their movies, don’t watch The Godfather now. But sometime. Somewhere. Even if it’s just to say you have, like it is for me. Someday I’m going to watch it and actually love it. [Playing again on the 17th at 7:00am and 4:00pm EST]

11:30pm / 10:30pm – TCM – Kiss Me Deadly
I actually didn’t love this well-respected hard-boiled noir film as much as I wanted to when I saw it last year, but I’m throwing it in here because it is reasonably solid, and one of those films you have to see to count yourself a competent film noir fan. If, you know, being a competent film noir fan is on your shortlist of things to do with your life. Which it is for me.

12:00am / 11:00pm – AMC – The Godfather Part II
See above re: The Godfather. Except one of my shames as a film buff is that I’ve never seen Part II. I sort of doubt I’m going to on AMC, though, just throwing out the possibility to you. I’m shooting for the new Coppola Restoration DVDs. [Playing again on the 17th at 11:30am and 8:00pm EST]

4:30am / 3:30am (17th) – AMC – The Usual Suspects
“The greatest trick the devil ever pulled was convincing people he didn’t exist.” And The Usual Suspects pulls a similar trick, placing it forever on the list of greatest twist films ever.

Sunday, 17 November

8:00am / 7:00am – IFC – The Seventh Seal
Ingmar Bergman dramatizes an actual chess game between a medieval knight (Bergman regular Max von Sydow) and Death. Heavy stuff, not that that’s unusual for Bergman.

9:45am / 8:45am – IFC – The Virgin Spring
One of Bergman’s I haven’t yet gotten around to seeing – maybe because the description “Swineherds seek shelter with the father of a girl they raped and killed” (from IFC’s site) sounds even more depressing than usual for Bergman? But I intend to see all of his eventually, so its time will come.

10:00pm / 9:00pm – Sundance – Lock, Stock and Two Smoking Barrels
Every time I see this frenetic Guy Ritchie crime comedy, I like it a little more. A young man gets into a gambling debt that his casino-running father refuses to bail him out of, so he hatches a poorly-planned scheme to steal and sell some priceless antique shotguns. Add in some other hoods working on other crimes and a few hitmen running around, and pretty soon the whole thing spirals out of control. Add in cockney accents and you’ve got a zany good time that’s hard to beat.

2:00am / 1:00am (18th) – TCM – Diabolique
A man’s wife and his lover plot together to kill him, but get a surprise when he shows back up soon after. Ghost? Madness? Who can say? Taut thriller from Henri-Georges Clouzot.