Tag Archives: Ran

Film on TV: October 26-November 1

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Village of the Damned, playing on TCM at 2:00am on Wednesday, October 28th (late Tuesday night)

This week we get to Halloween, and while TCM’s been doing a slow build for the past three weeks, this week they start really piling on the classic horror, starting with a double feature of The Haunting (the good one) and Village of the Damned at midnight on Tuesday. Then they’ve got some Val Lewton on the Friday and Saturday, hitting both highlights (Cat People at 5pm on Saturday) and lesser-known but still quite good films (Isle of the Dead on Friday, The Body Snatcher on Saturday). And you can compare two versions of Robert Louis Stevenson’s novella Dr. Jekyll and Mr. Hyde on Saturday night. Finally, DO NOT MISS the oft-overlooked Dead of Night on TCM Saturday morning. If you like 1940s understated British horror, this is a winner.

In non-horror offerings, IFC is showing Les enfants du paradis on Wednesday, a film that absolutely bowled me over when I first saw it, and Kurosawa’s classic of ambiguity Rashomon on Saturday. Not to be outdone, TCM’s got the New Hollywood classic Easy Rider on Wednesday. Also plenty of repeats that are masterful films, so check for any of those you haven’t caught up with yet.

Monday, October 26th

5:05am – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
Must See

8:30am – IFC – Au revoir, les enfants
A new boy arrives at a French school and becomes close friends with one of the French boys. But it’s the early 1940s and the new boy turns out to be Jewish, and hiding from the Nazis. Louis Malle directs this achingly lovely portrait of schoolboy friendship in an uncertain time.
1987 France. Director: Louis Malle. Starring: Gaspard Manesse, Raphael Fejtö, Francine Racette.
(repeats at 2:25pm)

5:55pm – IFC – Trainspotting
Days in the lives of Scottish heroin addicts. Sounds like a downer, and I won’t say it’s not, but it’s also brilliant and searing. It’s actually one of the scariest movies I’ve seen, despite not being in any way a horror film.
1996 UK. Director: Danny Boyle. Starring: Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kelly McDonald.
Must See

10:30pm – Sundance – INLAND EMPIRE
David Lynch’s latest magnum opus, which pretty much can’t be understood by any use of normal narrative logic. However, it works thematically and emotionally as well as any movie I’ve seen ever. Stories weave in and out of each other, characters merge and separate, the plot you thought you had a hold of becomes elusive and it’s essentially impossible to tell what’s real. But if you let yourself go to it, you’re in for a special treat. You know those 3D images that you can only see by throwing your eyes out of focus? Do that with your mind in order to “see” INLAND EMPIRE.
2006 USA. Director: David Lynch. Starring: Laura Dern, Justin Theroux, Jeremy Irons, Jan Hencz, Karolina Gruszka, Grace Zabriski
Must See

12:00M – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
(repeats at Midnight on the 30th)

Tuesday, October 27th

7:00am – TCM – The Caine Mutiny
Humphrey Bogart’s Captain Queeg is a piece of work, and by that I mean some of the best work Bogart has on film. He’s neurotic, paranoid, and generally mentally unstable. Or is he? That’s the question after first officer Van Johnson relieves him of duty as being unfit to serve and faces charges of mutiny.

6:30pm – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.
1952 USA. Director: Fred Zinnemann. Starring: Gary Cooper, Grace Kelly, Katy Jurado.

12:00M – TCM – The Haunting
No worries, this is the good, 1963 version of The Haunting, not the overblown 1999 remake. The story’s the same, but Robert Wise’s original is creepy, disturbing, and, like, good.
1963 USA. Director: Robert Wise. Starring: Julie Harris, Claire Bloom, Richard Johnson, Russ Tamblyn.
(repeats at 10:00am on the 31st)

2:00am (28th) – TCM – Village of the Damned (1960)
After all the inhabitants of a small British village mysteriously black out at the same time, all the women become pregnant and later give birth simultaneously to a group of fair-haired children who, as they grow, prove to share a telepathic bond and strange powers. An understated but extremely well-done sci-fi/horror film that will stay with you long after its finished, thinks in no small part to Martin Stephens, AKA one of the creepiest kids to ever grace the screen.
1960 United Kingdom. Director: Wolf Rilla. Starring: George Sanders, Barbara Shelley, Michael Gwynn, Martin Stephens.
Newly Featured!

Wednesday, October 28th

10:55am – IFC – Les enfants du paradis
A shy mime loves a popular actress in this classic French film set in the artsy district in Paris. This is one of the most magical, beautiful, captivating films I’ve ever seen. It’s almost three hours long, and it feels like half that.
1945 France. Director: Marcel Carné. Starring: Arletty, Jean-Louis Barrault, Pierre Brassuer, Pierre Renoir.
Must See
Newly Featured!

2:15am (29th) – TCM – Easy Rider
The story of Dennis Hopper and Peter Fonda trying to make this film is almost as interesting as the film itself; if you get a DVD copy of this, make sure to watch the documentary about it. It’s fitting, though, that a film about bikers on the fringe of society, completely outcast in some places, would be made at great personal difficulty outside the studio system. As a whole, the tension works for the film, which is brilliant, iconoclastic, and marks, along with Bonnie and Clyde, the beginning of the New Hollywood that would blossom in the 1970s.
1969 USA. Director: Dennis Hopper. Starring: Dennis Hopper, Peter Fonda, Jack Nicholson.
Must See
Newly Featured!

Thursday, October 29th

6:00am – TCM – Follow the Fleet
Follow the Fleet doesn’t get as much press as its fellow Fred Astaire-Ginger Rogers vehicles Swing Time and Top Hat, but it’s not far below them in quality. Fred’s a sailor on leave, trying to get back together with old partner/girlfriend Ginger, who’s doing her best to have none of him. Some great Irving Berlin songs, most notably the rather somber ballad “Let’s Face the Music and Dance.” Look for a young Lucille Ball in a dressing room scene, and a young Betty Grable as one of the other showgirls.
1936 USA. Director: Mark Sandrich. Starring: Fred Astaire, Ginger Rogers, Randolph Scott, Harriet Hilliard.
Newly Featured!

10:15am – IFC – Hannah and Her Sisters
Say what you want about Annie Hall, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do.
1986 USA. Director: Woody Allen. Starring: Barbara Hershey, Mia Farrow, Carrie Fisher, Michael Caine, Dianne Wiest, Woody Allen.
Must See
(repeats at 3:30pm)

9:00pm – Sundance – 4 Months, 3 Weeks and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See

Friday, October 30th

9:35am _ IFC – Dancer in the Dark
Bjork plays a factory worker whose increasing blindness threatens to keep her from being able to do her job, which will keep her from earning the money she needs for an operation that will prevent her son from suffering the same blindness. Add in the relationship with her not-as-happy-as-they-seem neighbors and a trenchant critique of the justice system and death penalty, not to mention several musical numbers juxtaposed throughout, and you have a film that’s unlike any other.
2000 Denmark. Director: Lars von Trier. Starring: Bjork, Catherine Deneuve, David Morse, Peter Stormare.
Newly Featured!
(repeats at 3:15pm)

6:45pm – TCM – Isle of the Dead
In this Val Lewton-produced film, Boris Karloff is a Greek general who, along with a few others, is quarantined on an island when a strange sickness threatens them. Could it be the work of a vorvoloka, a vampire-like creature from Greek folklore? The film itself is uneven and poorly paced, but the last forty minutes or so are extremely effective. Well worth watching if you like Lewton’s stuff.
1945 USA. Director: Mark Robson. Starring: Boris Karloff, Ellen Drew, Marc Cramer, Katherine Emery, Helen Thimig.

12:00M – TCM – Psycho
Alfred Hitchcock built the foundation for all future psycho-killer movies with his classic. It’s not as terrifying as it once was, but that doesn’t at all diminish its greatness.
1960 USA. Director: Alfred Hitchcock. Starring: Janet Leigh, Anthony Perkins, Vera Miles, John Gavin, Martin Balsam.
Must See

Saturday, October 31st

8:00am – IFC – Rashomon
Two men and a woman are in the woods, and one of the men dies. But we get three different eyewitness versions of how his death transpired, and the film shows us all three without ever privileging any of them as true – any of them or none of them may be what really happened. With this brilliant film, Akira Kurosawa forever banished any sense that what you see on film is narrative truth.
1950 Japan. Director: Akira Kurosawa. Starring: Toshirô Mifune, Machiko Kyô, Masayuki Mori, Takashi Shimura.
Must See
Newly Featured!

8:00am – TCM – Dead of Night
An omnibus horror film from 1945, set at a country house where each guest tells his or her horror story. In the frame story, a man is drawn to the house, where he seems to know everything that will happen before it does, though he can’t figure out how; the other stories are pretty varied, a couple of them even comedic. But Michael Redgrave’s evil ventriloquist dummy story is one to watch. It’s quiet horror, but that makes it all the better for me.
1945 United Kingdom. Director: Alberto Cavalcanti, Charles Chrichton, Basil Dearden, Robert Hamer. Starring: Mervyn Johns, Roland Culver, Mary Merrall, Googie Withers, Frederick Valk, Anthony Baird, Sally Ann Howes, Michael Redgrave.
Newly Featured!

2:45pm – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See
(repeats at 5:10am on the 1st)

5:00pm – TCM – Cat People
Val Lewton and Jacques Tourneur team up for this suggestive horror film, tapping into Eastern European legends of women who turn into cats to protect themselves against oppressive male attention. Highly creepy while showing almost nothing – and I happen to quite like that in a film.
1942 USA. Director: Jacques Tourneur. Starring: Simone Simon, Kent Smith, Tom Conway, Jane Randolph.

6:30pm – TCM – Curse of the Cat People
Val Lewton’s “sequel” to Cat People is such only in the loosest of ways. In fact, it’s hardly even a horror film. It’s more a rather charming, if slight, drama/fantasy about a child who has difficulty relating to her peers, happier to stay in her own dreamworld despite her father’s (Oliver from the original film) attempts to get her to open up. It is a perfect example, though, of Lewton’s tendency to take the horror-suggestive titles given him by the studios and proceed to make whatever the hell he wanted.
1944 USA. Directors: Robert Wise and Gunther von Fritsch. Starring: Simone Simon, Kent Smith, Jane Randolph, Ann Carter, Julia Dean.
Newly Featured!

8:00pm – TCM – Dr. Jekyll and Mr. Hyde (1941)
There have been a lot of versions of Dr Jekyll and Mr Hyde, and this one isn’t considered one of the better ones. It’s interesting to me, though, because Spencer Tracy expresses the transformation between meek doctor and monstrous alter-ego almost solely through his facial expressions and physical bearing – no change in makeup – and his intensity makes it work.
1941 USA. Director: Victor Fleming. Starring: Spencer Tracy, Ingrid Bergman, Lana Turner, Donald Crisp, Ian Hunter.

10:00pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator working for the Nazis assigned is to eavesdrop on a famous writer who may be working for the Resistance – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.

11:15pm – TCM – The Body Snatcher
Producer Val Lewton is known for his extraordinarily literate 1940s B-level horror films, and this one is more of a drama with a lot of creepiness throughout and a scary climax. In 19th century Britain, a couple of doctors carry out their medical research on corpses snatched from cemeteries – but what if there aren’t enough viable corpses to snatch? Leave that up to Boris Karloff, as the menacing cab driver who acquires them. A little slow to get going, but rewarding.
1945 USA. Director: Robert Wise. Starring: Boris Karloff, Henry Daniell, Russell Wade, Edith Atwater, Bela Lugosi.

2:00am (1st) – TCM – Dr. Jekyll and Mr. Hyde (1932)
Fredric March won his first Oscar for his role as the meek doctor and his violent alter ego, but honestly, the make-up department deserves most of those accolades. Well-done, posh version of the story.
1931 USA. Director: Rouben Mamoulian. Starring: Fredric March, Miriam Hopkins.

Sunday, November 1st

4:15pm – TCM – Forbidden Planet
What’s better than Shakespeare’s The Tempest? Why, a science fiction set on a planet run by a maverick genius, his robot, and his daughter, of course. Okay, Forbidden Planet isn’t really better than The Tempest, but it is an interesting take on the play, and an obvious influence on the original Star Trek.
1956 USA. Director: Fred M. Wilcox. Starring: Walter Pidgeon, Leslie Nielsen, Anne Francis.
Newly Featured!

6:00pm – TCM – Shadow of a Doubt
Somewhat lesser-known Hitchcock film that ought to be top-tier. Small-town girl Teresa Wright idolizes her uncle Charlie, but we know that he’s an infamous murderer on the run. Hitchcock once made a distinction between mystery and suspense: mystery is when there’s tension because the audience doesn’t know whodunit, suspense is when there’s tension because the audience does. This film is a perfect example of suspense, and Hitchcock’s preference for telling the audience whodunit very early in the film and letting them squirm.
1942 USA. Director: Alfred Hitchcock. Starring: Teresa Wright, Joseph Cotten.

2:00am (2nd) – TCM – Mon Oncle
Jacques Tati’s Chaplin-esque character, Mr. Hulot, this time takes on modern life in the form of his sister’s house that has been mechanized with all the most modern electronic aids – think Disney’s 1950s House of Tomorrow. Of course, everything goes wrong, hilariously.
1958 France. Director: Jacques Tati. Starring: Jacques Tati, Jean-Pierre Zola, Adrienne Servantie, Jean-François Martial.

Film on TV: October 19-25th

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Monty Python and the Holy Grail, playing on IFC at 10:00pm on Monday, October 19th.

 

Mostly repeats this week again. Of the new stuff, check out IFC’s ongoing tribute to Monty Python, which has Holy Grail and Life of Brian playing a couple of nights each, as well as a bunch of Flying Circus episodes and other archival docs and footage of the zany comedy group. That’s going on every weeknight starting at 6pm EST, I do believe. Also watch out for Shadow of the Vampire on IFC on Saturday night and its inspiration, the original Nosferatu on TCM late Sunday night.

Monday, October 19th

5:15am – Sundance – Nights of Cairia
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See

7:35am – IFC – Jules et Jim
Jules and Jim are best friends. Then Catherine falls into their lives like a hurricane – she’s almost a force of chaotic primal nature. She marries Jules, but when Jim reconnects with the couple after WWII (in which the two friends fought on opposite sides), their relationship gets…um…complicated. This is one of the classics of the New Wave, and exemplifies the movement’s realistic style, dispassionate camera and narration, and intellectual pursuits.
1963 France. Director: François Truffaut. Starring: Jeanne Moreau, Oskar Werner, Henri Serre.
(repeats at 12:35pm)

10:00pm – IFC – Monty Python and the Holy Grail
Easily one of the most absurd, random, hilarious, and quotable comedies of all time. A more hapless bunch of Round Table knights couldn’t be found, and Monty Python has never been better than they are here.
1975 UK. Directors: Terry Gilliam, Terry Jones. Starring: Graham Chapman, John Cleese, Eric Idle, Michael Palin, Terry Gilliam, Terry Jones.
Must See
Newly Featured!
(repeats at 1:00am on the 20th, 10:00pm on the 22nd, and 1:00am on the 23rd)

Tuesday, October 20th

10:00pm – IFC – Monty Python’s The Life of Brian
After demolishing the legends of Arthur in Monty Python and the Holy Grail, the Python troupe takes on the Bible, as early A.D. baby Brian is mistaken for the Messiah and hilarity ensues. I don’t think it’s as good as Grail myself, but there are those who would place Brian at the top of the Python foodchain.
1979 UK. Directors: Terry Jones. Starring: Graham Chapman, John Cleese, Eric Idle, Michael Palin, Terry Gilliam, Terry Jones.
Newly Featured!
(repeats at 11:35pm on the 23rd and 1:00am on the 24th)

Wednesday, October 21st

11:45am – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See
(repeats at 5:45am on the 22nd)

10:00pm – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed.
1949 UK/US. Director: Carol Reed. Starring: Joseph Cotten, Alida Valli, Orson Welles.
Must See

12:00M – TCM – Suspicion
Joan Fontaine, playing another of those mousy roles that she does so well that you can’t help but like them, is a newlywed wife who begins to fear that her husband (Cary Grant) is poisoning her. A gutsy move from Hitchcock, casting hero Grant in such an ambiguous role. The film as a whole doesn’t hold up quite as well as Hitch’s best, but it’s well worth a look.
1941 USA. Director: Alfred Hitchcock. Starring: Cary Grant, Joan Fontaine, Nigel Bruce.
Newly Featured!

12:00M – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
(repeats at 12:00M on the 22nd)

2:45am (22nd) – Sundance – INLAND EMPIRE
David Lynch’s latest magnum opus, which pretty much can’t be understood by any use of normal narrative logic. However, it works thematically and emotionally as well as any movie I’ve seen ever. Stories weave in and out of each other, characters merge and separate, the plot you thought you had a hold of becomes elusive and it’s essentially impossible to tell what’s real. But if you let yourself go to it, you’re in for a special treat. You know those 3D images that you can only see by throwing your eyes out of focus? Do that with your mind in order to “see” INLAND EMPIRE.
2006 USA. Director: David Lynch. Starring: Laura Dern, Justin Theroux, Jeremy Irons, Jan Hencz, Karolina Gruszka, Grace Zabriski
Must See

Thursday, October 22nd

8:00pm – TCM – Gold Diggers of 1933
The story’s nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression-era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.
1933 USA. Director: Mervyn LeRoy. Starring: Joan Blondell, Warren William, Ruby Keeler, Dick Powell, Aline MacMahon, Ginger Rogers, Guy Kibbee.
Newly Featured!

10:00pm – TCM – The Purple Rose of Cairo
A love letter to cinema, The Purple Rose of Cairo has Woody Allen at his most romantic. Unhappy housewife Cecilia (Mia Farrow) escapes to the cinema to see The Purple Rose of Cairo again and again, where she fantasizes over hunky character Tom Baxter (Jeff Daniels). Much to her surprise (and the other characters’ consternation), Baxter steps off the screen to join her. It makes it even more complicated when Gil, the actor who played Baxter, turns up as well.
1985 USA. Director: Woody Allen. Starring: Mia Farrow, Jeff Daniels, Danny Aiello.

Friday, October 23rd

9:15am – IFC – Paranoid Park
I’ve not generally been a fan of the indie, meditative side of Gus Van Sant (I find it a big pretentious), but I quite liked this little film about a boy who may know more than he’s telling about a death on the railroad tracks near the titular skate park where he hangs out. It’s slow and oblique, but also thoughtful and moving. Might be time to give Elephant another try.
2007 USA. Director: Gus Van Sant. Starring: Gabe Nevins, Daniel Liu, Jake Miller, Taylor Momsen, Lauren McKinney.
Newly Featured!
(repeats at 2:50pm, and 5:45am on the 24th)

8:00pm – TCM – Night of the Hunter
If there’s ever a film that defined “Southern gothic,” it’s this one. Underhanded “preacher” Robert Mitchum weasels his way into a young widowed family to try to gain the money the late father hid before he died. But what starts off as a well-done but fairly standard crime thriller turns into a surreal fable somewhere in the middle, and at that moment, jumps from “good film” to “film you will be able to get out of your head NEVER.” In a good way.
1955 USA. Director: Charles Laughton. Starring: Robert Mitchum, Lillian Gish.
Must See

3:30am (24th) – Fox Movie Channel – Barton Fink
One of the Coen Brothers’ most brilliant dark comedies (heh, I think I say that about all of their dark comedies, though), Barton Fink follows its title character, a New York playwright whose hit play brings him to the attention of Hollywood, where he goes to work for the movies. And it all goes downhill from there. Surreal, quirky, and offbeat, even among the Coens work. It’s based loosely on the experiences of Clifford Odets, whose heightened poetic style of writing has clearly been influential on the Coens throughout their career.
1991 USA. Director: Joel Coen. Starring: John Turturro, John Goodman, Judy Davis, Michael Lerner, Tony Shalhoub.

Saturday, October 24th

10:15am – Fox Movie Channel – The Mark of Zorro
Not perhaps one of the greatest adventure films ever made, but a perfectly servicable one, and quite enjoyable for fans of Zorro. Tyrone Power was Fox’s version of Errol Flynn, and though he doesn’t have quite the panache that Flynn does, he’s still fun.
1940 USA. Director: Rouben Mamoulian. Starring: Tyrone Power, Linda Darnell, Basil Rathbone, Gale Sondergaard, Eugene Pallette.

11:35am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
2004 UK. Director: Danny Boyle. Starring: Alex Etel, Lewis McGibbon, James Nesbitt, Daisy Donovan, Christopher Fulford.
(repeats at 5:15pm)

8:00pm – IFC – Shadow of the Vampire
What if actor Max Schreck, who played the vampire in F.W. Murnau’s 1922 Nosferatu, actually WAS a vampire and kept eating various members of the cast and crew? That’s the premise set forth by this entertaining film, with John Malkovich as Murnau and Willem Dafoe as the eccentric Schreck.
2000 USA. Director: E. Elias Merhige. Starring: John Malkovich, Willem Dafoe, Cary Elwes, Catherine McCormack
Newly Featured!
(repeats at 2:30am on the 25th)

8:00pm – TCM – The Letter
In this cut-above-average melodrama, Bette Davis shoots a man in self-defense. Or was it self-defense?
1940 USA. Director: William Wyler. Starring: Bette Davis, Herbert Marshall.

Sunday, October 25th

7:30am – TCM – The Mystery of the Wax Museum
A master wax sculptor has to start from scratch with his museum when his collection is burned in a fire; unfortunately, he is injured as well, so he has to resort to…unorthodox means to replace his creations. I actually saw this at a repertory cinema recently and hope to have a full review of it up soon. In the meantime, it’s no classic for the ages, but if you enjoy 1930s film or vintage horror, it’s really enjoyable.
1933 USA. Director: Michael Curtiz. Starring: Lionel Atwill, Fay Wray, Glenda Farrell.
Newly Featured!

10:00pm – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
Must See
(repeats at 5:05am on the 26th)

12:30am (26th) – TCM – Nosferatu
Made in 1922, this is still one of the greatest vampire movies ever made, and possibly the best version of Bram Stoker’s Dracula (names are changed due to rights issues, but it’s Dracula at the core). F.W. Murnau epitomizes German Expressionism here with his use of moody light and shadow, while Max Schreck is the embodiment of the horror of Dracula, back before vampires got all sexy and stuff.
1922 Germany. Director: F.W. Murnau. Starring: Max Schreck, Gustav von Wangenheim, Greta Schroeder.
Must See
Newly Featured!

2:15am (26th) – TCM – Les Diaboliques
In Henri-Georges Clouzot’s thriller, a man’s wife and mistress plot together to murder him (gee, I wonder why?), but find it more difficult than they expected to get rid of him for good. Twisty turny gem of a thriller with a few terrifying moments.
1955 France. Director: Henri-Georges Clouzot. Starring: Simone Signoret, Vera Clouzot, Paul Meurisse.

Film on TV: October 12-18th

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O Brother Where Art Thou, playing on October 15th at 10pm on TCM

Mostly a lot of repeats this week, but a lot of those are extremely good – be sure to check through for anything you might’ve missed in previous weeks. Among the newly featured films, don’t miss Fellini’s masterpiece 8 1/2 on Monday, Whit Stillman’s Metropolitan (a film which ought to be better-known than it is) on Tuesday, and The Misfits (the last film for both Clark Gable and Marilyn Monroe) on Sunday. Also, TCM’s doing a tribute to the Depression era on Thursday night, showing two of my favorite ’30s throwback films, Paper Moon and O Brother Where Art Thou, as well as They Shoot Horses, Don’t They, which I have yet to see. And TCM’s one notable horror entry of the month is Dreyer’s Vampyr, playing late on Sunday.

Monday, October 12th

7:00am – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
(repeats at 12:00N and 5:00pm)

8:25am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
2004 UK. Director: Danny Boyle. Starring: Alex Etel, Lewis McGibbon, James Nesbitt, Daisy Donovan, Christopher Fulford.
(repeats at 1:25pm)

1:45pm – TCM – 8 1/2
Federico Fellini translates his creative block in making his next film into a film about a director with a creative block – and in so doing, makes one of the most brilliant and creative films of all time.
1963 Italy. Director: Federico Fellini. Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée.
Must See
Newly Featured!

8:00pm – IFC – Manhattan
In one of Woody Allen’s best films, he’s a neurotic intellectual New Yorker (surprise!) caught between his ex-wife Meryl Streep, his teenage mistress Mariel Hemingway, and Diane Keaton, who just might be his match. Black and white cinematography, a great script, and a Gershwin soundtrack combine to create near perfection.
1979 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Meryl Streep, Mariel Hemingway, Alan Alda.
Must See
(repeats at 1:45am and 1:45pm on the 13th)

9:45pm – IFC – Annie Hall
Often considered Woody Allen’s transition film from “funny Woody” to “serious Woody,” Annie Hall is both funny, thoughtful, and fantastic. One of the best scripts ever written, a lot of warmth as well as paranoid cynicism, and a career-making role for Diane Keaton (not to mention fashion-making).
1977 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane.
Must See
(repeats at 3:35am and 10:15am on the 13th)

Tuesday, October 13th

8:35am – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See
(repeats at 4:00am on the 14th)

12:00M – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
Newly Featured!

3:45am (14th) – TCM – Angels with Dirty Faces
One of the classic gangster pictures has James Cagney as a criminal idolized by the youth of Hell’s Kitchen and Pat O’Brien as Cagney’s boyhood buddy who grew up to be a priest. Though the two remain friends, they wind up understandably at odds with each other when O’Brien starts working to clean up the neighborhood.
1938 USA. Director: Michael Curtiz. Starring: James Cangye, Pat O’Brien, Ann Sheridan, Humphrey Bogart.

Wednesday, October 14th

11:30am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (”comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly.
2003 USA. Directors: Shari Springer Berman & Robert Pulcini. Starring: Paul Giamatti, Hope Davis.
(repeats at 4:30pm)

7:40pm – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator working for the Nazis assigned is to eavesdrop on a famous writer who may be working for the Resistance – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.

8:00pm – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall

8:00pm – Fox Movie Channel – Miller’s Crossing
The Coen brothers take on 1930s gangland with this film, and do so admirably well. As they do most things. I have to admit I wasn’t quite as enamored of it as I usually am of Coen films, but it definitely has its moments.
1990 USA. Director: Joel Coen. Starring: Gabriel Byrne, Marcia Gay Harden, John Turturro, Jon Polito, Albert Finney.

10:00pm – Fox Movie Channel – Barton Fink
One of the Coen Brothers’ most brilliant dark comedies (heh, I think I say that about all of their dark comedies, though), Barton Fink follows its title character, a New York playwright whose hit play brings him to the attention of Hollywood, where he goes to work for the movies. And it all goes downhill from there. Surreal, quirky, and offbeat, even among the Coens work. It’s based loosely on the experiences of Clifford Odets, whose heightened poetic style of writing has clearly been influential on the Coens throughout their career.
1991 USA. Director: Joel Coen. Starring: John Turturro, John Goodman, Judy Davis, Michael Lerner, Tony Shalhoub.
(repeats at 2:30am on the 15th)

10:30pm – Sundance – 4 Months, 3 Weeks and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See
(repeats at 4:20am on the 15th)

Thursday, October 15th

2:30pm – TCM – The War of the Worlds (1953)
The post-H.G. Wells, post-Orson Welles, pre-Steven Spielberg version. Mysterious ships land, disintegrate people with their laser beams, and generally wreak havok. The special effects are hokey now, of course, but still pretty cool-looking in a retro way; the really interesting thing is the way Haskin cut in actual newsreel war footage to lend an air of realism in with all of George Pal’s science fiction effects.
1953 USA. Director: Byron Haskin. Starring: Gene Barry, Ann Robinson.

8:00pm – TCM – Paper Moon
Peter Bogdanovich is known for his nostalgic streak, and he’s never worn it more firmly on his sleeve than with this film – a homage both to the 1930s and the films from that time period. Shot in lovely black and white, it follows the exploits of a con man and the young girl he begrudgingly lets accompany him, only to discover that she’s a tremendous asset to his “business.” Real-life father and daughter Ryan and Tatum O’Neal play off each other perfectly (so well on Tatum’s part that at age ten she became the youngest person to ever win an Oscar). There’s not a lot to the story, but Bogdanovich’s loving attention to detail, a strong script and performances, and a scene-stealing turn by Madeline Khan can’t fail to charm.
1973 USA. Director: Peter Bogdanovich. Starring: Ryan O’Neal, Tatum O’Neal, Madeline Khan, John Hillerman, P.J. Johnson.
Must See
Newly Featured!

8:15pm – Sundance – Wristcutters: A Love Story
Patrick Fujit slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.
2006 USA. Director: Goran Dukic. Starring: Patrick Fujit, Shannyn Sossamon, Abraham Benrubi, Will Arnett.
(repeats at 4:00am on the 16th)

10:00pm – TCM – O Brother Where Art Thou
I have great love for nearly all the Coen Brothers films, but O Brother Where Art Thou is the one I keep coming back to again and again. From its brilliant appropriation of The Odyssey to its oddball evocation of the American South, from the sublime to the just plain goofy, from its use of classic cinema tropes to the washed-out color scheme, it’s simply perfect.
2000 USA. Director: Joel Coen. Starring: George Clooney, John Turturro, Tim Blake Nelson, Holly Hunter, John Goodman.
Must See
Newly Featured

10:30pm – IFC – The Cooler
In this under-the-radar film, William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty much his best role until 30 Rock.
2003 USA. Director: Wayne Cramer. Starring: William H. Macy, Mario Bello, Alec Baldwin.

Friday, October 16th

5:00pm – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 9:45am and 3:15pm on the 17th)

Saturday, October 17th

4:30pm – Fox Movie Channel – Two for the Road
Once in a while a film comes out of nowhere and blindsides me with brilliance. Two for the Road is directed by Stanley Donen, best known for lighthearted musicals, comedies, and mysteries. It stars Audrey Hepburn and Albert Finney; Hepburn at least also best known for lighthearted, whimsical fare. But Two for the Road is one of the most thoughtful and adult films of the 1960s, and I mean that in a good way. It dissects Hepburn’s and Finney’s relationship, cutting back and forth between their meeting, their marriage, and their separation almost as if all three are happening at the same time – every moment of their life together becomes part of who they are and part of the sum of their relationship, and Donen has found the perfect way to depict that.
1967 USA. Director: Stanley Donen. Starring: Audrey Hepburn, Albert Finney.
Must See

10:00pm – Sundance – Eraserhead
David Lynch’s first feature is a weird post-apocalyptic dreamscape of a film – what, you were expecting something normal? When you can have industrial decay and mutant babies?
1977 USA. Director: David Lynch. Starring: Jack Nance, Charlotte Stewart.

2:30am (18th) – TCM – The African Queen
One of several films John Huston and Humphrey Bogart made together pits Bogart against the Amazon river – and straight-laced missionary Katharine Hepburn, who is forced to travel with him to escape Germany enemies. Well, boats are small, and one things leads to another, you know.
1951 USA. Director: John Huston. Starring: Humphrey Bogart, Katharine Hepburn, Robert Morley.

Sunday, October 18th

7:45am – Fox Movie Channel – My Darling Clementine
John Ford’s version of the famous confrontation at the OK Corral actually focuses more on Wyatt Earp’s fictional romance with the fictional Clementine than on the real-life Earp/Clanton feud, but history aside, this is one of the greatest and most poetic westerns on film, proving yet again Ford’s mastery of the genre and of cinema.
1946 USA. Director: John Ford. Starring: Henry Fonda, Victor Mature, Linda Darnell, Cathy Downs, Walter Brennan, Tim Holt.
Must See

1:00pm – TCM – Anatomy of a Murder
One of the best courtroom dramas ever made – James Stewart vs. George C. Scott as lawyers on a murder/rape trial that may not be quite what it seems. And that’s aside from the top-notch jazz score by Duke Ellington, which is in itself reason enough to see the film.
1959 USA. Director: Otto Preminger. Starring: James Stewart, George C. Scott, Lee Remick.
Must See

4:00pm – TCM – The Misfits
John Huston directs and Arthur Miller writes this final film for both Clark Gable and Marilyn Monroe. Though the film is remembered for that tragic fact, it’s also a pretty solid film on its own, about a divorcee caught between two rough and ready men of the west (Gable and Montgomery Clift), then opposing them when she discovers their plans for the wild horses in the area. And of course, with Miller behind it, there’s far more going on than just that.
1961 USA. Director: John Huston. Starring: Clark Gable, Marilyn Monroe, Montgomery Clift, Thelma Ritter, Eli Wallach.
Newly Featured!

6:15pm – TCM – High Sierra
Bogart’s breakout role as an on-the-run con man who gets involved with the lame Joan Leslie. (No, I mean actually crippled.) He’d been bumming around for a few years as a Warner second lead or villain, but with 1941’s double punch of High Sierra and The Maltese Falcon, he unequivocally arrived.
1941 USA. Director: Raoul Walsh. Starring: Humphrey Bogart, Joan Leslie, Ida Lupino.

10:00pm – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 5:15am on the 19th)

2:00am (19th) – TCM – Vampyr (1932)
Carl Theodor Dreyer takes on the vampire genre with this moody and imaginative entry. Dreyer and his cinematographer Rudolph Mate are both visual artists of the highest degree, and though I haven’t seen Vampyr yet, it’s one I’ve been anticipating for a long while, so I’m thankful TCM is including it this month.
1932 Germany. Director: Carl Theodor Dreyer. Starring: Julian West, Maurice Schutz, Rena Mandel, Sybille Schmitz.
Newly Featured!

Film on TV: July 27-Aug 2

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Volver, playing on IFC at 12:35pm on the 31st and 4:15am on the 1st

I apologize in advance for the relative brevity of this week’s post. I’ve been fighting a fever all weekend, so I pretty much only included things I had already written about somewhere or could throw something up without thinking. The quality of my prose probably isn’t that great either.

Monday, July 27

6:15pm – TCM – Tarzan, the Ape Man
Get your pre-code action right here, as swimming champion Johnny Weissmuller brings Tarzan to life and Maureen O’Sullivan teaches him the ways of the human world as Jane. Generally, the sequel Tarzan and His Mate is considered the best of the series, but hey. Gotta start somewhere.
Newly Featured!

8:15am – IFC – A Hard Day’s Night
Richard Lester’s 1964 Beatles-starring film straddles several genres – musical, concert film, documentary, comedy. The good news is that it’s an excellent film in any genre. You’ll be hard-pressed to find any film an exuberant as this one, and with the Beatles right on the cusp of becoming the greatest band of all time… Must See
(repeats at 1:15pm)

8:00pm – IFC – The Life Aquatic with Steve Zissou
Certainly not Wes Anderson’s best – it seems a bit too self-consciously quirky and a bit too awkwardly artificial even for him. It’s as if he took “Wes Anderson-ness” and turned it up just a little too far and it couldn’t sustain itself. But there are still a number of good moments that make it worthwhile, especially for Anderson fans.
(repeats 4:00am on the 28th)

Tuesday, July 28

8:00pm – IFC – Chasing Amy
Kevin Smith’s third film, not as low-fi indie as Clerks, as goofy as Mallrats, as irreverently genius as Dogma, as self-referential as Jay and Silent Bob Strike Back, or as racy as Zach and Miri Make a Porno, but perhaps sweeter than all of them – Ben Affleck falls for Joey Lauren Adams, with the only slight obstacle being that she’s a lesbian.
(repeats at 3:30am on the 29th)

Wednesday, July 29

2:45pm – TCM – Funny Girl
Barbra Streisand tied Katharine Hepburn, no less, to win an Oscar for her role as Ziegfeld comedienne Fanny Brice. I’m neither a big Brice fan nor a big Streisand fan, so I haven’t seen it, but maybe I’ll get around to it one day.
Newly Featured!

5:15pm – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business. Must See

9:15pm – TCM – Gold Diggers of 1933
Still one of my favorite Warner Bros. pre-code show business musicals, even if the romantic subplot is decidedly sub-par. The musical numbers and comic supporting roles make up for it.
Newly Featured!

11:00pm – TCM – Footlight Parade
James Cagney is well-known for playing gangsters and hoods, but he was also a talented dancer, and this is a rare chance to see him showcase that side of his abilities. He’s opposite standard 1930s Warner Bros’ leading lady Ruby Keeler.
Newly Featured!

Thursday, July 30

7:15am – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for.

12:45pm – TCM – Out of the Past
Out of the Past comes up in most conversations about film noir. It’s got all the elements: low-key lighting (due in this case to budgetary concerns), an existential anti-hero (Robert Mitchum), a femme fatale (Jane Greer), etc. It’s honestly not my favorite noir, but it’s a good one to see once.

4:00pm – TCM – While the City Sleeps
The head of a New York newspaper dies, leaving it in his son Vincent Price’s hands to choose someone to promote: managing editor Thomas Mitchell, lead reporter Dana Andrews, or a couple of other people. The way to get the job? Get the scoop on the serial killer taking out women around the city. It gets a little plot-heavy at times, but it’s so full of classic character actors and the noirish feel that director Fritz Lang does so well that it’s still very worthwhile.
Newly Featured!

6:00pm – TCM – Spellbound
Hitchcock indulged the 1940s Freudian craze with this suspenser starring Gregory Peck as a disturbed individual and Ingrid Bergman as his psychiatrist. Throw in a trippy Salvador Dali dream sequence and you’re all set!

8:00pm – IFC – Mad Max
The first entry in the post-apocalyptic punk-action series that made Mel Gibson a star.
(repeats at 3:30am)

8:15pm – Sundance – Bob le flambeur
Jean-Pierre Melville’s noirish crime film about an aging gambler/thief who takes on one last job – knocking over a casino. Melville was the master of French crime films, and an important figure leading up to the New Wave – Godard name-checks this film in Breathless, mentioning Bob le flambeur (Bob the Gambler) as an associate of Michel’s.

10:00pm – Sundance – Le doulos
Jean-Paul Belmondo brings his signature style to Jean-Pierre Meville’s excellent crime film as a possible police informant working with another criminal on a jewel heist. These two men are played off each other in a sort of doubling motif – it’s often even difficult to tell which is which, due to careful cinematography and lighting work by Melville.

2:00am (24th) – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? Interestingly, I’m more impressed generally with Geraldine Fitzgerald’s Isabella than Merle Oberon’s Catherine/Cathy, but it’s been a while since I’ve seen it.
Newly Featured

2:30am (24th) – Sundance – Army of Shadows
This Melville film about the French Resistance during WWII wasn’t actually released in the US until 2006 (it was made in 1969), so getting to see it at all is something of a treat. I haven’t had the opportunity yet (though as of this morning I had it on my DVR not once but TWICE). Hopefully I’ll get around to it soon.
(repeats at 2:45pm on the 31st)

Friday, July 31

5:15am – TCM – Love Affair
This film is not as well known as its remake, 1957’s An Affair to Remember, which has the advantage of having the more famous Cary Grant and Deborah Kerr rather than Irene Dunne and Charles Boyer – who were both huge stars at the time, but are less known now. Both films were directed by Leo McCarey, and tell of a shipboard romance and a fateful rendezvous. I actually like Love Affair a tad better, but that could be just because I like being contrarian.

8:45am – Sundance – Paris, je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.

9:00am – TCM – Midnight
A lesser-known screwball comedy written by Billy Wilder before he started directing (it’s directed by Mitchell Leisen), starring Claudette Colbert, Don Ameche, John Barrymore, and Mary Astor. It’s relatively slight as these things go, but it definitely has its delights, and ought to be better remembered than it is, I think.
Newly Featured!

12:35pm – Sundance – Volver
Pedro Almodovar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodovar’s films, there are related subplots aplenty. Penelope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene. Must See
(repeats at 4:15am on the 1st)

2:00pm – TCM – Dark Passage
Okay, so this is the least memorable of the four films that Humphrey Bogart and Lauren Bacall made together. It’s still Bogart and Bacall, and it’s a perfectly respectable and enjoyable film noir.
Newly Featured!

5:45pm – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
(repeats at 5:00am on the 1st)

9:15pm – IFC – The Cooler
In this under-the-radar film, William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty much his best role until 30 Rock.
(repeats at 3:15am on the 1st)

2:30am (1st) – Sundance – That Obscure Object of Desire
Luis Buñuel, ever one to come up with outlandish conceits, here directs two women playing the same role. The result is trippy and mesmerizing.

Saturday, August 1

6:00pm – TCM – The Wrong Man
Alfred Hitchcock made many variations on the “wrong man” scenario, but none so direct as this one, starring Henry Fonda as a man mistakenly arrested. It’s not one of my favorite Hitchcock films, but it has a lot of interesting things going on, especially the way he depicts Fonda’s terror and helplessness in the face of the unrelenting police.
Newly Featured!

8:00pm – TCM – The Grapes of Wrath
This is one of those huge omissions in my film-watching repertoire. I’ve meant to watch John Ford’s homage to the dust bowl farmers of the 1930s for years, but have never quite gotten around to it.
Newly Featured!

Sunday, August 2

2:00pm – TCM – A Star is Born (1954)
Judy Garland’s big comeback film after four years away from the screen dealing with drug problems doesn’t disappoint – she’s a starlet who’s discovered by nearly-washed-up actor James Mason, who marries her and gives her a career break only to see her star rise far above his. Musical numbers like “The Man That Got Away” show Judy at her best and most tragic simultaneously.
Newly Featured!

5:40pm – IFC – Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties. And there’s an undertow. Oh, and by the way, that’s a good thing. ;)
Newly Featured!

10:00pm – TCM – North by Northwest
Roger O. Thornhill (Cary Grant) gets mistaken for George Kaplan and pulled into an elaborate web of espionage in one of Hitchcock’s most enjoyable and funniest thrillers. So many great scenes it’s impossible to list them all. Must See

Film on TV: July 20-26

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In a Lonely Place, playing on TCM on Thursday, July 23rd, at 10:45am.

I started looking at the Fox Movie Channel as well this week – only one addition this time, but there may well be more in the future. Things on it keep catching my eye as I’m setting my DVR, so I figured I might as well add it to my list, especially this month as the other channels seem to be doing a lot of repeats. I also added a “Newly Featured!” tag at the bottom of entries that are NOT repeats. I still think the repeats are worth posting, though, in case someone wasn’t able to see them the first time and for new readers – that’s why I leave them on.

All times are Eastern.

Monday, July 20

6:05am – IFC – Umberto D
Vittorio De Sica’s neorealist classic about an aging man struggling to live on his meager pension in post-war Rome. Doesn’t sound like a lot, and granted, not a lot happens. But by the end, you’ll have extraordinary sympathy for gentle Umberto and his dog. Oh, and a fantastic performance by non-actress Maria Pia Casillio – she offered to take acting lessons for the part but De Sica forbade her. Good choice.
(repeats at 10:45am and 3:20pm)

8:55am – IFC – Picnic at Hanging Rock
I have a love-hate relationship with Aussie director Peter Weir. His films are almost always slow and methodical, which works for me sometimes and not others. It works in Picnic at Hanging Rock, one of his earlier films, in which a group of schoolgirls goes into the wilderness for a picnic and mysteriously disappear.
Newly Featured!

1:35pm – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.

6:05pm – IFC – Chasing Amy
Kevin Smith’s third film, not as low-fi indie as Clerks, as goofy as Mallrats, as irreverently genius as Dogma, as self-referential as Jay and Silent Bob Strike Back, or as racy as Zach and Miri Make a Porno, but perhaps sweeter than all of them – Ben Affleck falls for Joey Lauren Adams, with the only slight obstacle being that she’s a lesbian.

8:00pm – TCM – A Trip to the Moon
Georges Méliès’ 1903 sci-fi film is the best example of his innovations in trick photography and special effects. He figured out that if you stopped the camera, changed the scene, and then restarted it, you could create illusions of appearances and disappearances, which he used to great effect in his story of scientists traveling to the moon and meeting fantastic creatures there. It’s a piece of film history that every film buff should see at least once.
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8:00pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole. In fact, if you do or have worked an office job, I’m gonna call this required viewing.
(repeats at 4:00am on the 21st)

1:05am (21st) – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business. Must See
(repeats 11:30am on the 21st, and 8:20am and 3:50pm on the 23rd)

Tuesday, July 21

4:15pm – TCM – The Night of the Hunter
If there’s ever a film that defined “Southern gothic,” it’s this one. Underhanded “preacher” Robert Mitchum weasels his way into a young widowed family to try to gain the money the late father hid before he died. But what starts off as a well-done but fairly standard crime thriller turns into a surreal fable somewhere in the middle, and at that moment, jumps from “good film” to “film you will be able to get out of your head NEVER.” In a good way. Must See

Wednesday, July 22

5:45pm – Sundance – Le doulos
Jean-Paul Belmondo brings his signature style to Jean-Pierre Meville’s excellent crime film as a possible police informant working with another criminal on a jewel heist. These two men are played off each other in a sort of doubling motif – it’s often even difficult to tell which is which, due to careful cinematography and lighting work by Melville.
(repeats at 2:30am on the 23rd)

7:30pm – Sundance – The Lives of Others
This German film beat out Pan’s Labyrinth for the Best Foreign Film Oscar, but The Lives of Others is good enough that I managed to get over it. Mostly. Anyway, in the film, a surveillance operator working for the Nazis assigned is to eavesdrop on a famous writer who may be working for the Resistance – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
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10:00pm – TCM – The Bridge on the River Kwai
British prisoners of war are commanded to build a bridge over the River Kwai for their Japanese captors – a task which becomes a source of pride for old-school British commander Alec Guinness. But American William Holden is having none of that and makes it his mission to blow the bridge up. One of the great war films.

1:00am (23rd) – TCM – The Adventures of Robin Hood
I will state almost categorically that this is the greatest adventure film ever made. Maybe it’s a dead heat between this one and Raiders of the Lost Ark. Errol Flynn is Robin Hood, Olivia de Havilland is Maid Marion, a whole raft of fantastic character actors fill out the rest of the cast, and it’s all done in gorgeous Technicolor (it’s one of the earliest Technicolor films). Must See

Thursday, July 23

8:45am – TCM – Shadow of a Doubt
Somewhat lesser-known Hitchcock film that ought to be top-tier. Small-town girl Teresa Wright idolizes her uncle Charlie, but we know that he’s an infamous murderer on the run. Hitchcock once made a distinction between mystery and suspense: mystery is when there’s tension because the audience doesn’t know whodunit, suspense is when there’s tension because the audience does. This film is a perfect example of suspense, and Hitchcock’s preference for telling the audience whodunit very early in the film and letting them squirm.
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10:05am – IFC – Cléo from 5 to 7
Almost all New Wave films were directed by men, and there’s a definite undercurrent of misogyny in most of them – or at least a clear lack of understanding of women. Enter Agnes Varda, who took New Wave sensibilities, added in her own painterly touches, and a strong feminine perspective – and you get incredible films like this one, a spare story of a woman who discovers she has cancer. The mix of New Wave detachment and the evocation of the woman’s flittering emotions just under the surface combine perfectly to skyrocket the film onto my all-time favorites list. Must See
(repeats at 3:05pm)

10:45am – TCM – In a Lonely Place
Simply a brilliant film from director Nicholas Ray – Humphrey Bogart gives probably his best performance as washed-up screenwriter Dixon Steele, who’s trying to make a comeback with a new adaptation. When a coatcheck girl gets murdered after he was the last to see her, he naturally comes under suspicion, but his neighbor Laurel (Gloria Grahame) gives him an alibi and soon the two begin a relationship which just might save Dix from more than a murder charge – or might not. There’s a raw intensity here that few films have ever matched. Must See
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12:30pm – TCM – Double Indemnity
Quite probably the most definitive film noir film in existence (vying only with The Big Sleep in my head, anyway) has insurance salesman Walter Neff (Fred MacMurray) being seduced by bored housewife Phyllis Dietrichson (Barbara Stanwyck) and convinced by her to help murder her husband for the insurance money. Wilder’s crackling dialogue and Stanwyck’s perfectly tuned mixture of calculation and innocence can hardly be beat. Must See

2:00am (24th) – TCM – Mr. Smith Goes to Washington
Frank Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.

Friday, July 24

10:30am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (”comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly. This is a favorite among Row Three writers, so check it out.
(repeats at 3:45pm)

12:00N – TCM – The Hunchback of Notre Dame (1939)
Charles Laughton plays the put-upon hunchback Quasimodo, a young Maureen O’Hara the lovely Esmerelda in one of the best film versions of Victor Hugo’s classic of gothic romanticism.
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Saturday, July 25

6:15am – IFC – Millions
In this Danny Boyle film, a young British boy finds a bag with millions of pounds in it; the catch is that Britain is days away from switching to the euro, so the money will soon be worthless. The shifting ethical questions combined with a sometimes almost Pulp Fiction-esque style and a fascinating religious backdrop (I’m still not sure where he was going with that) at the very least means an intriguing couple of hours.
(repeats at 11:45am and 5:15pm)

10:00am – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home (his behavior is both caused by and threatens his mother’s poor health).
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(repeats at 3:30pm)

8:00pm – TCM – A Night at the Opera
One of the best of the Marx Brothers’ zany comedies finds them running awry through the world of opera. This is the one that contains the famous “how much stuff can we stuff into a stateroom” scene. And subplot with Allan Jones and Kitty Carlisle, but that’s best ignored as much as possible. Must See
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8:00pm – Fox Movie Channel – Young Frankenstein
My pick for best Mel Brooks movie of all time, yes, over Blazing Saddles and Spaceballs. Gene Wilder is the title character, a relative of the original Dr. Frankenstein who derides the research into the animation of dead tissue as poppycock. Until he inherits the Frankenstein castle and starts doing some experimenting of his own. And hilarity ensues. Pretty much right up there with the most quotable movies ever for me. Must See
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(repeats at 10:00pm and 12:00M)

10:00pm – Sundance – Paris, je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.
(repeats at 4:30am on the 26th)

4:15am (26th) – TCM – A Day at the Races
The Marx Brothers take over the racetrack in what is probably the last of their really great comedies. As with A Night at the Opera you do have to put up with the silly romantic subplot, but it’s not too big a strain.

Sunday, July 26

8:00am – IFC – Miller’s Crossing
The Coen brothers take on 1930s gangland with this film, and do so admirably well. As they do most things. I have to admit I wasn’t quite as enamored of it as I usually am of Coen films, but it definitely has its moments and I think a rewatch would jump it up in my estimation greatly.
(repeats at 3:15pm)

10:30am – TCM – Topper
Cary Grant and Constance Bennett are hard-living young couple who crash their fancy car after a night of drinking and end up as ghosts. They choose to spend their afterlife haunting Grant’s uptight boss Cosmo Topper (Roland Young) and teaching him to enjoy life again. Something of a screwball comedy without the battle of the sexes part; slight but a lot of fun.
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8:00pm – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.

10:00pm – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene. Must See

10:45pm – TCM – Rope
Hitchcock is well-known for his formal experimentation. In Rope, he shoots everything from a single camera position – on top of the chest containing the body of the boy that John Dall and Farley Granger killed before inviting several people over for a party. It’s also meant to appear as one take, though the ten-minute max reel length of the time forced him to fudge a bit on that. The story is based on the real-life Leopold-Loeb murder case, where two young men killed an acquaintance just to see if they could pull it off.

3:30am (27th) – Sundance – 4 Months, 3 Weeks, and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it. Must See