Tag Archives: Saboteur

Film on TV: April 11-12

Well, I had a bit of an internet outage this week, preventing me from posting the Film on TV post. I would’ve just skipped it, but Saturday has a HUGE AMOUNT of fantastic movies playing. So a late and truncated post will have to do. Please direct any complaints to Time Warner Cable of Los Angeles. They should be used to it by now.

Saturday, April 11

6:00am – IFC – A Hard Day’s Night
(repeats at 12:35pm)

6:00am – TCM – The Kennel Murder Case
Before taking on the role of detective Nick Charles in the Thin Man movies, William Powell did a couple of films as Philo Vance, another witty private eye. Here he’s joined by Mary Astor, who nearly matches Myrna Loy as his counterpart.

7:30am – TCM – The 39 Steps
My vote for Hitchcock’s finest British-era film follows Robert Donat and Madeleine Carroll though a twisty and witty tale of spies and mistaken identities.

8:00am – IFC – Throne of Blood
Shakespeare often seems to work better, or at least take on new vitality, when transposed into different times and places – here his Macbeth moves into medieval Japan in the capable hands of Akira Kurosawa.

9:50am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (“comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly.
(repeats at 3:30pm)

12:00N – TCM – They Were Expendable

5:00pm – TCM – The Bridge on the River Kwai

8:00pm – TCM – Saboteur
Not a particularly memorable Hitchcock film, but it does have a great sequence with the hero and villain chasing each other and hanging off the Statue of Liberty.

10:00pm – TCM – Shadow of a Doubt
And this is a somewhat lesser-known Hitchcock film that ought to be top-tier. Small-town girl Teresa Wright idolizes her uncle Charlie, but we know that he’s an infamous murderer on the run. Hitchcock once made a distinction between mystery and suspense: mystery is when there’s tension because the audience doesn’t know whodunit, suspense is when there’s tension because the audience does. This film is a perfect example of suspense, and Hitchcock’s preference for telling the audience whodunit very early in the film and letting them squirm.

12:00M – TCM – Foreign Correspondent
Another lesser-known Hitchcock film that’s nonetheless well worth watching.

2:15am (12th) – TCM – Rebecca
Hitchcock’s first American film isn’t one of my favorites, but a lot of people like it quite a lot. For me it’s more that the ending cops out from the book, and I know that’s the studio’s influence, not Hitchcock’s. And that bugs me.

Sunday, April 12

4:30am – TCM – Spellbound
Hitchcock + Ingrid Bergman + Gregory Peck + Freudianism + Salvador Dali dream sequences. There was something else you wanted? I didn’t think so.

8:00am – IFC – Au revoir, les enfants

12:30pm – TCM – Ben-Hur (1959)

1:05pm – IFC – Millions

7:00pm – TCM – Easter Parade
One of the better examples of MGM’s opulent musical style – having Fred Astaire, Judy Garland, and Ann Miller on board doesn’t hurt.

10:15pm – IFC – Amores Perros