Tag Archives: The Producers

Film on TV: Feb 16-22

Monday, February 16th

9:35am – IFC – A Hard Day’s Night
Richard Lester’s 1964 Beatles-starring film straddles several genres – musical, concert film, documentary, comedy. The good news is that it’s an excellent film in any genre. You’ll be hard-pressed to find any film an exuberant as this one, and with the Beatles right on the cusp of becoming the greatest band of all time… Must See
(repeats at 2:45pm)

10:00am – TCM – Angels With Dirty Faces
James Cagney is a local criminal idolized by a gang of young boys. When he’s caught, it’s up to his childhood friend-turned-priest Pat O’Brien to convince him to do what he can to keep the boys from following in his footsteps. One of several gangster films that Cagney’s best known for.

3:30pm – TCM – Double Indemnity
Billy Wilder. Barbara Stanwyck. Fred MacMurray. Edward G. Robinson. One of two or three contenders for the title of greatest film noir ever made. Must See

8:00pm – TCM – Butch Cassidy and the Sundance Kid
Paul Newman and Robert Redford play this titular outlaws in this 1969 western, one of the greats of the 1960s revisionist cycle. Many great moments and shootouts make this one worth coming back.

10:00pm – TCM – Some Like It Hot
Billy Wilder. Marilyn Monroe. Jack Lemmon. Tony Curtis. One of two or three contenders for the title of greatest comedy ever made. (Yes, I can do this with Billy Wilder movies for a long time…) Must See

Tuesday, February 17th

8:15am – TCM – The Red Shoes
Michael Powell. Emeric Pressburger. Moira Shearer…Okay, enough of that. But this really is one of the best ballet films ever made, though that’s a fairly small genre. The story is basically Svengali and comes across a little cliched today, but the extended ballet sequence has yet to be matched.

3:30pm – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).

1:00am (18th) – Sundance – Paris, je t’aime
18 great directors, 18 short films about Paris. There was no way I was not going to love this film, given my ongoing love affair with cinematic Paris. But there’s enough variety in the film that most anyone is going to find something to like here.

2:30am (18th) – TCM – 42nd Street
The definitive backstage musical creaks a bit around the edges, but it still pretty darn solid.

4:15am (18th) – TCM – Gold Diggers of 1935
There is absolutely nothing distinguished about most of Gold Diggers of 1935 (unlike Gold Diggers of 1933, which is a hidden gem right the way through). However, it includes the dazzling Busby Berkeley-choreographed “Lullaby of Broadway” routine, which follows a young socialite through her nights and days of being a “Broadway baby” – with a shockingly tragic turn for a musical of the time. The whole rest of the movie is worth sitting through to see it, or honestly, just fast-forward to it. It’s near the end.

Wednesday, February 18th

3:00pm – TCM – Anatomy of a Murder
Lawyers James Stewart and George C. Scott face off over a murky rape/murder/self-defense case. A great combination of character study and courtroom drama, with a fantastic original jazz score by Duke Ellington and a gorgeous title sequence by Saul Bass thrown in.

10:00pm – TCM – The Caine Mutiny
Humphrey Bogart’s Captain Queeg may be insane. Or he may just be quirky. When his paranoid behavior goes over the edge, Van Johnson leads the crew in a mutiny – but are they right? One of Bogart’s best performances.

Thursday, February 19th

8:00am – TCM – Blackboard Jungle
An early example of the “great teacher in a difficult classroom” films also cuts across the race issues of the 1950s, as Glenn Ford takes a job as teacher in one of the roughest schools in the city, butting heads against a very young Sidney Poitier. Also notable as, I believe, the first time a rock song (“Rock Around the Clock”) was played in a film.

1:00am (20th) – TCM – Singin’ in the Rain
There’s very little question that this is the greatest musical in existence. Must See

Friday, February 20th

7:00am – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting. :)

10:30am – TCM – The Battle of Algiers
This would be one of those I’m recommending without having seen, simply because it ends up so near the top of critical best lists all the time. It’s a 1966 French film about the Algerian war, using a very realistic, almost documentary filming style. Looking forward to seeing it myself.

10:00pm – TCM – The Conversation
Gene Hackman is a surveillance operator, paid to listen in to other’s conversations. But when he thinks he overhears something connected with a murder, how far should he go to uncover the truth? And, in fact, how much of what he heard was his own interpretation? In this film along the lines of Blow-up and Blow Out, what he hears may or may not be accurate, but where is the line between privacy and responsibility when fallible humans are in the middle? This film was timely when it was released in 1974, and it’s pretty much remained so ever since. Must See

Saturday, February 21st

5:30pm – TCM – Glory
Matthew Broderick commands a platoon of black soldiers in the Civil War’s Union army (the platoon includes Morgan Freeman and a young Denzel Washington, who earned a supporting Oscar). Director Edward Zwick has been trying for a Best Picture Oscar with his over-earnest “important” action dramas for years, but 1989’s Glory remains his best work.

10:15pm – TCM – They Were Expendable
John Ford’s 1945 film captures the daily life of a PT Boat unit commander (John Wayne) in the Philippines near the end of WWII; this is one of those films that doesn’t seem that amazing during any given scene, but by the end, the cumulative effect is staggering, and the film’s solid reputation among WWII films is well-deserved.

Sunday, February 22nd

8:00am – IFC – Amarcord
Something of a combination of Fellini’s neo-Realist and surrealist phases, as a film director’s memories of his childhood in Italy become larger and crazier than life. I get it mixed up in my head with Roma a bit, so I could use a rewatch on it myself. It’s in theatrical rerelease right now, so keep an eye for it to hit a theatre near you. (It’s in LA till the 20th.)

8:45am – TCM – The Band Wagon
The Band Wagon combines the dancing of Fred Astaire and Cyd Charisse with the lush directorial style of Vincente Minnelli and a witty script by Betty Comden and Adolph Green to create one of the best movie musicals ever. Second to Singin’ in the Rain, of course. “The Girl Hunt Ballet” alone is worth the price of admission, but you get so much more. Must See

10:45am – TCM – The Producers (1968)
Sometimes it’s easier to make money on Broadway when your show flops – at least, that’s what producer Zero Mostel and accountant Gene Wilder hope when they seek out the worst play they can find to put on stage: A musical called “Springtime for Hitler.” I haven’t seen the musical remake (which I’ve heard is terrible) based on the musical stage version (which I’ve heard is great), but the original non-musical is fantastic enough that I don’t feel like I’ve missed out.

8:00pm – TCM – Stage Door
I can’t even tell you how many times I borrowed this film from the library when I was younger. It was many times, in the double digits surely. Katharine Hepburn is a privileged heiress who wants to prove she can be an actress without daddy’s money, so she goes to live incognito at a boarding house for theatrical wannabes and starts on the audition circuit. That’s the main strand of the story, but the real draw is the wonderful script and supporting cast that pulls together a snarky Ginger Rogers (Kate’s unwilling roommate), a REALLY young Lucille Ball, a REALLY young Ann Miller (the other half of Ginger’s dance act), a catty Gail Patrick, a wry Eve Arden, and a tragic Andrea Leeds (the talented actress with a hit last year who’s starving this year), as well as smarmy producer Adolphe Menjou. I now own the DVD, and on a recent rewatch, I fell in love with it just as much as I ever did ten years ago. This isn’t a film that’s too well known these days, but that’s a shame, and I recommend it in a heartbeat. Must See

Next Week Sneak Peek

Tuesday, February 24th
1:45pm – TCM – The 400 Blows
3:45pm – TCM – Au revoir, les enfants
10:00pm – TCM – Rashomon
11:30pm – TCM – The Seven Samurai

Film on TV: 19-25 January

It has come to my attention that the movie channels don’t tend to delay programming for the west coast; I somehow always assumed all stations did that, which was why I was giving EST and CST (figuring MST and PST would be the same as EST), but I suppose when there’s no specific primetime programming there’s no real need. So I’m just going to put up the EST start time from now on; subtract one, two, or three hours depending on where you are, and double-checking the listings for your time zone wouldn’t be a bad idea.

Monday, January 19

Ha, this was today. There wasn’t anything on. It’s nice for me how the networks keep scheduling nothing good on Mondays so I can be lazy Sunday afternoons.

Tuesday, January 20

9:45am EST – IFC – The Cat’s Meow
Slight but enjoyable Peter Bogdanovich-directed period piece, with Edward Herrmann as publishing magnate William Randolph Hearst and Kirsten Dunst well-cast as his actress mistress Marion Davies. Based on the real-life events surrounding the mysterious death of wunderkind producer Thomas Ince at one of Hearst’s yacht parties.
(repeats 2:30pm)

8:00pm EST – TCM – Guess Who’s Coming to Dinner
It’s fitting that Spencer Tracy’s last role was opposite Katharine Hepburn; they play a couple whose daughter plans to marry a black man (Sidney Poitier), a volatile topic in 1967.

10:00pm EST – TCM – Bringing Up Baby
Classic screwball comedy, Kate Hepburn, Cary Grant, Howard Hawks, pet leopards, dinosaur bones, the dog from The Thin Man, cross-dressing, paleontology, broken heels, yada yada yada. It’s amazing, watch it, love it.

2:00am EST (21st) – TCM – The Philadelphia Story
Strangely, after 1938, the year of Bringing Up Baby and Holiday, Katharine Hepburn was declared box office poison and shunted out of Hollywood for a couple of years. The Philadelphia Story marked her return in 1940, and what a return. A sparkling high society comedy that still sets the standard for old Hollywood class.

Wednesday, January 21

Not a thing to watch, oh dear, what shall I do? Oh, right, catch up on all those other things I was supposed to watch…

Thursday, January 22

8:00pm EST – TCM – 42nd Street
By 1932 when 42nd Street came out, the Hollywood musical had already died. So excited by the musical possibilities that sound brought in 1927, Hollywood pumped out terrible musical after terrible musical until everyone was sick of them. 42nd Street almost single-handedly turned the tide and remains one of the all-time classic backstage musicals. It looks creaky by later standards, but there’s a vitality and freshness to it that can’t be beat.

9:45pm EST – TCM – A Star is Born (1937)
This is not the better-known Judy Garland version, but the non-musical version featuring Janet Gaynor in one of her last roles. Gaynor’s not well remembered now, but she won the very first Academy Award for Best Actress back in 1928, and she holds the story of a hopeful ingenue married to a has-been actor together. I still love Judy’s version better (because I can’t get enough of her singing “The Man That Got Away”), but this one is well worth watching as well.

11:45pm EST – TCM – All About Eve
If you wanna talk great movies about Broadway, you gotta start with All About Eve. The titular Eve (Anne Baxter) fangirls her way right into Broadway diva Margo’s (Bette Davis) dressing room and life, but her fawning attention masks her scheming motives. It takes a lot to match Bette Davis on screen, but Baxter holds her own wonderfully, and the rest of the ensemble cast (Celeste Holm, Gary Merrill, Hugh Marlowe, Thelma Ritter, George Sanders, and a young Marilyn Monroe) plus a brilliantly catty script round this out to one of the best films ever made.

2:15am EST (23rd) – TCM – Sunset Boulevard
I wish I were as big a fan of Sunset Boulevard as I feel like I ought to be. Film noirish? Check. Seedy underbelly of Hollywood? Check. Steeped in cinematic lore? Check. Written and directed by Billy Wilder? Check and check. And yet – it has never quite caught me the way I want it to. You know what that means… Rewatch!

4:15am EST (23rd) – TCM – The Producers (1968)
The original, non-musical version of the recent Broadway hit. Zero Mostel and Gene Wilder play theatrical producers who figure out that they can make more money by producing a flop then by producing a hit, and they find the perfect vehicle: a musical titled “Springtime for Hitler.” Absolutely brilliant from start to finish.

Friday, January 23

5:45am EST – TCM – Singin’ in the Rain
You don’t need to be told to see this. So I won’t tell you. I’ll just casually point out the fact that it’s on.

8:00pm EST – TCM – Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
Trust Stanley Kubrick to find the funny side of the Cold War. Peter Sellers plays multiple parts, including the President, an insane general who wants to nuke Russia, and the limb-control-impaired doctor of the title. It’s zany, it’s over-the-top, it’s bitingly satirical, and it remains one of Kubrick’s best films in a career full of amazing work.

Saturday, January 24

9:45am EST – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.

Sunday, January 25

6:00am EST – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.

2:00am EST (26th) – TCM – Jules and Jim
Jules and Jim are best friends. Then Catherine falls into their lives like a hurricane – she’s almost a force of chaotic primal nature. She marries Jules, but when Jim reconnects with the couple after WWII (in which the two friends fought on opposite sides), their relationship gets…um…complicated. I keep trying to write more, because I just saw this again in the cinema, and it’s all roiling around in my head, but Truffaut will do that to you. Not as much as Godard does, but then Jules and Jim feels quite Godardian to me, but with more angst. But I won’t go into it all right now. Just know that this is one of the classics of the New Wave, and exemplifies the movement’s realistic style, dispassionate camera and narration, and intellectual pursuits.