Tag Archives: The Quiet Man

Film on TV: June 1-7

Persona
Ingmar Bergman’s Persona, playing at 12:30am on the 5th on TCM

Turner Classic Movies is apparently highlighting a different Great Director every night in June, showing some of their best movies. That means they are showing a BOATLOAD of great films. I’ve included a tiny intro to each director – note that after the director blurb, all the rest of the films that day on TCM are by that director. There may be films on other channels interspersed, because I’ve kept the times chronological.

All times are Eastern Standard.

Monday, June 1

9:30am – TCM – Love Affair (1939)
This film is not as well known as its remake, 1957′s An Affair to Remember, which has the advantage of having the more famous Cary Grant and Deborah Kerr rather than Irene Dunne and Charles Boyer – who were both huge stars at the time, but are less known now. Both films were directed by Leo McCarey, and tell of a shipboard romance and a fateful rendezvous. I actually like Love Affair a tad better, but that could be just because I like being contrarian.

2:30pm – TCM – Duck Soup
Leo McCarey directs the Marx Brothers in what many think is their best and zaniest film. This is the one with Groucho becoming the dictator of Freedonia and declaring war on nearby Sylvania. Frequent Marx Brothers foil Margaret Dumont is on board as the wealthy woman who causes the rivalry that leads to the war. Personally, I prefer A Night at the Opera to Duck Soup, but this may be your best bet if the idea of musical interludes from Allan Jones (of which Opera has several) turns you off. Must See

6:15pm – TCM – The Awful Truth
This is one of the definitive screwball comedies (along with Bringing Up Baby), starring Cary Grant and Irene Dunne as a married couple who constantly fight and decide to divorce, only to wind up meddling in each other’s lives (and screw up other relationship attempts) because they just can’t quit each other. Dunne’s impersonation of a Southern belle showgirl is a highlight. Must See

8:00pm – IFC – Clerks
Kevin Smith’s first feature, done for cheap, has become a cult classic, and though I think he’s done better films since Clerks, it’s definitely a worthwhile watch.
(repeats at 2:05am on the 2nd)

TCM – Great Director: John Ford
TCM starts off their celebration of great directors with John Ford, usually considered one of the greatest auteurs of the American studio era. He’s best known for westerns (like Stagecoach and She Wore a Yellow Ribbon, playing tonight) and war films, but turned out plenty of quality dramas as well (like The Quiet Man). Disappointingly, TCM is not playing The Searchers, arguably his best film. Pick it up on Blu-ray, though – it’s not very expensive and it looks incredible.

10:00pm – TCM – Stagecoach
Major breakthrough for John Wayne, here playing outlaw Cisco Kid – he and the various other people on a stagecoach form a cross-section of old West society that has to learn to get on together to make it to the end of the ride alive. The most memorable, though, is Claire Trevor’s prostitute – a woman who does what she must to survive, and is shunned by everyone except Wayne. Her reaction to him treating her as a lady is perfect. Must See

2:00am (2nd) – TCM – The Quiet Man
John Wayne plays a retired boxer returning to his ancestral home in Ireland, where he meets spitfire Maureen O’Hara and decides to marry her. She’s game, except her somewhat boorish brother Victor McLaglen disapproves and refuses to give up her dowry, and tradition is tradition! A great supporting cast of character actors and an epic (and comic) boxing match round out The Quiet Man into one of the most entertaining and endearing films John Ford ever made. Though I will say the last time I watched it, I was a little more concerned by its gender politics than I had been in the past.

4:15am (2nd) – TCM – She Wore a Yellow Ribbon
The first of John Ford’s informal “Cavalry trilogy,” which continued with Fort Apache and Rio Grande – all three films star John Wayne, though they’re unrelated in plot and character. Technically, I guess that makes them both westerns and war films, doesn’t it? Heh.

Tuesday, June 2

12:00N – TCM – Captains Courageous
Spencer Tracy won an Oscar for this film, based on Rudyard Kipling’s adventure story about a spoiled rich kid who falls off a steamship and ends up having to work on a fishing vessel to get home. A young Mickey Rooney plays the ship captain’s rough-and-tumble son.

6:00pm – TCM – Dr. Jekyll and Mr. Hyde (1941)
There have been a lot of versions of Dr Jekyll and Mr Hyde, and this one isn’t considered one of the better ones. It’s interesting to me, though, to contast it to the 1932 version, which won an Oscar for Fredric March. In March’s version, the highly effective transformation into Hyde is done with heaps of makeup that render March unrecognizable. In this 1941 version, Spencer Tracy plays the doctor and his alter-ego, expressing the transformation almost solely through his facial expressions and physical bearing – no change in makeup – and his intensity makes it work.

TCM – Great Director: Frank Capra
Frank Capra is sometimes derided these days for what is seen as over-sentimentalism, dubbed “Capra-corn” in his honor. I think that’s mostly a mistake – his most well-known film It’s a Wonderful Life is extremely dark, and his idealistic heroes and sometimes overly hopeful endings are usually balanced by a cynical character or two that can’t quite be shaken as easily as it seems, or at least a tacit knowledge that the victories won aren’t necessarily for keeps. And for every Capra-corn Mr. Deeds Goes to Town, there’s a zany screwball comedy that reminds us that Capra was an excellent comedic director, whether you buy his idealistic side or not.

8:00pm – TCM – It Happened One Night
In 1934, It Happened One Night pulled off an Academy Award sweep that wouldn’t be repeated until 1975′s One Flew Over the Cuckoo’s Nest, snagging awards for Best Picture, Director (Capra), Screenplay (Robert Riskin), Actor (Clark Gable), and Actress (Claudette Colbert). Colbert is a rebellious heiress, determined to run away and marry against her father’s wishes. Along the way, she picks up Gable, a journalist who senses a juicy feature. This remains one of the most enjoyable comedies of all time, with great scenes like Colbert using her shapely legs rather than her thumb to catch a ride, Gable destroying undershirt sales by not wearing one, and a busload of people singing “The Man on the Flying Trapeze.” Must See

10:00pm – TCM – Mr. Smith Goes to Washington
Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Extremely underrated comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.

11:00pm – Sundance – The Three Burials of Melquiades Estrada
Tommy Lee Jones takes up the directorial reins for the first time with this revisionist western about a rancher whose Mexican right-hand-man dies, his last request being that his body be returned across the border to his family. Thus begins an odyssey that’s more about mood and character than anything else. It’s not wholly even, but Jones has an excellent eye, and this was one of the more surprisingly good films of its year.

12:15am (3rd) – TCM – You Can’t Take It With You
Capra won his third directing Oscar for this film (the others were for It Happened One Night, see above, and Mr. Deeds Goes to Town), but to me it’s not one of his more interesting pieces. Young couple James Stewart and Jean Arthur invite chaos when his staid, wealthy family meets her wacky, irreverent one.

2:30am (3rd) – TCM – Arsenic and Old Lace
In what is probably Capra’s zaniest, least Capra-corn-esque film, Cary Grant plays Mortimer Brewster – a perfectly normal man until he discovers that his sweet old maid aunts have accumulated several dead bodies in the basement due to poisoning lonely old men. Add in another nephew who is a serial killer, a quack plastic surgeon, and an uncle who thinks he’s Teddy Roosevelt, and Mortimer’s got his hands full trying to keep his family secrets away from the girl he loves. It’s over-the-top, sure, but you gotta love the crazy.

Wednesday, June 3

8:10am – IFC – Three Times
Hsiao-hsien Hou directs this tripartite film – three stories set in three different time periods (1911, 1966, and 2005), each with the same actors, and each depicting a relationship that’s both very specific and individual and also sheds light on the mores of its respective time period. I liked the 1966 story the best, but they were all intriguing, and the contrast between them even more so.
(repeats 2:15pm)

TCM – Great Director: King Vidor
I’ve got to admit I don’t know very much about King Vidor, other than he directed some stuff. Maybe I should watch the documentary about him at 8:00pm, before I move on to his films?

9:00pm – TCM – The Crowd
This silent film has been on my to-watch list for a LONG time, so I’m glad TCM is giving me the opportunity to cross it off. It’s about a young couple moving to the big city, and their struggles against the impersonal, all-consuming nature of the city and the husband’s cog-in-the-wheel job.

10:45pm – TCM – The Champ
Wallace Beery earned an Oscar for his role as a has-been prizefighter, living hand to mouth with his adoring son. But then the boy has a chance to go live with his mother, long-divorced from Beery and now married to a well-to-do man. This is a great example of a high-end Warner Bros. programmer from the early 1930s – it’s very lean, nothing extra in it, but it’s got a heart that I didn’t expect.

Thursday, June 4

6:00pm – TCM – A Day at the Races
The Marx Brothers take over the racetrack in what is probably the last of their really great comedies. You do have to put up with the silly romantic subplot, but it’s not too big a strain.

TCM – Great Director: Ingmar Bergman
When Ingmar Bergman died a couple of years ago, floods of blog posts and articles came out, some valorizing his work and mentioning the profound effect his films had on the authors, others positing that he’s overrated and only wanna-be elitists claim to enjoy his films. But whether you love him or hate him, you can’t get around the staying power that images from The Seventh Seal, Persona and others have had. He’s sometimes a difficult director, but I believe the rewards are there.

9:00pm – TCM – The Seventh Seal
A medieval knight has a chess match with Death for the fate of his soul in one of Bergman’s best-known films. It’s not one of my favorites, although I’m probably due for a rewatch. It ought to be seen, but I don’t think it should be the only Bergman people see, nor the first.

10:45pm – TCM – Wild Strawberries
I’m looking forward to catching Wild Strawberries for the first time this week; I’ve got no excuse for not having watched it, other than the plot descriptions I’ve read (from IMDb: “After living a life marked by coldness, an aging professor is forced to confront the emptiness of his existence.”) don’t sound that interesting. But Bergman’s strength is in mood, so I’m giving that plot the benefit of the doubt.

12:30am (5th) – TCM – Persona
Of all Bergman’s films, Persona is the one I always come back to. A nurse takes her patient, a former actress who one day simply refused to talk any more, to a lonely island to try to help her recover. They soon engage in a battle of the wills, and their identities start merging. Meanwhile, Bergman interrogates not only the concept of identity within the film, but the apparatus of film itself and its capacity for understanding and communication. There’s more to it every time I watch it. Must See

1:30am (5th) – Sundance – Nights of Cabiria
Nights of Cabiria and La Strada, two films that Federico Fellini made during his sorta-neo-realist phase in the mid-1950s with Giulietta Masina, always stand out to me almost even more than his more famous, more flamboyant 1960s films like 8 1/2 and La Dolce Vita. Nights of Cabiria casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen. Must See

2:00am (5th) – TCM – Hour of the Wolf
Another Bergman I haven’t seen yet, but am really excited about. From IMDb: “An artist in crisis is haunted by nightmares from the past in Ingmar Bergman’s only horror film, which takes place on a windy island. During ‘the hour of the wolf’ – between midnight and dawn – he tells his wife about his most painful memories.” Everything I have heard about it suggests it’s nice and surreal, and probably an influence on David Lynch. I AM THERE.

Friday, June 5

5:15pm – IFC – Before Sunrise
Though some people think Richard Linklater’s 2004 follow-up Before Sunset is better than this 1995 original, I’m going to disagree, at least until I get the chance to see both together again. Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done. Must See
(repeats at 3:45pm on the 6th)

6:00pm – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed. Must See

TCM – Great Director: Steven Spielberg
Spielberg needs no introduction. Interestingly, TCM is only playing one really good Spielberg film – the other ones are, like, 1941. Not sure what’s up with that, unless they had trouble getting rights clearances or maybe just wanted to do some lesser known entries in his catalog.

9:30pm – TCM – Saving Private Ryan
I’m sure most everyone reading this has seen Saving Private Ryan, Spielberg’s take on D-Day and a post-D-Day rescue mission, so I’ll save my breath on it, and just point out when it’s on in case someone wants a rewatch.

3:35am (6th) – Sundance – Wristcutters: A Love Story
Patrick Fujit (Almost Famous) slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.

Saturday, June 6

6:15am – IFC – Waking Life
Richard Linklater’s first foray into overlaid animation is a philosophical dreamscape that’ll either leave you cold or inhabit your thoughts for weeks. It’s the latter for me. Like most of Linklater’s films, it’s largely made up of people talking, but with the added interest of the unique ever-shifting, never-solid animation style (which he’d reuse with a slightly more standard sci-fi story in A Scanner Darkly).
(repeats at 2pm)

TCM – Great Director – William Wyler
William Wyler was one of the most consistently reliable directors in the Hollywood studio system, helming many of the most prestigious studio pictures of the time and guiding Bette Davis, Greer Garson, Fredric March, Olivia de Havilland, and Audrey Hepburn to Oscars (and winning three of his own in the meantime).

9:30am – TCM – The Little Foxes
Bette Davis is at her most vicious here, as the conniving matriarch who uses her daughter to play upon her estranged husband’s weaknesses in order to carry off a money-making scheme.

11:30am – TCM – Mrs. Miniver
One of the more celebrated World War II home front films has Greer Garson in an Oscar-winning turn as the stalwart title character, holding her home together against the German Blitz. It’s the kind of movie that could only be made in 1942, and it won awards all over the place. It comes off a bit over-earnest today, though.

2:00pm – TCM – Ben-Hur (1959)
The epic of epics. Chariot race and all. Except I’m not really that huge a fan. But it’s epic!

6:00pm – TCM – Jezebel
Bette Davis got one of her Oscars for this film, playing a suspiciously Scarlett O’Hara-like Southern belle the year before Gone With the Wind made it onto the screen.

8:00pm – TCM – The Letter
In this cut-above-average melodrama, Bette Davis shoots a man in self-defense. Or was it self-defense?

9:35pm – IFC – The Player
Robert Altman takes on Hollywood in this story of a script screener (Tim Robbins) who gets drawn further and further into a web of blackmail and double-crosses when he’s threatened by a screenwriter whose script he rejected. You gotta love it for the virtuosic opening pan at the very least; the rest of the Hollywood insider references are just gravy.
(repeats 3:45am on the 7th)

9:45pm – TCM – Roman Holiday
Not Audrey Hepburn’s first film, as is often thought, but her first lead role, and the one that immediately catapulted her into stardom. She’s a princess who runs away to try out being normal, and spends an adventurous day exploring Rome with incognito journalist Gregory Peck. Pretty much delightful right the way through.

Sunday, June 7

8:00am – IFC – Les Diaboliques
In Henri-Georges Clouzot’s thriller, a man’s wife and mistress plot together to murder him (gee, I wonder why?), but find it more difficult than they expected to get rid of him for good.

TCM – Great Director: Michael Curtiz
Michael Curtiz was a solid workhorse director for Warner Bros. throughout the 1930s and 1940s. However, he tended more toward adventure and genre pictures and thus didn’t get the prestige pictures that, say, William Wyler was known for. That said, I find a lot more enjoyment in most Curtiz pictures than in most Wyler pictures.

8:15am – TCM – Angels With Dirty Faces
One of the classic gangster pictures has James Cagney as a criminal idolized by the youth of Hell’s Kitchen and Pat O’Brien as Cagney’s boyhood buddy who grew up to be a priest. Though the two remain friends, they wind up understandably at odds with each other when O’Brien starts working to clean up the neighborhood.

10:00am – IFC – The Wages of Fear
Many people think The Wages of Fear is Henri-Georges Clouzot’s finest film. It’s certainly intense, as a group of drifters in South America hoping to earn some money to get home take on the dangerous job of transporting truckloads of nitroglycerin to a burning oil drilling site. Every bump or snag in the road turns deadly – and there are a lot of bumps and snags.

2:00pm – TCM – Dodge City
Dodge City, not a particularly great movie. It’s a fun entry in the group of Errol Flynn-Olivia de Havilland matchups, as Flynn deals with the outlaw element in the western frontier town of Dodge. The real reason I like it? Fantastic barroom brawl at one point.

4:00pm – TCM – Captain Blood
This was Errol Flynn and Olivia de Havilland’s first of eight films together, and it’s one of the best. Flynn is the eponymous captain, a dentist named Blood who gets captured by pirates and ends up escaping and taking over the pirate ship himself. Full of swashbuckling and derring-do.

6:15pm – TCM – The Adventures of Robin Hood
I will state almost categorically that this is the greatest adventure film ever made. Maybe it’s a dead heat between this one and Raiders of the Lost Ark. Errol Flynn is Robin Hood, Olivia de Havilland is Maid Marion, a whole raft of fantastic character actors fill out the rest of the cast, and it’s all done in gorgeous Technicolor (it’s one of the earliest Technicolor films). I recently splurged on the Blu-ray, and at $13 from Amazon, it’s a total steal. Must See

8:00pm – TCM – Yankee Doodle Dandy
James Cagney won an Oscar putting on his dancing shoes to play song-and-dance man and Broadway composer George M. Cohan in this biopic. Though it seems strange to think of gangster picture regular Cagney in a musical, he actually got his start in show business as a hoofer, and returned to musicals many times throughout his career, though this remains the most notable example.

12:30am (8th) – TCM – Mildred Pierce
In quite probably Joan Crawford’s best role (only perhaps excepting her catty “other woman” in The Women), she plays a woman trying to work her way up in the world from lowly waitress to entrepreneur, all the while dealing with her shrew of a daughter. Melodrama isn’t a particularly prized genre these days, but films like Mildred Pierce show how good melodramas can be with the right confluence of studio style, director, and star.

2:30am (8th) – TCM – Casablanca
Curtiz’s crowing achievement also happens to be one of the best films Hollywood ever turned out. I won’t bother telling you about it, though – I’m sure you’ve all seen it. Must See

Film on TV: March 16-23

Monday, March 16

5:00am – TCM – Henri Langlois: Phantom of the Cinematheque
If you like American film since about 1970 or French film since the 1950s, then take a minute to thank Henri Langlois, founder of the Cinematheque Française in Paris. He showed American films from the 1940s, Italian Neo-Realist films, European artsy films, anything he could get his hands on, and fed a love of cinema to the writers and filmmakers who would lead the Nouvelle Vague in France, which in turn would influence the New Hollywood of the ’70s. Without Langlois, there’s no Truffaut, no Godard, no Chabrol, no Rivette, but also no Scorsese, no Bogdanovich, no Coppola, etc. This fascinating documentary follows the ups and downs of the great cinematic hero.

2:30pm – IFC – Raging Bull

8:00pm – TCM – The Navigator
I can’t remember if I’ve seen this Buster Keaton film or not, but it’s Buster Keaton. Therefore it’s worthwhile.

9:30pm – TCM – The Brain That Wouldn’t Die
A cult classic of the first degree. There’s even a Mystery Science Theatre 3000 version, if you’d rather seek that one out.

1:15am (17th) – TCM – Frenzy
One of Hitchcock’s last films, made in 1972 when many of the content rules had been lifted and he could be a lot more explicit than he previously could. And he is, in a somewhat lurid story of the Necktie Killer, a serial killer terrorizing London with failed rape attempts and successful murders.

Tuesday, March 17

6:45pm – IFC – A Hard Day’s Night
Sorta musical, sorta comedy, sorta documentary, sorta concert film, all Beatles, and all fantastic.
(repeats 7:50am and 1:30pm on the 18th)

8:00pm – TCM – The Quiet Man

Wednesday, March 18

8:15am – TCM – Holiday
Besides Bringing Up Baby, Cary Grant and Katharine Hepburn also made this film in 1938, and though it isn’t as well known and possibly hasn’t aged as well, it’s still well worth watching, not least of all for the great supporting turns by Lew Ayres (All Quiet on the Western Front) and Gail Patrick.

10:00am – TCM – Top Hat

8:00pm – IFC – The Life Aquatic with Steve Zissou
(repeats 1:45am on the 19th)

10:00pm – IFC – The Royal Tenenbaums
(repeats 3:45am on the 19th)

12:00M – IFC – This Film Is Not Yet Rated
Documentary about the abuses of the MPAA ratings board gets a little sensationalist at times, but still manages to bring up very good points about the ratings system’s fallibility and arbitraryness.

Thursday, March 19

6:00am – TCM – Dark Victory

7:15am – IFC – Picnic at Hanging Rock
(repeats at 12:45pm)

6:05pm – Sundance – Avenue Montaigne

6:25pm – IFC – Trainspotting

9:30pm – IFC – Moulin Rouge!
(repeats 11:50 am on the 20th)

11:45pm – IFC – Dogville
Lars von Trier specializes in making difficult films, and Dogville is difficult both stylistically and thematically, and many people hate it. Love isn’t quite the right word for the emotion I have towards it, either, but it remains one of the most powerfully impactful films I’ve ever seen. Not to mention it has what is quite possibly Nicole Kidman’s greatest performance (and I love Nicole, so I don’t mean that sarcastically).

Friday, March 20

9:15am – TCM – Seven Brides for Seven Brothers

4:15pm – TCM – Guess Who’s Coming to Dinner

5:45pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.

6:15pm – TCM – Freaky Friday (1978)
Jodie Foster as a kid who switches bodies with her mom! Gotta love it.

2:30am (21st) – TCM – Two-Lane Blacktop
Fiercely independent road picture – a sort of Easy Rider but with cars, less plot, and no stars.

Saturday, March 21

3:30pm – TCM – The Caine Mutiny

1:00am (22nd) – TCM – Oklahoma!

Sunday, March 22

6:00am – TCM – The Roaring Twenties
One of James Cagney’s classic gangster pictures.

8:00am – TCM – Angels With Dirty Faces
Another of James Cagney’s classic gangster pictures, this time with kids and a priest thrown in.

6:15pm – IFC – Wassup Rockers
I watched this last time it was on IFC, and quite liked it. Small, intimate little film about a group of teenage Latino skateboarders from South Central LA. They go up to Beverly Hills to skateboard, get caught by cops, escape, meet up with some girls, get in fights with preppy 90210 guys, and try to get home. But the moments that’ll get you are when they’re just talking, to the camera, or to the girls, about their life and what it’s like to live in South Central. The acceptance that one of their older friends was recently shot by a black gang, or the shy recounting of their last experience trying to find a girlfriend. It doesn’t go anywhere, really, but it’s a wonderful slice of life.

12:00M – TCM – Sunrise: A Song of Two Humans

Film on TV: February 3-8

There wasn’t anything on Monday, so being one day late wasn’t a big issue. However, then my computer started misbehaving and I didn’t get it posted Monday night, either, which means this’ll post too late for the first few on Tuesday. But they’re good enough films that I let them stand. If they play again, or you see them at the library or whatever, check them out.

Tuesday, February 3

5:00am – TCM – Top Hat
Arguably the best of the ten Fred Astaire-Ginger Rogers musicals. Song, dance, mistaken identities, romance…yep, we gots it.

6:45am – TCM – Gold Diggers of 1933
Warner Bros was known in the 1930s for their gritty dramas and action films, but also for their backstage musicals, which are somehow both gritty and glitzy. Gold Diggers of 1933 is one of the best, full of witty one-liners and amazing geometric Busby Berkeley choreography. Oh, and Ginger Rogers ad-libs “We’re in the Money” in pig latin. It’s worth it JUST FOR THAT.

8:00pm – TCM – The More the Merrier
A World War II housing shortage has Charles Coburn, Joel McCrea and Jean Arthur sharing an apartment; soon Coburn is matchmaking for McCrea and Arthur, and we get a wonderful, adorable romance out of it.

2:00am (4th) – TCM – Hannah and Her Sisters
Ha! I took TCM to task for playing Annie Hall too much and Hannah and Her Sisters not enough, and look what happens. (Okay, the schedule had been made for over a month, so I can’t really claim any influence. But still.) Annie and Manhattan notwithstanding, Hannah is my favorite Woody Allen film – almost certainly his most balanced.

Wednesday, February 4

3:00am (5th) – TCM – Yankee Doodle Dandy
Hollywood turned out a heap bunch of musical biopics of composers in the 1940s. This biography of WWI-era Broadway composer/performer George M. Cohan is one of the few that is actually good, even earning James Cagney an Oscar (though he’s better known now as a tough guy gangster, Cagney got his start as a hoofer, and he’s as comfortable dancing as beating things up).

Thursday, February 5

8:00am – IFC – Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties. When I first rented it a couple of years ago, I watched it twice, back to back. Good thing it’s on three times today, eh? :)
(repeats 12:15pm and 5:05pm)

9:00am – TCM – 2001: A Space Odyssey
Heh, I bet IFC and TCM didn’t even plan this, but you get a choice between watching 1960s cerebral sci-fi or 2000s cerebral sci-fi (well, you can watch Primer later, because it’s repeating). Kubrick made a lot of brilliant films, but I’ve gotta say, none of them enthrall me on repeat viewings quite as much as 2001.

Friday, February 6

4:00pm – Sundance – Sophie Scholl: The Final Days
In 1943, few Germans were willing to stand against Hitler, even if they knew about the atrocities being committed. Sophie Scholl and her brother and a few friends were among the ones who did, and this fantastic film follows the group just before and during their arrest and trial. It’s not particularly surprising how it ends, but the screen fairly crackles throughout – the Nazi interrogator who questions Sophie is no match for her quiet conviction.
 

9:45pm – TCM – Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
Or, or, Stanley Kubrick takes on the Cold War in one of the most piercing satires ever made. Plus Peter Sellers in three roles, what’s gonna be wrong with that? 

Saturday, February 7

4:00pm – TCM – Lawrence of Arabia
Most epics are over-determined and so focused on spectacle that they end up being superficial – all big sets and sweeping music with no depth. The brilliance of Lawrence of Arabia is that it looks like an epic with all the big sets and sweeping music and widescreen vistas, but at its center is an enigmatic character study of a man who lives bigger-than-life, but is as personally conflicted as any intimate drama has ever portrayed. 

8:00pm – TCM – Casablanca
Just so you know it’s on, here’s another chance to catch one of the best movies Golden Age Hollywood ever produced. 

11:30pm – TCM – The Great Escape
 
One of the most enjoyable POW films you’ll ever see, and yes I get the irony of that statement. It may not be realistic of the POW experience, but it is one heck of a reverse heist film.

2:30pm – TCM – Das Boot
Before Wolfgang Petersen went Hollywood (Air Force One, other action films that aren’t that great), he did this German U-boat film, which has quite a good reputation – it routinely lands on lists of both best foreign films and best war films. And yeah, I haven’t seen it yet. We’ll see if I can make time for it this time. 

Sunday, February 8

7:15am – TCM – Shadow of a Doubt
Said to be Hitchcock’s favorite among his own films, Shadow of a Doubt is quieter than most of his, but in terms of psychological subtlety, it’s definitely one of his best. Small-town girl Teresa Wright idolizes her uncle Charlie, but what will she do if he turns out to be the infamous Black Widow murderer?

1:30pm – TCM – Gigi
Maurice Chevalier’s “Thank Heaven for Little Girls” might come off as more pervy now than it was originally intended, but as a whole Gigi stands as one of the most well-produced and grown-up musicals made during the studio era. Director Vincente Minnelli gives it a wonderful visual richness and sophistication, while music from Lerner & Loewe (usually) stresses the right combination of innocence, exuberance, and ennui for its decadent French story.
 

3:30pm – TCM – The Quiet Man
John Ford directs his favorite couple John Wayne and 
 Maureen O’Hara in this lovely and understated romance of a retired boxer returning to his Irish roots and conflicting with O’Hara’s hard-headed brother Victor McLaglen over her dowry (and O’Hara’s character is plenty stubborn herself). None of the principles have been better, and the supporting cast that surrounds them is great.

5:45pm – TCM – Roman Holiday
Not Audrey Hepburn’s first film, as it’s sometimes mistakenly claimed, but her first lead and the role that propelled her to stardom and won her an Oscar. She’s a princess who wants to experience ordinary life for a change and runs off to Rome – reporter Gregory Peck senses a story and tags along incognito.

6:30pm – IFC – Elephant
I’ll be honest with you. When I first saw Gus Van Sant’s take on high school shootings, I pretty much thought it was pretentious bullcrap.  And I may in fact still think so when I see the film again. But there are elements to the tone and mood that are still with me, a couple of years later, and I’m already on my way to revising my opinion, partially due to my personal shift towards a greater appreciation for slow-moving, thoughtful, well-shot films. All of which things Elephant is.
 

11:30pm – IFC – Trainspotting
While you’re getting ready for Danny Boyle to win multiple Oscars this year with Slumdog Millionaire, don’t forget to check out his earlier films, which are all worthwhile, especially this one which thrust Boyle, Ewan McGregor, and Kelly McDonald onto the international scene. A searing look at Scottish heroin addicts, it’s sometimes hard to watch, but it’s never less than riveting.
 

4:00am (9th) – TCM – The Jazz Singer
The Jazz Singer is not a good movie. But it is an important movie, as the first feature film with synchronized sound. At the time (1927), producers thought sound would only be useful for musical numbers, and The Jazz Singer is basically a silent film about a Jewish boy (Al Jolson) defying his family to go into show business
 with sound musical numbers. Jolson’s ad-libbed “you ain’t heard nothing yet” was, of course, prophetic. Silent pictures would be almost completely obsolete within a year.

Next Week Sneak Peek

Because I’m always late, heh.

Monday the 9th
7:35am, 1:00pm – IFC – Everyone Says I Love You
9:15am – TCM – The Apartment
9:20pm, 2:45pm – IFC – Strictly Ballroom
1:45pm – TCM – Citizen Kane
3:45pm – TCM – Mildred Pierce

Tuesday the 10th
6:00am, 10:35am, 3:15 – IFC – Waiting for Guffman
2:45pm – TCM – Henry V

Wednesday the 11th
3:45am – TCM – Rebecca
1:30pm – TCM – Mon Oncle
3:30pm – TCM – The Birds
9:00pm – Sundance – Spectacle: She & Him, Jenny Lewis (Not a movie, per se. Indulge me.)
10:00pm – TCM – Lassie Come Home
10:00pm, 4:00am – Sundance – Wristcutters: A Love Story
11:45pm – TCM – National Velvet

Film on TV: 29 Dec – 4 Jan

A bit late again. Good thing there wasn’t a lot on Monday or Tuesday worth looking at anyway. So we’ll start in on Wednesday. The movie channels apparently decided to dump EVERYTHING they had for the turn of the new year, because the 31st and 1st are jam packed. Craziness. I also threw in some listings from the Fox Movie Channel, since I noticed some great stuff while setting my DVR this week.

Wednesday, December 31

6:00am / 5:00am – TCM – Stagecoach
TCM is apparently doing a John Ford/John Wayne tribute today, and that’s never a bad thing. In this 1939 film, Wayne is an outlaw traveling in a cramped stagecoach along with a prostitute (Claire Trevor, who turns in an amazing performance) and various other staple characters of the Western genre perfectly calculated for maximum uncomfortability.

7:45am / 6:45am – TCM – They Were Expendable
One of the best WWII films made during the war (1945). Wayne is the only one who thinks u-boats have any use in combat, but he proves everyone else wrong. Equal parts action and pathos, this is one that seems fairly routine at any given moment, but put all the moments together (especially the last few) and you get blown away by how good it is.

12:30pm / 11:30am – TCM – The Quiet Man
Ford and Wayne are probably best known for the westerns and war movies they made together, but this romantic drama may be the best of the bunch. Wayne is an American former boxer who travels to Ireland to seek his roots; he finds frequent costar Maureen O’Hara there and wants to marry her, but has to overcome her stubborn streak and her lunkish brother’s objections before he can. Filled with charm and humor, Ford received one of his Oscars for it. One wonders if it would’ve won Best Picture if it had come from a major studio instead of upstart Republic (consider that overblown corker The Greatest Show on Earth won that year). Must See

7:00pm / 6:00pm – Fox Movie Channel – Planet of the Apes
I saw this not knowing anything about the ending. I suggest that if you haven’t seen it and don’t already know the ending that you do the same. One of the classic sci-fi films.
(repeats at 4pm EST on the 1st and 3:30am EST on the 2nd)

8:00pm / 7:00pm – TCM – That’s Entertainment!
If you like musicals, you’ll love That’s Entertainment!, MGM’s celebration of its history of movie musicals. If you don’t like musicals…you won’t. It’s that simple. This was put together in 1974 as a theatrical release in honor of MGM’s 50th anniversary, so it’s really well put together and hosted by many of the stars who were there at the time (and some whose connection to MGM is tenuous at best – like Paramount’s Bing Crosby).

10:00pm / 9:00pm – Sundance – Adaptation
Spike Jonze and Charlie Kaufman’s follow-up to Being John Malkovich is slightly less bizarre, but still pretty out there – just in a more subtle way. Nicolas Cage plays a screenwriter named Charlie Kaufman who’s stuck in his attempt to adapt a bestseller; it doesn’t help when his successful brother (also played by Cage) shows up. The end feels like it’s going off the rails, but that’s all part of the genius.
(repeats at 5:00am EST on the 1st)

10:30pm / 9:30pm – TCM – That’s Entertainment, Part 2
MGM couldn’t get all their great musical clips into one compilation film, so two years later they made another one. And it’s almost as good, especially because it includes some great non-musical moments as well.

12:00am / 11:00pm – Sundance – Eternal Sunshine of the Spotless Mind
Charlie Kaufman again, this time with Michel Gondry instead of Spike Jonze, and this may be his greatest collaboration – in fact, neither Kaufman nor Gondry apart from each other have matched the perfection of this film. After a painful breakup with his girlfriend Kate Winslet, Jim Carrey decides to undergo a procedure to remove her completely from his memory. But is forgetting the bad times worth losing the good? Must See

12:45pm / 11:45pm – TCM – That’s Entertainment III
This completes the That’s Entertainment! series, really (they did a straight-to-video That’s More Entertainment later), and they are starting to run out of clips. Still. If you liked the first two, it’s worth a watch.

3:00am / 2:00am – TCM – That’s Dancing!
The only downside to the That’s Entertainment series is that it only includes MGM films. That’s Dancing does rectify that, bringing in clips from other studios, but it doesn’t have the panache of MGM’s series.

Thursday, January 1

6:00am / 5:00am – Cartoon Network – Looney Tunes Marathon
Okay, folks, there’s a lot going on today moviewise, and you probably have other stuff going on on New Years, but Cartoon Network is showing like fourteen straight hours of Looney Tunes. This is like a gold mine. These cartoons are like sixty years old, and they’re still among the most hilarious and innovative films ever made, cartoon or live-action, short or feature-length. I’m pretty much going to be parked here all day, since I’ve seen almost all the stuff on TCM today. :) Not that I haven’t seen most of the Looney Tunes…never mind, reasoning broke down.

6:00am / 5:00am – TCM – Nothing Sacred
And TCM is devoting New Year’s Day (during the day at least) to screwball comedy, and that’s hard to pass up. In this one, terminally ill Carole Lombard gets a big newspaper to pay her way to New York and the high society life in exchange for her human interest story. Except she’s only pretending to be terminally ill. Oops.

6:00am / 5:00am – Fox Movie – The Seven Year Itch
I actually can’t remember much about this film (Tom Ewell had a mid-life crisis and dabbles with neighbor Marilyn Monroe), but it is the one with the iconic image of Marilyn’s skirt being blown up as she walks over a grate. So there’s that.
(repeats at 1:30pm EST)

9:00am / 8:00am – TCM – Libeled Lady
Throw William Powell, Myrna Loy, Spencer Tracy, and Jean Harlow all together in an MGM comedy, and you’re almost guaranteed a winner. And Libeled Lady delivers with a twisty story, fast-talking script, and the best these stars have to offer.

11:00am / 10:00am – TCM – Bringing Up Baby
Poor Cary Grant just can’t get away from delightfully ditzy Katharine Hepburn, especially after her dog steals his museum’s priceless dinosaur bone. Oh, and after her pet leopard escapes (and a dangerous zoo leopard escapes at the same time). Incredible situation follows incredible situation in this zaniest of all screwball comedies. Must See

4:15pm / 3:15pm – TCM – The Awful Truth
Married couple Cary Grant and Irene Dunne can’t stand living together any more and divorce, but they also can’t live apart and end up working overtime to sabotage each other’s new relationships. Epitomizes the battle-of-the-sexes aspect of screwball comedy perhaps better than any other film.

6:00pm / 5:00pm – TCM – It Happened One Night
Spoiled heiress Claudette Colbert runs off to marry against Daddy’s wishes, but gets sidetracked by reporter Clark Gable, who wants her story but ends up winning her heart. (Damn, that was corny. I apologize.) MGM sent Gable to Columbia to make this picture as a punishment for getting too big for his contract’s britches, but it backfired – he won an Oscar for his role, as did Colbert, director Frank Capra, writer Robert Riskin, and the film itself. Must See

8:00pm / 7:00pm – TCM – King Kong
The 1933 special effects are a bit creaky at times, but by and large with a little imagination, King Kong more than holds up to its remakes and imitators. I’m one that didn’t mind Peter Jackson’s version as much as a lot fo cinephiles did, but for the real King Kong, go back to the original.

10:00pm / 9:00pm – TCM – Them!
Atomic anxiety strikes again, this time in the form of radiation-created giant ants that threaten Texas and then California. I was actually far more entranced with this surprisingly solid 1950s sci-fi B-movie than I expected to be. Frankly, I loved it, and I wish we could still manage to make creature feature as simple and as simply great as this one.

11:00pm / 10:00pm – Fox Movie – Die Hard
All John McClane wants to do is get home for Christmas. But plans change, especially when a bunch of terrorists take over his wife’s office building and McClane has to take them out almost singlehandedly. And give us one of the best action movies ever made. The sequels are not that good. Skip ‘em.

Friday, January 2

The networks overcrowded the 31st and the 1st, and ran out of good stuff for the 2nd. But then found a bunch more for the 3rd. Go figure.

Saturday, January 3

10:00am / 9:00am – IFC – The Cat’s Meow
I throw this in here because for a while it was one of my arguments that Kirsten Dunst is actually good if given the right part. Now Marie Antoinette is my argument for that, but The Cat’s Meow remains a fun little Hollywood period piece. Dunst plays Marion Davies, a 1920s actress who’s now better known for being William Randolph Hearst’s mistress – the film is set at one of Hearst’s parties at which producer Thomas Ince mysteriously died. Director Peter Bogdanovich has made 1920s-1930s nostalgia (often with a cinematic twist) his specialty, and while The Cat’s Meow ain’t no Last Picture Show or even Paper Moon, it’s still enjoyable.
(repeats at 4pm EST)

12:00pm / 11:00am – Fox Movie – Two for the Road
Once in a while a film comes out of nowhere and blindsides me with brilliance. Two for the Road is directed by Stanley Donen, best known for lighthearted musicals, comedies, and mysteries. It stars Audrey Hepburn and Albert Finney; Hepburn at least also best known for lighthearted, whimsical fare. But Two for the Road is one of the most thoughtful and adult films of the 1960s, and I mean that in a good way. It dissects Hepburn’s and Finney’s relationship, cutting back and forth between their meeting, their marriage, and their separation almost as if all three are happening at the same time – every moment of their life together becomes part of who they are and part of the sum of their relationship, and Donen has found the perfect way to depict that. Must See

2:00pm / 1:00pm – TCM – Invasion of the Body Snatchers
My favorite thing about this 1956 sci-fi classic is that it can be read either as pro-Left or pro-Right with very little difficulty (which shows just how close totalitarian Fascism and Communism end up being in practice). So it’s politically charged, but never in a way that feels overly heavy-handed and manipulative. Aliens are invading by taking over people’s bodies, turning them into emotionless pod people. They’ve tried remaking it a couple of times, but somehow it never ends up packing quite the punch of the original.

8:00pm / 7:00pm – TCM – Modern Times
Charlie Chaplin’s masterpiece (to my mind, anyway) thrusts our hapless Little Tramp into an overly mechanized factory world, brilliantly skewering the industrial revolution and its reduction of humanity to gears and cogs. He escapes with the gamine Paulette Goddard, who shines as much here as in any of her other films. It’s a mostly silent film, despite being made in 1936, but it’s hard to argue with any conviction that Chaplin was behind the times. Must See

8:00pm / 7:00pm – IFC – Fargo
This blackest of black comedies has it all: hitmen, theft, blackmail, murder, and woodchipper-as-body-disposal-mechanism, not to mention an extremely pregnant policewoman to sort it all out. The Coen Brothers spin one of their finest yarns (I place it third behind O Brother Where Art Thou and No Country For Old Men, which still leaves it really darn high in my overall film list), proving why they’re the masters of the everyday macabre. Must See
(repeats at 1:00am EST on the 4th)

11:00pm / 10:00pm – TCM – The 5,000 Fingers of Dr. T
Ooh, I haven’t seen this for such a long time! Let’s see what I remember…it’s based on a Dr. Seuss story about a kid who dreams his piano teacher is an evil prison-master. What I really remember is that it’s just about the most surreal and innovative children’s movie I’ve ever seen. I’d compare it only to Jean-Pierre Jeunet’s The City of Lost Children, except I wouldn’t actually show Jeunet’s film to kids. In any case, Dr. T‘s a trip that’s well-worth taking.

2:30am / 1:30am (4th) – TCM – Shall We Dance
Not one of Fred and Ginger’s best, but hey. It’s still Fred and Ginger.

Sunday, January 4

10:30pm / 9:30pm – TCM – The Red Shoes
Real ballerina Moira Shearer plays an aspiring ballerina in Michael Powell and Emeric Pressburger’s version of Hans Christian Anderson’s fairy tale. Actually, the fairy tale is the story within the story – the main story is more Svengali and Trilby, as a producer extraordinaire takes Shearer under his wing, but is outraged when she falls in love with poor young composer instead. In between all this is probably the greatest ballet sequence ever put on film (on a set that would never have fit on any stage), as the Anderson story becomes Shearer’s signature role. The Technicolor is breathtaking, too.

Non-related, probably non-interesting side note. I write a lot more when I’m tired (i.e., longer descriptions of the movies). Apparently the energy-intensive part of writing for me is not the actual writing, but the editing. Or the writing concisely.

Favorite Films, One Letter at a Time

I rarely organize my collections alphabetically, at least not as the major organizational tool, since the letter the title starts with is usually less meaningful than the year it was made or the genre that it’s in. But there’s a meme going around film blogs (starting with Blog Cabins) to choose one favorite film that starts with each letter of the alphabet. Forcing you to pick something from each letter is generating some interesting results, so I thought I’d give it a try. (Other entries I’ve seen include: Only the Cinema, Film Doctor, The House Next Door, and Spoutblog.)

Shameless self-promotion – this task was made a lot easier since I recently completed a full list of all the films I’ve ever seen over at my archive site. Still working on the ancillary lists organized by year and rating, but the by title one is done.

AThe Adventures of Robin Hood (1938; Michael Curtiz & William Keighley)
BBand of Outsiders (1964; Jean-Luc Godard)
CCity of Lost Children (1995; Jean-Pierre Jeunet)
DThe Double Life of Veronique (1993; Krzysztof Kieslowski)
EElection (1999; Alexander Payne)
FThe Fountain (2006; Darren Aronofsky)
GGentlemen Prefer Blondes (1953; Howard Hawks)
HA Hard Day’s Night (1964; Richard Lester)
IIn a Lonely Place (1951; Nicholas Ray)
JJFK (1991; Oliver Stone)
KKey Largo (1948; John Huston)
LLock, Stock, and Two Smoking Barrels (1998; Guy Ritchie)
MMulholland Drive (2001; David Lynch)
NThe Naked Kiss (1964; Samuel Fuller)
OO Brother Where Art Thou (2000; Joel & Ethan Coen)
PPersona (1966; Ingmar Bergman)
QThe Quiet Man (1952; John Ford)
RRear Window (1954; Alfred Hitchcock)
SSunrise: A Song of Two Humans (1927; F.W. Murnau)
TThe Thin Man (1934; W.S. Van Dyke)
UThe Umbrellas of Cherbourg (1964; Jacques Demy)
VVertigo (1958; Alfred Hitchcock)
WThe Women (1939; George Cukor)
XX-Men (2000; Bryan Singer)
YYoung Frankenstein (1974; Mel Brooks)
ZZodiac (2007; David Fincher)

Anyone else reading this, please feel free to post your own. Consider yourself tagged.