Monday, Feb 23rd
Tuesday, Feb 24th
Probably getting this posted a bit late for the first couple of these, but what the heck. Rent them, because they’re worth it. :)
1:45pm – TCM – The 400 Blows
One of my favorite films, and the one that started off my current love affair with the French New Wave. Director Francois Truffaut’s first film is a tender (and somewhat less sentimental than some of his later films) look at growing up in Paris – it’s a coming of age film, but a very sweet one.
3:45pm – TCM – Au revoir, les enfants
A new boy arrives at a French school and becomes close friends with one of the French boys. But it’s the early 1940s and the new boy turns out to be Jewish. Louis Malle directs this achingly lovely portrait of schoolboy friendship in an uncertain time.
10:00pm – TCM – Rashomon
I’m the first to admit that I don’t “get” Japanese film as much as I should, but even I have to admit the brilliance of Rashomon. It’s pretty much the first film that is absolutely ambiguous – two men and a woman are in the woods, and one of the men dies. But we get three different eyewitness versions of how his death transpired, and the film shows us all three without ever privileging any of them as true – any of them or none of them may be what really happened. With this film, Akira Kurosawa forever banished any sense that what you see on film is the truth (cinematically speaking, I mean – before this, whatever was visually presented could be taken as true within the narrative over whatever any of the characters had to say).
11:30pm – TCM – The Seven Samurai
I’m still working on my appreciation of Kurosawa’s The Seven Samurai, despite how highly it ranks on every single best-of list. I know it’s me, not the film, so I continue to recommend it.
Wednesday, Feb 25th
8:00pm – TCM – Dark Victory
Bette Davis is stricken with a blindness-causing brain disease. This is classic old Hollywood melodrama – not, I don’t think, as well-turned as Mildred Pierce or some of Douglas Sirk’s 1950s work, but still a must-see for Davis fans. Plus a great supporting turn Geraldine Fitzgerald (who deserved more work than she got) and a quite frankly baffling role for Humphrey Bogart as an Irish stable hand. I know, right?
Thursday, Feb 26th
6:00am – TCM – The Gold Rush
Not my favorite Charlie Chaplin film, but it’s still one of the best comedies/best silent films ever. Charlie’s Little Tramp goes to the Yukon and has all sorts of misadventures mixed in with Chaplin’s trademark poignancy.
8:00pm – TCM – The African Queen
I may be the only person in the history of the world who doesn’t think The African Queen is all that. I mean, it’s not BAD, but I wasn’t blown away. Still, you’re not gonna see Kate Hepburn and Bogey together in any other film.
Friday, Feb 27th
7:00am – TCM – Notorious
Alfred Hitchcock. Cary Grant. Ingrid Bergman. One of the best spy movies ever. ‘Nuff said.
9:00am – TCM – North by Northwest
Do I need to do the Hitchcock.Grant thing again? Nah.
8:00pm – TCM – Mr. Smith Goes to Washington
Jimmy Stewart is the epitome of idealism as a small-town man brought to Washington as a puppet senator – but he takes the Senate into his own hands. Call it Capra-corn if you want, but its hopeful message is still inspiring.
12:15am (28th) – TCM – The Manchurian Candidate
The original 1962 version, not the pale comparison of a 2004 remake. Former soldier Frank Sinatra starts having nightmares about his war experience, then finds that he and his unit were part of a brainwashing experiment – the result of which was to turn his colleague Laurence Harvey into a sleeper agent assassin. A classic of the Cold War era, full of well-honed suspense and paranoia.
Saturday, Feb 28th
Not too much going on today, either…hold onto your hats for Sunday, though.
Sunday, March 1st
11:15am – TCM – Gaslight
Ingrid Bergman won her first Oscar for this film, as the harried wife that psychopath Charles Boyer is trying to drive nuts. It’s possible that the Oscar is partially in recognition of her work in the previous year’s Casablanca and For Whom the Bell Tolls (Oscar’s been known to do that), but Gaslight is a solid melodrama on its own terms.
1:15pm – TCM – Rear Window
My favorite movie of all time. ‘Nuff said.
2:00pm – IFC – Howl’s Moving Castle
All of Hayo Miyazaki’s animated films are worth watching, and a lot of people will put Spirited Away at the top of the list, but I think Howl’s Moving Castle is my favorite. Howl is a prince with a castle (a walking ramshackle building) which can open up anywhere. I was entranced the whole time I was watching it.
3:15pm – TCM – Vertigo
Hitchcock again. Yes, I will always point out all Hitchcock films, because they’re my favorite.
5:30pm – TCM – Close Encounters of the Third Kind
It’s interesting to me to compare the Spielberg of Close Encounters and E.T. (aka “friendly alien Spielberg”) with the Spielberg of War of the Worlds (aka “evil faceless alien Spielberg”). But besides whatever conclusions you can draw from Spielberg’s move from curiosity to fear, Close Encounters is still a film full of wonder and imagination. Plus a fantastic John Williams score.
8:00 – TCM – The Three Faces of Eve
Joanne Woodward portrays a woman with multiple personalities in an Oscar-winning role; Lee J. Cobb is allowed an uncharacteristically sympathetic role as her doctor (usually he’s the villain, or at least antagonist).
8:00 – IFC – Fargo
Still one of the Coen Brothers’ best films, despite over a decade of mostly good films in the intervening years. Dark comedy is not an easy genre, and Fargo is the gold standard, blending shocking violence and a noir-ish crime story with comical inept criminals and a perfectly rendered performance from Frances McDormand.
(repeats at 1:30am on the 2nd)
9:45pm – IFC – The Cooler
I’ve mentioned this one a few times before, but every time it shows up on IFC’s schedule I’m always like “The Cooler! Yay!” It’s just such a sweet, well-done under-the-radar kind of film – great performances from William H. Macy, Alec Baldwin, and Maria Bello.
(repeats at 3:15am on the 2nd
10:00pm – TCM – Psycho
It’s on. Watch it.
12:00midnight – TCM – Spellbound
Another Hitchcock (must be Hitchcock day at TCM or something), this one with Gregory Peck as a disturbed individual and Ingrid Bergman as his psychiatrist. Throw in a trippy Salvador Dali dream sequence and you’re made!