Tag Archives: Twentieth Century

Film on TV: July 27-Aug 2

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Volver, playing on IFC at 12:35pm on the 31st and 4:15am on the 1st

I apologize in advance for the relative brevity of this week’s post. I’ve been fighting a fever all weekend, so I pretty much only included things I had already written about somewhere or could throw something up without thinking. The quality of my prose probably isn’t that great either.

Monday, July 27

6:15pm – TCM – Tarzan, the Ape Man
Get your pre-code action right here, as swimming champion Johnny Weissmuller brings Tarzan to life and Maureen O’Sullivan teaches him the ways of the human world as Jane. Generally, the sequel Tarzan and His Mate is considered the best of the series, but hey. Gotta start somewhere.
Newly Featured!

8:15am – IFC – A Hard Day’s Night
Richard Lester’s 1964 Beatles-starring film straddles several genres – musical, concert film, documentary, comedy. The good news is that it’s an excellent film in any genre. You’ll be hard-pressed to find any film an exuberant as this one, and with the Beatles right on the cusp of becoming the greatest band of all time… Must See
(repeats at 1:15pm)

8:00pm – IFC – The Life Aquatic with Steve Zissou
Certainly not Wes Anderson’s best – it seems a bit too self-consciously quirky and a bit too awkwardly artificial even for him. It’s as if he took “Wes Anderson-ness” and turned it up just a little too far and it couldn’t sustain itself. But there are still a number of good moments that make it worthwhile, especially for Anderson fans.
(repeats 4:00am on the 28th)

Tuesday, July 28

8:00pm – IFC – Chasing Amy
Kevin Smith’s third film, not as low-fi indie as Clerks, as goofy as Mallrats, as irreverently genius as Dogma, as self-referential as Jay and Silent Bob Strike Back, or as racy as Zach and Miri Make a Porno, but perhaps sweeter than all of them – Ben Affleck falls for Joey Lauren Adams, with the only slight obstacle being that she’s a lesbian.
(repeats at 3:30am on the 29th)

Wednesday, July 29

2:45pm – TCM – Funny Girl
Barbra Streisand tied Katharine Hepburn, no less, to win an Oscar for her role as Ziegfeld comedienne Fanny Brice. I’m neither a big Brice fan nor a big Streisand fan, so I haven’t seen it, but maybe I’ll get around to it one day.
Newly Featured!

5:15pm – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business. Must See

9:15pm – TCM – Gold Diggers of 1933
Still one of my favorite Warner Bros. pre-code show business musicals, even if the romantic subplot is decidedly sub-par. The musical numbers and comic supporting roles make up for it.
Newly Featured!

11:00pm – TCM – Footlight Parade
James Cagney is well-known for playing gangsters and hoods, but he was also a talented dancer, and this is a rare chance to see him showcase that side of his abilities. He’s opposite standard 1930s Warner Bros’ leading lady Ruby Keeler.
Newly Featured!

Thursday, July 30

7:15am – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for.

12:45pm – TCM – Out of the Past
Out of the Past comes up in most conversations about film noir. It’s got all the elements: low-key lighting (due in this case to budgetary concerns), an existential anti-hero (Robert Mitchum), a femme fatale (Jane Greer), etc. It’s honestly not my favorite noir, but it’s a good one to see once.

4:00pm – TCM – While the City Sleeps
The head of a New York newspaper dies, leaving it in his son Vincent Price’s hands to choose someone to promote: managing editor Thomas Mitchell, lead reporter Dana Andrews, or a couple of other people. The way to get the job? Get the scoop on the serial killer taking out women around the city. It gets a little plot-heavy at times, but it’s so full of classic character actors and the noirish feel that director Fritz Lang does so well that it’s still very worthwhile.
Newly Featured!

6:00pm – TCM – Spellbound
Hitchcock indulged the 1940s Freudian craze with this suspenser starring Gregory Peck as a disturbed individual and Ingrid Bergman as his psychiatrist. Throw in a trippy Salvador Dali dream sequence and you’re all set!

8:00pm – IFC – Mad Max
The first entry in the post-apocalyptic punk-action series that made Mel Gibson a star.
(repeats at 3:30am)

8:15pm – Sundance – Bob le flambeur
Jean-Pierre Melville’s noirish crime film about an aging gambler/thief who takes on one last job – knocking over a casino. Melville was the master of French crime films, and an important figure leading up to the New Wave – Godard name-checks this film in Breathless, mentioning Bob le flambeur (Bob the Gambler) as an associate of Michel’s.

10:00pm – Sundance – Le doulos
Jean-Paul Belmondo brings his signature style to Jean-Pierre Meville’s excellent crime film as a possible police informant working with another criminal on a jewel heist. These two men are played off each other in a sort of doubling motif – it’s often even difficult to tell which is which, due to careful cinematography and lighting work by Melville.

2:00am (24th) – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? Interestingly, I’m more impressed generally with Geraldine Fitzgerald’s Isabella than Merle Oberon’s Catherine/Cathy, but it’s been a while since I’ve seen it.
Newly Featured

2:30am (24th) – Sundance – Army of Shadows
This Melville film about the French Resistance during WWII wasn’t actually released in the US until 2006 (it was made in 1969), so getting to see it at all is something of a treat. I haven’t had the opportunity yet (though as of this morning I had it on my DVR not once but TWICE). Hopefully I’ll get around to it soon.
(repeats at 2:45pm on the 31st)

Friday, July 31

5:15am – TCM – Love Affair
This film is not as well known as its remake, 1957’s An Affair to Remember, which has the advantage of having the more famous Cary Grant and Deborah Kerr rather than Irene Dunne and Charles Boyer – who were both huge stars at the time, but are less known now. Both films were directed by Leo McCarey, and tell of a shipboard romance and a fateful rendezvous. I actually like Love Affair a tad better, but that could be just because I like being contrarian.

8:45am – Sundance – Paris, je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.

9:00am – TCM – Midnight
A lesser-known screwball comedy written by Billy Wilder before he started directing (it’s directed by Mitchell Leisen), starring Claudette Colbert, Don Ameche, John Barrymore, and Mary Astor. It’s relatively slight as these things go, but it definitely has its delights, and ought to be better remembered than it is, I think.
Newly Featured!

12:35pm – Sundance – Volver
Pedro Almodovar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodovar’s films, there are related subplots aplenty. Penelope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene. Must See
(repeats at 4:15am on the 1st)

2:00pm – TCM – Dark Passage
Okay, so this is the least memorable of the four films that Humphrey Bogart and Lauren Bacall made together. It’s still Bogart and Bacall, and it’s a perfectly respectable and enjoyable film noir.
Newly Featured!

5:45pm – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
(repeats at 5:00am on the 1st)

9:15pm – IFC – The Cooler
In this under-the-radar film, William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty much his best role until 30 Rock.
(repeats at 3:15am on the 1st)

2:30am (1st) – Sundance – That Obscure Object of Desire
Luis Buñuel, ever one to come up with outlandish conceits, here directs two women playing the same role. The result is trippy and mesmerizing.

Saturday, August 1

6:00pm – TCM – The Wrong Man
Alfred Hitchcock made many variations on the “wrong man” scenario, but none so direct as this one, starring Henry Fonda as a man mistakenly arrested. It’s not one of my favorite Hitchcock films, but it has a lot of interesting things going on, especially the way he depicts Fonda’s terror and helplessness in the face of the unrelenting police.
Newly Featured!

8:00pm – TCM – The Grapes of Wrath
This is one of those huge omissions in my film-watching repertoire. I’ve meant to watch John Ford’s homage to the dust bowl farmers of the 1930s for years, but have never quite gotten around to it.
Newly Featured!

Sunday, August 2

2:00pm – TCM – A Star is Born (1954)
Judy Garland’s big comeback film after four years away from the screen dealing with drug problems doesn’t disappoint – she’s a starlet who’s discovered by nearly-washed-up actor James Mason, who marries her and gives her a career break only to see her star rise far above his. Musical numbers like “The Man That Got Away” show Judy at her best and most tragic simultaneously.
Newly Featured!

5:40pm – IFC – Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties. And there’s an undertow. Oh, and by the way, that’s a good thing. ;)
Newly Featured!

10:00pm – TCM – North by Northwest
Roger O. Thornhill (Cary Grant) gets mistaken for George Kaplan and pulled into an elaborate web of espionage in one of Hitchcock’s most enjoyable and funniest thrillers. So many great scenes it’s impossible to list them all. Must See

Film on TV: June 8-14

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Singin’ in the Rain, playing Tuesday, June 9th at 12:30am on TCM

This week, TCM continues their celebration of great directors with Stanley Donen, Fred Zinnemann, Preston Sturges, Akira Kurosawa, Woody Allen, Billy Wilder, and Howard Hawks. They also seem to be doing director mini-marathons for John Huston, Michael Powell & Emeric Pressburger, and Val Lewton/Jacques Tourneur, though they aren’t officially in the Great Director series. Whether they should be or not is definitely arguable. And IFC and Sundance have a few gems to throw in, as well.

Monday, June 8

12:45pm – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).

6:15pm – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.

Great Directors on TCM: Stanley Donen
Stanley Donen shone at directing flashy musicals and mod comedies throughout the 1950s and 1960s. The films he co-directed with Gene Kelly (On the Town and Singin’ in the Rain, see below) stand among the best musicals ever made, and his later films like Charade and Arabesque merged Hitchcockian thrills with 1960s comic panache in a way that no-one else really matched.

9:00pm – TCM – On the Town
Sailors on leave Gene Kelly, Frank Sinatra, and Jules Munshin hit New York City, spending the day sightseeing and searching for Kelly’s dream girl Vera-Ellen, meanwhile picking up Betty Garrett and Ann Miller for the other boys. Not much plot here, but enough to precipitate some of the best song and dance numbers on film. Also one of the first musicals shot on location. Must See

9:45pm – IFC – Far From Heaven
Director Todd Haynes homages 1950s melodrama king Douglas Sirk with this film, loosely based on Sirk’s All That Heaven Allows. I don’t think he succeeded as well as he might’ve (Sirk’s sort of in a class by himself), but he and lead Julianne Moore make a darn good attempt. Moore plays a 1950s housewife, trapped in her marriage to a man struggling with his own sexual identity (Dennis Quaid), and slowly falling into an affair with her black gardener (Dennis Haysbert).
(repeats at 3:30am)

10:45pm – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).

12:30am (9th) – TCM – Singin’ in the Rain
After On the Town, Stanley Donen and Gene Kelly teamed up for what is now usually considered one of the greatest musicals of all time. Inspired by songs written by MGM producer Arthur Freed at the beginning the sound era, Singin’ in the Rain takes that seismic shift in film history for its setting, focusing on heartthrob screen couple Don Lockwood (Kelly) and Lina Lamont (the hilarious Jean Hagen) as the transition into sound – problem being that Lamont’s voice, like many actual silent screen stars, doesn’t fit her onscreen persona. Hollywood’s often best when it turns on its own foibles, and this is no exception. Must See

2:30am (9th) – TCM – Seven Brides for Seven Brothers
What do you do when you’re seven brothers in the backwoods and need wives? Why, go kidnap them of course! Patriarchal values aside, Seven Brides is one of the most entertaining movie musicals ever made, and I defy anyone to outdo the barn dance/raising scene.

Tuesday, June 9

6:00am – TCM – I Know Where I’m Going!
This is one of those little films that doesn’t get much press and is very quiet and unassuming, but once you watch it you won’t easily forget it. Wendy Hiller is a confident young woman who knows exactly what she wants and where she’s going – that is, to meet her wealthy fiance and marry him on one of the Scottish Hebrides. But when a storm strands her on the way, she finds herself thrown off-course in more ways than one. There’s nothing wasted here, and I Know Where I’m Going! stands as one of Michael Powell and Emeric Pressburger’s crowning achievements, even if it’s not as well-known as Black Narcissus or The Red Shoes.

1:00pm – TCM – A Matter of Life and Death
An RAP pilot bails out of his crashing plane and survives, even though he was meant to die, due to a mix-up in heaven. He’s granted the chance to plead his case for life in a heavenly trial in Powell & Pressburger’s fantasy drama. I haven’t seen this one, but I have friends who place it among their all-time favorites, so I’m looking forward to it.

5:15pm – TCM – The Life and Death of Colonel Blimp
Another Powell & Pressburger film I haven’t seen, this one follows an idealistic army colonel from the Boer War through WWII, focusing on his romantic pursuits as well as the changes in military strategy and notions of honor. I find WWI films interesting for the juxtaposition of modern warfare with 19th century nobility, and looks like this will draw on that. Plus, really young Deborah Kerr.

6:05pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.

Great Directors on TCM: Fred Zinnemann
I don’t tend to think of Fred Zinnemann when I think of great directors, and I’m sure that’s influenced by my auteurist outlook. Yet I do quite like several of the films he’s directed, such as the ones below.

8:00pm – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.

9:30pm – TCM – Oklahoma!
I can’t begin to guess how many times I watched Oklahoma! growing up, but it’s well into double-digits. It’s a nothing story, about minor conflicts between farmers and cowboys, a couple of young lovers, and the obsessive farmhand who wants the girl for himself. It’s the way the music and dancing is integrated that’s wonderful (and groundbreaking in the 1943 play the film is based on). It’s worthwhile just for the surreal dream ballet in the middle.

12:00M – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.

Wednesday, June 10

6:00am – TCM – Kiss Me Kate
It’s hard to improve Shakespeare, but it usually works best to place his stories and words in a new context. Kiss Me Kate does just that by coupling a musical version of Taming of the Shrew with a backstage story that mirrors Shrew‘s fighting protagonists. Great supporting work from Ann Miller, James Whitmore, Keenan Wynn, etc. helps out leads Howard Keel and Kathryn Grayson considerably, as do Cole Porter’s songs.

7:00am – Sundance – Nights of Cabiria
Nights of Cabiria and La Strada, two films that Federico Fellini made during his sorta-neo-realist phase in the mid-1950s with Giulietta Masina, always stand out to me almost even more than his more famous, more flamboyant 1960s films like 8 1/2 and La Dolce Vita. Nights of Cabiria casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen. Must See
(repeats at 6:00pm, and 1:00pm on the 13th, and 5:00am on the 14th)

Great Directors on TCM: Preston Sturges
Preston Sturges is responsible, as writer and director, for many of the most insane, provocative, and lasting comedies of the early 1940s. He consistently pushed envelopes, and while some of his films may come across a little shrill today, I still love them to pieces.

8:00pm – TCM – The Lady Eve
Barbara Stanwyck and her father Charles Coburn are cardplayers, cheating cruise ship denizens of their wealth. Millionaire (and snake afficianado) Henry Fonda is a good mark, especially since he’s a bit dense and spacey. Stanwyck’s plot is hugely elaborate, only a little muddled by her falling in love with Fonda as well, and she’s a delight from start to finish. As she usually is. Must See

10:00pm – TCM – Sullivan’s Travels
Sullivan’s Travels is a slightly more serious turn for Preston Sturges, but ultimately upholds his comedic tendencies. Joel McCrea is a filmmaker known for his comedies who decides he wants to make a serious film about the depression; but as a successful Hollywood director, he doesn’t know anything about poverty and the working class, so he embarks on an odyssey to learn about them, picking up waifish Veronica Lake as a traveling companion. Must See

12:00M – TCM – The Palm Beach Story
Similar in tone but less consistent than The Lady Eve, this film follows bickering couple Joel McCrea and Claudette Colbert as she leaves him to gold dig for a richer man. He follows her, pretending to be her brother, and they get all entangled with a wealthy brother and sister. The ending is a weak bit of trickery, but there are enough moments of hilarity to make it worth watching.

2:00am (11th) – The Miracle of Morgan’s Creek
Preston Sturges’ zaniest and most irreverent comedy gives Betty Hutton her best role as Trudy Kockenlocker, who goes out for a night on the town with a group of soldiers about to ship out. A few months later, she finds out she’s pregnant and can only vaguely remember an impromptu wedding ceremony with a soldier who may or may not be named Ratskiwatski. I’m always impressed that Sturges got away with as much as he did in this film in 1944.

Thursday, June 11

7:45am – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.

2:00pm – TCM – The Maltese Falcon
Humphrey Bogart inhabits the role of Dashiell Hammett’s private eye Sam Spade, creating one of the definitive on-screen hard-boiled detective (vying only with Bogart’s Philip Marlowe in The Big Sleep, really). Not mention setting the early benchmark for noir films. Must See

3:45pm – TCM – The Treasure of the Sierra Madre
One of Bogart’s best films casts him as greedy prospector Fred C. Dobbs, who teams up with old-timer Walter Huston and youngster Tim Holt to find a horde of gold. Along the way, they uncover instead the darker sides of human nature. One of director John Huston’s most impressive films.

6:00pm – TCM – The African Queen
Yet another team up of John Huston and Humphrey Bogart pits Bogart against the Amazon river – and straight-laced missionary Katharine Hepburn, who is forced to travel with him to escape Germany enemies. Well, boats are small, and one things leads to another, you know.

Great Directors on TCM : Akira Kurosawa
Between his flawless translations of American genre films (especially crime films and westerns) to Japanese settings both contemporary and medieval, his groundbreaking experiments with cinematic point of view and narrative reliability, and his brilliant juxtapositions of Shakespeare with Japanese tradition, Akira Kurosawa can easily claim to be one of the greatest and most influential directors of all time.

8:00pm – TCM – The Seven Samurai
Probably Kurosawa’s best-known film, The Seven Samurai is an eastern version of a Western, with down-on-their-luck samurai (led by Kurosawa regular Toshiro Mifune) working together to help a ravaged village hold off bandit invaders. Completing the cycle of cinematic borrowing, the film was remade in the US as The Magnificent Seven. Must See

10:00pm – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision.

Friday, June 12

12:30pm – TCM – Out of the Past
Out of the Past comes up in most conversations about film noir. It’s got all the elements: low-key lighting (due in this case to budgetary concerns), an existential anti-hero (Robert Mitchum), a femme fatale (Jane Greer), etc. It’s honestly not my favorite noir, but it’s a good one to see once.

2:00pm – Sundance – A Woman Under the Influence
Gena Rowlands gives a tour-de-force performance as Mabel, a woman whose teetering madness threatens her marriage to Nick (Peter Falk). Their relationship edges back and forth between love, frustration, and anger with amazing quickness, yet it’s not clear whether Mabel’s instability is causing the problems, or the other way around. John Cassavetes directs with an unwavering camera, refusing to look away.

5:15pm – TCM – I Walked With a Zombie
Or, Jane Eyre in the West Indies. In Val Lewton’s moody little fantastic horror flick, mousy nurse Betsy goes to the Caribbean to care for afflicted Jessica, the wife of an important plantation owner. Turns out her affliction is due to zombification, a curse of the voodoo-practicing natives. Certainly the acting and script are nothing special here, but the noirish cinematography and direction by Jacques Tourneur as well as producer Lewton’s peculiarly literary sensibility certainly are.

6:30pm – TCM – Cat People
Val Lewton and Jacques Tourneur team up for this suggestive horror film, tapping into Eastern European legends of women who turn into cats to protect themselves against oppressive male attention. Highly creepy while showing almost nothing – and I happen to quite like that in a film.

Great Directors on TCM: Woody Allen
Woody Allen is one of the most prolific writer/directors currently working, having turned out a new film nearly every year since the early 1970s. He’s gone through several creative phases, gained and lost popularity, been in and out of the tabloids, etc etc ad nauseum. But when he’s on, he manages to create films that are by turn watchably philosophical, absurdly hilarious, movingly emotional, cinematically and personally nostalgic, and caustically witty. TCM’s hitting almost every base with the films they’ve chosen – throw in Crimes and Misdemeanors and it’d be perfect.

9:45pm – TCM – Broadway Danny Rose
In this lesser Woody Allen film, Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not only does Danny worry about the tenor’s wife, he also gets himself in trouble with the woman’s family.

11:15pm – TCM – Hannah and Her Sisters
Say what you want about Annie Hall and even Manhattan, both of which I love, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do. Must See

1:15am (13th) – TCM – The Purple Rose of Cairo
A love letter to cinema, The Purple Rose of Cairo has Woody Allen at his most romantic. Unhappy housewife Cecilia (Mia Farrow) escapes to the cinema to see The Purple Rose of Cairo again and again, where she fantasizes over hunky character Tom Baxter (Jeff Daniels). Much to her surprise (and the other characters’ consternation), Baxter steps off the screen to join her. It makes it even more complicated when Gil, the actor who played Baxter, turns up as well.

2:45am (13th) – TCM – Interiors
In case anyone doubted Woody Allen’s admiration for Ingmar Bergman, he made this film to prove it. Interiors is about the best imitation of a Bergman chamber drama you could ask for, down to the spare set design, strained family relations, and a climax involving an angry sea. Still, it is also very much Allen’s film – his first straight drama – focusing on deeply neurotic, introspective characters unable to get outside their own heads for long enough to form really true relationships.

4:30am (13th) – TCM – Take the Money and Run
An early Woody Allen movie, when he was mostly focused on being funny and absurd, and this film about a set of totally inept bank robbers is both. It’s actually my favorite of the pre-Annie Hall Allen films.

Saturday, June 13

Great Directors on TCM: Billy Wilder
Billy Wilder had an incredible ability to make definitive films in most genres – screwball comedy, film noir, socially conscious drama, bittersweet comedy-drama. Rarely are his films bad; most of the time they’re brilliant.

8:30am – TCM – The Apartment
Wilder had a knack for combining comedy and drama into bittersweet goodness, and that’s exactly what he does here, garnering Oscars for Picture, Director, and Screenplay in the process. Jack Lemmon lends his apartment to his boss Fred MacMurray for romantic trysts – a situation that gets even more complicated when MacMurray trysts with Shirley MacLaine, who Lemmon happens to love from afar. Everything comes together perfectly in this film, one of Wilder’s best. MUST SEE

3:30pm – TCM – Some Like It Hot
After musicians Tony Curtis and Jack Lemmon unwittingly witness the St. Valentines Day Massacre, they have to escape the mob by impersonating women and joining an all-girls band. The fact that Marilyn Monroe is the band’s lead singer doesn’t help them stay undercover. Easily one of the greatest comedies ever put on film. Must See

8:00pm – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
(repeats at 1:00am on the 14th)

10:15pm – TCM – Double Indemnity
Quite probably the most definitive film noir film in existence (vying only with The Big Sleep in my head, anyway) has insurance salesman Walter Neff (Fred MacMurray) being seduced by bored housewife Phyllis Dietrichson (Barbara Stanwyck) and convinced by her to help murder her husband for the insurance money. Wilder’s crackling dialogue and Stanwyck’s perfectly tuned mixture of calculation and innocence can hardly be beat. Must See

12:15am (14th) – TCM – Sunset Boulevard
Billy Wilder’s classic noir explores the dark side of the rich and formerly famous, as a struggling screenwriter (William Holden) gets involved with a silent screen star seeking to make a comeback in the sound era. In one of the most brilliant cast films ever, actual silent screen star Gloria Swanson returned to the movies to play the delusional Norma Desmond and actual silent star/director Erich von Stroheim (who worked with Swanson on the never-finished Queen Kelly, portions of which appear in Sunset Boulevard) plays her former director/current butler. The film is a bit on the campy side now, but that doesn’t diminish its enjoyability one bit. Must See

Sunday, June 14

Great Directors on TCM: Howard Hawks
Even more so than Wilder, Howard Hawks genre-shifted with ease, including westerns and musicals along with comedies, action films, noir and drama. Yet they all somehow bore his stamp, making him one of the first directors given auteur status by the French film critics who coined the term. (I tend to have more difficulty finding his stamp than I do with, say, Hitchcock – someday I’m going to a specifically auterist study of Hawks so I can write about him more knowledgably. For now I only know that I usually like most everything he did.)

9:30am – TCM – Sergeant York
Gary Cooper won his first Oscar for this film, portraying pacifist-turned-WWI hero Alvin C. York. Unfortunately, I’ve never actually seen it all the way through, so I don’t have much more to offer about it.

12:00N – TCM – Bringing Up Baby
Poor Cary Grant just can’t get away from delightfully ditzy Katharine Hepburn, especially after her dog steals his museum’s priceless dinosaur bone. Oh, and after her pet leopard escapes (and a dangerous zoo leopard escapes at the same time). Incredible situation follows incredible situation in this screwiest of all screwball comedies. Must See

2:00pm – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for.

4:00pm – TCM – His Girl Friday
This is a remake of a 1931 film called The Front Page about newspaper buddies who go after a major story – Hawks took it to a whole new level by turning one of the men into a woman, and setting reporters Rosalind Russell and Cary Grant as a former couple, now divorced who can’t seem to stay apart, either personally or professionally. The dialogue is a stroke of genius, as well, overlapping in a maelstrom of words that’s overwhelming and delightful all at the same time. I call this one of the greatest American films ever made. Must See

6:00pm – TCM – Ball of Fire
Hawks tries to recapture a little bit of Bringing Up Baby in this tale of a showgirl (Barbara Stanwyck, who’s trying to recapture a bit of The Lady Eve) who ends up among a bunch of stuffy professors, including Gary Cooper. Ball of Fire isn’t as memorable as either of those other films, but it has its own charm, and it’s certainly worth a watch.

8:00pm – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. It’s honestly mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.

10:00pm – TCM – The Big Sleep
Only one of the greatest detective/mysteries/films noir ever made. Humphrey Bogart is the definite hard-boiled detective, Lauren Bacall is the potential love interest/femme fatale. Don’t try to follow the story; whodunit is far less important than crackling dialogue and dry humor. Watch out for future Oscar-winner Dorothy Malone (Written on the Wind) in the small but extremely memorable part of the bookshop girl. Must See

12:00M – TCM – Only Angels Have Wings
I’ve never gotten into Only Angels Have Wings as much as I have into other Hawks’ films – why I don’t know. It has elements I like – Cary Grant as a daring pilot making dangerous cargo runs in exotic locales, Jean Arthur in an uncharacteristically dramatic turn, and a sighting of a young Rita Hayworth. Just doesn’t seem to come together in a memorable whole for me.

Film on TV: 24-30 Nov 2008

Monday, November 24

9:00pm EST / 8:00pm CST – IFC – The Proposition
One of the best reviewed westerns in recent memory hails from Australia; the “proposition” is that outlaw Guy Pearce, in order to save himself and his younger brothers from corrupt lawmen, must find and kill his estranged oldest brother. I honestly didn’t like the movie as much as most critics – a bit too realistically violent for me – but it’s been influential already on newer westerns like 3:10 to Yuma. And director John Hillcoat is currently working on the adaptation of Cormac McCarthy’s The Road, which should be pretty stark (in a good way), if this film is any indication. (repeats at 1:00am, Tuesday Nov. 24)

10:15pm / 9:15pm – TCM – Witness for the Prosecution
The last great film for three classic Hollywood actors: Charles Laughton (as a brilliant but ailing laywer), Tyrone Power (as the murder suspect Laughton defends), and Marlene Dietrich (as Power’s wife and the titular witness). Billy Wilder writes and directs this twisty-turny courtroom drama, which is beginning to creak a little more than Wilder’s best, but is still worth it for Laughton and Dietrich’s performances.

Tuesday, November 25

1:15pm / 12:15pm – TCM – Arsenic and Old Lace
One of the zaniest comedies you’ll ever see has kindly old ladies poisoning lonely men for their own good. When their nephew Mortimer (Cary Grant) finds out he tries to get them committed, but even more hijinks are in order when another murdering relative turns up (Raymond Massey, with sidekick Peter Lorre in tow). A change of pace for director Frank Capra, and a good one at that.

Wednesday, November 26

12:00pm / 11:00am – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.

8:00pm / 7:00pm – TCM – West Side Story
Stylized musicals based on Shakespeare for the win!

10:45pm / 9:45pm – TCM – The King and I
I still love Oklahoma! the best of all the Rodgers & Hammerstein musicals, but The King and I is a really close second. Having Yul Brynner and Deborah Kerr around doesn’t hurt.

1:00am / 12:00am (27th) – TCM – My Fair Lady
You oughta see My Fair Lady at least once, so here it is.

Thursday, November 27

6:30am / 5:30am – TCM – That’s Entertainment!
In 1974, MGM celebrated its glorious musical past by producing this compilation film hosted by Frank Sinatra, Gene Kelly, Fred Astaire, Debbie Reynolds, Elizabeth Taylor, James Stewart, and others looking back on MGM’s history (specifically musicals) from the advent of sound through the 1950s. It’s a great overview of Hollywood’s golden age, studio-specific as it is, and chock-full of great musical moments. Two years later, That’s Entertainment! Part 2 showed that MGM had more than one feature worth of great moments, and added in some non-musical sections as well.

10:15am / 9:15am – TCM – Guys and Dolls
Damon Runyon’s slice-of-Broadway-life musical comes to film with Marlon Brando as an unlikely musical leading man, but he muscles through, with the help of Frank Sinatra and Vivian Blaine, who steal the show as a fast-talking gambler and his long-suffering fiancee. Some great tunes, including “Luck Be a Lady,” don’t hurt either.

1:00pm / 12:00pm – Sundance – Monsoon Wedding
A good intro to Indian film (though it’s not really an Indian film) from Mira Nair – she’s got a great visual eye and this is easily her best film.

4:45pm / 3:45pm – TCM – Fiddler on the Roof
A Tzarist-era Russian Jewish village doesn’t seem a particularly likely place to set a musical, but Fiddler on the Roof does a good job of it, exploring the clashing cultures as patriarch Tevye tries to marry his daughters off to good Jewish husbands with decreasing success.

3:15am / 2:15am – TCM – You Can’t Take It With You
Frank Capra’s Best Picture Oscar winner from 1938 is still a wacky good time, as Jean Arthur’s unconventional family bumps heads with her new boyfriend Jimmy Stewart’s family of conservative bankers. There’s perhaps more fluff than substance here, but that’s not always bad.

Friday, November 28

10:00am / 9:00am – IFC – Picnic at Hanging Rock
I have a love-hate relationship with Aussie director Peter Weir. His films are almost always slow and methodical, which works for me sometimes and not others. It works in Picnic at Hanging Rock, one of his earlier films, in which a group of schoolgirls goes into the wilderness for a picnic and mysteriously disappear. (Repeats at 4:05pm EST.)

6:00pm / 5:00pm – TCM – Mildred Pierce
I used to roll my eyes at the very idea of melodrama. Mildred Pierce is one of the films that changed my mind, and taught me to see value in the melodrama as a legitimate genre. Joan Crawford, despite her star status, isn’t a terribly versatile actress, but Mildred is possibly her most perfectly fitting role – a working class woman who claws her way to prosperity in any way she can, much as Crawford herself had done working her way into the movies in the 1920s. Oh, and there’s murder and evil children and stuff along the way, too.

11:30pm / 10:30pm – TCM – The Misfits
I swear I have seen this, but I couldn’t tell you much about the plot. *sets own DVR* What I can tell you is that this is the last completed film for both Marilyn Monroe and Clark Gable, and they both go out at the top of their game.

Saturday, November 29

6:15am / 5:15am – IFC – Everyone Says I Love You
Nowhere near Woody Allen’s best, but a sunny fun time nonetheless, with a great cast randomly breaking out into song and dance. I will admit a large soft spot for movies in which people randomly break out into song and dance. Just for the record. (Repeats at 2:45pm EST.)

8:00am / 7:00am – IFC – Throne of Blood
Akira Kurosawa does Shakespeare’s Macbeth. I haven’t seen this one myself, but it’s got a good rep, and if it’s anything like as good as Ran (his version of King Lear, which is essentially the only version of King Lear I like, including the original play), it’s pretty darn good.

8:00pm / 7:00pm – TCM – The Postman Always Rings Twice
Sizzling adaptation of James M. Cain’s classic pulp novel has Lana Turner as the unhappy wife of a middle-of-nowhere gas station owner and John Garfield as the drifter who drops in and plots her husband’s demise with her. Skip the 1982 remake, from what I’ve heard, but if you’re feeling adventurous, check out Luchino Visconti’s Ossession, a 1943 Italian adaptation of the novel widely considered to be a forerunner of the Italian Neo-Realist movement.

10:00pm / 9:00pm – TCM – Hannah and Her Sisters
Say what you want about Annie Hall, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do.

Sunday, November 30

10:00am / 9:00am – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for. Howard Hawks directs, yet more proof that the man can do anything.