{"id":20582,"date":"2011-04-27T12:24:04","date_gmt":"2011-04-27T19:24:04","guid":{"rendered":"http:\/\/www.the-frame.com\/?page_id=20582"},"modified":"2012-06-29T12:42:29","modified_gmt":"2012-06-29T19:42:29","slug":"full-to-watch-list","status":"publish","type":"page","link":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/full-to-watch-list\/","title":{"rendered":"Full To-Watch List"},"content":{"rendered":"<h3>Rewatch List<\/h3>\n<ul>\n<li><em>October<\/em> (1928 &#8211; Sergei Eisenstein)<\/li>\n<li><em>The Invisible Man<\/em> (1933 &#8211; James Whale)<\/li>\n<li><em>The Kennel Murder Case<\/em> (1933 &#8211; Michael Curtiz)<\/li>\n<li><strike><em>The Lady Vanishes<\/em> (1938 &#8211; Alfred Hitchcock)<\/strike><\/li>\n<li><em>The Rules of the Game<\/em> (1939 &#8211; Jean Renoir)<\/li>\n<li><strike><em>Black Narcissus<\/em> (1947 &#8211; Powell &#038; Pressburger)<\/strike><\/li>\n<li><em>The Wages of Fear<\/em> (1953 &#8211; Henri-Georges Clouzot)<\/li>\n<li><em>Pickup on South Street<\/em> (1953 &#8211; Samuel Fuller)<\/li>\n<li><em>The Seven Samurai<\/em> (1954 &#8211; Akira Kurosawa)<\/li>\n<li><em>The Seventh Seal<\/em> (1957 &#8211; Ingmar Bergman)<\/li>\n<li><em>Carnival of Souls<\/em> (1962 &#8211; Herk Harvey)<\/li>\n<li><em>Divorce &#8211; Italian Style<\/em> (1962 &#8211; Pietro Germi)<\/li>\n<li><em>Arabesque<\/em> (1964 &#8211; Stanley Donen)<\/li>\n<li><em>Alphaville<\/em> (1965 &#8211; Jean-Luc Godard)<\/li>\n<li><em>Doctor Zhivago<\/em> (1965 &#8211; David Lean)<\/li>\n<li><em>Seconds<\/em> (1966 &#8211; John Frankenheimer)<\/li>\n<li><em>Masculin Feminin<\/em> (1966 &#8211; Jean-Luc Godard)<\/li>\n<li><em>Two or Three Things I Know About Her<\/em> (1967 &#8211; Jean-Luc Godard)<\/li>\n<li><em>One Flew Over the Cuckoo&#8217;s Nest<\/em> (1975 &#8211; Milos Forman)<\/li>\n<li><em>The Jerk<\/em> (1979 &#8211; Steve Martin)<\/li>\n<li><em>Airplane!<\/em> (1980 &#8211; Jerry Zucker)<\/li>\n<li><em>Time Bandits<\/em> (1981 &#8211; Terry Gilliam)<\/li>\n<li><em>The Secret of NIMH<\/em> (1982 &#8211; Don Bluth)<\/li>\n<li><strike><em>Ghostbusters<\/em> (1984 &#8211; Ivan Reitman)<\/strike><\/li>\n<li><em>Blue Velvet<\/em> (1986 &#8211; David Lynch)<\/li>\n<li><em>Raising Arizona<\/em> (1987 &#8211; Joel &#038; Ethan Coen)<\/li>\n<li><em>La Femme Nikita<\/em> (1990 &#8211; Luc Besson)<\/li>\n<li><em>Reservoir Dogs<\/em> (1992 &#8211; Quentin Tarantino)<\/li>\n<li><em>The Player<\/em> (1992 &#8211; Robert Altman)<\/li>\n<li><em>Pulp Fiction<\/em> (1994 &#8211; Quentin Tarantino)<\/li>\n<li><em>Lost Highway<\/em> (1997 &#8211; David Lynch)<\/li>\n<li><em>The Virgin Suicides<\/em> (1999 &#8211; Sofia Coppola)<\/li>\n<li><em>Gosford Park<\/em> (2001 &#8211; Robert Altman)<\/li>\n<li><em>The Man Who Wasn&#8217;t There<\/em> (2002 &#8211; Joel &#038; Ethan Coen)<\/li>\n<li><em>A Very Long Engagement<\/em> (2003 &#8211; Jean-Pierre Jeunet)<\/li>\n<li><em>The 25th Hour<\/em> (2004 &#8211; Spike Lee)<\/li>\n<li><em>Master and Commander: The Far Side of the World<\/em> (2003 &#8211; Peter Weir)<\/li>\n<li><em>Gangs of New York<\/em> (2004 &#8211; Martin Scorsese)<\/li>\n<li><em>There Will Be Blood<\/em> (2007 &#8211; P.T. Anderson)<\/li>\n<\/ul>\n<h3>Watch List for Jonathan<\/h3>\n<ul>\n<li><strike><em>Double Indemnity<\/em> (1944 &#8211; Billy Wilder)<\/strike><\/li>\n<li><strike><em>The Lady Eve<\/em> (1941 &#8211; Preston Sturges)<\/strike><\/li>\n<li><em>The 400 Blows<\/em> (1959 &#8211; Fran&ccedil;ois Truffaut)<\/li>\n<li><em>A Hard Day&#8217;s Night<\/em> (1964 &#8211; Richard Lester)<\/li>\n<li><em>The Young Girls of Rochefort<\/em> (1967 &#8211; Jacques Demy)<\/li>\n<li><em>Bedazzled<\/em> (1967 &#8211; Stanley Donen)<\/li>\n<li><em>Suspiria<\/em> (1977 &#8211; Dario Argento)<\/li>\n<li><em>Le samourai<\/em> (1967 &#8211; Jean-Pierre Melville)<\/li>\n<li><em>Detour<\/em> (1945 &#8211; Edgar Ulmer)<\/li>\n<li><em>Hausu<\/em> (1977)<\/li>\n<li><em>Ball of Fire<\/em> (1942 &#8211; Howard Hawks)<\/li>\n<li><em>Abbott and Costello Meet Frankenstein<\/em> (1948 &#8211; Charles Barton)<\/li>\n<li><em>Le cercle rouge<\/em> (1970 &#8211; Jean-Pierre Melville)<\/li>\n<li><em>Carnival of Souls<\/em> (1962 &#8211; Herk Harvey)<\/li>\n<\/ul>\n<h3>France<\/h3>\n<h4>Silents<\/h4>\n<ul>\n<li><b><em>Fant&ocirc;mas<\/em><\/b> (1913-1914 &#8211; Louis Feuillade)<\/li>\n<li><b><em>Les vampires<\/em><\/b> (1916 &#8211; Louis Feuillade)<\/li>\n<li><em>J&#8217;accuse<\/em> (1919 &#8211; Abel Gance)<\/li>\n<li><em>The Smiling Madame Beudet<\/em> (1922 &#8211; Germaine Dulac)<\/li>\n<li><em>La roue<\/em> (1923 &#8211; Abel Gance)<\/li>\n<li><b><em>Napol&eacute;on<\/em><\/b> (1927 &#8211; Abel Gance)<\/li>\n<li><em>The Italian Straw Hat<\/em> (1927 &#8211; Ren&eacute; Clair)<\/li>\n<li><em>L&#8217;Argent<\/em> (1928 &#8211; Marcel L&#8217;Herbier)<\/li>\n<\/ul>\n<h4>Jean Renoir<\/h4>\n<ul>\n<li><em>La chienne<\/em> (1931)<\/li>\n<li><b><em>Boudu Saved from Drowning<\/em><\/b> (1932)<\/li>\n<li><b><em>A Day in the Country<\/em><\/b> (1936)<\/li>\n<li><b><em>The Lower Depths<\/em><\/b> (1936)<\/li>\n<li><b><em>The Crime of Monsieur Lange<\/em><\/b> (1936)<\/li>\n<li><b><em>La bete humaine<\/em><\/b> (1938)<\/li>\n<li><em>Swamp Water<\/em> (1941, USA)<\/li>\n<li><em>This Land is Mine<\/em> (1943, USA)<\/li>\n<li><em>The Southerner<\/em> (1945, USA)<\/li>\n<li><b><em>The Diary of a Chambermaid<\/em><\/b> (1945, USA)<\/li>\n<li><em>The Woman on the Beach<\/em> (1947, USA)<\/li>\n<li><em>The River<\/em> (1951, USA)<\/li>\n<li><b><em>The Golden Coach<\/em><\/b> (1953, USA\/France\/Italy)<\/li>\n<li><em>French Cancan<\/em> (1955)<\/li>\n<li><em>Elena and Her Men<\/em> (1956)<\/li>\n<li><em>The Doctor&#8217;s Horrible Experiment<\/em> (1959)<\/li>\n<li><em>Picnic on the Grass<\/em> (1959)<\/li>\n<li><em>The Elusive Corporal<\/em> (1962)<\/li>\n<li><em>The Little Theatre of Jean Renoir<\/em> (1969)<\/li>\n<\/ul>\n<h4>Robert Bresson<\/h4>\n<ul>\n<li><em>Les anges du p&eacute;ch&eacute;<\/em> (1943)<\/li>\n<li><b><em>Les dames du Bois de Boulogne<\/em><\/b> (1945)<\/li>\n<li><em>The Trial of Joan of Arc<\/em> (1962)<\/li>\n<li><b><em>Au hasard Balthasar<\/em><\/b> (1966)<\/li>\n<li><em>Mouchette<\/em> (1967)<\/li>\n<li><em>Une femme douce<\/em> (1969)<\/li>\n<li><em>Quatre nuits d&#8217;un r&ecirc;veur<\/em> (1971)<\/li>\n<li><em>Le diable probablement<\/em> (1977)<\/li>\n<li><em>L&#8217;argent<\/em> (1983)<\/li>\n<\/ul>\n<h4>Jean-Luc Godard<\/h4>\n<ul>\n<li><b><em>Les carabiniers<\/em><\/b> (1963)<\/li>\n<li><b><em>Une femme mari&eacute;e<\/em><\/b> (1964)<\/li>\n<li><b><em>La Chinoise<\/em><\/b> (1967)<\/li>\n<li><b><em>Le gai savoir<\/em><\/b> (1968)<\/li>\n<li><em>Cin&eacute;-tracts<\/em> (1968)<\/li>\n<li><em>Sympathy for the Devil<\/em> (1968)<\/li>\n<li><em>British Sounds<\/em> (1969<\/li>\n<li><em>Pravda<\/em> (1969)<\/li>\n<li><em>Le vent d&#8217;est<\/em> (1969)<\/li>\n<li><em>Luttes en Italie<\/em> (1969)<\/li>\n<li><em>Vladimir et Rosa<\/em> (1971)<\/li>\n<li><b><em>Tout va bien<\/em><\/b> (1972)<\/li>\n<li><em>Letter to Jane<\/em> (1972)<\/li>\n<li><em>Ici et ailleurs<\/em> (1974)<\/li>\n<li><em>Num&eacute;ro deux<\/em> (1975)<\/li>\n<li><em>Comment &ccedil;a va?<\/em> (1976)<\/li>\n<li><em>Six fois deux, sur et sous la communication<\/em> (1976)<\/li>\n<li><em>France\/tour\/d&eacute;tour\/deux\/enfants<\/em> (1978)<\/li>\n<li><b><em>Sauve qui peut (la vie)<\/em><\/b> (1979)<\/li>\n<li><em>Every Man for Himself<\/em> (1980)<\/li>\n<li><b><em>Passion<\/em><\/b> (1982)<\/li>\n<li><b><em>Pr&eacute;nom Carmen<\/em><\/b> (1983)<\/li>\n<li><em>Hail Mary<\/em> (1985)<\/li>\n<li><b><em>D&eacute;tective<\/em><\/b> (1985)<\/li>\n<li><em>King Lear<\/em> (1987)<\/li>\n<li><em>Keep Your Right Up<\/em> (1987)<\/li>\n<li><em>Nouvelle Vague<\/em> (1990)<\/li>\n<li><em>Germany Year 90 Nine Zero<\/em> (1991)<\/li>\n<li><em>H&eacute;las pour moi<\/em> (1993)<\/li>\n<li><em>Hail Sarajevo<\/em> (1993)<\/li>\n<li><em>JLG\/JLG: Self-Portrait in December<\/em> (1994)<\/li>\n<li><em>2 x 50 ans de cin&eacute;ma fran&ccedil;ais<\/em> (1995)<\/li>\n<li><em>For Ever Mozart<\/em> (1996)<\/li>\n<li><em>Histoire(s) du cin&eacute;ma<\/em> (1988-1998)<\/li>\n<li><b><em>In Praise of Love<\/em><\/b> (2001)<\/li>\n<li><b><em>Notre musique<\/em><\/b> (2004)<\/li>\n<\/ul>\n<h4>Fran&ccedil;ois Truffaut<\/h4>\n<ul>\n<li><em>The Soft Skin<\/em> (1964)<\/li>\n<li><b><em>The Bride Wore Black<\/em><\/b> (1968)<\/li>\n<li><b><em>Stolen Kisses<\/em><\/b> (1968)<\/li>\n<li><em>Mississippi Mermaid<\/em> (1969)<\/li>\n<li><em>Bed and Board<\/em> (1970)<\/li>\n<li><em>The Wild Child<\/em> (1970)<\/li>\n<li><b><em>Two English Girls<\/em><\/b> (1971)<\/li>\n<li><em>Such a Gorgeous Kid Like Me<\/em> (1972)<\/li>\n<li><em>The Man Who Loved Women<\/em> (1977)<\/li>\n<li><em>The Green Room<\/em> (1978)<\/li>\n<li><em>Love on the Run<\/em> (1979)<\/li>\n<li><b><em>The Last Metro<\/em><\/b> (1980)<\/li>\n<li><em>The Woman Next Door<\/em> (1981)<\/li>\n<li><em>Confidentially Yours<\/em> (1983)<\/li>\n<\/ul>\n<h4>Claude Chabrol<\/h4>\n<ul>\n<li><b><em>Le Beau Serge<\/em><\/b> (1958)<\/li>\n<li><em>Les cousins<\/em> (1959)<\/li>\n<li><em>Les Godelureux<\/em> (1961)<\/li>\n<li><em>L&#8217;Oeil du Malin<\/em> (1962)<\/li>\n<li><em>Ophelia<\/em> (1963)<\/li>\n<li><em>Landru<\/em> (1963)<\/li>\n<li><em>Le Tigre aime la chair fraiche<\/em> (1964)<\/li>\n<li><em>Le Tigre se parfume &agrave; la dynamite<\/em> (1965)<\/li>\n<li><em>La Ligne de d&eacute;marcation<\/em><\/li>\n<li><em>Le Scandale<\/em> (1967)<\/li>\n<li><em>La route de Corinthe<\/em> (1967)\n<li><b><em>Les Biches<\/em><\/b> (1968)<\/li>\n<li><em>La femme infid&egrave;le<\/em> (1969)<\/li>\n<li><em>Que la b&ecirc;te meure<\/em> (1969)<\/li>\n<li><b><em>Le Boucher<\/em><\/b> (1970)<\/li>\n<li><em>La Rupture<\/em>(1970)<\/li>\n<li><em>Juste avant a nuite<\/em> (1971)<\/li>\n<li><em>La De&acute;cade prodigieuse<\/em> (1971)<\/li>\n<li><em>Dr. Popaul<\/em> (1972)<\/li>\n<li><em>Les Noces rouges<\/em> (1973)<\/li>\n<li><em>Nada<\/em> (1974)<\/li>\n<li><em>Une partie de plaisir<\/em> (1975)<\/li>\n<li><em>Les innocents aux mains sales<\/em> (1975)<\/li>\n<li><em>Les Magiciens<\/em> (1976)<\/li>\n<li><em>Folies bourgeoises<\/em> (1976)<\/li>\n<li><em>L&#8217;Animal<\/em> (1977)<\/li>\n<li><em>Alice ou la Derni&egrave;re Fugue<\/em> (1977)<\/li>\n<li><em>Les Liens de sang<\/em> (1978)<\/li>\n<li><em>Violette Nozi&egrave;re<\/em> (1978)<\/li>\n<li><em>Le Cheval d&#8217;orgueil<\/em> (1970)<\/li>\n<li><em>Les Fant&ocirc;mes du chapelier<\/em> (1982)<\/li>\n<li><em>Le Sang des autres<\/em> (1984)<\/li>\n<li><em>Polet au vinaigre<\/em> (1985)<\/li>\n<li><em>Inspecteur Lavardin<\/em> (1986)<\/li>\n<li><em>Masques<\/em> (1987)<\/li>\n<li><em>Le cri du hibou<\/em> (1988)<\/li>\n<li><em>The Story of Women<\/em> (1989)<\/li>\n<li><em>Jours tranquilles &agrave; Clichy<\/em> (1990)<\/li>\n<li><em>Doctor M<\/em> (1990)<\/li>\n<li><em>Madame Bovary<\/em> (1991)<\/li>\n<li><em>Betty<\/em> (1992)<\/li>\n<li><em>L&#8217;Oeil de Vichy<\/em> (1993)<\/li>\n<li><em>L&#8217;enfer<\/em> (1994)<\/li>\n<li><b><em>La c&eacute;r&eacute;monie<\/em><\/b> (1995)<\/li>\n<li><em>Rien ne va plus<\/em> (1997)<\/li>\n<li><em>Au coeur du mensange<\/em> (1999)<\/li>\n<li><em>Merci pour le chocolat<\/em> (2000)<\/li>\n<li><em>The Flower of Evil<\/em> (2002)<\/li>\n<li><em>The Bridesmaid<\/em> (2004)<\/li>\n<li><em>L&#8217;ivresse du pouvoir<\/em> (2006)<\/li>\n<li><em>A Girl Cut in Two<\/em> (2007)<\/li>\n<li><em>Inspector Bellamy<\/em> (2009)<\/li>\n<\/ul>\n<h4>Eric Rohmer<\/h4>\n<ul>\n<li><em>Le signe du lion<\/em> (1959)<\/li>\n<li><b><em>La collectioneuse<\/em><\/b> (1967)<\/li>\n<li><em>La Marquise d&#8217;O&#8230;<\/em> (1976)<\/li>\n<li><b><em>Perceval le Gallois<\/em><\/b> (1978)<\/li>\n<li><em>Catherine de Heilbronn<\/em> (1980)<\/li>\n<li><em>The Aviator&#8217;s Wife<\/em> (1981)<\/li>\n<li><em>Le Beau mariage<\/em> (1982)<\/li>\n<li><b><em>Pauline at the Beach<\/em><\/b> (1983)<\/li>\n<li><em>Full Moon in Paris<\/em> (1984)<\/li>\n<li><em>Le Rayon vert<\/em> (1986)<\/li>\n<li><em>My Girlfriend&#8217;s Boyfriend<\/em> (1987)<\/li>\n<li><em>Le trio en si b&eacute;mol<\/em> (1987)<\/li>\n<li><em>Four Adventures of Reinette and Mirabelle<\/em> (1987)<\/li>\n<li><em>A Tale of Springtime<\/em> (1990)<\/li>\n<li><em>A Tale of Winter<\/em> (1992)<\/li>\n<li><em>L&#8217;Arbre, le maire et la m&eacute;diath&egrave;que<\/em> (1993)<\/li>\n<li><em>Rendezvous in Paris<\/em> (1995)<\/li>\n<li><em>A Tale of Summer<\/em> (1996)<\/li>\n<li><em>A Tale of Autumn<\/em> (1998)<\/li>\n<li><em>The Lady and the Duke<\/em> (2000)<\/li>\n<li><em>Triple Agent<\/em> (2004)<\/li>\n<li><em>Les Amours d&#8217;Astr&eacute;e et de C&eacute;ladon<\/em> (2007)<\/li>\n<\/ul>\n<h4>Jacques Rivette<\/h4>\n<ul>\n<li><em>Paris Belongs to Us<\/em> (1960)<\/li>\n<li><em>The Nun<\/em> (1965)<\/li>\n<li><b><em>L&#8217;amour fou<\/em><\/b> (1968)<\/li>\n<li><b><em>Out 1<\/em><\/b> (1971)<\/li>\n<li><em>Out 1: Spectre<\/em> (1972)<\/li>\n<li><em>Sc&egrave;nes de la vie parall&egrave;le: 2: Duelle (une quarantane)<\/em> (1976)<\/li>\n<li><em>Sc&egrave;nes de la vie parall&egrave;le: 3: Noro&icirc;t (une vengeance)<\/em> (1976)<\/li>\n<li><em>Merry-Go-Round<\/em> (1981)<\/li>\n<li><em>Le Pont du Nord<\/em> (1981)<\/li>\n<li><em>L&#8217;Amour par terre<\/em> (1984)<\/li>\n<li><em>Hurlevent<\/em> (1985)<\/li>\n<li><em>La Bande de quatre<\/em> (1988)<\/li>\n<li><b><em>La belle noiseuse<\/em><\/b> (1991)<\/li>\n<li><em>La belle noiseuse: Divertimento<\/em> (1991)<\/li>\n<li><em>Jeanne la pucelle: 1. Les batailles<\/em> (1994)<\/li>\n<li><em>Jeanne la pucelle: 2. Les prisons<\/em> (1994)<\/li>\n<li><em>Haut\/bas\/fragile<\/em> (1995)<\/li>\n<li><em>Secret d&eacute;fense<\/em> (1998)<\/li>\n<li><b><em>Va savoir<\/em><\/b> (2001)<\/li>\n<li><em>Histoire de Marie et Julien<\/em> (2003)<\/li>\n<li><em>Ne touchez pas la hache<\/em> (2007)<\/li>\n<li><em>The Duchess of Langeais<\/em> (2007)<\/li>\n<li><em>36 vues de Pic Saint-Loup<\/em> (2009)<\/li>\n<\/ul>\n<h4>Agn&egrave;s Varda<\/h4>\n<ul>\n<li><b><em>Le bonheur<\/em><\/b> (1965)<\/li>\n<li><em>Lions Love<\/em> (1969)<\/li>\n<li><em>Daguerr&eacute;otypes<\/em> (1975)<\/li>\n<li><em>One Sings, the Other Doesn&#8217;t<\/em> (1977)<\/li>\n<li><em>Documenteur<\/em> (1980-1981)<\/li>\n<li><em>Jane B. par Agn&egrave;s V.<\/em> (1986-1987)<\/li>\n<li><em>Le Petit amour<\/em> (1987)<\/li>\n<li><em>Jacquot de Nantes<\/em> (1991)<\/li>\n<li><em>The Young Girl Turns 25<\/em> (1993)<\/li>\n<li><em>A Hundred and One Nights<\/em> (1994)<\/li>\n<li><b><em>The Gleaners and I<\/em><\/b> (2000)<\/li>\n<li><em>The Gleaners and I: Two Years Later<\/em> (2002)<\/li>\n<li><em>Le Lion volatil<\/em> (2003)<\/li>\n<li><em>Cin&eacute;vardaphoto<\/em> (2004)<\/li>\n<li><b><em>Les plages d&#8217;Agn&egrave;s<\/em><\/b> (2008)<\/li>\n<\/ul>\n<h4>Louis Malle<\/h4>\n<ul>\n<li><b><em>The Lovers<\/em><\/b> (1958)<\/li>\n<li><strike><b><em>Zazie dans le metro<\/em><\/b> (1960)<\/strike><\/li>\n<li><em>A Very Private Affair<\/em> (1962)<\/li>\n<li><b><em>The Fire Within<\/em><\/b> (1963)<\/li>\n<li><em>Viva Maria!<\/em> (1965)<\/li>\n<li><em>The Thief of Paris<\/em> (1967)<\/li>\n<li><em>Histoires extraordinaires<\/em> (1968)<\/li>\n<li><b><em>Murmur of the Heart<\/em><\/b> (1971)<\/li>\n<li><em>Pretty Baby<\/em> (1978)<\/li>\n<li><b><em>Atlantic City<\/em><\/b> (1981)<\/li>\n<li><b><em>My Dinner with Andre<\/em><\/b> (1981)<\/li>\n<li><em>Crackers<\/em> (1984)<\/li>\n<li><em>Alamo Bay<\/em> (1985)<\/li>\n<li><em>Milou en Mai<\/em> (1989)<\/li>\n<li><em>Damage<\/em> (1992)<\/li>\n<li><b><em>Vanya on 42nd Street<\/em><\/b> (1994)<\/li>\n<\/ul>\n<h4>Jean-Pierre Melville<\/h4>\n<ul>\n<li><em>Le silence de la mer<\/em> (1949)<\/li>\n<li><b><em>Les enfants terribles<\/em><\/b> (1950)<\/li>\n<li><em>Quand tu liras cette lettre<\/em> (1953)<\/li>\n<li><em>Deux hommes dans Manhattan<\/em> (1959)<\/li>\n<li><em>L&eacute;on Morin, pr&ecirc;tre<\/em> (1961)<\/li>\n<li>L&#8217;A&icirc;n&eacute; des Ferchaux<\/em> (1963)<\/li>\n<li><b><em>Army of Shadows<\/b><\/em> (1969)<\/li>\n<li><em>Un flic<\/em> (1972)<\/li>\n<\/ul>\n<h4>Other Nouvelle Vague<\/h4>\n<ul>\n<li><b><em>Night and Fog<\/em><\/b> (1955 &#8211; Alain Resnais)<\/li>\n<li><em>Amour de poche<\/em> (1957 &#8211; Pierre Kast)<\/li>\n<li><em>Les liaisons dangereuses<\/em> (1959 &#8211; Roger Vadim)<\/li>\n<li><em>Classe tout risques<\/em> (1960 &#8211; Claude Sautet)<\/li>\n<li><em>Un aussi longue absence<\/em> (1961 &#8211; Henri Colpi)<\/li>\n<li><b><em>Lola<\/em><\/b> (1961 &#8211; Jacques Demy)<\/li>\n<li><em>Muriel<\/em> (1963 &#8211; Alain Resnais)<\/li>\n<li><em>Judex<\/em> (1963 &#8211; Georges Franju)<\/li>\n<li><em>Un homme et une femme<\/em> (1966 &#8211; Claude Lelouch)<\/li>\n<li><em>The Swimming Pool<\/em> (1969 &#8211; Jacques Deray)<\/li>\n<li><em>The Donkey Skin<\/em> (1970 &#8211; Jacques Demy)<\/li>\n<li><b><em>Le maman et le putain<\/em><\/b> (1973 &#8211; Jean Eustache)<\/li>\n<li><em>Mon oncle d&#8217;Am&eacute;rique<\/em> (1980 &#8211; Alain Resnais)<\/li>\n<li><em>Wild Grass<\/em> (2009 &#8211; Alain Resnais)<\/li>\n<\/ul>\n<h4>Catherine Breillat<\/h4>\n<ul>\n<li><em>A Real Young Girl<\/em> (1976)<\/li>\n<li><em>Nocturnal Uproar<\/em> (1987)<\/li>\n<li><em>Virgin<\/em> (1988)<\/li>\n<li><em>Dirty Like an Angel<\/em> (1991)<\/li>\n<li><em>Perfect Love<\/em> (1996)<\/li>\n<li><b><em>Fat Girl<\/em><\/b> (2001)<\/li>\n<li><em>Brief Crossing<\/em> (2001)<\/li>\n<li><em>Sex is Comedy<\/em> (2002)<\/li>\n<li><em>Anatomy of Hell<\/em> (2004)<\/li>\n<li><em>The Last Mistress<\/em> (2007)<\/li>\n<li><em>Bluebeard<\/em> (2009)<\/li>\n<li><b><em>Sleeping Beauty<\/em><\/b> (2010)<\/li>\n<li><em>Bad Love<\/em> (2011)<\/li>\n<\/ul>\n<h4>Claire Denis<\/h4>\n<ul>\n<li><b><em>Chocolat<\/em><\/b> (1988)<\/li>\n<li><em>No Fear, No Die<\/em> (1990)<\/li>\n<li><em>I Can&#8217;t Sleep<\/em> (1994)<\/li>\n<li><em>Nenette and Boni<\/em> (1996)<\/li>\n<li><b><em>Beau Travail<\/em><\/b> (1999)<\/li>\n<li><em>Trouble Every Day<\/em> (2001)<\/li>\n<li><em>Friday Night<\/em> (2002)<\/li>\n<li><em>The Intruder<\/em> (2004)<\/li>\n<li><b><em>35 Shots of Rum<\/em><\/b> (2007)<\/li>\n<li><b><em>White Material<\/em><\/b> (2009)<\/li>\n<\/ul>\n<h4>Catherine Deneuve<\/h4>\n<h4>Jeanne Moreau<\/h4>\n<h4>Anna Karina<\/h4>\n<h4>Melanie Laurent<\/h4>\n<h4>Others<\/h4>\n<ul>\n<li><em>Under the Roofs of Paris<\/em> (1930 &#8211; Ren&eacute; Clair)<\/li>\n<li><em>Le million<\/em> (1931 &#8211; Ren&eacute; Clair)<\/li>\n<li><em>Marius<\/em> (1931 &#8211; Marcel Pagnol)<\/li>\n<li><em>Fanny<\/em> (1933 &#8211; Marcel Pagnol)<\/li>\n<li><em>Zero de conduit<\/em> (1933 &#8211; Jean Vigo)<\/li>\n<li><em>L&#8217;Atalante<\/em> (1934 &#8211; Jean Vigo)<\/li>\n<li><em>Carnival in Flanders<\/em> (1935 &#8211; Jacques Feyder)<\/li>\n<li><em>The Story of a Cheat<\/em> (1936 &#8211; Sacha Guitry)<\/li>\n<li><em>P&eacute;p&eacute; le Moko<\/em> (1937 &#8211; Julien Duvivier)<\/li>\n<li><em>Le Quai des brumes<\/em> (1938 &#8211; Marcel Carn&eacute;)<\/li>\n<li><em>Le jour se l&egrave;ve<\/em> (1939 &#8211; Marcel Carn&eacute;)<\/li>\n<li><em>The Baker&#8217;s Wife<\/em> (1940 &#8211; Marcel Pagnol)<\/li>\n<li><em>Le Corbeau<\/em> (1943 &#8211; Henri-Georges Clouzot)<\/li>\n<li><em>Douce<\/em> (1943 &#8211; Claude Autant-Lara)<\/li>\n<li><em>Devil in the Flesh<\/em> (1946 &#8211; Claude Autant-Lara)<\/li>\n<li><em>Quai des Orf&egrave;vres<\/em> (1947 &#8211; Henri-Georges Clouzot)<\/li>\n<li><em>Les Parents terrible<\/em> (1948 &#8211; Jean Cocteau)<\/li>\n<li><em>Jour de f&ecirc;te<\/em> (1948 &#8211; Jacques Tati)<\/li>\n<li><em>Un chant d&#8217;amour<\/em> (1950 &#8211; Jean Genet)<\/li>\n<li><em>Le plaisir<\/em> (1951 &#8211; Max Oph&uuml;ls)<\/li>\n<li><em>Casque d&#8217;or<\/em> (1952 &#8211; Jacques Becker)<\/li>\n<li><em>Th&eacute;r&egrave;se Raquin<\/em> (1953 &#8211; Marcel Carn&eacute;)<\/li>\n<li><em>The Red Balloon<\/em> (1956 &#8211; Albert Lamorisse)<\/li>\n<li><em>The Testament of Orpheus<\/em> (1959 &#8211; Jean Cocteau)<\/li>\n<li><em>Le Trou<\/em> (1960 &#8211; Jacques Becker)<\/li>\n<li><em>Plein soleil<\/em> (1960 &#8211; Ren&eacute; Cl&eacute;ment)<\/li>\n<li><em>India Song<\/em> (1975 &#8211; Marguerite Duras)<\/li>\n<li><em>The Clockmaker<\/em> (1976 &#8211; Bertrand Tavernier)<\/li>\n<li><em>La Cage aux Folles<\/em> (1978 &#8211; &Eacute;douard Molinaro)<\/li>\n<li><em>Get Out Your Handkerchiefs<\/em> (1978 &#8211; Bertrand Blier)<\/li>\n<li><em>Loulou<\/em> (1980 &#8211; Maurice Pialat)<\/li>\n<li><em>Diva<\/em> (1981 &#8211; Jean-Jacques Beineix)<\/li>\n<li><em>Le dernier combat<\/em> (1983 &#8211; Luc Besson)<\/li>\n<li><em>Sugar Cane Alley<\/em> (1983 &#8211; Euzhan Palcy)<\/li>\n<li><em>A Nos Amours<\/em> (1983 &#8211; Maurice Pialat)<\/li>\n<li><em>Entre nous<\/em> (1983 &#8211;  Diane Kurys)<\/li>\n<li><em>Danton<\/em> (1983 &#8211; Andrzej Wajda)<\/li>\n<li><em>The Big Blue<\/em> (1988 &#8211; Luc Besson)<\/li>\n<li><em>Camille Cludel<\/em> (1988 &#8211; Bruno Nuytten)<\/li>\n<li><em>Delicatessen<\/em> (1991 &#8211; Jean-Pierre Jeunet)<\/li>\n<li><em>Van Gogh<\/em> (1991 &#8211; Maurice Pialat)<\/li>\n<li><em>Les amants du Pont-Neuf<\/em> (1991 &#8211; L&eacute;os Carax)<\/li>\n<li><em>Un coeur en hiver<\/em> (1992 &#8211; Claude Sautet)<\/li>\n<li><em>The Wild Reeds<\/em> (1994 &#8211; Andr&eacute; T&eacute;chin&eacute;)<\/li>\n<li><em>La haine<\/em> (1995 &#8211; Mathieu Kassovitz)<\/li>\n<li><em>Basquiat<\/em> (1996 &#8211; Julian Schnabel)<\/li>\n<li><em>Three Lives and Only One Death<\/em> (1996 &#8211; Raul Ruiz)<\/li>\n<li><em>Kirikou and the Sorceress<\/em> (1998 &#8211; Michel Ocelot)<\/li>\n<li><em>Sombre<\/em> (1998 &#8211; Philippe Grandrieux)<\/li>\n<li><em>Time Regained<\/em> (1999 &#8211; Raul Ruiz)<\/li>\n<li><em>The Girl on the Bridge<\/em> (1999 &#8211; Patrice Leconte)<\/li>\n<li><em>The Captive<\/em> (2000 &#8211; Chantal Akerman)<\/li>\n<li><em>Signs &#038; Wonders<\/em> (2000 &#8211; Jonathan Nossiter)<\/li>\n<li><em>8 Women<\/em> (2002 &#8211; Fran&ccedil;ois Ozon)<\/li>\n<li><em>Irr&eacute;versible<\/em> (2002 &#8211; Gaspar No&eacute;)<\/li>\n<li><em>5&#215;2<\/em> (2004 &#8211; Fran&ccedil;ois Ozon)<\/li>\n<li><em>Russian Dolls<\/em> (2005 &#8211; C&eacute;dric Klapisch)\n<li><em>Love Songs<\/em> (2007 &#8211; Christophe Honor&eacute;)\n<li><em>Boarding Gate<\/em> (2007 &#8211; Olivier Assayas)<\/li>\n<li><em>Angel<\/em> (2007 &#8211; Fran&ccedil;ois Ozon)<\/li>\n<li><em>La vie en rose<\/em> (2008 &#8211; Olivier Dahan)<\/li>\n<li><em>The Class<\/em> (2008 &#8211; Laurent Cantet)<\/li>\n<li><em>Summer Hours<\/em> (2008 &#8211; Olivier Assayas)<\/li>\n<li><em>Home<\/em> (2008 &#8211; Ursula Meier)<\/li>\n<li><em>Les aventures extraordinaires d&#8217;Ad&egrave;le Blanc-Sec<\/em> (2010 &#8211; Luc Besson)<\/li>\n<li><em>Carlos<\/em> (2010 &#8211; Olivier Assayas)<\/li>\n<\/ul>\n<h3>Germany<\/h3>\n<h4>Fritz Lang<\/h4>\n<ul>\n<li><em>The Spiders<\/em> (1919-1920)<\/li>\n<li><em>Destiny<\/em> (1921)<\/li>\n<li><b><em>Dr. Mabuse: The Gambler<\/em><\/b> (1922)<\/li>\n<li><em>Die Nibelungen<\/em> (1924)<\/li>\n<li><b><em>Spies<\/em><\/b> (1928)<\/li>\n<li><em>Woman in the Moon<\/em> (1929)<\/li>\n<li><b><em>The Testament of Dr. Mabuse<\/em><\/b> (1933)<\/li>\n<li><em>Liliom<\/em> (1934, France)<\/li>\n<li>[films from 1936-1956, see under USA]<\/li>\n<li><em>The Tiger of Eschnapur<\/em> (1959)<\/li>\n<li><em>The Indian Tomb<\/em> (1959)<\/li>\n<li><em>The Thousand Eyes of Dr. Mabuse<\/em> (1960)<\/li>\n<\/ul>\n<h4>G.W. Pabst<\/h4>\n<ul>\n<li><em>The Treasure<\/em> (1923)<\/li>\n<li><b><em>Joyless Street<\/em><\/b> (1925)<\/li>\n<li><em>Secrets of a Soul<\/em> (1926)<\/li>\n<li><em>The Love of Jeanne Ney<\/em> (1927)<\/li>\n<li><em>The Devious Path<\/em> (1928)<\/li>\n<li><b><em>Pandora&#8217;s Box<\/em><\/b> (1929)<\/li>\n<li><b><em>Diary of a Lost Girl<\/em><\/b> (1929)<\/li>\n<li><em>The White Hell of Pitz Palu<\/em> (1929)<\/li>\n<li><em>Westfront 1918<\/em> (1930)<\/li>\n<li><em>Skandal um Eva<\/em> (1930)<\/li>\n<li><b><em>The Threepenny Opera<\/em><\/b> (1931)<\/li>\n<li><em>Kameradschaft<\/em> (1931)<\/li>\n<li><em>L&#8217;Atlantide<\/em> (1932)<\/li>\n<li><em>Adventures of Don Quixote<\/em> (1933)<\/li>\n<li><em>High and Low<\/em> (1933, France)<\/li>\n<li><em>That Night<\/em> (1933, France)<\/li>\n<li><em>A Modern Hero<\/em> (1934, USA)<\/li>\n<li><em>Street of Shadows<\/em> (1937, France)<\/li>\n<li><em>The Shanghai Drama<\/em> (1938, France)<\/li>\n<li><em>Girls in Distress<\/em> (1939, France)<\/li>\n<li><em>The Comedians<\/em> (1941)<\/li>\n<li><em>Paracelsus<\/em> (1943)<\/li>\n<li><em>The Trial<\/em> (1948, Austria)<\/li>\n<li><em>Mysterious Shadows<\/em> (1949, Austria)<\/li>\n<li><em>Ruf aus dem &Auml;ther<\/em> (1951, Austria)<\/li>\n<li><em>Voice of Silence<\/em> (1953, Italy)<\/li>\n<li><em>Cose da pazzi<\/em> (1954, Italy)<\/li>\n<li><em>The Confession of Ina Kahr<\/em> (1954)<\/li>\n<li><em>The Last Ten Days<\/em> (1955, Germany-Austria)<\/li>\n<li><em>Jackboot Mutiny<\/em> (1955, Austria)<\/li>\n<li><em>Ballerina<\/em> (1956)<\/li>\n<li><em>Through the Forests and Through the Trees<\/em> (1956)<\/li>\n<\/ul>\n<h4>F.W. Murnau<\/h4>\n<ul>\n<li><em>Emerald of Death<\/em> (1919)<\/li>\n<li><em>Satanas<\/em> (1920)<\/li>\n<li><em>Der Bucklige un die T&auml;nzerin<\/em> (1920)<\/li>\n<li><em>Der Januskopf<\/em> (1920)<\/li>\n<li><em>Abend &#8211; Nacht &#8211; Morgen<\/em> (1920)<\/li>\n<li><em>The Dark Road<\/em> (1921)<\/li>\n<li><em>Desire<\/em> (1921)<\/li>\n<li><em>The Haunted Castle<\/em> (1921)<\/li>\n<li><em>Marizza, genannt die Schmuggler-Madonna<\/em> (1922)<\/li>\n<li><em>Der brennende Acker<\/em> (1922)<\/li>\n<li><em>The Phantom<\/em> (1922)<\/li>\n<li><em>Finances of the Grand Duke<\/em> (1924)<\/li>\n<li><b><em>The Last Laugh<\/em><\/b> (1924)<\/li>\n<li><em>Tartuffe<\/em> (1925)<\/li>\n<li><b><em>Faust<\/em><\/b> (1926)<\/li>\n<li><em>4 Devils<\/em> (1928, USA)<\/li>\n<li><em>City Girl<\/em> (1930, USA)<\/li>\n<li><b><em>Tabu: A Story of the South Seas<\/em><\/b> (1931, USA)<\/li>\n<\/ul>\n<h4>Rainer Werner Fassbinder<\/h4>\n<ul>\n<li><em>Love is Colder Than Death<\/em> (1969)<\/li>\n<li><em>Katzelmacher<\/em> (1969)<\/li>\n<li><em>Gods of the Plague<\/em> (1970)<\/li>\n<li><em>Das Kaffeehaus<\/em> (1970)<\/li>\n<li><em>Why Does Herr R. Run Amok?<\/em> (1970)<\/li>\n<li><em>The American Soldier<\/em> (1970)<\/li>\n<li><em>The Niklashausen Journey<\/em> (1970)<\/li>\n<li><em>Rio das Mortes<\/em> (1971)<\/li>\n<li><em>Pioneers in Ingolstadt<\/em> (1971)<\/li>\n<li><em>Whity<\/em> (1971)<\/li>\n<li><b><em>Beware of a Holy Whore<\/em><\/b> (1971)<\/li>\n<li><em>The Merchant of Four Seasons<\/em> (1971)<\/li>\n<li><b><em>The Bitter Tears of Petra von Kant<\/em><\/b> (1972)<\/li>\n<li><em>Bremen Freedom<\/em> (1972)<\/li>\n<li><em>Jail Bait<\/em> (1973)<\/li>\n<li><em>Eight Hours are Not a Day<\/em> (1972-1973, miniseries)<\/li>\n<li><em>World on a Wire<\/em> (1973)<\/li>\n<li><em>Nora Helmer<\/em> (1974)<\/li>\n<li><b><em>Ali: Fear Eats the Soul<\/em><\/b> (1974)<\/li>\n<li><em>Martha<\/em> (1974)<\/li>\n<li><em><b>Effi Briest<\/em><\/b> (1974)<\/li>\n<li><em>Fox and His Friends<\/em> (1975)<\/li>\n<li><em>Mother K&uuml;sters Goes to Heaven<\/em> (1975)<\/li>\n<li><em>Fear of Fear<\/em> (1975)<\/li>\n<li><em>I Only Want You to Love Me<\/em> (1976)<\/li>\n<li><em>Satan&#8217;s Brew<\/em> (1976)<\/li>\n<li><em>Chinese Roulette<\/em> (1976)<\/li>\n<li><em>Women in New York<\/em> (1977)<\/li>\n<li><em>The Stationmaster&#8217;s Wife<\/em> (1977)<\/li>\n<li><em>Germany in Autumn<\/em> (1978)<\/li>\n<li><em>Despair<\/em> (1978)<\/li>\n<li><em>In a Year with 13 Moons<\/em> (1978)<\/li>\n<li><b><em>The Marriage of Maria Braun<\/em><\/b> (1979)<\/li>\n<li><em>The Third Generation<\/em> (1979)<\/li>\n<li><b><em>Berlin Alexanderplatz<\/em><\/b> (1980<\/li>\n<li><em>Lili Marleen<\/em> (1981)<\/li>\n<li><em>Theatre in Trance<\/em> (1981)<\/li>\n<li><b><em>Lola<\/em><\/b> (1981)<\/li>\n<li><b><em>Veronika Voss<\/em><\/b> (1982)<\/li>\n<li><em>Querelle<\/em> (1982)<\/li>\n<\/ul>\n<h4>Werner Herzog<\/h4>\n<ul>\n<li><em>Lebenszeichen<\/em> (1968)<\/li>\n<li><em>Even Dwarfs Started Small<\/em> (1970)<\/li>\n<li><em>Fata Morgana<\/em> (1971)<\/li>\n<li><em>Land of Silence and Darkness<\/em> (1971)<\/li>\n<li><em>Die grosse Ekstase des Bildschnitzers Steiner<\/em> (1974)<\/li>\n<li><b><em>The Enigma of Kaspar Hauser<\/em><\/b> (1975)<\/li>\n<li><em>Heart of Glass<\/em> (1976)<\/li>\n<li><b><em>Stroszek<\/em><\/b> (1977)<\/li>\n<li><b><em>Nosferatu the Vampyre<\/em><\/b> (1979)<\/li>\n<li><b><em>Woyzeck<\/em><\/b> (1979)<\/li>\n<li><em>Fitzcarraldo<\/em> (1982)<\/li>\n<li><em>Wo die gr&uuml;nen Ameisen tr&auml;men<\/em> (1984)<\/li>\n<li><em>Cobra Vorde<\/em> (1987)<\/li>\n<li><em>Giovanna d&#8217;Arco<\/em> (1989)<\/li>\n<li><em>Echos aus einem d&uuml;steren Reich<\/em> (1990)<\/li>\n<li><em>Cerro Torre: Schrei aus Stein<\/em> (1991)<\/li>\n<li><em>Lessons of Darkness<\/em> (1992)<\/li>\n<li><em>Glocken aus der Tiefe &#8211; Glaube und Aberglaube in Russland<\/em> (1995)<\/li>\n<li><em>Little Dieter Needs to Fly<\/em> (1998)<\/li>\n<li><em>My Best Fiend<\/em> (1999)<\/li>\n<li><em>Invincible<\/em> (2001)<\/li>\n<li><em>Wheel of Time<\/em> (2003)<\/li>\n<li><em>The White Diamond<\/em> (2004)<\/li>\n<li><b><em>Grizzly Man<\/em><\/b> (2004)<\/li>\n<li><em>The Wild Blue Yonder<\/em> (2005)<\/li>\n<li><em>Rescue Dawn<\/em> (2006)<\/li>\n<li><em>Encounters at the End of the World<\/em> (2007)<\/li>\n<li><b><em>The Bad Lieutenant: Port of Call &#8211; New Orleans<\/em><\/b> (2009 USA)<\/li>\n<li><em>My Son, My Son, What Have Ye Done<\/em> (2009)<\/li>\n<li><em>Into the Abyss<\/em> (2011)<\/li>\n<\/ul>\n<h4>New German Cinema<\/h4>\n<ul>\n<li><em>Yesterday Girl<\/em> (1966 &#8211; Alexander Kluge)<\/li>\n<li><em>The Goalie&#8217;s Anxiety at the Penalty Kick<\/em> (1972 &#8211; Wim Wenders)<\/li>\n<li><em>Alice in the Cities<\/em> (1974 &#8211; Wim Wenders)<\/li>\n<li><em>The Lost Honor of Katharina Blum<\/em> (1975 &#8211; Volker Schl&ouml;ndorff &#038; Margaretha von Trotta)<\/li>\n<li><em>Kings of the Road<\/em> (1976 &#8211; Wim Wenders)<\/li>\n<li><em>The American Friend<\/em> (1977 &#8211; Wim Wenders)<\/li>\n<li><em>The Tin Drum<\/em> (1979 &#8211; Volker Schl&ouml;ndorff)<\/li>\n<li><em>Das Boot<\/em> (1981 &#8211; Wolfgang Petersen)<\/li>\n<li><em>Paris, Texas<\/em> (1984 &#8211; Wim Wenders)<\/li>\n<p><\/u><\/p>\n<h4>Others<\/h4>\n<ul>\n<li><em>Mysteries of a Barbershop<\/em> (1923 &#8211; Erich Engel, Bertolt Brecht)<\/li>\n<li><em>The Hands of Orlac<\/em> (1924 &#8211; Robert Weine)<\/li>\n<li><em>Berlin: Symphony of a Great City<\/em> (1937 &#8211; Walter Ruttmann)<\/li>\n<li><em>People on Sunday<\/em> (1929 &#8211; Robert Siodmak)<\/li>\n<li><em>M&auml;dchen in Uniform<\/em> (1931 &#8211; Leontine Sagan)<\/li>\n<li><em>Liebelei<\/em> (1932 &#8211; Max Oph&uuml;s)<\/li>\n<li><em>Olympia<\/em> (1938 &#8211; Leni Riefenstahl)<\/li>\n<li><em>Under the Bridges<\/em> (1944 &#8211; Helmut Ka&uuml;tner)<\/li>\n<li><em>Not Reconciled<\/em> (1965 &#8211; Jean-Marie Straub)<\/li>\n<li><em>The Chronicle of Anna Magdalena Bach<\/em> (1968 &#8211; Jean-Marie Straub)<\/li>\n<li><em>Rocker<\/em> (1972- Klaus Lemke)<\/li>\n<li><em>Hitler: A Film from Germany<\/em> (1977 &#8211; Hans-J&uuml;rgen Syberberg)<\/li>\n<li><em>Heimat<\/em> (1984 &#8211; Edgar Reitz)<\/li>\n<li><em>Head On<\/em> (2004 &#8211; Fatih Akin)<\/li>\n<li><em>The Edukators<\/em> (2005 &#8211; Hans Weingartner)<\/li>\n<li><em>Perfume: The Story of a Murderer<\/em> (2006 &#8211; Tom Tykwer)<\/li>\n<li><em>The Edge of Heaven<\/em> (2007 &#8211; Fatih Akin)<\/li>\n<li><em>Three<\/em> (2010 &#8211; Tom Tykwer)<\/li>\n<li><em>Cloud Atlas<\/em> (2012 &#8211; Tom Tykwer)<\/li>\n<\/ul>\n<h3>Italy<\/h3>\n<h4>Silents<\/h4>\n<ul>\n<li><em>Quo Vadis?<\/em> (1913 &#8211; Enrico Guazzoni)<\/li>\n<li><em>Cabiria<\/em> (1914 &#8211; Giovanni Pastrone)<\/li>\n<\/ul>\n<h4>Roberto Rosselllini<\/h4>\n<ul>\n<li><em>A Pilot Returns<\/em> (1942)<\/li>\n<li><em>L&#8217;uomo dalla croce<\/em> (1943)<\/li>\n<li><em>Desire<\/em> (1946)<\/li>\n<li><strike><b><em>Paisan<\/em><\/b> (1946)<\/strike><\/li>\n<li><b><em>Germany Year Zero<\/em><\/b> (1948)<\/li>\n<li><em>L&#8217;amore<\/em> (&#8220;Il Miracolo&#8221;) (1948)<\/li>\n<li><em>Stromboli<\/em> (1950)<\/li>\n<li><em>The Flowers of St. Francis<\/em> (1950)<\/li>\n<li><em>The Seven Deadly Sins<\/em> (&#8220;Envie, L&#8217;\/Envy&#8221;) (1952)<\/li>\n<li><em>La macchina ammazzacattivi<\/em> (1952)<\/li>\n<li><em>Europa &#8217;51<\/em> (1952)<\/li>\n<li><em>Of Life and Love<\/em> (&#8220;Ingrid Bergman&#8221;) (1952)<\/li>\n<li><em>Mid-Century Loves<\/em> (&#8220;Napoli 1943&#8221;) (1954)<\/li>\n<li><em>Dov&#8217;&egrave; la libert&agrave;?<\/em> (1954)<\/li>\n<li><b><em>Journey to Italy<\/em><\/b> (1954)<\/li>\n<li><em>Fear<\/em> (1954)<\/li>\n<li><em>Giovanna d&#8217;Arco al rogo<\/em> (1954)<\/li>\n<li><em>India: Matri Bhumi<\/em> (1959)<\/li>\n<li><em>General della Rovere<\/em> (1959)<\/li>\n<li><em>Escape by Night<\/em> (1960)<\/li>\n<li><em>Garibaldi<\/em> (1961)<\/li>\n<li><em>Vanina Vanini<\/em> (1961)<\/li>\n<li><em>Anima nera<\/em> (1962)<\/li>\n<li><em>Ro.Go.Pa.G.<\/em> (&#8220;Illibatezza&#8221;) (1963)<\/li>\n<li><em>The Rise of Louis XIV<\/em> (1966)<\/li>\n<li><em>Acts of the Apostles<\/em> (1969 miniseries)<\/li>\n<li><em>Da Gerusalemme a Damasco<\/em> (1970)<\/li>\n<li><em>Socrates<\/em> (1971)<\/li>\n<li><em>Blaise Pascal<\/em> (1972)<\/li>\n<li><em>Augustine of Hippo<\/em> (1972)<\/li>\n<li><em>The Age of the Medici<\/em> (1973 miniseries)<\/li>\n<li><em>Cartesius<\/em> (1974)<\/li>\n<li><em>Year One<\/em> (1974)<\/li>\n<li><em>Il messia<\/em> (1975)<\/li>\n<li><em>Beaubourg<\/em> (1977)<\/li>\n<\/ul>\n<h4>Italian Neo-Realism<\/h4>\n<ul>\n<li><em>The Children are Watching Us<\/em> (1944 &#8211; Vittorio De Sica)<\/li>\n<li><em>Shoeshine<\/em> (1946 &#8211; Vittorio De Sica)<\/li>\n<li><em>Bitter Rice<\/em> (1949 &#8211; Giuseppe De Santis)<\/li>\n<li><em>Path of Hope<\/em> (1950 &#8211; Pietro Germi)<\/li>\n<li><em>Miracle in Milan<\/em> (1951 &#8211; Vittorio De Sica)<\/li>\n<li><em>Rome 11:00<\/em> (1952 &#8211; Giuseppe De Santis)<\/li>\n<li><em>Indiscretion of an American Wife<\/em> (1953 &#8211; Vittorio De Sica)<\/li>\n<li><em>Accattone<\/em> (1961 &#8211; Pier Paolo Pasolini)<\/li>\n<li><em>Mamma Roma<\/em> (1962 &#8211; Piero Paolo Pasolini)<\/li>\n<\/ul>\n<h4>Federico Fellini<\/h4>\n<ul>\n<li><b><em>Variety Lights<\/em><\/b> (1950)<\/li>\n<li><em>The White Sheik<\/em> (1952)<\/li>\n<li><b><em>I Vitelloni<\/em><\/b> (1953)<\/li>\n<li><em>Love in the City<\/em> (&#8220;Un Agenzia matrimoniale&#8221;) (1953)<\/li>\n<li><em>Il Bidone<\/em> (1955)<\/li>\n<li><em>Boccaccio &#8217;70<\/em> (&#8220;Le tentazioni del dottor Antonio&#8221;) (1962)<\/li>\n<li><em>Spirits of the Dead<\/em> (&#8220;Toby Dammit&#8221;) (1968)<\/li>\n<li><b><em>Fellini Satyricon<\/em><\/b> (1969)<\/li>\n<li><em>The Clowns<\/em> (1970)<\/li>\n<li><em>Fellini&#8217;s Casanova<\/em> (1976)<\/li>\n<li><b><em>Orchestra Rehearsal<\/em><\/b> (1978)<\/li>\n<li><em>City of Women<\/em> (1980)<\/li>\n<li><em>And the Ship Sails On<\/em> (1983)<\/li>\n<li><em>Ginger and Fred<\/em> (1986)<\/li>\n<li><em>Fellini&#8217;s Intervista<\/em> (1987)<\/li>\n<li><em>La voce della luna<\/em> (1990)<\/li>\n<\/ul>\n<h4>Michelangelo Antonioni<\/h4>\n<ul>\n<li><em>Story of a Love Affair<\/em> (1950)<\/li>\n<li><em>The Lady without Camelias<\/em> (1953)<\/li>\n<li><em>I vinti<\/em> (1953)<\/li>\n<li><em>Love in the City<\/em> (&#8220;Tentato suicido&#8221;) (1953)<\/li>\n<li><em>Le Amiche<\/em> (1955)<\/li>\n<li><em>Il Grido<\/em> (1957)<\/li>\n<li><em>Sheba and the Gladiator<\/em> (1959)<\/li>\n<li><b><em>La notte<\/em><\/b> (1962)<\/li>\n<li><b><em>L&#8217;eclisse<\/em><\/b> (1962)<\/li>\n<li><b><em>Red Desert<\/em><\/b> (1964)<\/li>\n<li><em>I tre volti<\/em> (&#8220;Il provino&#8221;) (1965)<\/li>\n<li><b><em>Zabriskie Point<\/em><\/b> (1970)<\/li>\n<li><em>Chung Kuo &#8211; Cina<\/em> (1972)<\/li>\n<li><b><em>The Passenger<\/em><\/b> (1975)<\/li>\n<li><em>Il mistero di Oberwald<\/em> (1981)<\/li>\n<li><em>Identification of a Woman<\/em> (1982)<\/li>\n<li><em>12 registi per 12 citt&agrave;<\/em> (&#8220;Roma&#8221;) (1989)<\/li>\n<li><em>Beyond the Clouds<\/em> (1995)<\/li>\n<li><em>Eros<\/em> (&#8220;The Dangerous Thread of Things&#8221;) (2004)<\/li>\n<\/ul>\n<h4>Luchino Visconti<\/h4>\n<ul>\n<li><em>La Terra Trema<\/em> (1948)<\/li>\n<li><em>Bellissima<\/em> (1951)<\/li>\n<li><em>Of Life and Love<\/em> (&#8220;Anna Magnani&#8221;) (1953)<\/li>\n<li><b><em>Senso<\/em><\/b> (1954)<\/li>\n<li><em>Le Notti Blanche<\/em> (1957)<\/li>\n<li><b><em>Rocco and His Brothers<\/em><\/b> (1960)<\/li>\n<li><em>Boccaccio &#8217;70<\/em> (&#8220;Il lavoro&#8221;) (1962)<\/li>\n<li><b><em>The Leopard<\/em><\/b> (1963)<\/li>\n<li><em>Sandra<\/em> (1965)<\/li>\n<li><em>The Witches<\/em> (&#8220;La Strega bruciata viva&#8221;) (1967)<\/li>\n<li><em>The Stranger<\/em> (1967)<\/li>\n<li><em>La caduta degli dei (G&ouml;tterd&auml;mmerung)<\/em> (1969)<\/li>\n<li><em>The Damned<\/em> (1969)<\/li>\n<li><em>Death in Venice<\/em> (1971)<\/li>\n<li><em>Ludwig<\/em> (1972)<\/li>\n<li><em>Conversation Piece<\/em> (1974)<\/li>\n<li><em>L&#8217;innocente<\/em> (1976)<\/li>\n<\/ul>\n<h4>Sergio Leone<\/h4>\n<ul>\n<li><em>Hanno rubato un tram<\/em> (1954)<\/li>\n<li><em>The Last Days of Pompeii<\/em> (1959)<\/li>\n<li><b><em>The Colossus of Rhodes<\/em><\/b> (1961)<\/li>\n<li><em>Il cambio della guardia<\/em> (1962)<\/li>\n<li><strike><b><em>For a Few Dollars More<\/em><\/b> (1965)<\/strike><\/li>\n<li><em>Duck, You Sucker<\/em> (1971)<\/li>\n<li><em>My Name is Nobody<\/em> (1973)<\/li>\n<li><em>A Genius, Two Friends, and an Idiot<\/em> (1975)<\/li>\n<li><b><em>Once Upon a Time in America<\/em><\/b> (1984)<\/li>\n<\/ul>\n<h4>Spaghetti Westerns<\/h4>\n<ul>\n<li><em>Django<\/em> (1966 &#8211; Sergio Corbucci)<\/li>\n<li><em>Navajo Joe<\/em> (1966 &#8211; Sergio Corbucci)<\/li>\n<li><em>The Big Gundown<\/em> (1966 &#8211; Sergio Sollima)<\/li>\n<li><em>Massacre Time<\/em> (1966 &#8211; Lucio Fulci)<\/li>\n<li><em>Face to Face<\/em> (1967 &#8211; Sergio Sollima)<\/li>\n<li><em>The Great Silence<\/em> (1968 &#8211; Sergio Corbucci)<\/li>\n<li><em>A Bullet for the General<\/em> (1968 &#8211; Damiano Damiani)<\/li>\n<li><em>The Mercenary<\/em> (1968 &#8211; Sergio Corbucci)<\/li>\n<li><em>Kill Them All and Come Back Home<\/em> (1968 &#8211; Enzo G. Castellari)<\/li>\n<li><em>Death Rides a Horse<\/em> (1969 &#8211; Giulio Petroni)<\/li>\n<li><em>Sabata<\/em> (1969 &#8211; Gianfranco Parolini)<\/li>\n<li><em>Cemetery Without Crosses<\/em> (1969 &#8211; Robert Hossein)<\/li>\n<li><em>Companeros<\/em> (1970 &#8211; Sergio Corbucci)<\/li>\n<li><em>They Call Me Trinity<\/em> (1971 &#8211; Enzo Barboni)<\/li>\n<li><em>Adios Sabata<\/em> (1971- Gianfranco Parolini)<\/li>\n<li><em>Return of Sabata<\/em> (1971 &#8211; Gianfranco Parolini)<\/li>\n<li><em>My Name is Nobody<\/em> (1973 &#8211; Tonino Valerii)<\/li>\n<li><em>Four of the Apocalypse<\/em> (1975 &#8211; Lucio Fulci)<\/li>\n<li><em>Keoma<\/em> (1976 &#8211; Enzo G. Castellari)<\/li>\n<li><em>Mannaja: A Man Called Blade<\/em> (1977 &#8211; Sergio Martino)<\/li>\n<\/ul>\n<h4>Giallo<\/h4>\n<ul>\n<li><em>Lizard in a Woman&#8217;s Skin<\/em> (1971 &#8211; Lucio Fulci)<\/li>\n<li><em>The Night Evelyn Came Out of the Grave<\/em> (1971 &#8211; Emilio Miraglia)<\/li>\n<li><em>What Have They Done to Solange?<\/em> (1972 &#8211; Massimo Dallamano)<\/li>\n<li><em>Who Saw Her Die?<\/em> (1972 &#8211; Aldo Lado)<\/li>\n<li><em>Don&#8217;t Torture a Duckling<\/em> (1972 &#8211; Lucio Fulci)<\/li>\n<li><em>The Case of the Bloody Iris<\/em> (1972 &#8211; Giuliano Camimeo)<\/li>\n<li><em>Your Vice is a Locked Room and Only I Have the Key<\/em> (1973 &#8211; Sergio Martino)<\/li>\n<li><em>Torso<\/em> (1973 &#8211; Sergio Martino)<\/li>\n<li><em>The House with Laughing Windows<\/em> (1976 &#8211; Pupi Avati)<\/li>\n<li><em>The New York Ripper<\/em> (1982 &#8211; Lucio Fulci)<\/li>\n<li><em>StageFright<\/em> (1987 &#8211; Michele Scavi)<\/li>\n<\/ul>\n<h4>Bernardo Bertolucci<\/h4>\n<ul>\n<li><em>The Grim Reaper<\/em> (1962)<\/li>\n<li><em>Before the Revolution<\/em> (1964)<\/li>\n<li><em>Partner<\/em> (1968)<\/li>\n<li><em>Amore e rabbia<\/em> (&#8220;Agonia&#8221;) (1969)<\/li>\n<li><b><em>Il conformisto<\/em><\/b> (1970)<\/li>\n<li><b><em>The Spider&#8217;s Stratagem<\/em><\/b> (1970)<\/li>\n<li><em>La salute &egrave; malata<\/em> (1971)<\/li>\n<li><b><em>Last Tango in Paris<\/em><\/b> (1972)<\/li>\n<li><b><em>1900<\/em><\/b> (1976)<\/li>\n<li><em>Luna<\/em> (1979)<\/li>\n<li><em>Tragedy of a Ridiculous Man<\/em> (1981)<\/li>\n<li><b><em>The Last Emperror<\/em><\/b> (1987)<\/li>\n<li><em>12 registi per 12 citt&agrave;<\/em> (&#8220;Bologna&#8221;) (1989)<\/li>\n<li><b><em>The Sheltering Sky<\/em><\/b> (1990)<\/li>\n<li><em>Little Buddha<\/em> (1993)<\/li>\n<li><em>Stealing Beauty<\/em> (1996)<\/li>\n<li><em>Besieged<\/em> (1998)<\/li>\n<li><em>Ten Minutes Older: The Cello<\/em> (&#8220;Histoire d&#8217;eaux&#8221;) (2002)<\/li>\n<li><em>Io e te<\/em> (2013)<\/li>\n<\/ul>\n<h4>Mario Bava<\/h4>\n<ul>\n<li><em>Le meraviglie di Aladino<\/em> (1961)<\/li>\n<li><em>Hercules in the Haunted World<\/em> (1961)<\/li>\n<li><em>Erik the Conqueror<\/em> (1961)<\/li>\n<li><em>The Evil Eye<\/em> (1963)<\/li>\n<li><b><em>Black Sabbath<\/em><\/b> (1963)<\/li>\n<li><em>The Whip and the Body<\/em> (1963)<\/li>\n<li><b><em>Blood and Black Lace<\/em><\/b> (1964)<\/li>\n<li><em>The Road to Fort Alamo<\/em> (1964)<\/li>\n<li><em>Planet of the Vampires<\/em> (1965)<\/li>\n<li><em>I coltelli del vendicatore<\/em> (1966)<\/li>\n<li><em>Kill Baby, Kill<\/em> (1966)<\/li>\n<li><em>Dr. Goldfoot and the Girl Bombs<\/em> (1966)<\/li>\n<li><em>Danger: Diabolik<\/em> (1968)<\/li>\n<li><em>Island of Terror<\/em> (1970)<\/li>\n<li><em>Hatchet for the Honeymoon<\/em> (1970)<\/li>\n<li><em>Roy Colt and Winchester Jack<\/em> (1970)<\/li>\n<li><em>Twitch of the Death Nerve<\/em> (1971)<\/li>\n<li><em>Baron Blood<\/em> (1972)<\/li>\n<li><em>Four Times That Night<\/em> (1972)<\/li>\n<li><em>Lisa and the Devil<\/em> (1974)<\/li>\n<li><em>Rabid Dogs<\/em> (1974)<\/li>\n<li><em>Beyond the Door II<\/em> (1977)<\/li>\n<\/ul>\n<h4>Dario Argento<\/h4>\n<ul>\n<li><em>The Bird with the Crystal Plumage<\/em> (1970)<\/li>\n<li><em>The Cat o&#8217; Nine Tailes<\/em> (1971)<\/li>\n<li><em>Four Flies on Grey Velvet<\/em> (1971)<\/li>\n<li><em>Le cinque giornate<\/em> (1973)<\/li>\n<li><b><em>Inferno<\/em><\/b> (1980)<\/li>\n<li><b><em>Tenebre<\/em><\/b> (1982)<\/li>\n<li><em>Phenomena<\/em> (1985)<\/li>\n<li><em>Two Evil Eyes<\/em> (&#8220;The Black Cat&#8221;) (1990)<\/li>\n<li><em>Trauma<\/em> (1993)<\/li>\n<li><em>The Stendhal Syndrome<\/em> (1996)<\/li>\n<li><em>The Phantom of the Opera<\/em> (1998)<\/li>\n<li><em>Sleepless<\/em> (2001)<\/li>\n<li><em>The Card Player<\/em> (2004)<\/li>\n<li><em>Mother of Tears<\/em> (2007)<\/li>\n<li><em>Giallo<\/em> (2009)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>Chains<\/em> (1949 &#8211; Raffaello Matarazzo)<\/li>\n<li><em>Tormento<\/em> (1950 &#8211; Raffaello Matarazzo)<\/li>\n<li><em>Nobody&#8217;s Children<\/em> (1952 &#8211; Raffaello Matarazzo)<\/li>\n<li><em>Bread, Love and Dreams<\/em> (1954 &#8211; Luigi Comencini)<\/li>\n<li><em>The White Angel<\/em> (1955 &#8211; Raffaello Matarazzo)<\/li>\n<li><em>Two Women<\/em> (1960 &#8211; Vittorio De Sica)<\/li>\n<li><em>Girl with a Suitcase<\/em> (1961 &#8211; Valerio Zurlini)<\/li>\n<li><em>Salvatore Giuliano<\/em> (1961 &#8211; Francesco Rosi)<\/li>\n<li><em>Il Posto<\/em> (1961 &#8211; Ermanno Olmi)<\/li>\n<li><em>Il Sorpasso<\/em> (1964 &#8211; Dino Risi)<\/li>\n<li><em>Marriage Italian Style<\/em> (1964 &#8211; Vittorio De Sica)<\/li>\n<li><em>The Hawks and the Sparrows<\/em> (1966 &#8211; Pier Paolo Pasolini)<\/li>\n<li><em>Teorema<\/em> (1968 &#8211; Pier Paolo Pasolini)<\/li>\n<li><em>Fist in His Pocket<\/em> (1968 &#8211; Marco Bellocchio)<\/li>\n<li><em>The Decameron<\/em> (1971 &#8211; Pier Paolo Pasolini)<\/li>\n<li><em>The Canterbury Tales<\/em> (1972 &#8211; Pier Paolo Pasolini)<\/li>\n<li><em>Arabian Nights<\/em> (1974 &#8211; Pier Paolo Pasolini)<\/li>\n<li><em>We All Loved Each Other So Much<\/em> (1974 &#8211; Ettore Scola)<\/li>\n<li><em>The Night Porter<\/em> (1974 &#8211; Liliana Cavani)<\/li>\n<li><em>The Tree of the Wooden Clogs<\/em> (1978 &#8211; Ermanno Olmi)<\/li>\n<li><em>Zombi 2<\/em> (1979 &#8211; Lucio Fulci)<\/li>\n<li><em>City of the Living Dead<\/em> (1980 &#8211; Lucio Fulci)<\/li>\n<li><em>The Beyond<\/em> (1981 &#8211; Lucio Fulci)<\/li>\n<li><em>House by the Cemetery<\/em> (1981 &#8211; Lucio Fulci)<\/li>\n<li><em>Three Brothers<\/em> (1981 &#8211; Francesco Rosi)<\/li>\n<li><em>The Night of the Shooting Stars<\/em> (1982 &#8211; Paolo &#038; Vittorio Taviani)\n<li><em>Dark Eyes<\/em> (1987 &#8211; Nikita Mikhalkov)<\/li>\n<li><em>Caro diario<\/em> (1993 &#8211; Nanni Moretti)<\/li>\n<li><em>The Son&#8217;s Room<\/em> (2001 &#8211; Nanni Moretti)<\/li>\n<li><em>Gomorrah<\/em> (2008 &#8211; Matteo Garrone)<\/li>\n<li><em>I Am Love<\/em> (2009 &#8211; Luca Guadagnino)<\/li>\n<li><em>Le Quattro Volte<\/em> (2010 &#8211; Michelangelo Frammartino)<\/li>\n<\/ul>\n<h3>Western Europe<\/h3>\n<h4>Denmark<\/h4>\n<ul>\n<li><em>Babette&#8217;s Feast<\/em> (1987 &#8211; Gabriel Axel)<\/li>\n<li><em>The Celebration<\/em> (1998 &#8211; Thomas Vinterberg)<\/li>\n<li><em>Pusher II<\/em> (2004 &#8211; Nicholas Winding Refn)<\/li>\n<li><em>Pusher III<\/em> (2005 &#8211; Nicholas Winding Refn)<\/li>\n<li><em>Dear Wendy<\/em> (2005 &#8211; Thomas Vinterberg)<\/li>\n<li><em>After the Wedding<\/em> (2006 &#8211; Susanne Bier)<\/li>\n<li><em>Valhalla Rising<\/em> (2009 &#8211; Nicholas Winding Refn)<\/li>\n<li><em>Submarino<\/em> (2010 &#8211; Thomas Vinterberg)<\/li>\n<li><em>In a Better World<\/em> (2010 &#8211; Susanne Bier)<\/li>\n<\/ul>\n<h4>Carl Theodor Dreyer<\/h4>\n<ul>\n<li><em>The President<\/em> (1919)<\/li>\n<li><em>The Parson&#8217;s Widow<\/em> (1920)<\/li>\n<li><b><em>Leaves Out of the Book of Satan<\/em><\/b> (1921)<\/li>\n<li><em>Die Gezeichneten<\/em> (1922)<\/li>\n<li><em>Der var engang<\/em> (1922)<\/li>\n<li><em>Michael<\/em> (1924)<\/li>\n<li><em>Master of the House<\/em> (1925)<\/li>\n<li><em>Glomdalsbruden<\/em> (1926)<\/li>\n<li><b><em>The Passion of Joan of Arc<\/em><\/b> (1928)<\/li>\n<li><b><em>Vampyr<\/em><\/b> (1932)<\/li>\n<li><em>L&#8217;esclave blanc<\/em> (1936)<\/li>\n<li><em>Tv&aring; m&auml;nniskor<\/em> (1945)<\/li>\n<li><b><em>Ordet<\/em><\/b> (1955)<\/li>\n<li><b><em>Gertrud<\/em><\/b> (1964)<\/li>\n<\/ul>\n<h4>Lars Von Trier<\/h4>\n<ul>\n<li><em>The Element of Crime<\/em> (1984)<\/li>\n<li><em>Epidemic<\/em> (1987)<\/li>\n<li><em>Madea<\/em> (1988)<\/li>\n<li><b><em>Europa<\/em><\/b> (1991)<\/li>\n<li><b><em>The Kingdom<\/em><\/b> (1994)<\/li>\n<li><b><em>Breaking the Waves<\/em><\/b> (1996)<\/li>\n<li><em>The Idiots<\/em> (1998)<\/li>\n<li><b><em>The Five Obstructions<\/em><\/b> (2003)<\/li>\n<li><b><em>Manderlay<\/em><\/b> (2005)<\/li>\n<li><em>The Boss of it All<\/em> (2006)<\/li>\n<h4>Sweden<\/h4>\n<ul>\n<li><em>The Phantom Carriage<\/em> (1921 &#8211; Victor Sj&ouml;stro&ouml;m)\n<\/ul>\n<h4>Ingmar Bergman<\/h4>\n<ul>\n<li><em>Crisis<\/em> (1946)<\/li>\n<li><em>It Rains on Our Love<\/em> (1946)<\/li>\n<li><em>Frustration<\/em> (1947)<\/li>\n<li><em>Music in Darkness<\/em> (1948)<\/li>\n<li><em>Port of Call<\/em> (1948)<\/li>\n<li><em>Prison<\/em> (1949)<\/li>\n<li><em>Thirst<\/em> (1949)<\/li>\n<li><em>To Joy<\/em> (1950)<\/li>\n<li><em>This Can&#8217;t Happen Here<\/em> (1950)<\/li>\n<li><em>Summer Interlude<\/em> (1951)<\/li>\n<li><em>Secrets of Women<\/em> (1952)<\/li>\n<li><em>Monika<\/em> (1953)<\/li>\n<li><em>Sawdust and Tinsel<\/em> (1953)<\/li>\n<li><em>A Lesson in Love<\/em> (1954)<\/li>\n<li><em>Dreams<\/em> (1955)<\/li>\n<li><em>Mr. Sleeman is Coming<\/em> (1957 TV movie)<\/li>\n<li><b><em>Wild Strawberries<\/em><\/b> (1957)<\/li>\n<li><em>The Venetian<\/em> (1958 TV movie)<\/li>\n<li><em>Brink of Life<\/em> (1958)<\/li>\n<li><em>Rabies<\/em> (1958 TV movie)<\/li>\n<li><em>The Magician<\/em> (1958)<\/li>\n<li><em>Storm Weather<\/em> (1960 TV movie)<\/li>\n<li><strike><b><em>The Virgin Spring<\/em><\/b> (1960)<\/strike><\/li>\n<li><em>The Devil&#8217;s Eye<\/em> (1960)<\/li>\n<li><em>A Dream Play<\/em> (1963 TV movie)<\/li>\n<li><b><em>The Silence<\/em><\/b> (1963)<\/li>\n<li><em>All These Women<\/em> (1964)<\/li>\n<li><em>Don Juan<\/em> (1965 TV movie)<\/li>\n<li><em>Stimulantia<\/em> (&#8220;Daniel&#8221;) (1967)<\/li>\n<li><b><em>Hour of the Wolf<\/em><\/b> (1968)<\/li>\n<li><em>Shame<\/em> (1968)<\/li>\n<li><em>The Rite<\/em> (1969 TV movie)<?li>\n<li><em>The Passion of Anna<\/em> (1969)<\/li>\n<li><em>The Touch<\/em> (1971)<\/li>\n<li><b><em>Cries and Whispers<\/em><\/b> (1972)<\/li>\n<li><b><em>Scenes from a Marriage<\/em><\/b> (1973)<\/li>\n<li><em>The Misanthrope<\/em> (1974 TV movie)<\/li>\n<li><em>The Magic Flute<\/em> (1974 TV movie)<\/li>\n<li><em>Face to Face<\/em> (1976)<\/li>\n<li><em>The Serpent&#8217;s Egg<\/em> (1977)<\/li>\n<li><b><em>Autumn Sonata<\/em><\/b> (1978)<\/li>\n<li><em>From the Life of the Marionettes<\/em> (1980 TV movie)<?li>\n<li><b><em>Fanny and Alexander<\/em><\/b> (1982)<\/li>\n<li><em>Hustruskolan<\/em> (1983 TV movie)<\/li>\n<li><em>After the Rehearsal<\/em> (1984 TV movie)<?li>\n<li><em>Dom Juan<\/em> (1985 TV movie)<\/li>\n<li><em>The Making of Fanny and Alexander<\/em> (1986)<\/li>\n<li><em>De tv&aring; saliga<\/em> (1986 TV movie)<\/li>\n<li><em>Madame de Sade<\/em> (1992 TV movie)<\/li>\n<li><em>Backanterna<\/em> (1993 TV movie)<\/li>\n<li><em>The Last Gasp<\/em> (1995 TV movie)<\/li>\n<li><em>In the Presence of a Clown<\/em> (1997 TV movie)<\/li>\n<li><em>The Image Makers<\/em> (2000 TV movie)<\/li>\n<li><em>Saraband<\/em> (2003 TV movie)<\/li>\n<\/ul>\n<h4>Belgium<\/h4>\n<ul>\n<li><em>The Man Who Had His Hair Cut Short<\/em> (1965 &#8211; Andr&eacute; Delvaux)<\/li>\n<li><em>Man Bites Dog<\/em> (1992 &#8211; R&eacute;my Belvaux, Andr&eacute; Bonzel, Beno&icirc; Poelvoorde)<\/li>\n<\/ul>\n<h4>Jean-Pierre and Luc Dardenne<\/h4>\n<ul>\n<li><em>Le&ccedil;ons d&#8217;une universit&uacute; volante<\/em> (1982)<\/li>\n<li><em>Falsch<\/em> (1987)<\/li>\n<li><em>Je pense &agrave; vous<\/em> (1992)<\/li>\n<li><b><em>La promesse<\/em><\/b> (1996)<\/li>\n<li><em>Rosetta<\/em> (1999)<\/li>\n<li><b><em>The Son<\/em><\/b> (2002)<\/li>\n<li><b><em>The Child<\/em><\/b> (2005)<\/li>\n<li><em>Lorna&#8217;s Silence<\/em> (2008)<\/li>\n<\/ul>\n<h4>Netherlands<\/h4>\n<ul>\n<li><em>Turkish Delight<\/em> (1973 &#8211; Paul Verhoeven)<\/li>\n<li><em>Soldier of Orange<\/em> (1977 &#8211; Paul Verhoeven)<\/li>\n<li><em>A Question of Silence<\/em> (1982 &#8211; Marleen Gorris)<\/li>\n<li><em>The Fourth Man<\/em> (1983 &#8211; Paul Verhoeven)<\/li>\n<li><em>The Vanishing<\/em> (1988 &#8211; George Sluizer)<\/li>\n<\/ul>\n<h4>Michael Haneke<\/h4>\n<ul>\n<li><em>The Seventh Continent<\/em> (1989)<\/li>\n<li><em>Benny&#8217;s Video<\/em> (1992)<\/li>\n<li><b><em>71 Fragments of a Chronology of Chance<\/em><\/b> (1994)<\/li>\n<li><em>Das Schloss<\/em> (1997)<\/li>\n<li><em>Funny Games<\/em> (1997)<\/li>\n<li><em>Code Unknown<\/em> (2000)<\/li>\n<li><b><em>The Piano Teacher<\/em><\/b> (2001)<\/li>\n<li><b><em>Time of the Wolf<\/em><\/b> (2003)<\/li>\n<li><em>Funny Games<\/em> (2007)<\/li>\n<li><em>Amour<\/em> (2012)<\/li>\n<\/ul>\n<h4>Spain<\/h4>\n<ul>\n<li><em>Bienvenido Mister Marshall<\/em> (1952 &#8211; Luis Garc&iacute; Berlanga)<\/li>\n<li><em>Pl&aacute;cido<\/em> (1961 &#8211; Luis Garc&iacute;a Berlanga)<\/li>\n<li><em>El Verdugo<\/em> (1963 &#8211; Luis Garc&iacute;a Berlanga)<\/li>\n<li><em>Cria!<\/em> (1975 &#8211; Carlos Saura)<\/li>\n<li><em>El Sur<\/em> (1983 &#8211; Victor Erice)<\/li>\n<li><em>Quince Tree of the Sun<\/em> (1991 &#8211; Victor Erice)<\/li>\n<li><em>Calle 54<\/em> (2000 &#8211; Fernando Trueba)<\/li>\n<li><em>In the City of Sylvia<\/em> (2007 &#8211; Jos&eacute; Luis Guer&Iacute;n)<\/li>\n<\/ul>\n<h4>Pedro Almodovar<\/h4>\n<ul>\n<li><em>Folle&#8230; folle&#8230; f&oacute;lleme Tim!<\/em> (1978)<\/li>\n<li><em>Pepi, Luci, Bom and Other Girls Like Mom<\/em> (1980)<\/li>\n<li><em>Labyrinth of Passion<\/em> (1982)<\/li>\n<li><em>Dark Habits<\/em> (1984)<\/li>\n<li><em>What Have I Done To Deserve This<\/em> (1984)<\/li>\n<li><em>Matador<\/em> (1986)<\/li>\n<li><em>Law of Desire<\/em> (1987)<\/li>\n<li><b><em>Women on the Verge of a Nervous Breakdown<\/em><\/b> (1988)<\/li>\n<li><em>High Heels<\/em> (1991)<\/li>\n<li><em>Kika<\/em> (1993)<\/li>\n<li><em>Live Flesh<\/em> (1997)<\/li>\n<li><em>The Skin I Live In<\/em> (2011)<\/li>\n<li><em>Mina<\/em> (2012)<\/li>\n<\/ul>\n<h4>Portugal<\/h4>\n<ul>\n<li><em>Abraham&#8217;s Valley<\/em> (1993 &#8211; Manoel de Oliveira)<\/li>\n<\/ul>\n<h4>Iceland<\/h4>\n<ul>\n<li><em>Jar City<\/em> (2006 &#8211; Baltasar Korm&aacute;kur)<\/li>\n<\/ul>\n<h4>Finland<\/h4>\n<ul>\n<li><em>Ariel<\/em> (1988 &#8211; Aki Kaurism&auml;ki)<\/li>\n<li><em>Leningrad Cowboys Go America<\/em> (1989 &#8211; Aki Kaurism&auml;ki)<\/li>\n<li><em>The Match Factory Girl<\/em> (1990 &#8211; Aki Kaurism&auml;ki)<\/li>\n<li><em>Lights in the Dust<\/em> (2006 &#8211; Aki Kaurism&auml;ki)<\/li>\n<\/ul>\n<h4>Norway<\/h4>\n<ul>\n<li><em>Zero Kelvin<\/em> (1995 &#8211; Hans Petter Moland)<\/li>\n<li><em>Insomnia<\/em> (1997 &#8211; Erik Skjoldbjaerg)<\/li>\n<li><em>Dead Snow<\/em> (2009 &#8211; Tommy Wirkola)<\/li>\n<li><em>A Somewhat Gentle Man<\/em> (2010 &#8211; Hans Petter Moland)<\/li>\n<li><em>Trollhunter<\/em> (2010 &#8211; Andr&eacute; &Oslash;vredal)<\/li>\n<\/ul>\n<h3>Eastern Europe<\/h3>\n<h4>Poland<\/h4>\n<ul>\n<li><em>Kanal<\/em> (1957 &#8211; Andrzej Wajda)<\/li>\n<li><em>Ashes and Diamonds<\/em> (1958 &#8211; Andrzej Wajda)<\/li>\n<li><em>Passenger<\/em> (1963 &#8211; Andrzej Munk, Witold Lesiewicz)<\/li>\n<li><em>The Saragossa Manuscript<\/em> (1965 &#8211; Wojciech Has)<\/li>\n<li><em>Man of Marble<\/em> (1977 &#8211; Andrzej Wajda)<\/li>\n<li><em>Man of Iron<\/em> (1981 &#8211; Andrzej Wajda)<\/li>\n<\/ul>\n<h4>Krzysztof Kiesloswki<\/h4>\n<ul>\n<li><em>Personel<\/em> (1976 TV movie)<\/li>\n<li><em>The Scar<\/em> (1976)<\/li>\n<li><em>Nie Wiem<\/em> (1977)<\/li>\n<li><em>Spok&oacute;j<\/em> (1980)<\/li>\n<li><em>Blind Chance<\/em> (1981)<\/li>\n<li><em>Kr&oacute;tki dzien pracy<\/em> (1981 TV movie)<\/li>\n<li><em>No End<\/em> (1985)<\/li>\n<li><b><em>A Short Film About Killing<\/em><\/b> (1988)<\/li>\n<li><b><em>A Short Film About Love<\/em><\/b> (1988)<\/li>\n<li><em>City Life<\/em> (&#8220;Siedem dni w tygodniu&#8221;) (1990)<\/li>\n<li><b><em>The Decalogue<\/em><\/b> (1989-1990)<\/li>\n<\/ul>\n<h4>Czechoslovakia \/ Czech Republic<\/h4>\n<ul>\n<li><em>The Ear<\/em> (1970 &#8211; Karel Kachyna)<\/li>\n<li><em>Alice<\/em> (1988 &#8211; Jan Svankmajer)<\/li>\n<\/ul>\n<h4>Milo&scaron; Forman<\/h4>\n<ul>\n<li><em>Magic Lantern II<\/em> (1960)<\/li>\n<li><em>Audition<\/em> (1964)<\/li>\n<li><em>Black Peter<\/em> (1964)<\/li>\n<li><em>The Talent Competition<\/em> (1964)<\/li>\n<li><em>Worth While<\/em> (1966 TV movie)<\/li>\n<li><b><em>The Fireman&#8217;s Ball<\/em><\/b> (1967)<\/li>\n<li><em>Visions of Eight<\/em> (&#8220;The Decathlon&#8221;) (1973)<\/li>\n<li><em>Hair<\/em> (1979)<\/li>\n<li><b><em>Ragtime<\/em><\/b> (1981)<\/li>\n<li><em>Valmont<\/em> (1989)<\/li>\n<li><em>The People vs. Larry Flynt<\/em> (1996)<\/li>\n<li><b><em>Man on the Moon<\/em><\/b> (1999)<\/li>\n<li><em>Goya&#8217;s Ghosts<\/em> (2006)<\/li>\n<li><em>A Walk Worthwhile<\/em> (2009)<\/li>\n<li><em>The Ghost of Munich<\/em> (2012)<\/li>\n<\/ul>\n<h4>Czech New Wave<\/h4>\n<ul>\n<li><em>Desire<\/em> (1958 &#8211; Vojtech Jasn&yacute;)<\/li>\n<li><em>Romeo, Juliet and Darkness<\/em> (1960 &#8211; Jir&iacute; Weiss)<\/li>\n<li><em>The Boxer and Death<\/em> (1962 &#8211; Peter Solan)<\/li>\n<li><em>A Bagful of Fleas<\/em> (1962 &#8211; Vera Chytilov&aacute;)<\/li>\n<li><em>The Sun in a Net<\/em> (1962 &#8211; &Scaron;tefan Uher)<\/li>\n<li><em>The Cassandra Cat<\/em> (1963 &#8211; Vojtech Jasn&yacute;)<\/li>\n<li><em>Icarus XB 1<\/em> (1963 &#8211; Jindrich Pol&aacute;k)<\/li>\n<li><em>Something Different<\/em> (1963 &#8211; V&ecaron;ra Chytilov&aacute;)<\/li>\n<li><em>Diamonds of the Night<\/em> (1964 &#8211; Jan Nemec)<\/li>\n<li><em>Courage for Every Day<\/em> (1964 &#8211; Evald Schorm)<\/li>\n<li><em>Something Different<\/em> (1964 &#8211; Vera Chytilov&aacute;)<\/li>\n<li><em>The High Wall<\/em> (1964 &#8211; Karel Kachyna)<\/li>\n<li><em>And the Fifth Horseman is Fear<\/em> (1964 &#8211; Zbynek Brynych)<\/li>\n<li><em>The Shop on Main Street<\/em> (1965 &#8211; Jan K&aacute;d&aacute;r, Elmar Klos)<\/li>\n<li><em>Joseph Kilian<\/em> (1965 &#8211; Pavel Jur&aacute;cek, Jan Schmidt)<\/li>\n<li><em>Every Young Man<\/em> (1966 &#8211; Pavel Jur&aacute;cek)<\/li>\n<li><em>Who Wants to Kill Jessie?<\/em> (1966 &#8211; V&aacute;clav Vorl&iacute;cek)<\/li>\n<li><em>Coach to Vienna<\/em> (1966 &#8211; Karel Kachyna)<\/li>\n<li><em>The First Cry<\/em> (1966 &#8211; Jaromil Jires)<\/li>\n<li><em>Before This Night is Over<\/em> (1966 &#8211; Peter Solan)<\/li>\n<li><em>The Party and Guests<\/em> (1966 &#8211; Jan Nemec)<\/li>\n<li><em>Pearls of the Deep<\/em> (1966 &#8211; Ji&rcaron;&iacute; Menzel, Jan N&ecaron;mec, Evald Schorm, V&ecaron;ra Chytilov&aacute;, Jaromil Jire&scaron;)<\/li>\n<li><em>Hotel for Strangers<\/em> (1967 &#8211; Anton&iacute;n M&aacute;sa)<\/li>\n<li><em>The End of Agent W4C<\/em> (1967 &#8211; V&aacute;clav Vorl&iacute;cek)<\/li>\n<li><em>Marketa Lazarov&aacute;<\/em> (1967 &#8211; Frantisek Vl&aacute;&ccaron;il)<\/li>\n<li><em>Martyrs of Love<\/em> (1967 &#8211; Jan Nemec)<\/li>\n<li><em>The Return of the Prodigal Son<\/em> (1967 &#8211; Evald Schorm)<\/li>\n<li><em>Dita Saxov&aacute;<\/em> (1968 &#8211; Anton&iacute;n Moskalyk)<\/li>\n<li><em>Capricious Summer<\/em> (1968 &#8211; Jir&iacute; Menzel)<\/li>\n<li><em>Valley of the Bees<\/em> (1968 &#8211; Frantisek Vl&aacute;cil)<\/li>\n<li><em>Deserters and Pilgrims<\/em> (1968 &#8211; Juraj Jakubiscko)<\/li>\n<li><em>Crime in a Music Hall<\/em> (1968 &#8211; Jir&iaacute; Menzel)<\/li>\n<li><em>All My Compatriots<\/em> (1968 &#8211; Vojt&ecaron;ch Jasn&yacute;)<\/li>\n<li><em>The Joke<\/em> (1968 &#8211; Jaromil Jire&scaron;)<\/li>\n<li><em>322<\/em> (1969 &#8211; Dusan Han&aacute;k)<\/li>\n<li><em>The End of a Priest<\/em> (1969 &#8211; Evald Schorm)<\/li>\n<li><em>Case for a Rookie Hangman<\/em> (1969 &#8211; Pavel Jurac&eacute;k)<\/li>\n<li><em>The Gala in the Botanical Garden<\/em> (1969 &#8211; Elo Havetta)<\/li>\n<li><em>The Cremator<\/em> (1969 &#8211; Juraj Herz)<\/li>\n<li><em>Birds, Orphans and Fools<\/em> (1969 &#8211; Juraj Jakubiscko)<\/li>\n<li><em>Behold Homolka<\/em> (1969 &#8211; Jaroslav Pupou&scaron;ek)<\/li>\n<li><em>Witches&#8217; Hammer<\/em> (1970 &#8211; Otakar Vavra)<\/li>\n<li><em>Copper Tower<\/em> (1970 &#8211; Martin Holl&yacute;)<\/li>\n<li><em>Fruit of Paradise<\/em> (1970 &#8211; Vera Chytilov&aacute;)<\/li>\n<li><em>The Ear<\/em> (1970 &#8211; Karel Kachyna)<\/li>\n<li><em>Desire Called Anada<\/em> (1971 &#8211; J&aacute;n Kad&aacute;r, Elmar Klos)<\/li>\n<li><em>Morgiana<\/em> (1973 &#8211; Juraj Herz)<\/li>\n<li><em>Pink Dreams<\/em> (1977 &#8211; Du&scaron;an Han&aacute;k)<\/li>\n<li><em>I Love, You Love<\/em> (1980 &#8211; Du&scaron;an Han&aacute;k)<\/li>\n<li><em>Build a House, Plant a Tree<\/em> (1980 &#8211; Juraj Jakubisko)<\/li>\n<li><em>A Millennial Bee<\/em> (1983 &#8211; Juraj Jakubisko)<\/li>\n<li><em>The Ride<\/em> (1994 &#8211; Jan Sver&aacute;k)<\/li>\n<li><em>The Garden<\/em> (1995 &#8211; Martin &Scaron;ul&iacute;k)<\/li>\n<li><em>Post Coitum<\/em> (2004 &#8211; Juraj Jakubisko)<\/li>\n<\/ul>\n<h4>Romanian New Wave<\/h4>\n<ul>\n<li><em>Trafic<\/em> (2004 &#8211; C&#259;t&#259;lin Mitulesco)<\/li>\n<li><em>12:08 East of Bucharest<\/em> (2006 &#8211; Corneliu Porumboiu)<\/li>\n<li><em>The Paper Will Be Blue<\/em> (2006 &#8211; Radu Muntean)<\/li>\n<li><em>The Way I Spent the End of the World<\/em> (2006 &#8211; C&#259;t&#259;lin Mitulescu)<\/li>\n<li><em>California Dreamin&#8217;<\/em> (2007 &#8211; Cristian Nemescu)<\/li>\n<li><em>Boogie<\/em> (2008 &#8211; Radu Muntean)<\/li>\n<li><em>Hooked<\/em> (2008 &#8211; Adrian Sitaru)<\/li>\n<li><em>Tales from the Golden Age<\/em> (2009 &#8211; Cristian Mungiu)<\/li>\n<li><em>Police, Adjective<\/em> (2009 &#8211; Corneliu Porumboiu)<\/li>\n<li><em>Francesca<\/em> (2009 &#8211; Bobby P&#259;unescu)<\/li>\n<li><em>Cea mai fericit&acaron; fat&acaron; din lume<\/em> (2009 &#8211; Radu Jude)<\/li>\n<li><em>Medalia do onoare<\/em> (2009 &#8211; C&#259;lin Peter Netzer)<\/li>\n<li><em>Aurora<\/em> (2010 &#8211; Cristi Piui)<\/li>\n<li><em>If I Want to Whistle, I Whistle<\/em> (2010 &#8211; Florin &Scedil;erban)<\/li>\n<li><em>Tuesday, After Christmas<\/em> (2010 &#8211; Radu Muntean)<\/li>\n<li><em>Morgen<\/em> (2010 &#8211; Marian Crisan)<\/li>\n<li><em>Peniferic<\/em> (2010 &#8211; Bogdan George Apetri)<\/li>\n<li><em>Loverboy<\/em> (2011 &#8211; C&#259;t&#259;lin Mitulescu)<\/li>\n<\/ul>\n<h4>Hungary<\/h4>\n<ul>\n<li><em>The Red and the White<\/em> (1968 &#8211; Mikl&oacute;s Jancs&oacute;)<\/li>\n<li><em>Red Psalm<\/em> (1971 &#8211; Mikl&oacute;s Jancs&oacute;)<\/li>\n<li><em>Mephisto<\/em> (1981 &#8211; Istv&aacute;n Szab&oacute;)<\/li>\n<li><em>S&aacute;t&aacute;nt&aacute;ngo<\/em> (1994 &#8211; B&eacute;la Tarr)<\/li>\n<li><em>The Man from London<\/em> (2007 &#8211; B&eacute;la Tarr)<\/li>\n<li><strike><em>The Turin Horse<\/em> (2011 &#8211; B&eacute;la Tarr)<\/strike><\/li>\n<\/ul>\n<h4>Yugoslavia<\/h4>\n<ul>\n<li><em>WR: Mysteries of the Organism<\/em> (1971 &#8211; Dusan Makavejev)<\/li>\n<li><em>Time of the Gypsies<\/em> (1989 &#8211; Emir Kusturica)<\/li>\n<li><em>Underground<\/em> (1995 &#8211; Emir Kusturica)<\/li>\n<\/ul>\n<h4>Greece<\/h4>\n<ul>\n<li><em>Never on Sunday<\/em> (1960 &#8211; Jules Dassin)<\/li>\n<li><em>The Traveling Players<\/em> (1975 &#8211; Theo Angelopoulos)<\/li>\n<li><em>Landscape in the Mist<\/em> (1988 &#8211; Theo Angelopoulos)<\/li>\n<li><em>Eternity and a Day<\/em> (1998 &#8211; Theo Angelopoulos)<\/li>\n<li><em>Alps<\/em> (2011 &#8211; Yorgos Lanthimos)<\/li>\n<\/ul>\n<h4>Macedonia<\/h4>\n<ul>\n<li><em>Before the Rain<\/em> (1994 &#8211; Milcho Manchevski)<\/li>\n<\/ul>\n<h3>Soviet \/ Russia<\/h3>\n<h4>Sergei Eisenstein<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>Strike<\/em> (1925 &#8211; Sergei Eisenstein)<\/li>\n<li><em>Que viva Mexico!<\/em> (1932 &#8211; Sergei Eisenstein)<\/li>\n<li><em>Alexander Nevsky<\/em> (1939 &#8211; Sergei Eisentein)<\/li>\n<li><em>Ivan the Terrible Part I<\/em> (1944 &#8211; Sergei Eisenstein)<\/li>\n<li><em>Ivan the Terrible Part II<\/em> (1958 &#8211; Sergei Eisenstein)<\/li>\n<\/ul>\n<h4>Andrei Tarkovsky<\/h4>\n<ul>\n<li><em>The Steamroller and the Violin<\/em> (1961)<\/li>\n<li><em>Ivan&#8217;s Childhood<\/em> (1962)<\/li>\n<li><b><em>Andrei Rublev<\/em><\/b> (1966)<\/li>\n<li><b><em>Solaris<\/em><\/b> (1972)<\/li>\n<li><b><em>The Mirror<\/em><\/b> (1975)<\/li>\n<li><b><em>Stalker<\/em><\/b> (1979)<\/li>\n<li><em>Voyage in Time<\/em> (1983 TV)<\/li>\n<li><em>Nostalghia<\/em> (1983)<\/li>\n<li><em>The Sacrifice<\/em> (1986)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>Mother<\/em> (1926 &#8211; Vsevolod Pudovkin)<\/li>\n<li><em>The End of St. Petersburg<\/em> (1927 &#8211; Vsevolod Pudovkin)<\/li>\n<li><em>Storm Over Asia<\/em> (1928 &#8211; Vsevolod Pudovkin)<\/li>\n<li><em>Earth<\/em> (1930 &#8211; Aleksandr Dovzhenko)<\/li>\n<li><em>Outskirts<\/em> (1933 &#8211; Boris Barnet)<\/li>\n<li><em>Happiness<\/em> (1934 &#8211; Aleksandr Medvedkin)<\/li>\n<li><em>Kino-Eye: Tri pesni o Lenine<\/em> (1934 &#8211; Dziga Vertov)<\/li>\n<li><em>By the Bluest of Seas<\/em> (1936 &#8211; Boris Barnet)<\/li>\n<li><em>The Childhood of Maxim Gorky<\/em> (1938 &#8211; Mark Donskoi)<\/li>\n<li><em>Ballad of a Soldier<\/em> (1959 &#8211; Grigori Chukhrai)<\/li>\n<li><em>I am Cuba<\/em> (1964 &#8211; Mikhail Kalatozov)<\/li>\n<li><em>Shadows of Forgotten Ancestors<\/em> (1964 &#8211; Sergei Parajanov)<\/li>\n<li><em>Vij<\/em> (1967 &#8211; Georgi Kropachyov, Konstantin Yershov)<\/li>\n<li><em>War and Peace<\/em> (1967 &#8211; Sergei Bondarchuk)<\/li>\n<li><em>The Color of Pomegranates<\/em> (1969 &#8211; Sergei Parajanov &#038; Sergei Yutkevich)<\/li>\n<li><em>The Ascent<\/em> (1977 &#8211; Larisa Shepitko)<\/li>\n<li><em>Come and See<\/em> (1985 &#8211; Elem Klimov)<\/li>\n<li><em>The Asthenic Syndrome<\/em> (1990 &#8211; Kira Muratova)<\/li>\n<li><em>Burnt by the Sun<\/em> (1994 &#8211; Nikita Mikhalkov)<\/li>\n<li><em>Mother and Son<\/em> (1997 &#8211; Aleksandr Sokurov)<\/li>\n<li><em>Father and Son<\/em> (2003 &#8211; Aleksandr Sokurov)<\/li>\n<li><em>Alexandra<\/em> (2007 &#8211; Aleksandr Sokurov)<\/li>\n<\/ul>\n<h3>Japan<\/h3>\n<h4>Akira Kurosawa<\/h4>\n<ul>\n<li><em>Sanshiro Sugata<\/em> (1943)<\/li>\n<li><em>The Most Beautiful<\/em> (1944)<\/li>\n<li><em>The Men Who Tread on the Tiger&#8217;s Tail<\/em> (1945)<\/li>\n<li><em>Sanshiro Sugata Part Two<\/em> (1945)<\/li>\n<li><em>Those Who Make Tomorrow<\/em> (1946)<\/li>\n<li><em>No Regrets for Our Youth<\/em> (1946)<\/li>\n<li><em>One Wonderful Sunday<\/em> (1947)<\/li>\n<li><b><em>Drunken Angel<\/em><\/b> (1948)<\/li>\n<li><em>The Quiet Duel<\/em> (1949)<\/li>\n<li><b><em>Stray Dog<\/em><\/b> (1949)<\/li>\n<li><em>Scandal<\/em> (1950)<\/li>\n<li><em>The Idiot<\/em> (1951)<\/li>\n<li><em>I Live in Fear<\/em> (1955)<\/li>\n<li><b><em>Throne of Blood<\/em><\/b> (1957)<\/li>\n<li><em>The Lower Depths<\/em> (1957)<\/li>\n<li><em>The Bad Sleep Well<\/em> (1960)<\/li>\n<li><b><em>Sanjuro<\/em><\/b> (1961)<\/li>\n<li><b><em>High and Low<\/em><\/b> (1963)<\/li>\n<li><b><em>Red Beard<\/em><\/b> (1965)<\/li>\n<li><em>Dodes&#8217;ka-den<\/em> (1970)<\/li>\n<li><em>Derzu uzala<\/em> (1975)<\/li>\n<li><b><em>Kagemusha<\/em><\/b> (1980)<\/li>\n<li><em>Dreams<\/em> (1990)<\/li>\n<li><em>Rhapsody in August<\/em> (1991)<\/li>\n<li><em>Madadayo<\/em> (1993)<\/li>\n<\/ul>\n<h4>Yasujiro Ozu<\/h4>\n<ul>\n<li><em>Blade of Penitence<\/em> (1927)<\/li>\n<li><em>Wakodo no yume<\/em> (1928)<\/li>\n<li><em>Nyobo funshitsu<\/em> (1928)<\/li>\n<li><em>Kabocha<\/em> (1928)<\/li>\n<li><em>Hkkoshi fufu<\/em> (1928)<\/li>\n<li><em>Nikutaibi<\/em> (1928)<\/li>\n<li><em>Takara no yama<\/em> (1929)<\/li>\n<li><em>Days of Youth<\/em> (1929)<\/li>\n<li><em>Fighting Friends<\/em> (1929)<\/li>\n<li><em>I Graduated, But&#8230;<\/em> (1929)<\/li>\n<li><em>Kaishain seikatsu<\/em> (1929)<\/li>\n<li><em>That Night&#8217;s Wife<\/em> (1930)<\/li>\n<li><em>Walk Cheerfully<\/em> (1930)<\/li>\n<li><em>Marriage for Beginners<\/em> (1930)<\/li>\n<li><em>I Flunked, But&#8230;<\/em> (1930)<\/li>\n<li><em>Ashi ni sawatta koun<\/em> (1930)<\/li>\n<li><em>The Humorous Samurai<\/em> (1930)<\/li>\n<li><em>The Lady and the Beard<\/em> (1931)<\/li>\n<li><em>The Sorrow of the Beautiful Woman<\/em> (1931)<\/li>\n<li><em>Tokyo Chorus<\/em> (1931)<\/li>\n<li><em>Haru wa gofujin kara<\/em> (1932)<\/li>\n<li><b><em>I Was Born, But&#8230;<\/em><\/b> (1932)<\/li>\n<li><em>Where Now Are the Dreams of Youth<\/em> (1932)<\/li>\n<li><em>Mata au hi made<\/em> (1932)<\/li>\n<li><em>Woman of Tokyo<\/em> (1933)<\/li>\n<li><em>Dragnet Girl<\/em> (1933)<\/li>\n<li><em>Passing Fancy<\/em> (1933)<\/li>\n<li><em>A Mother Should Be Loved<\/em> (1934)<\/li>\n<li><b><em>A Story of Floating Weeds<\/em><\/b> (1934)<\/li>\n<li><em>Hakoiri musume<\/em> (1935)<\/li>\n<li><em>An Inn in Tokyo<\/em> (1935)<\/li>\n<li><em>Daigaku yoitoko<\/em> (1936)<\/li>\n<li><em>The Only Son<\/em> (1936)<\/li>\n<li><em>What Did the Lady Forget?<\/em> (1937)<\/li>\n<li><em>The Brothers and Sisters of the Toda Family<\/em> (1941)<\/li>\n<li><em>There Was a Father<\/em> (1942)<\/li>\n<li><em>Record of a Tenement Gentleman<\/em> (1947)<\/li>\n<li><em>A Hen in the Wind<\/em> (1948)<\/li>\n<li><b><em>Late Spring<\/em><\/b> (1949)<\/li>\n<li><em>The Munekata Sisters<\/em> (1950)<\/li>\n<li><b><em>Early Summer<\/em><\/b> (1951)<\/li>\n<li><em>Flavor of Green Tea Over Rice<\/em> (1952)<\/li>\n<li><b><em>Tokyo Story<\/em><\/b> (1953)<\/li>\n<li><b><em>Early Spring<\/em><\/b> (1956)<\/li>\n<li><em>Tokyo Twilight<\/em> (1957)<\/li>\n<li><em>Equinox Flower<\/em> (1958)<\/li>\n<li><b><em>Floating Weeds<\/em><\/b> (1959)<\/li>\n<li><b><em>Late Autumn<\/em><\/b> (1960)<\/li>\n<li><b><em>The End of Summer<\/em><\/b> (1961)<\/li>\n<li><b><em>An Autumn Afternoon<\/em><\/b> (1962)<\/li>\n<\/ul>\n<h4>Kenji Mizoguchi<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>The Story of the Last Chrysanthemums<\/em> (1939)<\/li>\n<li><em>The 47 Ronin<\/em> (1941)<\/li>\n<li><em>The Life of Oharu<\/em> (1952)<\/li>\n<li><b><em>Ugetsu<\/em><\/b> (1953)<\/li>\n<li><em>Chikamatsu monogatari<\/em> (1954)<\/li>\n<li><em>Princess Yang Kwei Fei<\/em> (1955)<\/li>\n<li><em>A Geisha<\/em> (1978)<\/li>\n<\/ul>\n<h4>Kinji Fukasaku<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>Blackmail is My Business<\/em> (1968)<\/li>\n<li><em>Battles Without Honour and Humanity<\/em> (1973)<\/li>\n<li><b><em>Graveyard of Honor<\/em><\/b> (1975)<\/li>\n<li><em>Battle Royale<\/em> (2001)<\/li>\n<\/ul>\n<h4>Kiyoshi Kurosawa<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>Cure<\/em> (1997)<\/li>\n<li><em>Seance<\/em> (2000)<\/li>\n<li><b><em>Pulse<\/em><\/b> (2001)<\/li>\n<li><em>Doppelganger<\/em> (2003)<\/li>\n<li><em>Tokyo Sonata<\/em> (2008)<\/li>\n<\/ul>\n<h4>Takeshi Miike<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>Audition<\/em> (2000)<\/li>\n<li><b><em>Ichi the Killer<\/em><\/b> (2001)<\/li>\n<li><b><em>Sukiyaki Western Django<\/em><\/b> (2007)<\/li>\n<\/ul>\n<h4>Hayao Miyazaki<\/h4>\n<ul>\n<li><em>Nausica&auml; of the Valley of the Wind<\/em> (1985)<\/li>\n<li><em>Castle in the Sky<\/em> (1986)<\/li>\n<li><em>Kiki&#8217;s Delivery Service<\/em> (1989)<\/li>\n<li><em>Porco Rosso<\/em> (1992)<\/li>\n<li><em>Ponyo<\/em> (2008)<\/li>\n<\/ul>\n<h4>Anime<\/h4>\n<ul>\n<li><em>Robotech<\/em> (1985)<\/li>\n<li><em>Whisper of the Part<\/em> (1995 &#8211; Yoshifumi Kondo)<\/li>\n<li><em>Ninja Scroll<\/em> (1993 &#8211; Yoshiaki Kawajiri)<\/li>\n<li><em>Neon Genesis Evangelion: The End of Evangelion)<\/em> (1997 &#8211; Hideaki Anno, Kazuya Tsurumaki)<\/li>\n<li><em>Tetsuo: The Iron Man<\/em> (1998 &#8211; Shinya Tsukamoto)<\/li>\n<li><em>Trigun<\/em> (1998 &#8211; Yasuhiro Nightow)<\/li>\n<li><em>Vampire Hunter D: Bloodlust<\/em> (2000 &#8211; Yoshiski Kawajiri)<\/li>\n<li><em>Millennium Actress<\/em> (2001 &#8211; Satoshi Kon)<\/li>\n<li><em>The Cat Returns<\/em> (2002 &#8211; Hiroyuki Morita)<\/li>\n<li><em>Fullmetal Alchemist<\/em> (2003 series &#8211; Hiromu Arakawa)<\/li>\n<li><em>Last Exile<\/em> (2003 series)<\/li>\n<li><em>Appleseed<\/em> (2004 &#8211; Shinji Aramki)<\/li>\n<li><em>Samurai Champloo<\/em> (2004 &#8211; Shinichiro Watanabe)<\/li>\n<li><em>Ghost in the Shell 2: Innocence<\/em> (2004 &#8211; Mamoru Oshii)<\/li>\n<li><em>Steamboy<\/em> (2005 &#8211; Katsuhiro Ohtomo)<\/li>\n<li><em>Final Fantasy VII: Advent Children<\/em> (2005 &#8211; Tetsuya Nomura, Takeshi Nozue)<\/li>\n<li><em>Avatar: The Last Airbender<\/em> (2005-2007 series &#8211; Michael Dante DiMartino, Bryan Konietzko)<\/li>\n<li><em>Tekkonkinkreet<\/em> (2006 &#8211; Michael Arias)<\/li>\n<li><em>Evangelion 1.0: You Are (Not) Alone<\/em> (2007 &#8211; Hideaki Anno)<\/li>\n<li><em>The Sky Crawlers<\/em> (2008 &#8211; Mamoru Oshii)<\/li>\n<li><em>Evangelion 2.0: You Can (Not) Advance<\/em> (2009 &#8211; Hideaki Anno)<\/li>\n<li><em>Summer Wars<\/em> (2009 &#8211; Mamoru Hosoda)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>Gate of Hell<\/em> (1953 &#8211; Teinosuke Kinugasa)<\/li>\n<li><em>Anatahan<\/em> (1953 &#8211; Josef von Sternberg)<\/li>\n<li><em>Samurai I: Musashi Miyamoto<\/em> (1954 &#8211; Hiroshi Inagaki)<\/li>\n<li><em>Samurai II: Duel at Ichijoji Temple<\/em> (1955 &#8211; Hiroshi Inagaki)<\/li>\n<li><em>Floating Clouds<\/em> (1955 &#8211; Mikio Naruse)<\/li>\n<li><em>Samurai III: Duel at Ganryu Island<\/em> (1956 &#8211; Hiroshi Inagaki)<\/li>\n<li><em>Rodan<\/em> (1956 &#8211; Ishir&ocirc; Honda)<\/li>\n<li><em>The Burmese Harp<\/em> (1956 &#8211; Kon Ichikawa)<\/li>\n<li><em>The Naked Island<\/em> (1960 &#8211; Kaneto Shind&ocirc;)<\/li>\n<li><em>Mothra<\/em> (1961 &#8211; Ishir&ocirc; Honda)<\/li>\n<li><em>Pigs and Battleships<\/em> (1961 &#8211; Sh&ocirc;hei Imamura)<\/li>\n<li><em>The Tale of Zatoichi<\/em> (1962 &#8211; Kenji Misumi)<\/li>\n<li><em>The Pitfall<\/em> (1962 &#8211; Hiroshi Teshigahara)<\/li>\n<li><em>Harakiri<\/em> (1962 &#8211; Masaki Kobayashi)<\/li>\n<li><em>Youth of the Beast<\/em> (1963 &#8211; Seijun Suzuki)<\/li>\n<li><em>An Actor&#8217;s Revenge<\/em> (1963 &#8211; Kon Ichikawa)<\/li>\n<li><em>Pale Flower<\/em> (1964 &#8211; Masahiro Shinoda)<\/li>\n<li><em>Woman in the Dunes<\/em> (1964 &#8211; Hiroshi Teshigahara)<\/li>\n<li><em>Tokyo Olympiad<\/em> (1964 &#8211; Kon Ichikawa)<\/li>\n<li><em>Onibaba<\/em> (1964 &#8211; Kaneto Shind&ocirc;)<\/li>\n<li><em>Gate of Flesh<\/em> (1964 &#8211; Seijun Suzuki)<\/li>\n<li><em>Tattooed Life<\/em> (1965 &#8211; Seijun Suzuki)<\/li>\n<li><em>Story of a Prostitute<\/em> (1965 &#8211; Seijun Suzuki)<\/li>\n<li><em>Samurai Spy<\/em> (1965 &#8211; Masahiro Shinoda)<\/li>\n<li><em>Sword of Doom<\/em> (1966 &#8211; Kihachi Oksamoto)<\/li>\n<li><em>The Pornographers<\/em> (1966 &#8211; Sh&ocirc;hei Imamura)<\/li>\n<li><em>The Face of Another<\/em> (1966 &#8211; Hiroshi Teshigahara)<\/li>\n<li><em>Fighting Elegy<\/em> (1966 &#8211; Seijun Suzuki)<\/li>\n<li><em>A Colt is My Passport<\/em> (1967 &#8211; Takashi Nomura)<\/li>\n<li><em>Kill!<\/em> (1968 &#8211; Kihachi Okamoto)<\/li>\n<li><em>Double Suicide<\/em> (1969 &#8211; Masahiro Shinoda)<\/li>\n<li><em>Funeral Parade of Roses<\/em> (1969 &#8211; Toshio Matsumoto)<\/li>\n<li><em>The Ceremony<\/em> (1971 &#8211; Nagisa &Ocirc;shima)<\/li>\n<li><em>Lone Wolf and Cub: Sword of Vengeance<\/em> (1972 &#8211; Kenji Misumi)<\/li>\n<li><em>The Street Fighter<\/em> (1974 &#8211; Shigehiro Ozawa)<\/li>\n<li><em>In the Realm of the Senses<\/em> (1976 &#8211; Nagisa &Ocirc;shima)<\/li>\n<li><em>Shogun Assassin<\/em> (1980 &#8211; Robert Houston)<\/li>\n<li><em>The Ballad of Narayama<\/em> (1983 &#8211; Shohei Imamura)<\/li>\n<li><em>The Family Game<\/em> (1984 &#8211; Yoshimitsu Morita)<\/li>\n<li><em>Tampopo<\/em> (1985 &#8211; J&ocirc;z&ocirc; Itami)<\/li>\n<li><em>Sonatine<\/em> (1993 &#8211; Takeshi Kitano)<\/li>\n<li><em>Hana-Bi<\/em> (1997 &#8211; Takeshi Kitano)<\/li>\n<li><em>Taboo<\/em> (1999 &#8211; Nagisa &Ocirc;shima)<\/li>\n<li><em>Kikujiro<\/em> (1999 &#8211; Takeshi Kitano)<\/li>\n<li><em>Ju-on<\/em> (2002 &#8211; Takashi Shimizu)<\/li>\n<li><em>The Blind Swordsman: Zatoichi<\/em> (2003 &#8211; Takeshi Kitano)<\/li>\n<li><em>Who&#8217;s Camus Anyway?<\/em> (2005 &#8211; Mitsuo Yanagimachi)<\/li>\n<li><em>Kaidan<\/em> (2007 &#8211; Hideo Nakata)<\/li>\n<li><em>Still Walking<\/em> (2008 &#8211; Hirokazu Koreeda)<\/li>\n<li><em>Outrage 2<\/em> (2011 &#8211; Takeshi Kitano)<\/li>\n<\/ul>\n<h3>China and Taiwan<\/h3>\n<h4>Zhang Yimou<\/h4>\n<ul>\n<li><b><em>Red Sorghum<\/em><\/b> (1988)<\/li>\n<li><em>Daihao meizhoubao<\/em> (1989)<\/li>\n<li><b><em>Ju Dou<\/em><\/b> (1990)<\/li>\n<li><em>The Story of Qui Ju<\/em> (1992)<\/li>\n<li><em>To Live<\/em> (1994)<\/li>\n<li><em>Shanghai Triad<\/em> (1994)<\/li>\n<li><em>Lumi&egrave;re and Company<\/em> (1995)<\/li>\n<li><em>Keep Cool<\/em> (1997)<\/li>\n<li><em>Not One Less<\/em> (1999)<\/li>\n<li><em>The Road Home<\/em> (2000)<\/li>\n<li><em>Happy Times<\/em> (2000)<\/li>\n<li><em>Riding Alone for Thousands of Miles<\/em> (2005)<\/li>\n<li><em>Under the Hawthorn Tree<\/em> (2009)<\/li>\n<li><em>The 13 Women of Nanjing<\/em> (2012)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>Song at Midnight<\/em> (1937 &#8211; Ma-Xu Weibang)<\/li>\n<li><em>Spring in a Small Town<\/em> (1948 &#8211; Mu Fei)<\/li>\n<li><em>Yellow Earth<\/em> (1984 &#8211; Chen Kaige)<\/li>\n<li><em>A Chinese Ghost Story<\/em> (1987 &#8211; Siu-Tung Ching)<\/li>\n<li><em>The Horse Thief<\/em> (1988 &#8211; Tian Zhuangzhuang)<\/li>\n<li><em>A City of Sadness<\/em> (1989 &#8211; Hou Hsiao-hsien)<\/li>\n<li><em>A Brighter Summer Day<\/em> (1991 &#8211; Edward Yang)<\/li>\n<li><em>The Puppetmaster<\/em> (1993 &#8211; Hou Hsiao-hsien)<\/li>\n<li><em>The Blue Kite<\/em> (1993 &#8211; Tian Zhuangzhuang)<\/li>\n<li><em>The Wedding Banquet<\/em> (1993 &#8211; Ang Lee)<\/li>\n<li><em>Flowers of Shanghai<\/em> (1998 &#8211; Hou Hsiao-hsien)<\/li>\n<li><em>Yi Yi<\/em> (2000 &#8211; Edward Yang)<\/li>\n<li><em>What Time Is It There?<\/em> (2001 &#8211; Ming-liang Tsai)<\/li>\n<li><em>Millennium Mambo<\/em> (2001 &#8211; Hou Hsiao-hsien)<\/li>\n<li><em>Cafe Lumiere<\/em> (2003 &#8211; Hou Hsiao-hsien)<\/li>\n<li><em>Flight of the Red Balloon<\/em> (2007 &#8211; Hou Hsiao-hsien)<\/li>\n<\/ul>\n<h3>Hong Kong<\/h3>\n<h4>Wong Kar Wai<\/h4>\n<ul>\n<li><em>As Tears Go By<\/em> (1988)<\/li>\n<li><em>Days of Being Wild<\/em> (1990)<\/li>\n<li><em>Ashes of Time<\/em> (1994)<\/li>\n<li><b><em>Fallen Angels<\/b><\/em> (1995)<\/li>\n<li><em>Happy Together<\/em> (1997<\/li>\n<li><b><em>2046<\/em><\/b> (2004)<\/li>\n<li><em>Eros<\/em> (&#8220;The Hand&#8221;) (2004)<\/li>\n<li><em>The Grandmasters<\/em> (2012)<\/li>\n<\/ul>\n<h4>Johnnie To<\/h4>\n<ul>\n<li><em>Election<\/em> (2005 &#8211; Johnnie To)<\/li>\n<li><em>Mad Detective<\/em> (2007 &#8211; Johnnie To, Ka-Fai Wai)<\/li>\n<li><em>Triangle<\/em> (2007 &#8211; Johnnie To, Ringo Lam)<\/li>\n<li><em>Vengeance<\/em> (2009 &#8211; Johnnie To)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>Come Drink With Me<\/em> (1966 &#8211; King Hu)<\/li>\n<li><em>A Touch of Zen<\/em> (1969 &#8211; King Hu)<\/li>\n<li><em>Fist of Fury<\/em> (1972 &#8211; Bruce Lee)<\/li>\n<li><em>The Way of the Dragon<\/em> (1972 &#8211; Bruce Lee)<\/li>\n<li><em>The Chinese Connection<\/em> (1972 &#8211; Bruce Lee)<\/li>\n<li><em>Enter the Dragon<\/em> (1973 &#8211; Bruce Lee)<\/li>\n<li><em>Five Deadly Venoms<\/em> (1978 &#8211; Cheh Chang)<\/li>\n<li><em>Drunken Master<\/em> (1978 &#8211; Jackie Chan)<\/li>\n<li><em>The 36th Chamber of Shaolin<\/em> (aka <em>Shaolin Master Killer<\/em>) (1978 &#8211; Chia-Liang Liu)<\/li>\n<li><em>Project A<\/em> (1983 &#8211; Jackie Chan)<\/li>\n<li><em>Peking Opera Blues<\/em> (1986 &#8211; Tsui Hark)<\/li>\n<li><em>Project A 2<\/em> (1987 &#8211; Jackie Chan)<\/li>\n<li><em>Police Story 2<\/em> (1988 &#8211; Jackie Chan)<\/li>\n<li><em>The Killer<\/em> (1989 &#8211; John Woo)<\/li>\n<li><em>Operation Condor<\/em> (1991 &#8211; Jackie Chan)<\/li>\n<li><em>The Actress<\/em> (1992 &#8211; Stanley Kwan)<\/li>\n<li><em>Once Upon a Time in China II<\/em> (1992 &#8211; Jet Li)<\/li>\n<li><em>Supercop<\/em> (1992 &#8211; Jackie Chan)<\/li>\n<li><em>Hard-Boiled<\/em> (1992 &#8211; John Woo)<\/li>\n<li><em>Once Upon a Time in China III<\/em> (1993 &#8211; Jet Li)<\/li>\n<li><em>Supercop 2<\/em> (1993 &#8211; Jackie Chan)<\/li>\n<li><em>Fist of Legend<\/em> (1994 &#8211; Jet Li)<\/li>\n<li><em>The Legend of Drunken Master<\/em> (1994 &#8211; Jackie Chan)<\/li>\n<li><em>Rumble in the Bronx<\/em> (1995 &#8211; Jackie Chan)<\/li>\n<li><em>Platform<\/em> (2000 &#8211; Jia Zhangke)<\/li>\n<li><em>Kung Pow: Enter the Fist<\/em> (2002 &#8211; Steve Oedekerk)<\/li>\n<li><em>Ip Man<\/em> (2008 &#8211; Wilson Yip)<\/li>\n<li><em>Red Cliff<\/em> (2008 &#8211; John Woo)<\/li>\n<\/ul>\n<h3>South Korea<\/h3>\n<ul>\n<li><em>The Housemaid<\/em> (1960 &#8211; Kim Ki-young)<\/li>\n<li><em>Barking Dogs Never Bite<\/em> (2000 &#8211; Bong Joon-ho)<\/li>\n<li><em>3-Iron<\/em> (2004 &#8211; Kim Ki-duk)<\/li>\n<li><em>Lady Vengeance<\/em> (2005 &#8211; Park Chan-wook)<\/li>\n<li><em>The Red Shoes<\/em> (2005 &#8211; Kim Hong-gyun)<\/li>\n<li><em>I&#8217;m a Cyborg, But That&#8217;s Okay<\/em> (2006 &#8211; Park Chan-wook)<\/li>\n<li><em>Tokyo!<\/em> (&#8220;Shaking Tokyo&#8221;) (2008 &#8211; Bong Joon-ho)<\/li>\n<li><em>Treeless Mountain<\/em> (2008 &#8211; Kim So Yong)<\/li>\n<li><em>The Chaser<\/em> (2008 &#8211; Na Hong-jin)<\/li>\n<li><em>Oki&#8217;s Movie<\/em> (2010 &#8211; Hong Sang-soo)<\/li>\n<li><em>The Man from Nowhere<\/em> (2010 &#8211; Lee Jeong-beom)<\/li>\n<li><strike><em>The Day He Arrives<\/em> (2011 &#8211; Hong Sang-soo)<\/strike><\/li>\n<\/ul>\n<h3>Thailand<\/h3>\n<ul>\n<li><em>Tropical Malady<\/em> (2004 &#8211; Apichatpong Weerasethakul)<\/li>\n<li><em>Syndromes and a Century<\/em> (2006 &#8211; Apichatpong Weerasethakul)<\/li>\n<li><em>Ong-bak 2<\/em> (2008 &#8211; Tony Jaa, Panna Rittikrai)<\/li>\n<li><em>Chocolate<\/em> (2008 &#8211; Prachya Pinkaew)<\/li>\n<li><em>Ong-bak 3<\/em> (2010 &#8211; Tony Jaa)<\/li>\n<li><em>Uncle Boonmee Who Can Recall His Past Lives<\/em> (2010 &#8211; Apichatpong Weerasethakul)<\/li>\n<\/ul>\n<h4>Vietnam<\/h3>\n<ul>\n<li><em>Cyclo<\/em> (1995 &#8211; Anh Hung Tan)<\/li>\n<\/ul>\n<h3>Philippines<\/h3>\n<ul>\n<li><em>The Nail of Brightness<\/em> (aka <em>Manila in the Claws of Brightness<\/em>) (1975 &#8211; Lino Brocka)<\/li>\n<\/ul>\n<h3>India<\/h3>\n<ul>\n<li><em>Pather Panchali<\/em> (1955 &#8211; Satyajit Ray)<\/li>\n<li><em>Aparajito<\/em> (1956 &#8211; Satyajit Ray)<\/li>\n<li><em>Mother India<\/em> (1957 &#8211; Mehboob Khan)<\/li>\n<li><em>Pyaasa<\/em> (1957 &#8211; Guru Dutt)<\/li>\n<li><em>The Music Room<\/em> (1958 &#8211; Satyajit Ray)<\/li>\n<li><em>The World of Apu<\/em> (1959 &#8211; Satyajit Ray)<\/li>\n<li><em>Kaagaz Ke Phool<\/em> (1959 &#8211; Guru Dutt)<\/li>\n<li><em>The Cloud-Capped Star<\/em> (1960 &#8211; Ritwik Ghatak)<\/li>\n<li><em>Charulata<\/em> (1964 &#8211; Satyajit Ray)<\/li>\n<li><em>The Golden Thread<\/em> (1965 &#8211; Ritwik Ghatak)<\/li>\n<li><em>Days and Nights in the Forest<\/em> (1969 &#8211; Satyajit Ray)<\/li>\n<li><em>Pakeezah<\/em> (1972 &#8211; Kamal Amrohi)<\/li>\n<li><em>Distant Thunder<\/em> (1973 &#8211; Satyajit Ray)<\/li>\n<li><em>Deewaar<\/em> (1975 &#8211; Yosh Chopra)<\/li>\n<li><em>Veer-Zaara<\/em> (2004 &#8211; Yash Chopra)<\/li>\n<li><em>Swades: We, the People<\/em> (2004 &#8211; Ashutosh Gowariker)<\/li>\n<li><em>Jodhaa Akbar<\/em> (2007 &#8211; Ashutosh Gowariker)<\/li>\n<li><em>Kaminey<\/em> (2008 &#8211; Vishal Bhardwaj)<\/li>\n<li><em>Road, Movie<\/em> (2009 &#8211; Dev Benegal)<\/li>\n<li><em>Dhobi Ghat (Mumbai Diaries)<\/em> (2010 &#8211; Kiran Rao)<\/li>\n<\/ul>\n<h3>Middle East \/ Northern Africa<\/h3>\n<h4>Iran<\/h4>\n<ul>\n<li><em>The House is Black<\/em> (1963 &#8211; Forugh Farrokhzad)<\/li>\n<li><em>The Cow<\/em> (1969 &#8211; Dariush Mehrjui)<\/li>\n<li><em>The White Balloon<\/em> (1995 &#8211; Jafar Panahi)<\/li>\n<li><em>A Moment of Innocence<\/em> (1995 &#8211; Mohsen Makhmalbaf)<\/li>\n<li><em>Gabbeh<\/em> (1996 &#8211; Mohsen Makhmalbaf)<\/li>\n<li><em>Children of Heaven<\/em> (1997 &#8211; Majid Majidi)<\/li>\n<li><em>A Time for Drunken Horses<\/em> (2000 &#8211; Bahman Ghobadi)<\/li>\n<li><em>Kandahar<\/em> (2001 &#8211; Mohsen Makhmalbaf)<\/li>\n<li><em>Baran<\/em> (2001 &#8211; Majid Majidi)<\/li>\n<\/ul>\n<h4>Abbas Kiarostami<\/h4>\n<ul>\n<li><em>The Experience<\/em> (1973)<\/li>\n<li><em>The Traveler<\/em> (1974)<\/li>\n<li><em>Lebassi Baraye Arossi<\/em> (1976)<\/li>\n<li><em>The Report<\/em> (1977)<\/li>\n<li><em>Az Oghat-e Faraghat-e Khod Chegouneh Estefadeh Konim?<\/em> (1977)<\/li>\n<li><em>Ghazieh-e Shekl-e Aval, Ghazieh-e Shekl-e Dou Wom<\/em> (1979)<\/li>\n<li><em>Hamshahri<\/em> (1983)<\/li>\n<li><em>Avaliha<\/em> (1984)<\/li>\n<li><em>Where is the Friend&#8217;s Home?<\/em> (1987)<\/li>\n<li><em>Homework<\/em> (1989)<\/li>\n<li><b><em>Close-Up<\/em><\/b> (1990)<\/li>\n<li><em>Life, and Nothing More&#8230;<\/em> (1992)<\/li>\n<li><em>Through the Olive Trees<\/em> (1994)<\/li>\n<li><em>&Agrave; propos de Nice, la suite<\/em> (&#8220;Rep&eacute;rages&#8221;) (1995)<\/li>\n<li><em>Lumi&egrave;re and Company<\/em> (1995)<\/li>\n<li><b><em>Taste of Cherry<\/em><\/b> (1997)<\/li>\n<li><em>The Wind Will Carry Us<\/em> (1999)<\/li>\n<li><em>ABC Africa<\/em> (2001)<\/li>\n<li><em>Ten<\/em> (2002)<\/li>\n<li><em>Five Dedicated to Ozu<\/em> (2003)<\/li>\n<li><em>10 on Ten<\/em> (2004)<\/li>\n<li><em>Tickets<\/em> (2005)<\/li>\n<li><em>To Each His Own Cinema<\/em> (&#8220;Where is my Romeo?&#8221;) (2007)<\/li>\n<li><em>Shirin<\/em> (2008)<\/li>\n<li><em>The End<\/em> (2012)<\/li>\n<\/ul>\n<h4>Israel<\/h4>\n<ul>\n<li><em>Hill 24 Doesn&#8217;t Know<\/em> (1955 &#8211; Thorold Dickinson)<\/li>\n<li><em>Kippur<\/em> (2000 &#8211; Amos Gitai)<\/li>\n<li><em>Live and Become<\/em> (2005 &#8211; Radu Mihaileanu)<\/li>\n<\/ul>\n<h4>Palestine<\/h4>\n<ul>\n<li><em>Paradise Now<\/em> (2005 &#8211; Hany Abu-Assad)<\/li>\n<\/ul>\n<h4>Turkey<\/h4>\n<ul>\n<li><em>Yol<\/em> (1982 &#8211; Serif G&ouml;ren, Yilmaz G&uuml;ney)<\/li>\n<\/ul>\n<h4>Egypt<\/h4>\n<ul>\n<li><em>Cairo Station<\/em> (aka <em>The Iron Gate<\/em>) (1958 &#8211; Youssef Chahine)\n<\/ul>\n<h4>Morocco<\/h4>\n<ul>\n<li><em>Ali Zaoua: Prince of the Streets<\/em> (2000 &#8211; Nabil Ayouch)<\/li>\n<\/ul>\n<h3>Latin America and Caribbean<\/h3>\n<h4>Mexico<\/h4>\n<ul>\n<li><em>Cronos<\/em> (1993 &#8211; Guillermo Del Toro)<\/li>\n<\/ul>\n<h4>Brazil<\/h4>\n<ul>\n<li><em>Limite<\/em> (1931- Mario Peixoto)<\/li>\n<li><em>Black Orpheus<\/em> (1959 &#8211; Marcel Camus)<\/li>\n<li><em>Keeper of Promises<\/em> (aka <em>The Given Word<\/em>) (1962 &#8211; Anselmo Duarte)<\/li>\n<li><em>Barren Lives<\/em> (1963 &#8211; Nelson Pereira dos Santos)<\/li>\n<li><em>Black God, White Devil<\/em> (1964 &#8211; Glauber Rocha)<\/li>\n<li><em>Earth Entranced<\/em> (1967 &#8211; Glauber Rocha)<\/li>\n<li><em>Antonio das Mortes<\/em> (1969 &#8211; Clauber Rocha)<\/li>\n<li><em>Bye Bye Brasil<\/em> (1980 &#8211; Carlos Diegues)<\/li>\n<li><em>Pixote<\/em> (1981 &#8211; Hector Babenco)<\/li>\n<\/ul>\n<h4>Alejandro Jodorowsky<\/h4>\n<ul>\n<li><em>Fando and Lis<\/em> (1968)<\/li>\n<li><b><em>El Topo<\/em><\/b> (1970)<\/li>\n<li><b><em>The Holy Mountain<\/em><\/b> (1973)<\/li>\n<li><em>Tusk<\/em> (1980)<\/li>\n<li><em>Santa Sangre<\/em> (1989)<\/li>\n<li><em>The Rainbow Thief<\/em> (1990<\/li>\n<\/ul>\n<h4>Luis Bu&ntilde;uel<\/h4>\n<ul>\n<li><b><em>L&#8217;age d&#8217;or<\/em><\/b> (1931, France)<\/li>\n<li><em>Land Without Bread<\/em> (1933, Spain)<\/li>\n<li><em>Los Olvidados<\/em> (1950)<\/li>\n<li><em>Susana<\/em> (1951)<\/li>\n<li><em>The Daughter of Deceit<\/em> (1951)<\/li>\n<li><em>Ascent to Heaven<\/em> (1952)<\/li>\n<li><em>El mujer sin amor<\/em> (1952<\/li>\n<li><em>El Bruto<\/em> (1953)<\/li>\n<li><em>&Eacute;l<\/em> (1953)<\/li>\n<li><em>The Adventures of Robinson Crusoe<\/em> (1954)<\/li>\n<li><em>The Criminal Life of Archibaldo de la Cruz<\/em> (1955)<\/li>\n<li><em>Nazarin<\/em> (1959)<\/li>\n<li><em>The Young One<\/em> (1960, US\/Mexico)<\/li>\n<li><b><em>Viridiana<\/em><\/b> (1961, Spain\/Mexico)<\/li>\n<li><b><em>Diary of a Chambermaid<\/em><\/b> (1964, France)<\/li>\n<li><em>Simon of the Desert<\/em> (1965)<\/li>\n<li><em>The Milky Way<\/em> (1969, France\/Italy)<\/li>\n<li><em>Tristana<\/em> (1970, France\/Spain)<\/li>\n<li><b><em>The Phantom of Liberty<\/em><\/b> (1974, France\/Italy)<\/li>\n<\/ul>\n<h4>Argentina<\/h4>\n<ul>\n<li><em>The Hour of the Furnaces<\/em> (1968 &#8211; Octavio Getino, Fernando E. Solanas)<\/li>\n<li><em>The Official Story<\/em> (1985 &#8211; Luis Puenzo)<\/li>\n<li><em>Nine Queens<\/em> (2000 &#8211; Fabi&aacute;n Bielinsky)<\/li>\n<li><em>The Motorcycle Diaries<\/em> (2004 &#8211; Walter Salles)<\/li>\n<li><em>The Aura<\/em> (2005 &#8211; Fabian Bielinsky)<\/li>\n<li><em>xxy<\/em> (2007 &#8211; Luc&iacute;a Puenzo)<\/li>\n<\/ul>\n<h4>Peru<\/h4>\n<ul>\n<li><em>The Milk of Sorrow<\/em> (2009 &#8211; Claudia Llosa)<\/li>\n<\/ul>\n<h4>Cuba<\/h4>\n<ul>\n<li><em>Memories of Underdevelopment<\/em> (1968 &#8211; Thom&aacute;s Guti&eeacute;rrez Alea)<\/li>\n<li><em>Luc&iacute;a<\/em> (1968 &#8211; Humberto Sol&aacute;s)<\/li>\n<\/ul>\n<h4>Jamaica<\/h4>\n<ul>\n<li><em>The Harder They Come<\/em> (1972 &#8211; Perry Henzell)<\/li>\n<\/ul>\n<h3>Africa<\/h3>\n<h4>Senegal<\/h4>\n<ul>\n<li><em>Touki Bouki<\/em> (1973 &#8211; Djibril Diop Mamb&eacute;ty)<\/li>\n<li><em>Xala<\/em> (1974 &#8211; Ousmane Sembene)<\/li>\n<li><em>Ceddo<\/em> (1977 &#8211; Ousmane Sembene)<\/li>\n<\/ul>\n<h4>Mali<\/h4>\n<ul>\n<li><em>Yeelen<\/em> (1987 &#8211; Souleymane Ciss&eacute;)<\/li>\n<\/ul>\n<h4>South Africa<\/h4>\n<ul>\n<li><em>Tsotsi<\/em> (2005 &#8211; Gavin Hood)<\/li>\n<\/ul>\n<h3>United States<\/h3>\n<h4>Silents<\/h4>\n<ul>\n<li><em>The Squaw Man<\/em> (1914 &#8211; Cecil B. DeMille)<\/li>\n<li><em>Regeneration<\/em> (1915 &#8211; Raoul Walsh)<\/li>\n<li><em>Within Our Gates<\/em> (1920 &#8211; Oscar Micheaux)<\/li>\n<li><em>The Ten Commandments<\/em> (1923 &#8211; Cecil B. DeMille)<\/li>\n<li><em>Souls for Sale<\/em> (1923 &#8211; Rupert Hughes)<\/li>\n<li><em>Foolish Wives<\/em> (1923 &#8211; Erich von Stroheim)<\/li>\n<li><em>Greed<\/em> (1924 &#8211; Erich von Stroheim)<\/li>\n<li><em>The Big Parade<\/em> (1925 &#8211; King Vidor)<\/li>\n<li><em>The Merry Widow<\/em> (1925 &#8211; Erich von Stroheim)<\/li>\n<li><em>What Price Glory<\/em> (1926 &#8211; Raoul Walsh)<\/li>\n<li><em>Seventh Heaven<\/em> (1927 &#8211; Frank Borzage)<\/li>\n<li><em>The King of Kings<\/em> (1927 &#8211; Cecil B. DeMille)<\/li>\n<li><em>Sadie Thompson<\/em> (1928 &#8211; Raoul Walsh)<\/li>\n<li><em>Queen Kelly<\/em> (1928 &#8211; Erich von Stroheim)<\/li>\n<li><em>Street Angel<\/em> (1928 &#8211; Frank Borzage)<\/li>\n<li><em>The Crowd<\/em> (1928 &#8211; King Vidor)<\/li>\n<li><em>Show People<\/em> (1928 &#8211; King Vidor)<\/li>\n<li><em>The Divine Woman<\/em> (1928 &#8211; Victor Seastrom)<\/li>\n<\/ul>\n<h4>D.W. Griffith<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><b><em>Judith of Bethulia<\/em><\/b> (1914)<\/li>\n<li><em>True Heart Susie<\/em> (1919)<\/li>\n<li><em>The Mother and the Law<\/em> (1919)<\/li>\n<li><b><em>Orphans of the Storm<\/em><\/b> (1921)<\/li>\n<li><em>America<\/em> (1924)<\/li>\n<li><em>Sally of the Sawdust<\/em> (1925)<\/li>\n<li><b><em>Abraham Lincoln<\/em><\/b> (1930)<\/li>\n<li><em>The Struggle<\/em> (1931)<\/li>\n<\/ul>\n<h4>Buster Keaton<\/h4>\n<ul>\n<li><em>Our Hospitality<\/em> (1923 &#8211; Buster Keaton)<\/li>\n<li><em>The Navigator<\/em> (1924 &#8211; Buster Keaton)<\/li>\n<li><em>Go West<\/em> (1925 &#8211; Buster Keaton)<\/li>\n<li><em>Seven Chances<\/em> (1925 &#8211; Buster Keaton)<\/li>\n<\/ul>\n<h4>Harold Lloyd<\/h4>\n<ul>\n<li><em>The Kid Brother<\/em> (1927 &#8211; Harold Lloyd)<\/li>\n<\/ul>\n<h4>Lillian Gish<\/h4>\n<ul>\n<li><em>La Vie Boheme<\/em> (1926 &#8211; King Vidor)<\/li>\n<li><em>The Wind<\/em> (1928 &#8211; Victor Seastrom)<\/li>\n<\/ul>\n<h4>Douglas Fairbanks<\/h4>\n<ul>\n<li><em>The Mark of Zorro<\/em> (1920 &#8211; Fred Niblo)<\/li>\n<li><strike><em>The Thief of Bagdad<\/em><\/strike> (1924 &#8211; Raoul Walsh)<\/li>\n<\/ul>\n<h4>Lon Chaney<\/h4>\n<ul>\n<li><em>The Hunchback of Notre Dame<\/em> (1923)<\/li>\n<li><em>He Who Gets Slapped<\/em> (1924 &#8211; Victor Seastrom)<\/li>\n<li><em>The Phantom of the Opera<\/em> (1925 &#8211; Lon Chaney)<\/li>\n<li><em>The Unknown<\/em> (1927 &#8211; Tod Browning)<\/li>\n<\/ul>\n<h4>Ernst Lubitsch<\/h4>\n<ul>\n<li><em>The Marriage Circle<\/em> (1924)<\/li>\n<li><em>Three Women<\/em> (1924)<\/li>\n<li><em>Forbidden Paradise<\/em> (1924)<\/li>\n<li><em>Kiss Me Again<\/em> (1925)<\/li>\n<li><em>Lady Windermere&#8217;s Fan<\/em> (1925)<\/li>\n<li><em>So This is Paris<\/em> (1926)<\/li>\n<li><em>The Patriot<\/em> (1928)<\/li>\n<li><em>Eternal Love<\/em> (1929)<\/li>\n<li><em>Paramount on Parade<\/em> (1930)<\/li>\n<li><b><em>Monte Carlo<\/em><\/b> (1930)<\/li>\n<li><b><em>The Smiling Lieutenant<\/em><\/b> (1930)<\/li>\n<li><em>Broken Lullaby<\/em> (1932)<\/li>\n<li><em>La veuve joyeuse<\/em> (1935)<\/li>\n<li><em>Angel<\/em> (1937)<\/li>\n<li><em>That Uncertain Feeling<\/em> (1941)<\/li>\n<li><em>Cluny Brown<\/em> (1946)<\/li>\n<li><em>That Lady in Ermine<\/em> (1948)<\/li>\n<\/ul>\n<h4>Josef von Sterberg<\/h4>\n<ul>\n<li><em>The Salvation Hunters<\/em> (1925)<\/li>\n<li><em>The Masked Bride<\/em> (1925)<\/li>\n<li><em>A Woman of the Sea<\/em> (1926)<\/li>\n<li><em>It<\/em> (1927)<\/li>\n<li><em>Children of Divorce<\/em> (1927)<\/li>\n<li><b><em>Underworld<\/em><\/b> (1927)<\/li>\n<li><strike><b><em>The Last Command<\/em><\/b> (1928)<\/strike><\/li>\n<li><em>Street of Sin<\/em> (1928)<\/li>\n<li><em>The Dragnet<\/em> (1928)<\/li>\n<li><b><em>The Docks of New York<\/em><\/b> (1928)<\/li>\n<li><em>Thunderbolt<\/em> (1929)<\/li>\n<li><b><em>Morocco<\/em><\/b> (1930)<\/li>\n<li><em>Dishonored<\/em> (1931)<\/li>\n<li><em>An American Tragedy<\/em> (1931)<\/li>\n<li><b><em>Shanghai Express<\/em><\/b> (1932)<\/li>\n<li><b><em>Blonde Venus<\/em><\/b> (1932)<\/li>\n<li><b><em>The Scarlet Empress<\/em><\/b> (1934)<\/li>\n<li><em>Crime and Punishment<\/em> (1935)<\/li>\n<li><em>The King Steps Out<\/em> (1936)<\/li>\n<li><em>The Great Waltz<\/em> (1938)<\/li>\n<li><em>Sergeant Madden<\/em> (1939)<\/li>\n<li><em>I Take This Woman<\/em> (1940)<\/li>\n<li><b><em>The Shanghai Gesture<\/em><\/b> (1941)<\/li>\n<li><em>Macao<\/em> (1952)<\/li>\n<li><em>Ana-ta-han<\/em> (1953)<\/li>\n<li><em>Jet Pilot<\/em> (1957)<\/li>\n<\/ul>\n<h4>Fritz Lang<\/h4>\n<p>(see also under Germany, years 1919-1934 and 1959-1960)<\/p>\n<ul>\n<li><b><em>Fury<\/em><\/b> (1936)<\/li>\n<li><em>You Only Live Twice<\/em> (1937)<\/li>\n<li><em>You and Me<\/em> (1938)<\/li>\n<li><em>The Return of Frank James<\/em> (1940)<\/li>\n<li><em>Western Union<\/em> (1941)<\/li>\n<li><em>Man Hunt<\/em> (1941)<\/li>\n<li><em>Moontide<\/em> (1942)<\/li>\n<li><em>Hangmen Also Die!<\/em> (1943)<\/li>\n<li><em>Ministry of Fear<\/em> (1944)<\/li>\n<li><em>Cloak and Dagger<\/em> (1946)<\/li>\n<li><em>Secret Beyond the Door<\/em> (1948)<\/li>\n<li><em>House by the River<\/em> (1950)<\/li>\n<li><em>American Guerrilla in the Philippines<\/em> (1950)<\/li>\n<li><b><em>Rancho Notorious<\/em><\/b> (1952)<\/li>\n<li><b><em>Clash by Night<\/em><\/b> (1952)<\/li>\n<li><em>Human Desire<\/em> (1954)<\/li>\n<li><em>Moonfleet<\/em> (1955)<\/li>\n<li><em>Beyond a Reasonable Doubt<\/em> (1956)<\/li>\n<\/ul>\n<h4>Alfred Hitchcock<\/h4>\n<ul>\n<li><em>The Pleasure Garden<\/em> (1925)<\/li>\n<li><em>Fear o&#8217; God<\/em> (1926)<\/li>\n<li><b><em>The Lodger: A Story of the London Fog<\/em><\/b> (1927)<\/li>\n<li><em>The Ring<\/em> (1927)<\/li>\n<li><em>When Boys Leave Home<\/em> (1927)<\/li>\n<li><em>The Farmer&#8217;s Wife<\/em> (1928)<\/li>\n<li><em>Easy Virtue<\/em> (1928)<\/li>\n<li><em>Champagne<\/em> (1928)<\/li>\n<li><em>The Manxman<\/em> (1929)<\/li>\n<li><em>The Shame of Mary Boyle<\/em> (1930)<\/li>\n<li><b><em>Murder!<\/em><\/b> (1930)<\/li>\n<li><em>The Skin Game<\/em> (1931)<\/li>\n<li><em>Mary<\/em> (1931)<\/li>\n<li><em>East of Shanghai<\/em> (1931)<\/li>\n<li><em>Number 17<\/em> (1932)<\/li>\n<li><em>Strauss&#8217; Great Waltz<\/em> (1934)<\/li>\n<li><em>Jamaica Inn<\/em> (1939)<\/li>\n<li><b><em>The Paradine Case<\/em><\/b> (1948)<\/li>\n<li><b><em>I Confess<\/em><\/b> (1953)<\/li>\n<li><b><em>Topaz<\/em><\/b> (1969)<\/li>\n<\/ul>\n<h4>John Ford<\/h4>\n<p>(selected; complete from 1930)<\/p>\n<ul>\n<li><b><em>The Iron Horse<\/em><\/b> (1924)<\/li>\n<li><em>Men Without Women<\/em> (1930)<\/li>\n<li><em>Born Reckless<\/em> (1930)<\/li>\n<li><em>Up the River<\/em> (1930)<\/li>\n<li><em>Seas Beneath<\/em> (1931)<\/li>\n<li><em>The Brat<\/em> (1931)<\/li>\n<li><em>Arrowsmith<\/em> (1931)<\/li>\n<li><em>Air Mail<\/em> (1932)<\/li>\n<li><em>Pilgrimage<\/em> (1933)<\/li>\n<li><em>Doctor Bull<\/em> (1933)<\/li>\n<li><em>The Lost Patrol<\/em> (1934)<\/li>\n<li><em>The World Moves On<\/em> (1934)<\/li>\n<li><em>Judge Priest<\/em> (1934)<\/li>\n<li><em>The Whole Town&#8217;s Talking<\/em> (1935)<\/li>\n<li><b><em>The Informer<\/em><\/b> (1935)<\/li>\n<li><em>Steamboat Round the Bend<\/em> (1935)<\/li>\n<li><em>The Prisoner of Shark Island<\/em> (1936)<\/li>\n<li><em>Mary of Scotland<\/em> (1936)<\/li>\n<li><em>The Plough and the Stars<\/em> (1936)<\/li>\n<li><em>Wee Willie Winkie<\/em> (1937)<\/li>\n<li><em>The Hurricane<\/em> (1937)<\/li>\n<li><em>Four Men and a Prayer<\/em> (1983)<\/li>\n<li><em>Submarine Patrol<\/em> (1938)<\/li>\n<li><b><em>Young Mr. Lincoln<\/em><\/b> (1939)<\/li>\n<li><b><em>The Grapes of Wrath<\/em><\/b> (1940)<\/li>\n<li><em>The Long Voyage Home<\/em> (1940)<\/li>\n<li><em>Tobacco Road<\/em> (1941)<\/li>\n<li><em>December 7th<\/em> (1943)<\/li>\n<li><em>The Fugitive<\/em> (1947)<\/li>\n<li><b><em>Fort Apache<\/em><\/b> (1948)<\/li>\n<li><em>When Willie Comes Marching Home<\/em> (1950)<\/li>\n<li><em>Wagon Master<\/em> (1950)<\/li>\n<li><em>What Price Glory<\/em> (1952)<\/li>\n<li><em>The Sun Shines Bright<\/em> (1953)<\/li>\n<li><em>The Long Gray Line<\/em> (1955)<\/li>\n<li><em>The Rising of the Moon<\/em> (1957)<\/li>\n<li><em>Gideon of Scotland Yard<\/em> (1958)<\/li>\n<li><em>The Last Hurrah<\/em> (1958)<\/li>\n<li><em>The Horse Soldiers<\/em> (1959)<\/li>\n<li><em>Sergeant Rutledge<\/em> (1960)<\/li>\n<li><em>Two Road Together<\/em> (1961)<\/li>\n<li><em>Donovan&#8217;s Reef<\/em> (1963)<\/li>\n<li><em>Cheyenne Autumn<\/em> (1964)<\/li>\n<li><em>7 Women<\/em> (1966)<\/li>\n<\/ul>\n<h4>Howard Hawks<\/h4>\n<ul>\n<li><em>The Road to Glory<\/em> (1926)<\/li>\n<li><em>Fig Leaves<\/em> (1926)<\/li>\n<li><em>The Cradle Snatchers<\/em> (1927)<\/li>\n<li><em>Paid to Love<\/em> (1927)<\/li>\n<li><em>A Girl in Every Port<\/em> (1928)<\/li>\n<li><em>Fazil<\/em> (1928)<\/li>\n<li><em>The Air Circus<\/em> (1928)<\/li>\n<li><em>Trent&#8217;s Last Case<\/em> (1929)<\/li>\n<li><em>The Dawn Patrol<\/em> (1930)<\/li>\n<li><em>The Crowd Roars<\/em> (1932)<\/li>\n<li><em>Tiger Shark<\/em> (1932)<\/li>\n<li><em>Today We Live<\/em> (1933)<\/li>\n<li><em>Barbaray Coast<\/em> (1935)<\/li>\n<li><em>Ceiling Zero<\/em> (1936)<\/li>\n<li><em>The Road to Glory<\/em> (1936)<\/li>\n<li><em>Come and Get It<\/em> (1936)<\/li>\n<li><b><em>Sergeant York<\/em><\/b> (1941)<\/li>\n<li><em>Air Force<\/em> (1943)<\/li>\n<li><em>A Song is Born<\/em> (1948)<\/li>\n<li><em>The Big Sky<\/em> (1952)<\/li>\n<li><em>Land of the Pharaohs<\/em> (1955)<\/li>\n<li><b><em>Man&#8217;s Favorite Sport?<\/em><\/b> (1964)<\/li>\n<li><em>Red Line 7000<\/em> (1965)<\/li>\n<li><b><em>El Dorado<\/em><\/b> (1966)<\/li>\n<li><em>Rio Lobo<\/em> (1970)<\/li>\n<\/ul>\n<h4>Raoul Walsh<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>In Old Arizona<\/em> (1929)<\/li>\n<li><em>Me and My Gal<\/em> (1932)<\/li>\n<li><em>The Bowery<\/em> (1933)<\/li>\n<li><em>Klondike Annie<\/em> (1936)<\/li>\n<li><em>The Roaring Twenties<\/em> (1939)<\/li>\n<li><em>The Strawberry Blonde<\/em> (1941)<\/li>\n<li><em>Uncertain Glory<\/em> (1944)<\/li>\n<li><em>Objective, Burma!<\/em> (1945)<\/li>\n<li><em>Pursued<\/em> (1947)<\/li>\n<li><em>Captain Horatio Hornblower<\/em> (1951)<\/li>\n<li><em>The World in His Arms<\/em> (1952)<\/li>\n<li><em>The Tall Men<\/em> (1955)<\/li>\n<li><em>Band of Angels<\/em> (1957)<\/li>\n<\/ul>\n<h4>Michael Curtiz<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>Cabin in the Cotton<\/em> (1932)<\/li>\n<li><em>Angels with Dirty Faces<\/em> (1938)<\/li>\n<li><em>The Sea Hawk<\/em> (1940)<\/li>\n<li><em>Passage to Marseille<\/em> (1944)<\/li>\n<li><em>Young Man with a Horn<\/em> (1950)<\/li>\n<li><strike><em>The Breaking Point<\/em> (1950)<\/strike><\/li>\n<li><em>We&#8217;re No Angels<\/em> (1955)<\/li>\n<li><em>The Comancheros<\/em> (1961)<\/li>\n<\/ul>\n<h4>Victor Fleming<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>The Virginian<\/em> (1929)<\/li>\n<li><em>Treasure Island<\/em> (1934)<\/li>\n<li><em>Reckless<\/em> (1935)<\/li>\n<li>\n<em>Captains Courageous<\/em> (1937)<\/li>\n<li><em>Test Pilot<\/em> (1938)<\/li>\n<\/ul>\n<h4>William Wyler<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>Dodsworth<\/em> (1936)<\/li>\n<li><em>Dead End<\/em> (1937)<\/li>\n<li><em>The Heiress<\/em> (1949)<\/li>\n<li><em>Friendly Persuasion<\/em> (1956)<\/li>\n<li><em>The Big Country<\/em> (1958)<\/li>\n<\/ul>\n<h4>Billy Wilder<\/h4>\n<ul>\n<li><em>Five Graves to Cairo<\/em> (1943)<\/li>\n<li><em>The Emperor Waltz<\/em> (1948)<\/li>\n<li><strike><b><em>A Foreign Affair<\/em><\/b> (1948)<\/strike><\/li>\n<li><b><em>Stalag 17<\/em><\/b> (1953)<\/li>\n<li><em>Kiss Me, Stupid<\/em> (1964)<\/li>\n<li><em>The Fortune Cookie<\/em> (1966)<\/li>\n<li><em>The Private Life of Sherlock Holmes<\/em> (1970)<\/li>\n<li><em>Avanti!<\/em> (1972)<\/li>\n<li><em>The Front Page<\/em> (1974)<\/li>\n<li><em>Fedora<\/em> (1978)<\/li>\n<li><em>Buddy Buddy<\/em> (1981)<\/li>\n<\/ul>\n<h4>John Huston<\/h4>\n<ul>\n<li><b><em>In This Our Life<\/em><\/b> (1942)<\/li>\n<li><b><em>Across the Pacific<\/em><\/b> (1942)<\/li>\n<li><em>The Battle of San Pietro<\/em> (1945)<\/li>\n<li><em>We Were Strangers<\/em> (1949)<\/li>\n<li><em>The Red Badge of Courage<\/em> (1951)<\/li>\n<li><em>Moulin Rouge<\/em> (1952)<\/li>\n<li><em>Moby Dick<\/em> (1956)<\/li>\n<li><em>The Barbarian and the Geisha<\/em> (1958)<\/li>\n<li><em>The Roots of Heaven<\/em> (1958)<\/li>\n<li><em>The Unforgiven<\/em> (1960)<\/li>\n<li><em>Freud<\/em> (1962)<\/li>\n<li><em>The Bible: In the Beginning&#8230;<\/em> (1966)<\/li>\n<li><em>Reflections in a Golden Eye<\/em> (1967)<\/li>\n<li><em>Sinful Davey<\/em> (1969)<\/li>\n<li><em>A Walk with Love and Death<\/em> (1969)<\/li>\n<li><em>The Kremlin Letter<\/em> (1970)<\/li>\n<li><b><em>Fat City<\/em><\/b> (1972)<\/li>\n<li><b><em>The Life and Times of Judge Roy Bean<\/em><\/b> (1972)<\/li>\n<li><em>The MacKintosh Man<\/em> (1973)<\/li>\n<li><em>Wise Blood<\/em> (1979)<\/li>\n<li><em>Phobia<\/em> (1980)<\/li>\n<li><em>Victory<\/em> (1981)<\/li>\n<li><em>Under the Volcano<\/em> (1984)<\/li>\n<li><em>Prizzi&#8217;s Honor<\/em> (1985)<\/li>\n<li><b><em>The Dead<\/em><\/b> (1987)<\/li>\n<\/ul>\n<h4>Ida Lupino<\/h4>\n<ul>\n<li><em>Not Wanted<\/em> (1949)<\/li>\n<li><em>Never Fear<\/em> (1950)<\/li>\n<li><em>Outrage<\/em> (1950)<\/li>\n<li><em>Hard, Fast and Beautiful<\/em> (1951)<\/li>\n<li><em>The Hitch-hiker<\/em> (1953)<\/li>\n<li><b><em>The Bigamist<\/em><\/b> (1953)<\/li>\n<li><em>The Trouble with Angels<\/em> (1966)<\/li>\n<\/ul>\n<h4>Nicholas Ray<\/h4>\n<ul>\n<li><em>Knock on Any Door<\/em> (1949)<\/li>\n<li><em>A Woman&#8217;s Secret<\/em> (1949)<\/li>\n<li><em>Born to Be Bad<\/em> (1950)<\/li>\n<li><em>Flying Leathernecks<\/em> (1951)<\/li>\n<li><b><em>The Lusty Men<\/em><\/b> (1952)<\/li>\n<li><em>Run for Cover<\/em> (1955)<\/li>\n<li><em>Hot Blood<\/em> (1956)<\/li>\n<li><em>The True Story of Jesse James<\/em> (1957)<\/li>\n<li><b><em>Bitter Victory<\/em><\/b> (1956)<\/li>\n<li><em>Wind Across the Everglades<\/em> (1958)<\/li>\n<li><em>Party Girl<\/em> (1958)<\/li>\n<li><em>The Savage Innocents<\/em> (1960)<\/li>\n<li><b><em>King of Kings<\/em><\/b> (1961)<\/li>\n<li><em>55 Days at Peking<\/em> (1962)<\/li>\n<li><em>Wet Dreams<\/em> (&#8220;The Janitor&#8221;) (1974)<\/li>\n<li><em>We Can&#8217;t Go Home Again<\/em> (1976)<\/li>\n<\/ul>\n<h4>Douglas Sirk<\/h4>\n<ul>\n<li><em>Hitler&#8217;s Madman<\/em> (1943)<\/li>\n<li><em>Summer Storm<\/em> (1944)<\/li>\n<li><em>A Scandal in Paris<\/em> (1946)<\/li>\n<li><b><em>Lured<\/em><\/b> (1947)<\/li>\n<li><em>Sleep, My Love<\/em> (1948)<\/li>\n<li><em>Shockproof<\/em> (1949)<\/li>\n<li><em>Slightly French<\/em> (1949)<\/li>\n<li><em>Mystery Submarine<\/em> (1950)<\/li>\n<li><em>The First Legion<\/em> (1951)<\/li>\n<li><em>Thunder on the Hill<\/em> (1951)<\/li>\n<li><em>The Lady Pays Off<\/em> (1951)<\/li>\n<li><em>Week-End With Father<\/em> (1951)<\/li>\n<li><em>No Room for the Groom<\/em> (1952)<\/li>\n<li><em>Has Anybody Seen My Gal<\/em> (1952)<\/li>\n<li><em>Meet Me at the Fair<\/em> (1953)<\/li>\n<li><em>Take Me to Town<\/em> (1953)<\/li>\n<li><em>All I Desire<\/em> (1953)<\/li>\n<li><em>Taza, Son of Cochise<\/em> (1954)<\/li>\n<li><b><em>Magnificent Obsession<\/em><\/b> (1954)<\/li>\n<li><em>Sign of the Pagan<\/em> (1954)<\/li>\n<li><em>Captain Lightfoot<\/em> (1955)<\/li>\n<li><b><em>All That Heaven Allows<\/em><\/b> (1955)<\/li>\n<li><em>There&#8217;s Always Tomorrow<\/em> (1956)<\/li>\n<li><em>Interlude<\/em> (1957)<\/li>\n<li><b>The Tarnished Angels<\/em><\/b> (1957)<\/li>\n<li><em>A Time to Love and a Time to Die<\/em> (1958)<\/li>\n<li><b><em>Imitation of Life<\/em><\/b> (1960)<\/li>\n<\/ul>\n<h4>Roger Corman<\/h4>\n<ul>\n<li><em>Five Guns West<\/em> (1955)<\/li>\n<li><em>Apache Woman<\/em> (1955)<\/li>\n<li><em>Day the World Ended<\/em> (1955)<\/li>\n<li><em>The Oklahoma Woman<\/em> (1956)<\/li>\n<li><em>Gunslinger<\/em> (1956)<\/li>\n<li><em>It Conquered the World<\/em> (1956)<\/li>\n<li><em>Swamp Women<\/em> (1956)<\/li>\n<li><em>Naked Paradise<\/em> (1957)<\/li>\n<li><em>Carnival Rock<\/em> (1957)<\/li>\n<li><em>Not of This Earth<\/em> (1957)<\/li>\n<li><em>Attack of the Crab Monsters<\/em> (1957)<\/li>\n<li><em>The Undead<\/em> (1957)<\/li>\n<li><em>Rock All Night<\/em> (1957)<\/li>\n<li><em>Teenage Doll<\/em> (1957)<\/li>\n<li><em>Sorority Girl<\/em> (1957)<\/li>\n<li><em>The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent<\/em> (1957)<\/li>\n<li><em>I Mobster<\/em> (1958)<\/li>\n<li><em>War of the Satellites<\/em> (1958)<\/li>\n<li><em>Machine-Gun Kelly<\/em> (1958)<\/li>\n<li><em>Teenage Cave Man<\/em> (1958)<\/li>\n<li><em>She Gods of Shark Reef<\/em> (1958)<\/li>\n<li><b><em>A Bucket of Blood<\/em><\/b> (1959)<\/li>\n<li><b><em>The Wasp Woman<\/em><\/b> (1959)<\/li>\n<li><em>Ski Troop Attack<\/em> (1960)<\/li>\n<li><em>House of Usher<\/em> (1960)<\/li>\n<li><b><em>The Little Shop of Horrors<\/em><\/b> (1960)<\/li>\n<li><em>Last Woman on Earth<\/em> (1960)<\/li>\n<li><em>Atlas<\/em> (1961)<\/li>\n<li><em>Creature from the Haunted Sea<\/em> (1961)<\/li>\n<li><em>Premature Burial<\/em> (1962)<\/li>\n<li><em>The Intruder<\/em> (1962)<\/li>\n<li><em>Tales of Terror<\/em> (1962)<\/li>\n<li><em>Tower of London<\/em> (1962)<\/li>\n<li><em>The Young Racers<\/em> (1963)<\/li>\n<li><b><em>The Raven<\/em><\/b> (1963)<\/li>\n<li><em>The Terror<\/em> (1963)<\/li>\n<li><em>The Haunted Palace<\/em> (1963)<\/li>\n<li><em>X: The Man wih the X-Ray Eyes<\/em> (1963)<\/li>\n<li><em>The Secret Invasion<\/em> (1964)<\/li>\n<li><b><em>The Tomb of Ligeia<\/em><\/b> (1964)<\/li>\n<li><em>The Wild Angels<\/em> (1966)<\/li>\n<li><em>The St. Valentine&#8217;s Day Massacre<\/em> (1967)<\/li>\n<li><em>The Trip<\/em> (1967)<\/li>\n<li><em>Target: Harry<\/em> (1969)<\/li>\n<li><em>Bloody Mama<\/em> (1970)<\/li>\n<li><em>Gas! -Or- It Became Necessary to Destroy the World in Order to Save It.<\/em> (1970)<\/li>\n<li><em>Von Richthofen and Brown<\/em> (1971)<\/li>\n<li><em>Frankenstein Unbound<\/em> (1990)<\/li>\n<\/ul>\n<h4>Samuel Fuller<\/h4>\n<ul>\n<li><em>I Shot Jesse James<\/em> (1949)<\/li>\n<li><em>The Baron of Arizona<\/em> (1950)<\/li>\n<li><em>The Steel Helmet<\/em> (1951)<\/li>\n<li><em>Fixed Bayonets!<\/em> (1951)<\/li>\n<li><em>Park Row<\/em> (1952)<\/li>\n<li><em>Hell and High Water<\/em> (1954)<\/li>\n<li><em>House of Bamboo<\/em> (1955)<\/li>\n<li><em>China Gate<\/em> (1957)<\/li>\n<li><em>Run of the Arrow<\/em> (1957)<\/li>\n<li><em>Forty Guns<\/em> (1957)<\/li>\n<li><em>Verboten!<\/em> (1959)<\/li>\n<li><em>The Crimson Kimono<\/em> (1959)<\/li>\n<li><em>Underworld U.S.A.<\/em> (1961)<\/li>\n<li><em>Merrill&#8217;s Marauders<\/em> (1962)<\/li>\n<li><em>The Meanest Men in the West<\/em> (1967 TVM)<\/li>\n<li><em>Caine<\/em> (1969)<\/li>\n<li><em>The Big Red One<\/em> (1980)<\/li>\n<li><em>White Dog<\/em> (1982)<\/li>\n<\/ul>\n<h4>Sam Peckinpah<\/h4>\n<ul>\n<li><em>The Deadly Companions<\/em> (1961)<\/li>\n<li><em>Major Dundee<\/em> (1965)<\/li>\n<li><em>The Ballad of Cable Hogue<\/em> (1970)<\/li>\n<li><b><em>Straw Dogs<\/em><\/b> (1971)<\/li>\n<li><b><em>The Getaway<\/em><\/b> (1972)<\/li>\n<li><b><em>Pat Garrett &#038; Billy the Kid<\/em><\/b> (1973)<\/li>\n<li><em>Bring Me the Head of Alfredo Garcia<\/em> (1974)<\/li>\n<li><em>The Killer Elite<\/em> (1975)<\/li>\n<li><em>Cross of Iron<\/em> (1977)<\/li>\n<li><em>Convoy<\/em> (1978)<\/li>\n<li><em>The Osterman Weekend<\/em> (1983)<\/li>\n<\/ul>\n<h4>Sidney Lumet<\/h4>\n<ul>\n<li><em>Stage Struck<\/em> (1958)<\/li>\n<li><em>That King of Woman<\/em> (1959)<\/li>\n<li><em>The Fugitive Kind<\/em> (1960)<\/li>\n<li><em>A Long Day&#8217;s Journey Into Night<\/em> (1962)<\/li>\n<li><b><em>The Pawnbroker<\/em><\/b> (1964)<\/li>\n<li><b><em>Fail-Safe<\/em><\/b> (1964)<\/li>\n<li><em>The Hill<\/em> (1965)<\/li>\n<li><em>The Group<\/em> (1966)<\/li>\n<li><em>The Deadly Affair<\/em> (1966)<\/li>\n<li><em>Bye Bye Braverman<\/em> (1968)<\/li>\n<li><em>The Sea Gull<\/em> (1968)<\/li>\n<li><em>The Appointment<\/em> (1969)<\/li>\n<li><em>Last of the Mobile Hot Shots<\/em> (1970)<\/li>\n<li><em>The Anderson Tapes<\/em> (1971)<\/li>\n<li><em>The Offence<\/em> (1972)<\/li>\n<li><em>Child&#8217;s Play<\/em> (1972)<\/li>\n<li><b><em>Serpico<\/em><\/b> (1973)<\/li>\n<li><em>Lovin&#8217; Molly<\/em> (1974)<\/li>\n<li><em>Equus<\/em> (1977)<\/li>\n<li><em>The Wiz<\/em> (1978)<\/li>\n<li><em>Just Tell Me What You Want<\/em> (1980)<\/li>\n<li><em>Prince of the City<\/em> (1981)<\/li>\n<li><em>Deathtrap<\/em> (1982)<\/li>\n<li><b><em>The Verdict<\/em><\/b> (1982)<\/li>\n<li><em>Daniel<\/em> (1983)<\/li>\n<li><em>Garbo Talks<\/em> (1984)<\/li>\n<li><em>Power<\/em> (1986)<\/li>\n<li><em>The Morning After<\/em> (1986)<\/li>\n<li><em>Running on Empty<\/em> (1988)<\/li>\n<li><em>Family Business<\/em> (1989)<\/li>\n<li><em>Q &#038; A<\/em> (1990)<\/li>\n<li><em>A Stranger Among Us<\/em> (1992)<\/li>\n<li><em>Guilty as Sin<\/em> (1993)<\/li>\n<li><em>Night Falls on Manhattan<\/em> (1996)<\/li>\n<li><em>Critical Care<\/em> (1997)<\/li>\n<li><em>Gloria<\/em> (1999)<\/li>\n<li><em>Find Me Guilty<\/em> (2006)<\/li>\n<li><b><em>Before the Devil Knows You&#8217;re Dead<\/em><\/b> (2007)\n<\/ul>\n<h4>John Cassavetes<\/h4>\n<ul>\n<li><em>Too Late Blues<\/em> (1961)<\/li>\n<li><em>A Child is Waiting<\/em> (1963)<\/li>\n<li><b><em>Faces<\/em><\/b> (1968)<\/li>\n<li><em>Husbands<\/em> (1970)<\/li>\n<li><b><em>Minnie and Moskowitz<\/em><\/b> (1971)<\/li>\n<li><b><em>The Killing of a Chinese Bookie<\/em><\/b> (1976)<\/li>\n<li><em>Opening Night<\/em> (1977)<\/li>\n<li><b><em>Gloria<\/em><\/b> (1980)<\/li>\n<li><em>Love Streams<\/em> (1984)<\/li>\n<li><em>Big Trouble<\/em> (1986)<\/li>\n<\/ul>\n<h4>Martin Scorsese<\/h4>\n<ul>\n<li><em>Who&#8217;s That Knocking at My Door<\/em> (1967)<\/li>\n<li><em>Boxcar Bertha<\/em> (1972)<\/li>\n<li><b><em>Alice Doesn&#8217;t Live Here Anymore<\/em><\/b> (1974)<\/li>\n<li><b><em>New York, New York<\/em><\/b> (1977)<\/li>\n<li><b><em>The Last Waltz<\/em><\/b> (1978)<\/li>\n<li><em>The King of Comedy<\/em> (1982)<\/li>\n<li><em>The Color of Money<\/em> (1986)<\/li>\n<li><em>New York Stories<\/em> (&#8220;Life Lessons&#8221;) (1989)<\/li>\n<li><em>Cape Fear<\/em> (1991)<\/li>\n<li><em>A Personal Journey with Martin Scorsese Through American Movies<\/em> (1995)<\/li>\n<li><em>Casino<\/em> (1995)<\/li>\n<li><em>Kundun<\/em> (1997)<\/li>\n<li><b><em>My Voyage to Italy<\/em><\/b> (1999)<\/li>\n<li><em>Bringing Out the Dead<\/em> (1999)<\/li>\n<li><b><em>No Direction Home: Bob Dylan<\/em><\/b> (2005)<\/li>\n<li><em>Shine a Light<\/em> (2008)<\/li>\n<li><b><em>Hugo Cabret<\/em><\/b> (2011)<\/li>\n<li><em>Silence<\/em> (2013)<\/li>\n<li><em>Sinatra<\/em> (2013)<\/li>\n<\/ul>\n<h4>Woody Allen<\/h4>\n<ul>\n<li><b><em>What&#8217;s Up, Tiger Lily?<\/em><\/b> (1966)<\/li>\n<li><b><em>Love and Death<\/em><\/b> (1975)<\/li>\n<li><b><em>Stardust Memories<\/em><\/b> (1980)<\/li>\n<li><b><em>A Midsummer Night&#8217;s Sex Comedy<\/em><\/b> (1982)<\/li>\n<li><b><em>Zelig<\/em><\/b> (1983)<\/li>\n<li><em>September<\/em> (1987)<\/li>\n<li><em>Another Woman<\/em> (1988)<\/li>\n<li><em>New York Stories<\/em> (&#8220;Oedipus Wrecks&#8221;) (1989)<\/li>\n<li><em>Alice<\/em> (1990)<\/li>\n<li><b><em>Husbands and Wives<\/em><\/b> (1992)<\/li>\n<li><em>Don&#8217;t Drink the Water<\/em> (1994)<\/li>\n<li><b><em>Deconstructing Harry<\/em><\/b> (1997)<\/li>\n<li><em>Celebrity<\/em> (1998)<\/li>\n<li><em>Sweet and Lowdown<\/em> (1999)<\/li>\n<li><em>Small Time Crooks<\/em> (2000)<\/li>\n<li><em>The Curse of the Jade Scorpion<\/em> (2001)<\/li>\n<li><em>Hollywood Ending<\/em> (2002)<\/li>\n<li><em>Melinda and Melinda<\/em> (2004)<\/li>\n<li><em>Cassandra&#8217;s Dream<\/em> (2007)<\/li>\n<li><em>Whatever Works<\/em> (2009)<\/li>\n<li><em>You Will Meet a Tall Dark Stranger<\/em> (2010)<\/li>\n<li><em>To Rome With Love<\/em> (2012)<\/li>\n<\/ul>\n<h4>Robert Altman<\/h4>\n<ul>\n<li><em>The Delinquents<\/em> (1957)<\/li>\n<li><em>Countdown<\/em> (1968)<\/li>\n<li><em>That Cold Day in the Park<\/em> (1969)<\/li>\n<li><em>Brewster McCloud<\/em> (1970)<\/li>\n<li><em>Images<\/em> (1972)<\/li>\n<li><b><em>Thieves Like Us<\/em><\/b> (1974)<\/li>\n<li><b><em>3 Women<\/em><\/b> (1977)<\/li>\n<li><em>A Wedding<\/em> (1978)<\/li>\n<li><em>Quintet<\/em> (1979)<\/li>\n<li><em>A Perfect Couple<\/em> (1979)<\/li>\n<li><em>HealtH<\/em> (1980)<\/li>\n<li><b><em>Popeye<\/em><\/b> (1980)<\/li>\n<li><em>Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean<\/em> (1982)<\/li>\n<li><em>Streamers<\/em> (1983)<\/li>\n<li><em>Secret Honor<\/em> (1984)<\/li>\n<li><em>O.C. and Stiggs<\/em> (1985)<\/li>\n<li><em>Fool for Love<\/em> (1985)<\/li>\n<li><em>Beyond Therapy<\/em> (1987)<\/li>\n<li><em>Aria<\/em> (&#8220;Les Bor&eacute;ades&#8221;) (1987)<\/li>\n<li><em>Vincent &#038; Theo<\/em> (1990)<\/li>\n<li><b><em>Short Cuts<\/em><\/b> (1993)<\/li>\n<li><em>Pret-a-Porter<\/em> (1994)<\/li>\n<li><em>Kansas City<\/em> (1996)<\/li>\n<li><em>The Gingerbread Man<\/em> (1998)<\/li>\n<li><em>Cookie&#8217;s Fortune<\/em> (1999)<\/li>\n<li><em>Dr T and the Women<\/em> (2000)<\/li>\n<li><em>The Company<\/em> (2003)<\/li>\n<li><b><em>A Prairie Home Companion<\/em><\/b> (2006)<\/li>\n<\/ul>\n<h4>Clint Eastwood<\/h4>\n<ul>\n<li><em>Play Misty for Me<\/em> (1971)<\/li>\n<li><b><em>High Plains Drifter<\/em><\/b> (1973)<\/li>\n<li><em>Breezy<\/em> (1973)<\/li>\n<li><em>The Eiger Sanction<\/em> (1975)<\/li>\n<li><b><em>The Outlaw Josey Wales<\/em><\/b> (1976)<\/li>\n<li><em>The Gauntlet<\/em> (1977)<\/li>\n<li><em>Bronco Billy<\/em> (1980)<\/li>\n<li><em>Firefox<\/em> (1982)<\/li>\n<li><em>Honkytonk Man<\/em> (1982)<\/li>\n<li><b><em>Sudden Impact<\/em><\/b> (1983)<\/li>\n<li><em>Tightrope<\/em> (1984)<\/li>\n<li><b><em>Pale Rider<\/em><\/b> (1985)<\/li>\n<li><em>Heartbreak Ridge<\/em> (1986)<\/li>\n<li><em>Bird<\/em> (1988)<\/li>\n<li><em>White Hunter, Black Heart<\/em> (1990)<\/li>\n<li><em>The Rookie<\/em> (1990)<\/li>\n<li><em>A Perfect World<\/em> (1993)<\/li>\n<li><em>The Bridges of Madison County<\/em> (1995)<\/li>\n<li><em>Absolute Power<\/em> (1997)<\/li>\n<li><em>Midnight in the Garden of Good and Evil<\/em> (1997)<\/li>\n<li><em>True Crime<\/em> (1999)<\/li>\n<li><em>Space Cowboys<\/em> (2000)<\/li>\n<li><b><em>Letters from Iwo Jima<\/em><\/b> (2006)<\/li>\n<li><em>Changeling<\/em> (2008)<\/li>\n<li><em>Gran Torino<\/em> (2008)<\/li>\n<li><em>Invictus<\/em> (2009)<\/li>\n<li><em>Hereafter<\/em> (2010)<\/li>\n<li><em>J. Edgar<\/em> (2011)<\/li>\n<\/ul>\n<h4>Steven Spielberg<\/h4>\n<ul>\n<li><b><em>Duel<\/em><\/b> (1971)<\/li>\n<li><b><em>The Sugarland Express<\/em><\/b> (1974)<\/li>\n<li><em>1941<\/em> (1979)<\/li>\n<li><em>Empire of the Sun<\/em> (1987)<\/li>\n<li><em>Always<\/em> (1989)<\/li>\n<li><em>The Lost World: Jurassic Park<\/em> (1997)<\/li>\n<li><em>Amistad<\/em> (1997)<\/li>\n<li><em>War Horse<\/em> (2011)<\/li>\n<li><strike><b><em>The Adventures of Tintin: The Secret of the Unicorn<\/em><\/b> (2011)<\/strike><\/li>\n<li><em>Lincoln<\/em> (2012)<\/li>\n<li><em>Robopocalypse<\/em> (2013)<\/li>\n<\/ul>\n<h4>Jim Jarmusch<\/h4>\n<ul>\n<li><em>Permanent Vacation<\/em> (1980)<\/li>\n<li><b><em>Stranger Than Paradise<\/em><\/b> (1984)<\/li>\n<li><b><em>Down By Law<\/em><\/b> (1986)<\/li>\n<li><b><em>Mystery Train<\/em><\/b> (1989)<\/li>\n<li><em>Night on Earth<\/em> (1991)<\/li>\n<li><b><em>Dead Man<\/em><\/b> (1995)<\/li>\n<li><b><em>Ghost Dog: The Way of the Samurai<\/em><\/b> (1999)<\/li>\n<li><em>Ten Minutes Older: The Trumpet<\/em> (&#8220;Int. Trailer Night&#8221;) (2002)<\/li>\n<li><em>Coffee and Cigarettes<\/em> (2003)<\/li>\n<\/ul>\n<h4>Roman Polanski<\/h4>\n<ul>\n<li><b><em>Cul-de-Sac<\/em><\/b> (1966)<\/li>\n<li><em>The Fearless Vampire Killers<\/em> (1967)<\/li>\n<li><em>Macbeth<\/em> (1971)<\/li>\n<li><em>What?<\/em> (1972)<\/li>\n<li><b><em>The Tenant<\/em><\/b> (1976)<\/li>\n<li><em>Tess<\/em> (1979)<\/li>\n<li><em>Pirates<\/em> (1986)<\/li>\n<li><b><em>Frantic<\/em><\/b> (1988)<\/li>\n<li><em>Bitter Moon<\/em> (1992)<\/li>\n<li><em>The Ninth Gate<\/em> (1999)<\/li>\n<li><em>The Pianist<\/em> (2002)<\/li>\n<li><em>Oliver Twist<\/em> (2005)<\/li>\n<li><strike><b><em>Carnage<\/em><\/b> (2012)<\/strike><\/li>\n<\/ul>\n<h4>John Carpenter<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>Dark Star<\/em> (1974)<\/li>\n<li><em>Assault on Precinct 13<\/em> (1976)<\/li>\n<li><em>Christine<\/em> (1983)<\/li>\n<li><em>Starman<\/em> (1984)<\/li>\n<li><em>Big Trouble in Little China<\/em> (1986)<\/li>\n<li><em>They Live<\/em> (1988)<\/li>\n<\/ul>\n<h4>Richard Linklater<\/h4>\n<ul>\n<li><em>SubUrbia<\/em> (1996)<\/li>\n<li><b><em>The Newton Boys<\/em><\/b> (1998)<\/li>\n<li><em>Tape<\/em> (2001)<\/li>\n<li><em>Bad News Bears<\/em> (2005)<\/li>\n<li><em>Fast Food Nation<\/em> (2006)<\/li>\n<li><b><em>Me and Orson Welles<\/em><\/b> (2008)<\/li>\n<li><em>Bernie<\/em> (2011)<\/li>\n<\/ul>\n<h4>Steven Soderbergh<\/h4>\n<ul>\n<li><b><em>sex, lies, and videotape<\/em><\/b> (1989)<\/li>\n<li><em>Kafka<\/em> (1991)<\/li>\n<li><em>King of the Hill<\/em> (1993)<\/li>\n<li><em>Underneath<\/em> (1995)<\/li>\n<li><em>Gray&#8217;s Anatomy<\/em> (1996)<?li>\n<li><b><em>Schizopolis<\/em><\/b> (1996)<\/li>\n<li><b><em>The Limey<\/em><\/b> (1999)<\/li>\n<li><em>Full Frontal<\/em> (2002)<\/li>\n<li><b><em>Solaris<\/em><\/b> (2002)<\/li>\n<li><em>Eros<\/em> (&#8220;Equilibrium&#8221;) (2004)<\/li>\n<li><em>Bubble<\/em> (1995)<\/li>\n<li><b><em>Che<\/em><\/b> (2008)<\/li>\n<li><em>And Everything is Going Fine<\/em> (2010)<\/li>\n<li><em>The Last Time I Saw Michael Gregg<\/em> (2011)<\/li>\n<li><strike><b><em>Haywire<\/em><\/b> (2011)<\/strike><\/li>\n<li><strike><b><em>Contagion<\/em><\/b> (2011)<\/strike><\/li>\n<li><em>The Man from U.N.C.L.E.<\/em> (2012)<\/li>\n<li><em>Magic Mike<\/em> (2012)<\/li>\n<li><em>Liberace<\/em> (2013)<\/li>\n<\/ul>\n<h4>Laurel &#038; Hardy<\/h4>\n<ul>\n<li><em>Sons of the Desert<\/em> (1933)<\/li>\n<\/ul>\n<h4>W.C. Fields<\/h4>\n<ul>\n<li><em>It&#8217;s a Gift<\/em> (1934 &#8211; Norman Z. McLeod)<\/li>\n<\/ul>\n<h4>Greta Garbo<\/h4>\n<ul>\n<li><em>The Saga of Gosta Berling<\/em> (1924 Sweden &#8211; Mauritz Stiller)<\/li>\n<li><em>Anna Christie<\/em> (1930 &#8211; Clarence Brown)<\/li>\n<li><em>Anna Karenina<\/em> (1935 &#8211; Clarence Brown)<\/li>\n<li><em>Camille<\/em> (1936 &#8211; George Cukor)<\/li>\n<\/ul>\n<h4>Joan Crawford<\/h4>\n<ul>\n<li><em>A Woman&#8217;s Face<\/em> (1941 &#8211; George Cukor)<\/li>\n<li><strike><em>Possessed<\/em> (1947)<\/strike><\/li>\n<li><em>The Damned Don&#8217;t Cry!<\/em> (1950)<\/li>\n<\/ul>\n<h4>Bette Davis<\/h4>\n<ul>\n<li><em>Hush&#8230;Hush, Sweet Charlotte<\/em> (1964 &#8211; Robert Aldrich)<\/li>\n<\/ul>\n<h4>Barbara Stanwyck<\/h4>\n<ul>\n<li><em>Annie Oakley<\/em> (1935 &#8211; George Stevens)<\/li>\n<li><b><em>The Strange Love of Martha Ivers<\/em><\/b> (1946)<\/li>\n<li><b><em>The Two Mrs. Carrolls<\/em><\/b> (1947)<\/li>\n<li><em>The File on Thelma Jordan<\/em> (1950 &#8211; Robert Siodmak)<\/li>\n<li><em>No Man of Her Own<\/em> (1950)<\/li>\n<li><em>Clash by Night<\/em> (1952)<\/li>\n<li><em>Jeopardy<\/em> (1953)<\/li>\n<\/ul>\n<h4>Katharine Hepburn<\/h4>\n<ul>\n<li><em>Christopher Strong<\/em> (1933 &#8211; Dorothy Arzner)<\/li>\n<li><em>Alice Adams<\/em> (1935 &#8211; George Stevens)<\/li>\n<li><em>Keeper of the Flame<\/em> (1942 &#8211; George Cukor)<\/li>\n<li><em>On Golden Pond<\/em> (1981 &#8211; Mark Rydell)<\/li>\n<\/ul>\n<h4>Olivia de Havilland<\/h4>\n<ul>\n<li><em>Hold Back the Dawn<\/em> (1941 &#8211; Mitchell Leisen)<\/li>\n<li><em>To Each His Own<\/em> (1946 &#8211; Mitchell Leisen)<\/li>\n<\/ul>\n<h4>John Wayne<\/h4>\n<ul>\n<li><em>The Shootist<\/em> (1976 &#8211; Don Siegel)<\/li>\n<\/ul>\n<h4>Humphrey Bogart<\/h4>\n<ul>\n<li><em>The Harder They Fall<\/em> (1956)<\/li>\n<\/ul>\n<h4>Judy Garland<\/h4>\n<ul>\n<li><em>I Could Go On Singing!<\/em> (1963 &#8211; Ronald Neame)<\/li>\n<\/ul>\n<h4>Ingrid Bergman<\/h4>\n<ul>\n<li><em>Arch of Triumph<\/em> (1948 &#8211; Lewis Milestone)<\/li>\n<\/ul>\n<h4>Danny Kaye<\/h4>\n<ul>\n<li><em>The Inspector General<\/em> (1949 &#8211; Henry Koster)<\/li>\n<\/ul>\n<h4>Elizabeth Taylor<\/h4>\n<ul>\n<li><em>Cat on a Hot Tin Roof<\/em> (1958 &#8211; Richard Brooks)<\/li>\n<li><em>Suddenly Last Summer<\/em> (1959 &#8211; Joseph L. Mankiewicz)<\/li>\n<li><em>Cleopatra<\/em> (1963 &#8211; Joseph L. Mankiewicz)<\/li>\n<\/ul>\n<h4>Grace Kelly<\/h4>\n<ul>\n<li><em>The Country Girl<\/em> (1954 &#8211; George Seaton)<\/li>\n<\/ul>\n<h4>Audrey Hepburn<\/h4>\n<ul>\n<li><em>War and Peace<\/em> (1956 &#8211; King Vidor)<\/li>\n<\/ul>\n<h4>Marilyn Monroe<\/h4>\n<ul>\n<li><em>Don&#8217;t Bother to Knock<\/em> (1952)<\/li>\n<li><em>Bus Stop<\/em> (1956 &#8211; Joshua Logan)<\/li>\n<\/ul>\n<h4>Paul Newman<\/h4>\n<ul>\n<li><em>Hud<\/em> (1963 &#8211; Martin Ritt)<\/li>\n<li><em>Hombre<\/em> (1967 &#8211; Martin Ritt)<\/li>\n<li><em>Cool Hand Luke<\/em> (1967 &#8211; Stuart Rosenberg)<\/li>\n<\/ul>\n<h4>George Clooney<\/h4>\n<ul>\n<li><em>Syriana<\/em> (2005 &#8211; Stephen Gaghan)<\/li>\n<li><em>The Men Who Stare at Goats<\/em> (2009 &#8211; Grant Heslov)<\/li>\n<\/ul>\n<h4>Tilda Swinton<\/h4>\n<h4>Penelope Cruz<\/h4>\n<ul>\n<li><em>Elegy<\/em> (2008 Spain &#8211; Isabel Coixet)<\/li>\n<\/ul>\n<h4>Cate Blanchett<\/h4>\n<ul>\n<li><em>Oscar and Lucinda<\/em> (1997 Australia &#8211; Gillian Armstrong)<\/li>\n<li><em>Charlotte Gray<\/em> (2001 Australia &#8211; Gillian Armstrong)<\/li>\n<\/ul>\n<h4>Kate Winslet<\/h4>\n<ul>\n<li><em>Heavenly Creatures<\/em> (1994 New Zealand &#8211; Peter Jackson)<\/li>\n<\/ul>\n<h4>Michelle Williams<\/h4>\n<ul>\n<li><em>Wendy and Lucy<\/em> (2008 &#8211; Kelly Reichardt)<\/li>\n<li><em>Mammoth<\/em> (2009 Sweden &#8211; Lukas Moodysson)<\/li>\n<\/ul>\n<h4>Joseph Gordon Levitt<\/h4>\n<ul>\n<li><em>G.I. Joe: Rise of the Cobra<\/em> (2009 &#8211; Stephen Sommers)<\/li>\n<\/ul>\n<h4>Michael Fassbender<\/h4>\n<ul>\n<li><em>Hunger<\/em> (2008 UK &#8211; Steve McQueen)<\/li>\n<\/ul>\n<h4>Universal Horror<\/h4>\n<ul>\n<li><b><em>The Mummy<\/em><\/b> (1932)<\/li>\n<li><em>Werewolf of London<\/em> (1935)<\/li>\n<li><em>Dracula&#8217;s Daughter<\/em> (1936)<\/li>\n<li><em>The Invisible Ray<\/em> (1936)<\/li>\n<li><em>The Phantom Creeps<\/em> (1939)<\/li>\n<li><em>Son of Frankenstein<\/em> (1939)<\/li>\n<li><em>Tower of London<\/em> (1939)<\/li>\n<li><em>Black Friday<\/em> (1940)<\/li>\n<li><em>The Invisible Man Returns<\/em> (1940)<\/li>\n<li><em>The Invisible Woman<\/em> (1940)<\/li>\n<li><em>The Mummy&#8217;s Hand<\/em> (1940 &#8211; Christy Cabanne)<\/li>\n<li><em>Man Made Monster<\/em> (1941)<\/li>\n<li><b><em>The Wolf Man<\/em><\/b> (1941)<\/li>\n<li><em>The Ghost of Frankenstein<\/em> (1942)<\/li>\n<li><em>Invisible Agent<\/em> (1942)<\/li>\n<li><em>The Mummy&#8217;s Tomb<\/em> (1942)<\/li>\n<li><em>Frankenstein Meets the Wolf Man<\/em> (1943)<\/li>\n<li><em>Son of Dracula<\/em> (1943)<\/li>\n<li><em>Captive Wild Woman<\/em> (1943)<\/li>\n<li><em>The Mad Ghoul<\/em> (1943)<\/li>\n<li><em>Calling Dr. Death<\/em> (1943)<\/li>\n<li><em>Weird Woman<\/em> (1944)<\/li>\n<li><em>Dead Man&#8217;s Eyes<\/em> (1944)<\/li>\n<li><em>The Climax<\/em> (1944)<\/li>\n<li><em>House of Frankenstein<\/em> (1944)<\/li>\n<li><em>The Invisible Man&#8217;s Revenge<\/em> (1944)<\/li>\n<li><em>The Mummy&#8217;s Ghost<\/em> (1944)<\/li>\n<li><em>The Mummy&#8217;s Curse<\/em> (1944)<\/li>\n<li><em>House of Dracula<\/em> (1945)<\/li>\n<li><em>The Frozen Ghost<\/em> (1945)<\/li>\n<li><em>Strange Confession<\/em> (1945)<\/li>\n<li><em>Pillow of Death<\/em> (1945)<\/li>\n<li><em>House of Horrors<\/em> (1946)<\/li>\n<li><em>The Brute Man<\/em> (1946)<\/li>\n<li><em>She Wolf of London<\/em> (1946)<\/li>\n<li><em>Abbott and Costello Meet the Invisible Man<\/em> (1951)<\/li>\n<li><em>Abbott and Costello Meet Dr. Jekyll and Mr. Hyde<\/em> (1953)<\/li>\n<li><b><em>Creature from the Black Lagoon<\/em><\/b> (1954)<\/li>\n<li><em>Abbott and Costello Meet the Mummy<\/em> (1955)<\/li>\n<li><em>Revenge of the Creature<\/em> (1955)<\/li>\n<li><em>Cult of the Cobra<\/em> (1955)<\/li>\n<li><em>This Island Earth<\/em> (1955)<\/li>\n<li><em>Tarantula<\/em> (1955)<\/li>\n<li><em>The Creature Walks Among Us<\/em> (1956)<\/li>\n<li><em>The Mole People<\/em> (1956)<\/li>\n<li><em>The Deadly Mantis<\/em> (1957)<\/li>\n<li><em>The Monolith Monsters<\/em> (1957)<\/li>\n<li><em>Monster on the Campus<\/em> (1958)<\/li>\n<\/ul>\n<h4>Film Noir<\/h4>\n<ul>\n<li><em>Johnny Eager<\/em> (1941 &#8211; Mervyn LeRoy)<\/li>\n<li><em>Journey Into Fear<\/em> (1943)<\/li>\n<li><em>Whispering Footsteps<\/em> (1943)<\/li>\n<li><em>The Lodger<\/em> (1944)<\/li>\n<li><em>The Mask of Dimitrios<\/em> (1944)<\/li>\n<li><em>Cornered<\/em> (1945)<\/li>\n<li><b><em>Fallen Angel<\/em><\/b> (1945 &#8211; Otto Preminger)<\/li>\n<li><em>Hangover Square<\/em> (1945)<\/li>\n<li><em>The House on 92nd Street<\/em> (1945 &#8211; Henry Hathaway)<\/li>\n<li><em>Johnny Angel<\/em> (1945)<\/li>\n<li><em>Cloak and Dagger<\/em> (1946)<\/li>\n<li><em>Crack-Up<\/em> (1946)<\/li>\n<li><em>The Dark Corner<\/em> (1946)<\/li>\n<li><em>Deception<\/em> (1946)<\/li>\n<li><b><em>The Spiral Staircase<\/em><\/b> (1946 &#8211; Robert Siodmak)<\/li>\n<li><b><em>The Stranger<\/em><\/b> (1946 &#8211; Orson Welles)<\/li>\n<li><em>Body and Soul<\/em> (1947)<\/li>\n<li><em>Brute Force<\/em> (1947)<\/li>\n<li><em>Crossfire<\/em> (1947 &#8211; Edward Dmytryk)<\/li>\n<li><em>Desperate<\/em> (1947)<\/li>\n<li><em>A Double Life<\/em> (1947)<\/li>\n<li><em>Lady in the Lake<\/em> (1947 &#8211; Robert Montgomery)<\/li>\n<li><em>The Locket<\/em> (1947)<\/li>\n<li><em>Nora Prentiss<\/em> (1947)<\/li>\n<li><em>They Won&#8217;t Believe Me<\/em> (1947)<\/li>\n<li><em>T-Men<\/em> (1947)<\/li>\n<li><em>The Woman on the Beach<\/em> (1947)<\/li>\n<li><b><em>The Big Clock<\/em><\/b> (1948 &#8211; John Farrow)<\/li>\n<li><b><em>The Naked City<\/em><\/b> (1948 &#8211; Jules Dassin)<\/li>\n<li><em>Road House<\/em> (1948)<\/li>\n<li><b><em>Caught<\/em><\/b> (1949)<\/li>\n<li><em>Champion<\/em> (1949)<\/li>\n<li><strike><b><em>Criss Cross<\/em><\/b> (1949 &#8211; Robert Siodmak)<\/strike><\/li>\n<li><em>House of Strangers<\/em> (1949 &#8211; Joseph L. Mankiewicz)<\/li>\n<li><em>I Married a Communist<\/em> (1949)<\/li>\n<li><em>The Set-Up<\/em> (1949)<\/li>\n<li><b><em>Thieves&#8217; Highway<\/em><\/b> (1949 &#8211; Jules Dassin)<\/li>\n<li><em>Too Late for Tears<\/em> (1949)<\/li>\n<li><em>The Window<\/em> (1949)<\/li>\n<li><em>The Killer That Stalked New York<\/em> (1950)<\/li>\n<li><em>No Way Out<\/em> (1950 &#8211; Joseph L. Mankiewicz)<\/li>\n<li><em>Where the Sidewalk Ends<\/em> (1950 &#8211; Otto Preminger)<\/li>\n<li><em>Panic in the Streets<\/em> (1950)<\/li>\n<li><em>Shakedown<\/em> (1950)<\/li>\n<li><em>Tension<\/em> (1950)<\/li>\n<li><em>Appointment with Danger<\/em> (1951)<\/li>\n<li><em>The House on Telegraph Hill<\/em> (1951)<\/li>\n<li><em>I Was a Communist for the FBI<\/em> (1951)<\/li>\n<li><em>Angel Face<\/em> (1952 &#8211; Otto Preminger)<\/li>\n<li><em>Shield for Murder<\/em> (1954)<\/li>\n<li><em>Suddenly<\/em> (1954)<\/li>\n<li><em>New York Confidential<\/em> (1955)<\/li>\n<li><em>The Phenix City Story<\/em> (1955 &#8211; Phil Karlson)\n<li><em>Mr. Arkadin<\/em> (1955 &#8211; Orson Welles)<\/li>\n<li><em>Plunder Road<\/em> (1957)<\/li>\n<li><em>Murder by Contract<\/em> (1958 &#8211; Irving Lerner)<\/li>\n<\/ul>\n<h4>Horror\/Sci-Fi\/Cult<\/h4>\n<ul>\n<li><em>The Most Dangerous Game<\/em> (1932 &#8211; Ernest B. Schoedsack &#038; Irving Pichel)\n<li><em>Freaks<\/em> (1932 &#8211; Tod Browning)<\/li>\n<li><em>Island of Lost Souls<\/em> (1932 &#8211; Erle C. Kenton)<\/li>\n<li><em>She<\/em> (1935 &#8211; Irving Pichel, Lansing C. Holden)<\/li>\n<li><em>Things to Come<\/em> (1936 &#8211; William Cameron Menzies)<\/li>\n<li><em>Invaders from Mars<\/em> (1953 &#8211; William Cameron Menzies)<\/li>\n<li><em>The Bat<\/em> (1959 &#8211; Crane Wilbur)<\/li>\n<li><em>Circus of Horrors<\/em> (1960 &#8211; Sidney Hayers)<\/li>\n<li><em>Mysterious Island<\/em> (1961 &#8211; Ray Harryhausen effects)<\/li>\n<li><em>The Brain That Wouldn&#8217;t Die<\/em> (1962 &#8211; Joseph Green)<\/li>\n<li><em>Burn, Witch, Burn<\/em> (1962 &#8211; Sidney Hayers)<\/li>\n<li><em>The Comedy of Terrors<\/em> (1963 &#8211; Jacques Tourneur)<\/li>\n<li><em>Jason and the Argonauts<\/em> (1963 &#8211; Ray Harryhausen effects)<\/li>\n<li><em>The Andromeda Strain<\/em> (1971 &#8211; Robert Wise)<\/li>\n<li><em>Dr. Phibes Rises Again<\/em> (1972 &#8211; Robert Fuest)<\/li>\n<li><em>The Legend of Hell House<\/em> (1973 &#8211; John Hough)<\/li>\n<li><em>Theatre of Blood<\/em> (1973 &#8211; Douglas Hickox)<\/li>\n<li><em>The Golden Voyage of Sinbad<\/em> (1973 &#8211; Ray Harryhausen effects)<\/li>\n<li><em>Flesh for Frankenstein<\/em> (1973 &#8211; Paul Morrissey)<\/li>\n<li><em>Blood for Dracula<\/em> (1974 &#8211; Paul Morrissey)<\/li>\n<li><em>The Texas Chainsaw Massacre<\/em> (1974 &#8211; Tobe Hooper)<\/li>\n<li><em>The Omen<\/em> (1976 &#8211; Richard Donner)<\/li>\n<li><em>Burnt Offerings<\/em> (1976 &#8211; Dan Curtis)<\/li>\n<li><em>Sinbad and the Eye of the Tiger<\/em> (1977 &#8211; Ray Harryhausen effects)<\/li>\n<li><em>The Howling<\/em> (1981 &#8211; Joe Dante)<\/li>\n<li><em>Clash of the Titans<\/em> (1981 &#8211; Ray Harryhausen effects)<\/li>\n<li><em>Poltergeist<\/em> (1982 &#8211; Tobe Hooper)<\/li>\n<li><em>Creepshow<\/em> (1982 &#8211; George A. Romero)<\/li>\n<li><strike><em>Gremlins<\/em> (1984 &#8211; Joe Dante)<\/strike><\/li>\n<li><em>Day of the Dead<\/em> (1985 &#8211; George A. Romero)<\/li>\n<li><em>Little Shop of Horrors<\/em> (1986 &#8211; Frank Oz)<\/li>\n<li><em>Henry: Portrait of a Serial Killer<\/em> (1990 &#8211; John McNaughton)<\/li>\n<li><em>Mimic<\/em> (1997 &#8211; Guillermo Del Toro)<\/li>\n<li><em>The Hole<\/em> (2009 &#8211; Joe Dante)<\/li>\n<li><em>Rosencrantz and Guildenstern are Dead<\/em> (2009 &#8211; Jordon Galland)<\/li>\n<li><em>Heartless<\/em> (2009 &#8211; Philip Ridley)<\/li>\n<li><em>Daybreakers<\/em> (2009 &#8211; Michael &#038; Peter Spierig)<\/li>\n<\/ul>\n<h4>New Hollywood<\/h4>\n<ul>\n<li><strike><em>Who&#8217;s Afraid of Virginia Woolf?<\/em> (1966 &#8211; Mike Nichols)<\/strike><\/li>\n<li><em>In Cold Blood<\/em> (1967 &#8211; Richard Brooks)<\/li>\n<li><em>Alice&#8217;s Restaurant<\/em> (1969 &#8211; Arthur Penn)<\/li>\n<li><em>The Boys in the Band<\/em> (1970 &#8211; William Friedkin)<\/li>\n<li><em>Loving<\/em> (1970 &#8211; Irvin Kershner)<\/li>\n<li><em>The Landlord<\/em> (1970 &#8211; Hal Ashby)<\/li>\n<li><em>Little Big Man<\/em> (1970 &#8211; Arthur Penn)<\/li>\n<li><em>Summer of &#8217;42<\/em> (1971 &#8211; Robert Mulligan)<\/li>\n<li><em>The Panic in Needle Park<\/em> (1971 &#8211; Jerry Schatzberg)<\/li>\n<li><em>The Last Movie<\/em> (1971 &#8211; Dennis Hopper)<\/li>\n<li><em>Vanishing Point<\/em> (1971 &#8211; Richard C. Sarafian)<\/li>\n<li><em>Deliverance<\/em> (1972 &#8211; John Boorman)<\/li>\n<li><em>The King of Marvin Gardens<\/em> (1972 &#8211; Bob Rafelson)<\/li>\n<li><em>The Heartbreak Kid<\/em> (1972 &#8211; Elaine May)<\/li>\n<li><em>The Poseidon Adventure<\/em> (1972 &#8211; Ronald Neame, Irwin Allen)<\/li>\n<li><em>The Last Detail<\/em> (1973 &#8211; Hal Ashby)<\/li>\n<li><em>Sisters<\/em> (1973 &#8211; Brian DePalma)<\/li>\n<li><em>Daisy Miller<\/em> (1974 &#8211; Peter Bogdanovich)<\/li>\n<li><em>Harry and Tonto<\/em> (1974 &#8211; Paul Mazursky)<\/li>\n<li><em>The Longest Yard<\/em> (1974 &#8211; Robert Aldrich)<\/li>\n<li><em>The Parallax View<\/em> (1974 &#8211; Alan J. Pakula)<\/li>\n<li><em>Dirty Mary, Crazy Larry<\/em> (1974 &#8211; John Hough)<\/li>\n<li><em>At Long Last Love<\/em> (1975 &#8211; Peter Bogdanovich)<\/li>\n<li><em>Three Days of the Condor<\/em> (1975 &#8211; Sydney Pollack)<\/li>\n<li><em>Shampoo<\/em> (1975 &#8211; Hal Ashby)<\/li>\n<li><em>The Day of the Locust<\/em> (1975 &#8211; John Schlesinger)<\/li>\n<li><em>Marathon Man<\/em> (1976 &#8211; John Schlesinger)<\/li>\n<li><em>Bound for Glory<\/em> (1976 &#8211; Hal Ashby)<\/li>\n<li><em>Next Stop, Greenwich Village<\/em> (1976 &#8211; Paul Mazursky)<\/li>\n<li><strike><em>Carrie<\/em> (1976 &#8211; Brian DePalma)<\/strike><\/li>\n<li><em>Rocky<\/em> (1976 &#8211; John G. Avildsen)<\/li>\n<li><em>The Goodbye Girl<\/em> (1977 &#8211; Herbert Ross)<\/li>\n<li><em>Julia<\/em> (1977 &#8211; Fred Zinnemann)<\/li>\n<li><em>Looking for Mr. Goodbar<\/em> (1977 &#8211; Richard Brooks)<\/li>\n<li><em>Sorcerer<\/em> (1977 &#8211; William Friedkin)<\/li>\n<li><em>The Turning Point<\/em> (1977 &#8211; Herbert Ross)<\/li>\n<li><em>Coming Home<\/em> (1978 &#8211; Hal Ashby)<\/li>\n<li><em>The Deer Hunter<\/em> (1978 &#8211; Michael Cimino)<\/li>\n<li><em>Days of Heaven<\/em> (1978 &#8211; Terence Malick)<\/li>\n<li><em>Heaven Can Wait<\/em> (1978 &#8211; Warren Beatty)<\/li>\n<li><em>F.I.S.T.<\/em> (1978 &#8211; Norman Jewison)<\/li>\n<li><em>Capricorn One<\/em> (1978 &#8211; Peter Hyams)<\/li>\n<li><em>An Unmarried Woman<\/em> (1978 &#8211; Paul Mazursky)<\/li>\n<li><em>Invasion of the Body Snatchers<\/em> (1978 &#8211; Philip Kaufman)<\/li>\n<li><em>&#8230;And Justice for All<\/em> (1979 &#8211; Norman Jewison)<\/li>\n<li><em>Being There<\/em> (1979 &#8211; Hal Ashby)<\/li>\n<li><em>Cruising<\/em> (1980 &#8211; William Friedkin)<\/li>\n<li><em>American Gigolo<\/em> (1980 &#8211; Paul Schrader)<\/li>\n<li><em>Heaven&#8217;s Gate<\/em> (1980 &#8211; Michael Cimino)<\/li>\n<li><em>Reds<\/em> (1981 &#8211; Warren Beatty)<\/li>\n<li><em>They All Laughed<\/em> (1981 &#8211; Peter Bogdanovich)<\/li>\n<li><em>One from the Heart<\/em> (1982 &#8211; Francis Ford Coppola)<\/li>\n<li><em>Personal Best<\/em> (1982 &#8211; Robert Towne)<\/li>\n<li><em>Scarface<\/em> (1983 &#8211; Brian DePalma)\n<\/ul>\n<h4>Blaxploitation<\/h4>\n<ul>\n<li><em>They Call me MISTER Tibbs!<\/em> (1970)<\/li>\n<li><em>Cotton Comes to Harlem<\/em> (1970)<\/li>\n<li><b><em>Sweet Sweetback&#8217;s Baadasssss Song<\/em><\/b> (1971)<\/li>\n<li><b><em>Super Fly<\/em><\/b> (1972)<\/li>\n<li><em>Black Mama, White Mama<\/em> (1972)<\/li>\n<li><em>Blacula<\/em> (1972)<\/li>\n<li><em>Superfly<\/em> (1972 &#8211; Gordon Parks, Jr.)<\/li>\n<li><em>Blackenstein<\/em> (1973)<\/li>\n<li><b><em>Cleopatra Jones<\/em><\/b> (1973)<\/li>\n<li><b><em>Coffy<\/em><\/b> (1973)<\/li>\n<li><em>Scream Blackula Scream<\/em> (1973)<\/li>\n<li><em>Sheba, Baby<\/em> (1975)<\/li>\n<li><em>Cleopatra Jones and the Casino of Gold<\/em> (1975)<\/li>\n<li><em>Dolemite<\/em> (1975)<\/li>\n<\/ul>\n<h4>Mumblecore<\/h4>\n<ul>\n<li><em>The Puffy Chair<\/em> (2005 &#8211; Jay &#038; Mark Duplass)<\/li>\n<li><em>Mutual Appreciation<\/em> (2005 &#8211; Andrew Bujalski)<\/li>\n<li><em>LOL<\/em> (2006 &#8211; Joe Swanberg)<\/li>\n<li><em>Frownland<\/em> (2007 &#8211; Ronald Bronstein)<\/li>\n<li><em>Quiet City<\/em> (2007 &#8211; Aaron Katz)<\/li>\n<li><em>Nights and Weekends<\/em> (2008 &#8211; Joe Swanberg)<\/li>\n<li><em>Baghead<\/em> (2008 &#8211; Jay &#038; Mark Duplass)<\/li>\n<li><em>Yeast<\/em> (2008 &#8211; Mary Bronstein)<\/li>\n<li><em>Alexander the Last<\/em> (2009 &#8211; Joe Swanberg)<\/li>\n<li><em>Humpday<\/em> (2009 &#8211; Lynn Shelton)<\/li>\n<li><em>Harmony and Me<\/em> (2009 &#8211; Bob Byington)<\/li>\n<li><em>A Horrible Way to Die<\/em> (2010 &#8211; Adam Wingard)<\/li>\n<li><em>Cyrus<\/em> (2010 &#8211; Jay &#038; Mark Duplass)<\/li>\n<li><em>You&#8217;re Next<\/em> (2011 &#8211; Adam Wingard)<\/li>\n<li><em>Silver Bullets<\/em> (2011 &#8211; Joe Swanberg)<\/li>\n<li><em>Jeff Who Lives at Home<\/em> (2011 &#8211; Jay &#038; Mark Duplass)<\/li>\n<li><em>The Color Wheel<\/em> (2011 &#8211; Bob Byington)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>Hallelujah!<\/em> (1929 &#8211; King Vidor)<\/li>\n<li><em>Applause<\/em> (1929 &#8211; Rouben Mamoulian)<\/li>\n<li><em>Disraeli<\/em> (1929 &#8211; Alfred E. Green)<\/li>\n<li><em>Our Daily Bread<\/em> (1934 &#8211; King Vidor)<\/li>\n<li><em>Death Takes a Holiday<\/em> (1934 &#8211; Mitchell Leisen)<\/li>\n<li><em>The Mikado<\/em> (1935 &#8211; Victor Schertzinger)<\/li>\n<li><em>Peter Ibbetson<\/em> (1935 &#8211; Henry Hathaway)<\/li>\n<li><em>David Copperfield<\/em> (1935 &#8211; George Cukor)<\/li>\n<li><em>Ruggles of Red Gap<\/em> (1935 &#8211; Leo McCarey)<\/li>\n<li><em>Becky Sharp<\/em> (1935 &#8211; Rouben Mamoulian)<\/li>\n<li><em>Rose Hobart<\/em> (1936 &#8211; Joseph Cornell)<\/li>\n<li><em>Make Way for Tomorrow<\/em> (1937 &#8211; Leo McCarey)<\/li>\n<li><em>The Good Earth<\/em> (1937 &#8211; Sidney Franklin)<\/li>\n<li><em>Boys Town<\/em> (1938 &#8211; Norman Taurog)<\/li>\n<li><em>The Citadel<\/em> (1938 &#8211; King Vidor)<\/li>\n<li><em>The Hunchback of Notre Dame<\/em> (1939 &#8211; William Dieterle)<\/li>\n<li><em>Waterloo Bridge<\/em> (1940 &#8211; Mervyn LeRoy)<\/li>\n<li><em>The Great McGinty<\/em> (1940 &#8211; Preston Sturges)<\/li>\n<li><em>The Mortal Storm<\/em> (1940 &#8211; Frank Borzage)<\/li>\n<li><em>Hellzapoppin&#8217;<\/em> (1941 &#8211; H.C. Potter)<\/li>\n<li><em>The Outlaw<\/em> (1943 &#8211; Howard Hughes)<\/li>\n<li><em>For Whom the Bell Tolls<\/em> (1943 &#8211; Sam Wood)<\/li>\n<li><em>Madame Curie<\/em> (1943 &#8211; Mervyn LeRoy)<\/li>\n<li><em>Thirty Seconds Over Tokyo<\/em> (1944 &#8211; Mervyn LeRoy)<\/li>\n<li><em>The Picture of Dorian Gray<\/em> (1945 &#8211; Albert Luwin)<\/li>\n<li><em>The Ghost and Mrs. Muir<\/em> (1947 &#8211; Joseph L. Mankiewicz)<\/li>\n<li><em>Smash-Up: The Story of a Woman<\/em> (1947- Stuart Heisler)<\/li>\n<li><em>Moonrise<\/em> (1948 &#8211; Frank Borzage)<\/li>\n<li><em>Macbeth<\/em> (1948 &#8211; Orson Welles)<\/li>\n<li><em>Edward, My Son<\/em> (1948 &#8211; George Cukor)<\/li>\n<li><em>Mr. Blandings Builds His Dream House<\/em> (1948 &#8211; H.C. Potter)<\/li>\n<li><em>The Search<\/em> (1948 &#8211; Fred Zinnemann)<\/li>\n<li><em>All the King&#8217;s Men<\/em> (1949 &#8211; Robert Rossen)<\/li>\n<li><em>Samson and Delilah<\/em> (1949 &#8211; Cecil B. DeMille)<\/li>\n<li><em>The Reckless Moment<\/em> (1949 &#8211; Max Oph&uuml;ls)<\/li>\n<li><em>The Fountainhead<\/em> (1949 &#8211; King Vidor)<\/li>\n<li><em>The Men<\/em> (1950 &#8211; Fred Zinnemann)<\/li>\n<li><em>The Gunfighter<\/em> (1950 &#8211; Henry King)<\/li>\n<li><em>A Place in the Sun<\/em> (1951 &#8211; George Stevens)<\/li>\n<li><em>Death of a Salesman<\/em> (1951 &#8211; Laslo Benedek)<\/li>\n<li><em>Across the Wide Missouri<\/em> (1951 &#8211; William A. Wellman)<\/li>\n<li><em>Othello<\/em> (1952 &#8211; Orson Welles)<\/li>\n<li><em>Come Back, Little Sheba<\/em> (1952 &#8211; Daniel Mann)<\/li>\n<li><em>Silver Lode<\/em> (1954 &#8211; Allan Dwan)<\/li>\n<li><em>Salt of the Earth<\/em> (1954 &#8211; Herbert J. Biberman)<\/li>\n<li><em>Artists and Models<\/em> (1955 &#8211; Frank Tashlin)<\/li>\n<li><em>The Cobweb<\/em> (1955 &#8211; Vincente Minnelli)<\/li>\n<li><em>Marty<\/em> (1955 &#8211; Delbert Mann)<\/li>\n<li><em>Bad Day at Black Rock<\/em> (1955 &#8211; John Sturges)<\/li>\n<li><em>East of Eden<\/em> (1955 &#8211; Elia Kazan)<\/li>\n<li><em>The Bad Seed<\/em> (1956 &#8211; Mervyn LeRoy)<\/li>\n<li><em>Lust for Life<\/em> (1956 &#8211; Vincente Minnelli)<\/li>\n<li><em>Baby Doll<\/em> (1956 &#8211; Elia Kazan)<\/li>\n<li><em>Gunfight at the OK Corral<\/em> (1957 &#8211; John Sturges)<\/li>\n<li><em>Crime of Passion<\/em> (1957 &#8211; Gerd Oswald)<\/li>\n<li><em>Will Success Spoil Rock Hunter?<\/em> (1957 &#8211; Frank Tashlin)<\/li>\n<li><em>Auntie Mame<\/em> (1958 &#8211; Morton DaCosta)<\/li>\n<li><em>The Defiant Ones<\/em> (1958 &#8211; Stanley Kramer)<\/li>\n<li><em>Ride Lonesome<\/em> (1959 &#8211; Budd Boetticher)<\/li>\n<li><em>Porgy and Bess<\/em> (1959 &#8211; Otto Preminger)<\/li>\n<li><em>The Diary of Anne Frank<\/em> (1959 &#8211; George Stevens)<\/li>\n<li><em>Wild River<\/em> (1960 &#8211; Elia Kazan)<\/li>\n<li><em>Cinderfella<\/em> (1960 &#8211; Frank Tashlin)<\/li>\n<li><em>Exodus<\/em> (1960 &#8211; Otto Preminger)<\/li>\n<li><em>Strangers When We Meet<\/em> (1960 &#8211; Richard Quine)<\/li>\n<li><em>Elmer Gantry<\/em> (1960 &#8211; Richard Brooks)<\/li>\n<li><em>One-Eyed Jacks<\/em> (1961 &#8211; Marlon Brando)<\/li>\n<li><em>Judgment at Nuremberg<\/em> (1961 &#8211; Stanley Kramer)<\/li>\n<li><em>The Guns of Navarone<\/em> (1961 &#8211; J. Lee Thompson)<\/li>\n<li><em>The Ladies&#8217; Man<\/em> (1961 &#8211; Jerry Lewis)\n<li><em>A Raisin in the Sun<\/em> (1961 &#8211; Daniel Petrie)<\/li>\n<li><em>The Trial<\/em> (1962 &#8211; Orson Welles)<\/li>\n<li><em>Two Weeks in Another Town<\/em> (1962 &#8211; Vincente Minnelli)<\/li>\n<li><em>Advise and Consent<\/em> (1962 &#8211; Otto Preminger)<\/li>\n<li><em>The Miracle Worker<\/em> (1962 &#8211; Arthur Penn)<\/li>\n<li><em>Birdman of Alcatraz<\/em> (1962 &#8211; John Frankenheimer)<\/li>\n<li><em>Lonely are the Brave<\/em> (1962 &#8211; David Miller)<\/li>\n<li><em>It&#8217;s a Mad Mad Mad Mad World<\/em> (1963 &#8211; Stanley Kramer)<\/li>\n<li><em>America, America<\/em> (1963 &#8211; Elia Kazan)<\/li>\n<li><em>Days of Wine and Roses<\/em> (1963 &#8211; Blake Edwards)<\/li>\n<li><em>Lilies of the Field<\/em> (1963 &#8211; Ralph Nelson)<\/li>\n<li><em>Seven Days in May<\/em> (1964 &#8211; John Frankenheimer)<\/li>\n<li><em>The Americanization of Emily<\/em> (1964 &#8211; Arthur Hiller)<\/li>\n<li><em>The Great Race<\/em> (1965 &#8211; Blake Edwards)<\/li>\n<li><em>The Collector<\/em> (1965 &#8211; William Wyler)<\/li>\n<li><em>The Greatest Story Ever Told<\/em> (1965 &#8211; George Stevens)<\/li>\n<li><em>Chimes at Midnight<\/em> (1965 &#8211; Orson Welles)<\/li>\n<li><em>One Million Years B.C.<\/em> (1966 &#8211; Ray Harryhausen effects)<\/li>\n<li><em>A Man for All Seasons<\/em> (1966 &#8211; Fred Zinnemann)<\/li>\n<li><em>Grand Prix<\/em> (1966 &#8211; John Frankenheimer)<\/li>\n<li><em>The Dirty Dozen<\/em> (1967 &#8211; Robert Aldrich)<\/li>\n<li><em>Star!<\/em> (1968 &#8211; Robert Wise)<\/li>\n<li><em>The Illustrated Man<\/em> (1969 &#8211; Jack Smight)<\/li>\n<li><em>Medium Cool<\/em> (1969 &#8211; Haskell Wexler)<\/li>\n<li><em>Little Big Man<\/em> (1970 &#8211; Arthur Penn)<\/li>\n<li><em>Beyond the Valley of the Dolls<\/em> (1970 &#8211; Russ Meyer)<\/li>\n<li><em>Love Story<\/em> (1970 &#8211; Arthur Hiller)<\/li>\n<li><em>Johnny Got His Gun<\/em> (1971 &#8211; Dalton Trumbo)<\/li>\n<li><em>Wanda<\/em> (1971 &#8211; Barbara Loden)<\/li>\n<li><em>Ulzana&#8217;s Raid<\/em> (1972 &#8211; Robert Aldrich)<\/li>\n<li><em>Pink Flamingos<\/em> (1972 &#8211; John Waters)<\/li>\n<li><em>Sounder<\/em> (1972 &#8211; Martin Ritt)<\/li>\n<li><em>Bang the Drum Slowly<\/em> (1973 &#8211; John Hancock)<\/li>\n<li><em>The Day of the Jackal<\/em> (1973 &#8211; Fred Zinnemann)<\/li>\n<li><em>The Way We Were<\/em> (1973 &#8211; Sydney Pollack)<\/li>\n<li><em>Charley Varrick<\/em> (1973 &#8211; Don Siegel)<\/li>\n<li><em>The Paper Chase<\/em> (1973 &#8211; James Bridges)<\/li>\n<li><em>David Holtzman&#8217;s Diary<\/em> (1973 &#8211; Jimmy McBride)<\/li>\n<li><em>Female Trouble<\/em> (1974 &#8211; John Waters)<\/li>\n<li><em>Claudine<\/em> (1974 &#8211; John Berry)<\/li>\n<li><em>The Taking of Pelham one Two Three<\/em> (1974 &#8211; Joseph Sargent)<\/li>\n<li><em>Marathon Man<\/em> (1976 &#8211; John Schlesinger)<\/li>\n<li><em>Silver Streak<\/em> (1976 &#8211; Arthur Hiller)<\/li>\n<li><em>Eraserhead<\/em> (1977 &#8211; David Lynch)<\/li>\n<li><em>Saturday Night Fever<\/em> (1977 &#8211; John Badham)<\/li>\n<li><em>Last Chants for a Slow Dance<\/em> (1977 &#8211; Jon Jost)<\/li>\n<li><em>Killer of Sheep<\/em> (1977 &#8211; Charles Burnett)<\/li>\n<li><em>The Hills Have Eyes<\/em> (1977 &#8211; Wes Craven)<\/lil>\n<li><em>Dawn of the Dead<\/em> (1978 &#8211; George A. Romero)<\/li>\n<li><em>Up in Smoke<\/em> (1978 &#8211; Lou Adler &#038; Tommy Chong)<\/li>\n<li><em>Animal House<\/em> (1978 &#8211; John Landis)<\/li>\n<li><em>Blue Collar<\/em> (1978 &#8211; Paul Schrader)<\/li>\n<li><em>The Buddy Holly Story<\/em> (1978 &#8211; Steve Rash)<\/li>\n<li><em>The Duellists<\/em> (1978 &#8211; Ridley Scott)<\/li>\n<li><em>Real Life<\/em> (1979 &#8211; Albert Brooks)<\/li>\n<li><em>Breaking Away<\/em> (1979 &#8211; Peter Yates)<\/li>\n<li><em>The China Syndrome<\/em> (1979 &#8211; James Bridges)<\/li>\n<li><em>Norma Rae<\/em> (1979 &#8211; Martin Ritt)<\/li>\n<li><em>Coal Miner&#8217;s Daughter<\/em> (1980 &#8211; Michael Apted)<\/li>\n<li><em>9 to 5<\/em> (1980 &#8211; Colin Higgins)<\/li>\n<li><em>Dressed to Kill<\/em> (1980 &#8211; Brian DePalma)<\/li>\n<li><em>The Blues Brothers<\/em> (1980 &#8211; John Landis)<\/li>\n<li><em>Ordinary People<\/em> (1980 &#8211; Robert Redford)<\/li>\n<li><em>Private Benjamin<\/em> (1980 &#8211; Howard Zieff)<\/li>\n<li><em>Caddyshack<\/em> (1980 &#8211; Harold Ramis)<\/li>\n<li><em>Cutter&#8217;s Way<\/em> (1981 &#8211; Ivan Passer)<\/li>\n<li><em>Reds<\/em> (1981 &#8211; Warren Beatty)<\/li>\n<li><em>Arthur<\/em> (1981 &#8211; Steve Gordon)<\/li>\n<li><em>Absence of Malice<\/em> (1981 &#8211; Sydney Pollack)<\/li>\n<li><em>Diner<\/em> (1982 &#8211; Barry Levinson)<\/li>\n<li><em>The World According to Garp<\/em> (1982 &#8211; George Roy Hill)<\/li>\n<li><em>Sophie&#8217;s Choice<\/em> (1982 &#8211; Alan J. Pakula)<\/li>\n<li><em>Fast Times at Ridgemont High<\/em> (1982 &#8211; Amy Heckerling)<\/li>\n<li><em>An Officer and a Gentleman<\/em> (1982 &#8211; Taylor Hackford)<\/li>\n<li><em>Chan is Missing<\/em> (1982 &#8211; Wayne Wang)<\/li>\n<li><em>The Dark Crystal<\/em> (1982 &#8211; Frank Oz, Jim Henson)<\/li>\n<li><em>The Right Stuff<\/em> (1983 &#8211; Phillip Kaufman)<\/li>\n<li><em>El Norte<\/em> (1983 &#8211; Gregory Nava)<\/li>\n<li><em>The Outsiders<\/em> (1983 &#8211; Francis Ford Coppola)<\/li>\n<li><em>Silkwood<\/em> (1983 &#8211; Mike Nichols)<\/li>\n<li><em>Terms of Endearment<\/em> (1983 &#8211; James L. Brooks)<\/li>\n<li><em>The Big Chill<\/em> (1983 &#8211; Lawrence Kasdan)<\/li>\n<li><em>The Natural<\/em> (1984 &#8211; Barry Levinson)<\/li>\n<li><em>Places in the Heart<\/em> (1984 &#8211; Robert Benton)<\/li>\n<li><em>Body Double<\/em> (1984 &#8211; Brian DePalma)<\/li>\n<li><em>The Flamingo Kid<\/em> (1984 &#8211; Garry Marshall)<\/li>\n<li><em>Beverly Hills Cop<\/em> (1984 &#8211; Martin Brest)<\/li>\n<li><em>The Karate Kid<\/em> (1984 &#8211; John G. Avildsen)<\/li>\n<li><em>Birdy<\/em> (1984 &#8211; Alan Parker)<\/li>\n<li><em>Mishima: A Life in Four Chapters<\/em> (1985 &#8211; Paul Schrader)<\/li>\n<li><em>The Goonies<\/em> (1985 &#8211; Richard Donner)<\/li>\n<li><em>Pee Wee&#8217;s Big Adventure<\/em> (1985 &#8211; Tim Burton)<\/li>\n<li><em>Lost in America<\/em> (1985 &#8211; Albert Brooks)<\/li>\n<li><em>Kiss of the Spider Woman<\/em> (1985 &#8211; Hector Babenco)<\/li>\n<li><em>Hoosiers<\/em> (1986 &#8211; David Anspaugh)<\/li>\n<li><em>Manhunter<\/em> (1986 &#8211; Michael Mann)<\/li>\n<li><em>Children of a Lesser God<\/em> (1986 &#8211; Randa Haines)<\/li>\n<li><em>Platoon<\/em> (1986 &#8211; Oliver Stone)<\/li>\n<li><em>Stand by Me<\/em> (1986 &#8211; Rob Reiner)<\/li>\n<li><em>Broadcast News<\/em> (1987 &#8211; James L. Brooks)<\/li>\n<li><em>Matewan<\/em> (1987 &#8211; John Sayles)<\/li>\n<li><em>Good Morning, Vietnam<\/em> (1987 &#8211; Barry Levinson)<\/li>\n<li><em>Fatal Attraction<\/em> (1987 &#8211; Adrian Lyne)<\/li>\n<li><em>Housekeeping<\/em> (1987 &#8211; Bill Forsythe)<\/li>\n<li><em>Swimming to Cambodia<\/em> (1987 &#8211; Jonathan Demme)<\/li>\n<li><em>Robocop<\/em> (1987 &#8211; Paul Verhoeven)<\/li>\n<li><em>Barfly<\/em> (1987 &#8211; Barbet Schroeder)<\/li>\n<li><em>The Naked Gun<\/em> (1988 &#8211; David Zucker)<\/li>\n<li><em>Midnight Run<\/em> (1988 &#8211; Martin Brest)<\/li>\n<li><em>Stand and Deliver<\/em> (1988 &#8211; Ram&oacute;n Men&eacute;ndez)<\/li>\n<li><em>Eight Men Out<\/em> (1988 &#8211; John Sayles)<\/li>\n<li><em>Heathers<\/em> (1988 &#8211; Michael Lehmann)<\/li>\n<li><em>Working Girl<\/em> (1988 &#8211; Mike Nichols)<\/li>\n<li><em>Dirty Rotten Scoundrels<\/em> (1988 &#8211; Frank Oz)<\/li>\n<li><em>Enemies: A Love Story<\/em> (1989 &#8211; Paul Mazursky)<\/li>\n<li><em>Biloxi Blues<\/em> (1989 &#8211; Mike Nichols)<\/li>\n<li><em>The Unbelievable Truth<\/em> (1989 &#8211; Hal Hartley)<\/li>\n<li><em>Drugstore Cowboy<\/em> (1989 &#8211; Gus Van Sant)<\/li>\n<li><em>Driving Miss Daisy<\/em> (1989 &#8211; Bruce Beresford)<\/li>\n<li><em>Born on the Fourth of July<\/em> (1989 &#8211; Oliver Stone)<\/li>\n<li><em>Texasville<\/em> (1990 &#8211; Peter Bogdanovich)<\/li>\n<li><em>Ghost<\/em> (1990 &#8211; Jerry Zucker)<\/li>\n<li><em>Reversal of Fortune<\/em> (1990 &#8211; Barbet Schroeder)<\/li>\n<li><em>Presumed Innocent<\/em> (1990 &#8211; Alan J. Pakula)<\/li>\n<li><em>The Grifters<\/em> (1990 &#8211; Stephen Frears)<\/li>\n<li><em>Jacob&#8217;s Ladder<\/em> (1990 &#8211; Adrian Lyne)<\/li>\n<li><em>King of New York<\/em> (1990 &#8211; Abel Ferrera)<\/li>\n<li><em>The Godfather Part III<\/em> (1990 &#8211; Francis Ford Coppola)<\/li>\n<li><em>Poison<\/em> (1990 &#8211; Todd Haynes)<\/li>\n<li><em>After Dark, My Sweet<\/em> (1990 &#8211; James Foley)<\/li>\n<li><em>Total Recall<\/em> (1990 &#8211; Paul Verhoeven)<\/li>\n<li><em>City Slickers<\/em> (1991 &#8211; Ron Underwood)<\/li>\n<li><em>My Own Private Idaho<\/em> (1991 &#8211; Gus Van Sant)\n<li><em>The Fisher King<\/em> (1991 &#8211; Terry Gilliam)<\/li>\n<li><em>Boyz in the Hood<\/em> (1991 &#8211; John Singleton)<\/li>\n<li><em>The Rapture<\/em> (1991 &#8211; Michael Tolkin)<\/li>\n<li><em>Twin Peaks: Fire Walk With Me<\/em> (1992 &#8211; David Lynch)<\/li>\n<li><em>Alien3<\/em> (1992 &#8211; David Fincher)<\/li>\n<li><em>Malcolm X<\/em> (1992 &#8211; Spike Lee)<\/li>\n<li><strike><em>Wayne&#8217;s World<\/em> (1992 &#8211; Penelope Spheeris)<\/strike><\/li>\n<li><em>Gas Food Lodging<\/em> (1992 &#8211; Allison Anders)<\/li>\n<li><em>Fishing with John<\/em> (1992 &#8211; John Lurie<\/li>\n<li><em>What&#8217;s Love Got to Do With It<\/em> (1993 &#8211; Brian Gibson)<\/li>\n<li><em>Ed Wood<\/em> (1994 &#8211; Tim Burton)<\/li>\n<li><strike><em>The Hudsucker Proxy<\/em> (1994 &#8211; Coen Brothers)<\/strike><\/li>\n<li><em>Reality Bites<\/em> (1994 &#8211; Ben Stiller)<\/li>\n<li><em>12 Monkeys<\/em> (1995 &#8211; Terry Gilliam)<\/li>\n<li><em>Safe<\/em> (1995 &#8211; Todd Haynes)<\/li>\n<li><em>Four Rooms<\/em> (1995 &#8211; Quentin Tarantino, Robert Rodriguez, Allison Anders, etc.)<\/li>\n<li><em>Smoke<\/em> (1995 &#8211; Wayne Wang, Paul Auster)<\/li>\n<li><em>Dead Man Walking<\/em> (1995 &#8211; Tim Robbins)<\/li>\n<li><em>Heat<\/em> (1995 &#8211; Michael Mann)<\/li>\n<li><em>The American President<\/em> (1995 &#8211; Rob Reiner)<\/li>\n<li><em>Big Night<\/em> (1996 &#8211; Campbell Scott &#038; Stanley Tucci)<\/li>\n<li><em>Lone Star<\/em> (1996 &#8211; John Sayles)<\/li>\n<li><em>The Apostle<\/em> (1997 &#8211; Robert Duvall)<\/li>\n<li><em>The Ice Storm<\/em> (1997 &#8211; Ang Lee)<\/li>\n<li><em>Gummo<\/em> (1997 &#8211; Harmony Korine)<\/li>\n<li><em>Contact<\/em> (1997 &#8211; Robert Zemeckis)<\/li>\n<li><em>Donnie Brasco<\/em> (1997 &#8211; Mike Newell)<\/li>\n<li><em>The Thin Red Line<\/em> (1998 &#8211; Terrence Malick)<\/li>\n<li><em>Buffalo 66<\/em> (1998 &#8211; Vincent Gallo)<\/li>\n<li><strike><em>Fear and Loathing in Las Vegas<\/em> (1998 &#8211; Terry Gilliam)<\/strike><\/li>\n<li><em>Affliction<\/em> (1998 &#8211; Paul Schrader)<\/li>\n<li><em>There&#8217;s Something About Mary<\/em> (1998 &#8211; Bobby &#038; Peter Farrelly)<\/li>\n<li><em>The Insider<\/em> (1999 &#8211; Michael Mann)<\/li>\n<li><em>Boys Don&#8217;t Cry<\/em> (1999 &#8211; Kimberly Peirce)<\/li>\n<li><em>Requiem for a Dream<\/em> (2000 &#8211; Darren Aronofsky)<\/li>\n<li><em>Before Night Falls<\/em> (2000 &#8211; Julian Schnabel)<\/li>\n<li><em>Meet the Parents<\/em> (2000 &#8211; Jay Roach)<\/li>\n<li><em>A Beautiful Mind<\/em> (2001 &#8211; Ron Howard)<\/li>\n<li><em>Series 7: The Contenders<\/em> (2001 &#8211; Daniel Minahan)<\/li>\n<li><em>Femme Fatale<\/em> (2002 &#8211; Brian DePalma)<\/li>\n<li><em>About Schmidt<\/em> (2002 &#8211; Alexander Payne)<\/li>\n<li><em>Hulk<\/em> (2003 &#8211; Ang Lee)<\/li>\n<li><em>The Ladykillers<\/em> (2004 &#8211; Coen Brothers)<\/li>\n<li><em>Hotel Rwanda<\/em> (2004 &#8211; Terry George)<\/li>\n<li><em>Ray<\/em> (2004 &#8211; Taylor Hackford)<\/li>\n<li><em>The Producers<\/em> (2005 &#8211; Susan Stroman)<\/li>\n<li><em>Old Joy<\/em> (2006 &#8211; Kelly Reichardt)<\/li>\n<li><em>Southland Tales<\/em> (2006 &#8211; Richard Kelly)<\/li>\n<li><em>Youth Without Youth<\/em> (2006 &#8211; Francis Ford Coppola)<\/li>\n<li><em>Apocalypto<\/em> (2006 &#8211; Mel Gibson)<\/li>\n<li><em>Special<\/em> (2006 &#8211; Hal Haberman, Jeremy Passmore)<\/li>\n<li><em>Chop Shop<\/em> (2007 &#8211; Ramin Bahrani)<\/li>\n<li><em>The Nines<\/em> (2007 &#8211; John August)<\/li>\n<li><em>Lust, Caution<\/em> (2007 &#8211; Ang Lee)<\/li>\n<li><em>Surveillance<\/em> (2007 &#8211; Jennifer Chambers Lynch)<\/li>\n<li><em>The Wrestler<\/em> (2008 &#8211; Darren Aronofsky)<\/li>\n<li><em>New York, I Love You<\/em> (2008 &#8211; various)<\/li>\n<li><em>The Pleasure of Being Robbed<\/em> (2008 &#8211; Joshua Safdie)<\/li>\n<li><em>Taking Woodstock<\/em> (2009 &#8211; Ang Lee)<\/li>\n<li><em>Tetro<\/em> (2009 &#8211; Francis Ford Coppola)<\/li>\n<li><em>Crank 2: High Voltage<\/em> (2009 &#8211; Mark Neveldine, Brian Taylor)<\/li>\n<li><em>Bitch Slap<\/em> (2009 &#8211; Rick Jacobson)<\/li>\n<li><em>The Vicious Kind<\/em> (2009 &#8211; Lee Toland Krieger)<\/li>\n<li><em>Gamer<\/em> (2009 &#8211; Mark Neveldine, Brian Taylor)<\/li>\n<li><em>The Fighter<\/em> (2010 &#8211; David O. Russell)<\/li>\n<li><em>Tangled<\/em> (2010 &#8211; Nathan Greno, Byron Howard)<\/li>\n<li><em>Frozen<\/em> (2010 &#8211; Adam Green)<\/li>\n<li><em>The Taqwacores<\/em> (2010 &#8211; Eyad Zahra)<\/li>\n<li><em>Operation: Endgame<\/em> (2010 &#8211; Fouad Mikati)<\/li>\n<li><em>Welcome to the Rileys<\/em> (2010 &#8211; Jake Scott)<\/li>\n<li><em>Twixt<\/em> (2011 &#8211; Francis Ford Coppola)<\/li>\n<\/ul>\n<h3>United Kingdom\/Ireland<\/h3>\n<h4>Michael Powell &#038; Emeric Pressburger<\/h4>\n<ul>\n<li><em>Contraband<\/em> (1940)<\/li>\n<li><em>49th Parallel<\/em> (1941)<\/li>\n<li><em>One of Our Aircraft is Missing<\/em> (1942)<\/li>\n<li><b><em>The Life and Death of Colonel Blimp<\/em><\/b> (1943)<\/li>\n<li><b><em>A Canterbury Tale<\/em><\/b> (1944)<\/li>\n<li><em>The Small Back Room<\/em> (1949)<\/li>\n<li><em>The Elusive Pimpernel<\/em> (1950)<\/li>\n<li><em>Gone to Earth<\/em> (1950)<\/li>\n<li><em>The Tales of Hoffmann<\/em> (1951)<\/li>\n<li><em>Oh&#8230; Rosalinda!!<\/em> (1955)<\/li>\n<li><em>The Battle of the River Plate<\/em> (1956)<\/li>\n<li><em>Ill Met by Moonlight<\/em> (1957)<\/li>\n<li><em>They&#8217;re a Weird Mob<\/em> (1966)<\/li>\n<li><em>The Boy Who Turned Yellow<\/em> (1972)<\/li>\n<\/ul>\n<h4>David Lean<\/h4>\n<ul>\n<li><em>In Which We Serve<\/em> (1942)<\/li>\n<li><em>This Happy Breed<\/em> (1944)<\/li>\n<li><b><em>Great Expectations<\/em><\/b> (1946)<\/li>\n<li><b><em>Oliver Twist<\/em><\/b> (1948)<\/li>\n<li><em>One Woman&#8217;s Story<\/em> (1949)<\/li>\n<li><em>Madeleine<\/em> (1950)<\/li>\n<li><em>Breaking the Sound Barrier<\/em> (1952)<\/li>\n<li><em>Hobson&#8217;s Choice<\/em> (1954)<\/li>\n<li><em>Ryan&#8217;s Daughter<\/em> (1970)<\/li>\n<li><b><em>A Passage to India<\/em><\/b> (1984)<\/li>\n<\/ul>\n<h4>Hammer Horror<\/h4>\n<ul>\n<li><em>The Quatermass Xperiment<\/em> (1955 &#8211; Val Guest)<\/li>\n<li><em>Quatermass 2<\/em> (1957 &#8211; Val Guest)<\/li>\n<li><em>X the Unknown<\/em> (1956 &#8211; Leslie Norman)<\/li>\n<li><em>The Curse of Frankenstein<\/em> (1957 &#8211; Terence Fisher)<\/li>\n<li><em>The Mummy<\/em> (1959 &#8211; Terence Fisher)<\/li>\n<li><em>The Brides of Dracula<\/em> (1960 &#8211; Terence Fisher)<\/li>\n<li><em>The Evil of Frankenstein<\/em> (1964 &#8211; Freddie Francis)<\/li>\n<li><em>The Curse of the Mummy&#8217;s Tomb<\/em> (1964 &#8211; Michael Carreras)<\/li>\n<li><em>The Mummy&#8217;s Shroud<\/em> (1966 &#8211; John Gilling)<\/li>\n<li><em>Dracula: Prince of Darkness<\/em> (1966 &#8211; Terence Fisher)<\/li>\n<li><em>Frankenstein Created Woman<\/em> (1967 &#8211; Terence Fisher)<\/li>\n<li><em>Dracula Has Risen from the Grave<\/em> (1968 &#8211; Freddie Francis)<\/li>\n<li><em>Taste the Blood of Dracula<\/em> (1969 &#8211; Peter Sasdy)<\/li>\n<li><em>Frankenstein Must Be Destroyed<\/em> (1969 &#8211; Terence Fisher)<\/li>\n<li><em>The Horror of Frankenstein<\/em> (1970 &#8211; Jimmy Sangster)<\/li>\n<li><em>Scars of Dracula<\/em> (1970 &#8211; Roy Ward Baker)<\/li>\n<li><em>Blood from the Mummy&#8217;s Tomb<\/em> (1971 &#8211; Seth Holt)<\/li>\n<li><em>Dracula AD 1972<\/em> (1972 &#8211; Alan Gibson)<\/li>\n<li><em>The Satanic Rites of Dracula<\/em> (1973 &#8211; Alan Gibson)<\/li>\n<li><em>The Legend of the 7 Golden Vampires<\/em> (1974 &#8211; Roy Ward Baker, Chang Cheh)<\/li>\n<li><em>Frankenstein and the Monster from Hell<\/em> (1974)<\/li>\n<\/ul>\n<h4>British New Wave<\/h4>\n<ul>\n<li><em>Room at the Top<\/em> (1959 &#8211; Jack Clayton)<\/li>\n<li><em>Look Back in Anger<\/em> (1959 &#8211; Tony Richardson)<\/li>\n<li><em>Saturday Night and Sunday Morning<\/em> (1960 &#8211; Karel Reisz)<\/li>\n<li><em>Hell is a City<\/em> (1960 &#8211; Val Guest)<\/li>\n<li><em>The Entertainer<\/em> (1960 &#8211; Tony Richardson)<\/li>\n<li><em>A Taste of Honey<\/em> (1961 &#8211; Tony Richardson)<\/li>\n<li><em>A Kind of Loving<\/em> (1962 &#8211; John Schlesinger)<\/li>\n<li><em>The Loneliness of the Long Distance Runner<\/em> (1962 &#8211; Tony Richardson)<\/li>\n<li><em>Billy Liar<\/em> (1963 &#8211; John Schlesinger)<\/li>\n<li><em>This Sporting Life<\/em> (1963 &#8211; Lindsay Anderson)<\/li>\n<li><em>What&#8217;s New Pussycat?<\/em> (1965 &#8211; Clive Donner)<\/li>\n<li><em>Darling<\/em> (1965 &#8211; John Schlesinger)<\/li>\n<li><em>The Knack&#8230;and How to Get It<\/em> (1965 &#8211; Richard Lester)<\/li>\n<li><em>If&#8230;<\/em> (1968 &#8211; Lindsay Anderson)<\/li>\n<li><em>Kes<\/em> (1969 &#8211; Ken Loach)<\/li>\n<\/ul>\n<h4>Stanley Kubrick<\/h4>\n<ul>\n<li><em>Fear and Desire<\/em> (1953)<\/li>\n<li><em>Killer&#8217;s Kiss<\/em> (1955)<\/li>\n<li><em>Lolita<\/em> (1962)<\/li>\n<li><b><em>Barry Lyndon<\/em><\/b> (1975)<\/li>\n<li><em>Full Metal Jacket<\/em> (1987)<\/li>\n<li><b><em>Eyes Wide Shut<\/em><\/b> (1999)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>Went the Day Well?<\/em> (1943 &#8211; Albert Cavalcanti)<\/li>\n<li><em>The Man in Grey<\/em> (1943 &#8211; Leslie Arliss)<\/li>\n<li><em>Odd Man Out<\/em> (1947 &#8211; Carol Reed)<\/li>\n<li><em>Whisky Galore!<\/em> (1949 &#8211; Alexander Mackendrick)<\/li>\n<li><em>The Man in the White Suit<\/em> (1951 &#8211; Alexander Mackendrick)<\/li>\n<li><em>Pandora and the Flying Dutchman<\/em> (1951 &#8211; Albert Lewin)<\/li>\n<li><em>Cry, the Beloved Country<\/em> (1952 &#8211; Zoltan Korda)<\/li>\n<li><em>Animal Farm<\/em> (1954 &#8211; Joy Batchelor, John Halas)<\/li>\n<li><em>Genevieve<\/em> (1954 &#8211; Henry Cornelius)<\/li>\n<li><em>Night of the Demon<\/em> (1957 &#8211; Jacques Tourneur)<\/li>\n<li><em>A Night to Remember<\/em> (1958 &#8211; Roy Ward Baker)<\/li>\n<li><em>Carve Her Name With Pride<\/em> (1958 &#8211; Lewis Gilbert)<\/li>\n<li><em>The Angry Silence<\/em> (1960 &#8211; Guy Green)<\/li>\n<li><em>The Entertainer<\/em> (1960 &#8211; Tony Richardson)<\/li>\n<li><em>The Servant<\/em> (1963 &#8211; Joseph Losey)<\/li>\n<li><em>The War Game<\/em> (1965 &#8211; Peter Watkins)<\/li>\n<li><em>Georgy Girl<\/em> (1966 &#8211; Silvio Narizzano)<\/li>\n<li><em>Far from the Madding Crowd<\/em> (1967 &#8211; John Schlesinger)<\/li>\n<li><em>Petulia<\/em> (1968 &#8211; Richard Lester)<\/li>\n<li><em>The Bed Sitting Room<\/em> (1969 &#8211; Richard Lester)<\/li>\n<li><em>Women in Love<\/em> (1969 &#8211; Ken Russell)<\/li>\n<li><em>The Italian Job<\/em> (1969 &#8211; Peter Collinson)<\/li>\n<li><em>Performance<\/em> (1970 &#8211; Nicolas Roeg)<\/li>\n<li><em>Deep End<\/em> (1970 &#8211; Jerzy Skolimowski)<\/li>\n<li><em>Sunday Bloody Sunday<\/em> (1971 &#8211; John Schlesinger<\/li>\n<li><em>The Go-Between<\/em> (1971 &#8211; Joseph Losey)<\/li>\n<li><em>The Devils<\/em> (1971 &#8211; Ken Russell)<\/li>\n<li><em>Get Carter<\/em> (1971 &#8211; Mike Hodges)<\/li>\n<li><em>Walkabout<\/em> (1971 &#8211; Nicolas Roeg)<\/li>\n<li><em>O Lucky Man!<\/em> (1973 &#8211; Lindsay Anderson)<\/li>\n<li><em>Sebastiane<\/em> (1976 &#8211; Derek Jarman)<\/li>\n<li><em>The Man Who Fell to Earth<\/em> (1976 &#8211; Nicolas Roeg)<\/li>\n<li><em>Providence<\/em> (1977 &#8211; Alain Resnais)<\/li>\n<li><em>The Long Good Friday<\/em> (1979 &#8211; John Mackenzie)<\/li>\n<li><em>Breaking Glass<\/em> (1980 &#8211; Brian Gibson)<\/li>\n<li><em>Gregory&#8217;s Girl<\/em> (1981 &#8211; Bill Forsyth)<\/li>\n<li><em>The Dresser<\/em> (1983 &#8211; Peter Yates)<\/li>\n<li><em>Local Hero<\/em> (1982 &#8211; Bill Forsyth)<\/li>\n<li><em>The Killing Fields<\/em> (1984 &#8211; Roland Joff&eacute;)<\/li>\n<li><em>Dance with a Stranger<\/em> (1985 &#8211; Mike Newell)<\/li>\n<li><em>Caravaggio<\/em> (1986 &#8211; Derek Jarman)<\/li>\n<li><em>Sid &#038; Nancy<\/em> (1986 &#8211; Alex Cox)<\/li>\n<li><em>My Beautiful Laundrette<\/em> (1986 &#8211; Stephen Frears)<\/li>\n<li><em>Distant Voices, Still Lives<\/em> (1988 UK, Terence Davies)<\/li>\n<li><em>My Left Foot<\/em> (1989 &#8211; Jim Sheridan)<\/li>\n<li><em>Trust<\/em> (1990 &#8211; Hal Hartley)<\/li>\n<li><em>Drowning by Numbers<\/em> (1991 &#8211; Peter Greenaway)<\/li>\n<li><em>The Long Day Closes<\/em> >(1992 &#8211; Terence Davies)<\/li>\n<li><em>Shallow Grave<\/em> (1994 &#8211; Danny Boyle)<\/li>\n<li><em>The Last Seduction<\/em> (1994 &#8211; John Dahl)<\/li>\n<li><em>Secrets &#038; Lies<\/em> (1996 &#8211; Mike Leigh)<\/li>\n<li><em>The Butcher Boy<\/em> (1998 &#8211; Neil Jordan)<\/li>\n<li><em>The General<\/em> (1998 &#8211; John Boorman)<\/li>\n<li><em>Ratcatcher<\/em> (1999 &#8211; Lynne Ramsay)<\/li>\n<li><em>The Beach<\/em> (2000 &#8211; Danny Boyle)<\/li>\n<li><em>Beautiful People<\/em> (2000 &#8211; Jasmin Dizdar)<\/li>\n<li><em>La Commune (Paris, 1871)<\/em> (2000 &#8211; Peter Watkins)<\/li>\n<li><em>Morvern Callar<\/em> (2002 &#8211; Lynne Ramsay)<\/li>\n<li><em>Bloody Sunday<\/em> (2002 &#8211; Paul Greengrass)<\/li>\n<li><em>Revolver<\/em> (2005 &#8211; Guy Ritchie)<\/li>\n<li><em>The Wind That Shakes the Barley<\/em> (2006 &#8211; Ken Loach)<\/li>\n<li><em>Bronson<\/em> (2008 &#8211; Nicholas Winding Refn)<\/li>\n<li><em>Exam<\/em> (2008 &#8211; Stuart Hazeldine)<\/li>\n<li><em>Down Terrace<\/em> (2009 &#8211; Ben Wheately)<\/li>\n<li><em>Ondine<\/em> (2009 &#8211; Neil Jordan)<\/li>\n<li><em>The Disappearance of Alice Creed<\/em> (2009 &#8211; J Blakeson)<\/li>\n<li><em>Unmade Beds<\/em> (2009 &#8211; Alexis Dos Santos)<\/li>\n<li><em>127 Hours<\/em> (2010 &#8211; Danny Boyle)<\/li>\n<li><em>Wild Target<\/em> (2010 &#8211; Jonathan Lynn)<\/li>\n<li><em>Ironclad<\/em> (2011 &#8211; Jonathan English)<\/li>\n<li><em>Trance<\/em> (2013 &#8211; Danny Boyle)<\/li>\n<\/ul>\n<h3>Canada<\/h3>\n<h4>English-Language<\/h4>\n<ul>\n<li><em>The Hart of London<\/em> (1970 &#8211; Jack Chambers)<\/li>\n<li><em>Tales from the Gimli Hospital<\/em> (1989 &#8211; Guy Maddin)<\/li>\n<li><em>Archangel<\/em> (1990 &#8211; Guy Maddin)\n<li><em>The Adjuster<\/em> (1991 &#8211; Atom Egoyan)<\/li>\n<li><em>Black Robe<\/em> (1991 &#8211; Bruce Beresford)<\/li>\n<li><em>Thirty-Two Short Films About Glenn Gould<\/em> (1993 &#8211; Fran&ccedil;ois Girard)<\/li>\n<li><em>Twilight of the Ice Nymphs<\/em> (1997 &#8211; Guy Maddin)<\/li>\n<li><em>The Sweet Hereafter<\/em> (1997 &#8211; Atom Egoyan)<\/li>\n<li><em>Ararat<\/em> (2002 &#8211; Atom Egoyan)<\/li>\n<li><em>The Saddest Music in the World<\/em> (2003 &#8211; Guy Maddin)<\/li>\n<li><em>Pontypool<\/em> (2008 &#8211; Bruce McDonald)<\/li>\n<li><em>Adoration<\/em> (2009 &#8211; Atom Egoyan)<\/li>\n<li><em>Chloe<\/em> (2009 &#8211; Atom Egoyan)<\/li>\n<li><em>This Movie is Broken<\/em> (2010 &#8211; Bruce McDonald)<\/li>\n<li><em>Trigger<\/em> (2010 &#8211; Bruce McDonald)<\/li>\n<li><em>Hobo with a Shotgun<\/em> (2011 &#8211; Jason Eisener)<\/li>\n<\/ul>\n<h4>David Cronenberg<\/h4>\n<p>(selected)<\/p>\n<ul>\n<li><em>The Brood<\/em> (1979)<\/li>\n<li><em>Scanners<\/em> (1981)<\/li>\n<li><em>Videodrome<\/em> (1983)<\/li>\n<li><em>The Dead Zone<\/em> (1983)<\/li>\n<li><em>The Fly<\/em> (1986)<\/li>\n<li><em>Dead Ringers<\/em> (1988)<\/li>\n<li><em>Crash<\/em> (1996)<\/li>\n<\/ul>\n<h4>Quebecois<\/h4>\n<ul>\n<li><em>The Decline of the American Empire<\/em> (1986 &#8211; Denys Arcand)<\/li>\n<li><em>Jesus of Montreal<\/em> (1989 &#8211; Denys Arcand)<\/li>\n<li><em>L&eacote;olo<\/em> (1992 &#8211; Jean-Claude Lauzon)<\/li>\n<li><em>Maelstrom<\/em> (2000 &#8211; Denis Villeneuve)<\/li>\n<li><em>The Barbarian Invasions<\/em> (2003 &#8211; Denys Arcand)<\/li>\n<li><em>The Age of Innocence<\/em> (2007 &#8211; Denys Arcand)<\/li>\n<li><em>Polytechnique<\/em> (2009 &#8211; Denis Villaneuve)<\/li>\n<li><em>Incendies<\/em> (2010 &#8211; Denis Villaneuve)<\/li>\n<\/ul>\n<h4>Others<\/h4>\n<ul>\n<li><em>The Fast Runner (Atanarjuat)<\/em> (2002 &#8211; Zacharias Kunuk)\n<\/ul>\n<h3>Australia \/ New Zealand<\/h3>\n<ul>\n<li><em>The Cars That Ate Paris<\/em> (1974 &#8211; Peter Weir)<\/li>\n<li><em>The Man from Hong Kong<\/em> (1975 &#8211; Brian Trenchard-Smith)<\/li>\n<li><em>Sunday Too Far Away<\/em> (1975 &#8211; Ken Hannam)<\/li>\n<li><em>The Last Wave<\/em> (1977 &#8211; Peter Weir)<\/li>\n<li><em>The Chant of Jimmie Blacksmith<\/em> (1978 &#8211; Fred Schepisi)<\/li>\n<li><em>My Brilliant Career<\/em> (1978 &#8211; Gillian Armstrong)<\/li>\n<li><em>Newsfront<\/em> (1978 &#8211; Phillip Noyce)<\/li>\n<li><em>Mad Max<\/em> (1979 &#8211; George Miller)<\/li>\n<li><em>Breaker Morant<\/em> (1980 &#8211; Bruce Beresford)<\/li>\n<li><em>Escape 2000<\/em> (1982 &#8211; Brian Trenchard-Smith)<\/li>\n<li><em>The Year of Living Dangerously<\/em> (1983 &#8211; Peter Weir)<\/li>\n<li><em>Utu<\/em> (1984 &#8211; Geoff Murphy)<\/li>\n<li><em>Razorback<\/em> (1984 &#8211; Russell Mulcahy)<\/li>\n<li><em>Mad Max Beyond Thunderdome<\/em> (1985 &#8211; George Miller, George Ogilvie)<\/li>\n<li><em>The Quiet Earth<\/em> (1985 &#8211; Geoff Murphy)<\/li>\n<li><em>Dead End Drive-in<\/em> (1986 &#8211; Brian Trenchard-Smith)<\/li>\n<li><em>Crocodile Dundee<\/em> (1986 &#8211; Peter Faiman)<\/li>\n<li><em>The Year My Voice Broke<\/em> (1987 &#8211; John Duigan)<\/li>\n<li><em>Crocodile Dundee II<\/em> (1988 &#8211; John Cornell)<\/li>\n<li><em>Meet the Feebles<\/em> (1989 &#8211; Peter Jackson)<\/li>\n<li><em>The Cook, The Thief, His Wife, and Her Lover<\/em> (1989 &#8211; Peter Greenaway)<\/li>\n<li><em>An Angel at My Table<\/em> (1990 &#8211; Jane Campion)<\/li>\n<li><em>The Last Days of Chez Nous<\/em> (1991 &#8211; Gillian Armstrong)<\/li>\n<li><em>Romper Stomper<\/em> (1992 &#8211; Geoffrey Wright)<\/li>\n<li><em>Muriel&#8217;s Wedding<\/em> (1994 &#8211; P.J. Hogan)<\/li>\n<li><em>Shine<\/em> (1996 &#8211; Scott Hicks)<\/li>\n<li><em>Mary and Max<\/em> (2009 &#8211; Adam Elliot)<\/li>\n<li><em>The Hobbit<\/em> (2012\/2013 &#8211; Peter Jackson)<\/li>\n<\/ul>\n<h3>Avant-Garde and Experimental<\/h3>\n<ul>\n<li><em>M&eacute;nilmontant<\/em> (1926 &#8211; Dimitri Kirsanoff)<\/li>\n<li><em>Fireworks<\/em> (1947 &#8211; Kenneth Anger)<\/li>\n<li><em>Dog Star Man<\/em> (1962 &#8211; Stan Brakhage)<\/li>\n<li><em>Heaven and Earth Magic<\/em> (1962 &#8211; Harry Smith)<\/li>\n<li><em>Blonde Cobra<\/em> (1963 &#8211; Ken Jacobs)<\/li>\n<li><em>Scorpio Rising<\/em> (1963 &#8211; Kenneth Anger)<\/li>\n<li><em>Flaming Creatures<\/em> (1963 &#8211; Jack Smith)<\/li>\n<li><em>The Art of Vision<\/em> (1964 &#8211; Stan Brakhage)<\/li>\n<li><em>Face<\/em> (1965 &#8211; Andy Warhol)<\/li>\n<li><em>Vinyl<\/em> (1965 &#8211; Andy Warhol)<\/li>\n<li><em>Hold Me While I&#8217;m Naked<\/em> (1966 &#8211; George Kuchar)<\/li>\n<li><em>Report<\/em> (1967 &#8211; Bruce Connor)<\/li>\n<li><em>Wavelength<\/em> (1967 &#8211; Michael Snow)<\/li>\n<li><em>Chelsea Girls<\/em> (1967 &#8211; Andy Warhol)<\/li>\n<li><em>Flesh<\/em> (1968-69 &#8211; Andy Warhol)<\/li>\n<li><em>Tom, Tom the Piper&#8217;s Son<\/em> (1969 &#8211; Ken Jacobs)<\/li>\n<li><em>Trash<\/em> (1969-70 &#8211; Andy Warhol)<\/li>\n<li><em>Zorn&#8217;s Lemma<\/em> (1970 &#8211; Hollis Frampton)<\/li>\n<li><em>Le r&eacute;gion centrale<\/em> (1971 &#8211; Michael Snow)<\/li>\n<li><em>Too Early, Too Late<\/em> (1982 &#8211; Dani&egrave;le Huillet, Jean-Marie Straub)<\/li>\n<li><em>Sans soleil<\/em> (1983 &#8211; Chris Marker)<\/li>\n<\/ul>\n<h3>Documentary<\/h3>\n<ul>\n<li><em>Moana<\/em> (1925 &#8211; Robert Flaherty)<\/li>\n<li><em>Man of Aran<\/em> (1934 &#8211; Robert Flaherty)<\/li>\n<li><em>Listen to Britain<\/em> (1942 &#8211; Humphrey Jennings)<\/li>\n<li><em>Fires Were Started<\/em> (1943 &#8211; Humphrey Jennings)<\/li>\n<li><em>A Diary for Timothy<\/em> (1945 &#8211; Humphrey Jennings)<\/li>\n<li><em>Louisiana Story<\/em> (1948 &#8211; Robert Flaherty)<\/li>\n<li><em>The Conquest of Everest<\/em> (1953 &#8211; George Lowe)<\/li>\n<li><em>The Mad Masters<\/em> (1955 &#8211; Jean Rouch)<\/li>\n<li><em>Jazz on a Summer&#8217;s Day<\/em> (1960 &#8211; Bert Stern)<\/li>\n<li><em>Chronicle of a Summer<\/em> (1961 &#8211; Edgar Morin, Jean Rouch)<\/li>\n<li><em>Mondo Cane<\/em> (1962 &#8211; Paolo Cavara &#038; Gualtiero Jacopetti)<\/li>\n<li><em>M&eacute;diterran&eacute;e<\/em> (1963 &#8211; Jean-Daniel Pollet, Volker Schl&ouml;ndorff)<\/li>\n<li><em>Don&#8217;t Look Back<\/em> (1967 &#8211; D.A. Pennebaker)<\/li>\n<li><em>Titicut Follies<\/em> (1967 &#8211; Frederick Wiseman)<\/li>\n<li><em>High School<\/em> (1968 &#8211; Frederick Wiseman)<\/li>\n<li><em>Salesman<\/em> (1968 &#8211; Albert &#038; David Maysles &#038; Charlotte Zwerin)<\/li>\n<li><em>In the Year of the Pig<\/em> (1968 &#8211; Emile de Antonio)<\/li>\n<li><em>Gimme Shelter<\/em> (1970 &#8211; David &#038; Albert Maysles &#038; Charlotte Zwerin)<\/li>\n<li><em>The Sorrow and the Pity<\/em> (1971 &#8211; Marcel Oph&uuml;ls)<\/li>\n<li><em>Grey Gardens<\/em> (1975 &#8211; David &#038; Albert Maysles, Ellen Hovde, Muffie Meyer)<\/li>\n<li><em>Led Zeppelin: The Song Remains the Same<\/em> (1976 &#8211; Joe Massot, Peter Clifton)<\/li>\n<li><em>The Times of Harvey Milk<\/em> (1984 &#8211; Rob Epstein)<\/li>\n<li><em>Shoah<\/em> (1985 &#8211; Claude Lanzmann)<\/li>\n<li><em>Sherman&#8217;s March<\/em> (1986 &#8211; Ross McElwee)<\/li>\n<li><em>The Thin Blue Line<\/em> (1988 &#8211; Errol Morris)<\/li>\n<li><em>Hotel Terminus: The Life and Times of Klaus Barbi<\/em> (1988 &#8211; Marcel Oph&uuml;ls)<\/li>\n<li><em>A Tale of the Wind<\/em> (aka <em>A History of Wind<\/em>) (1988 &#8211; Joris Ivens)<\/li>\n<li><em>Roger and Me<\/em> (1989 &#8211; Michael Moore)<\/li>\n<li><em>Tongues Untied<\/em> (1989 &#8211; Marlon Riggs)<\/li>\n<li><em>Hearts of Darkness: A Filmmaker&#8217;s Apocalypse<\/em> (1991 &#8211; Fax Bahr, Eleanor Coppola, George Hickenlooper)<\/li>\n<li><em>A Brief History of Time<\/em> (1992 &#8211; Errol Morris)<\/li>\n<li><em>Aileen Wuomos: The Selling of a Serial Killer<\/em> (1992 &#8211; Nick Broomfield)<\/li>\n<li><em>Brother&#8217;s Keeper<\/em> (1992 &#8211; Joe Berlinger &#038; Bruce Sinofsky)<\/li>\n<li><em>Hoop Dreams<\/em> (1994 &#8211; Steve James)<\/li>\n<li><em>Crumb<\/em> (1994 &#8211; Terry Zwigoff)<\/li>\n<li><em>Deseret<\/em> (1995 &#8211; James Benning)<\/li>\n<li><em>Fast, Cheap and Out of Control<\/em> (1997 &#8211; Errol Morris)<\/li>\n<li><em>Wild Man Blues<\/em> (1997 &#8211; Barbara Kopple)<\/li>\n<li><em>American Movie<\/em> (1999 &#8211; Chris Smith)<\/li>\n<li><em>Ken Burns: Jazz<\/em> (2001 &#8211; Ken Burns)<\/li>\n<li><em>Lost in La Mancha<\/em> (2002 &#8211; Keith Fulton, Louis Pepe)<\/li>\n<li><em>To Be and to Have<\/em> (2002 &#8211; Nicolas Philibert)<\/li>\n<li><em>Fahrenheit 9\/11<\/em> (2004 &#8211; Michael Moore)<\/li>\n<li><em>Kill Your Idols<\/em> (2004 &#8211; Scott Crary)<\/li>\n<li><em>Iran: A Cinematographic Revolution<\/em> (2007 &#8211; Nader T. Homayoun)<\/li>\n<li><em>Helvetica<\/em> (2007 &#8211; Gary Hustwit)<\/li>\n<li><em>The Rape of Europa<\/em> (2007 &#8211; Richard Berge, Nicole Newnham)<\/li>\n<li><em>The September Issue<\/em> (2008 &#8211; R.J. Cutler)<\/li>\n<li><em>Anvil! The Story of Anvil<\/em> (2008 &#8211; Sacha Gervasi)<\/li>\n<li><em>Man on Wire<\/em> (2008 &#8211; James Marsh)<\/li>\n<li><em>Harlan: In the Shadow of Jew S&uuml;ss<\/em> (2008 &#8211; Felix Moeller)<\/li>\n<li><em>Dear Zachary<\/em> (2008 &#8211; Kurt Kuenne)<\/li>\n<li><em>We Live in Public<\/em> (2008 &#8211; Ondi Timoner)<\/li>\n<li><em>Nollywood Babylon<\/em> (2008 &#8211; Ben Addelman, Samir Mallal)<\/li>\n<li><em>Double Take<\/em> (2009 &#8211; Johan Grimonprez)<\/li>\n<li><em>Collapse<\/em> (2009 &#8211; Chris Smith)<\/li>\n<li><em>Art &#038; Copy<\/em> (2009 &#8211; Doug Pray)<\/li>\n<li><em>The Cove<\/em> (2009 &#8211; Louie Psihoyos)<\/li>\n<li><em>The Art of the Steal<\/em> (2009 &#8211; Don Argott)<\/li>\n<li><em>Icons Among Us<\/em> (2009 &#8211; Lars Larson, Michael Rivoira)<\/li>\n<li><em>Afghan Star<\/em> (2009 &#8211; Havana Marking)<\/li>\n<li><em>Waste Land<\/em> (2010 &#8211; Lucy Walker, Karen Harley)<\/li>\n<li><em>A Film Unfinished<\/em> (2010 &#8211; Yael Hersonski)<\/li>\n<li><em>Two in the Wave<\/em> (2010 &#8211; Emmanuel Laurent)<\/li>\n<li><em>American Grindhouse<\/em> (2010 &#8211; Elijah Drenner)<\/li>\n<li><em>Joan Rivers: A Piece of Work<\/em> (2010 &#8211; Ricki Stern, Annie Sundberg)<\/li>\n<li><em>Marwencol<\/em> (2010 &#8211; Jeff Malmberg)<\/li>\n<li><em>Restrepo<\/em> (2010 &#8211; Tim Hetherington, Sebastian Junger)<\/li>\n<\/ul>\n<h3>Television<\/h3>\n<h4>Science Fiction<\/h4>\n<ul>\n<li><em>The Twilight Zone<\/em> (1959-1963)<\/li>\n<li><em>Star Trek<\/em> (1966-1968)<\/li>\n<li><em>Spider-Man<\/em> (1967)<\/li>\n<li><em>Battlestar Galactica<\/em> (1978)<\/li>\n<li><em>Star Trek: The Next Generation<\/em> (1987-1993)<\/li>\n<li><em>Star Trek: Deep Space Nine<\/em> (1993-1998)<\/li>\n<li><em>The X-Files<\/em> (1993-2001)<\/li>\n<li><em>Stargate SG-1<\/em> (1997-2006)<\/li>\n<li><em>Roswell<\/em> (1999-2001)<\/li>\n<li><em>Farscape<\/em> (1999-2002)<\/li>\n<li><em>Star Trek: Enterprise<\/em> (2001-2004)<\/li>\n<li><em>Eureka<\/em> (2006-2010)<\/li>\n<li><em>The Dresden Files<\/em> (2007)<\/li>\n<li><em>The Event<\/em> (2011)<\/li>\n<\/ul>\n<h4>Drama<\/h4>\n<ul>\n<li><em>Alfred Hitchcock Presents<\/em> (1955-1959)<\/li>\n<li><em>Mission: Impossible<\/em> (1966-1972)<\/li>\n<li><em>The Adventures of Young Indiana Jones<\/em> (1992-1993)<\/li>\n<li><em>MI-5<\/em> (2002-2010)<\/li>\n<li><em>Nip\/Tuck<\/em> (2003-2009)<\/li>\n<li><em>Friday Night Lights<\/em> (2006-2010)<\/li>\n<li><em>Jekyll<\/em> (2007)<\/li>\n<li><em>Mad Men<\/em> (2007-current)<\/li>\n<li><em>The Tudors<\/em> (2007-2010)<\/li>\n<li><em>Burn Notice<\/em> (2007-current)<\/li>\n<li><em>Sherlock<\/em> (2010)<\/li>\n<\/ul>\n<h4>Comedy<\/h4>\n<ul>\n<li><em>Rocky &#038; Bullwinkle<\/em> (1959-1963)<\/li>\n<li><em>The Andy Griffith Show<\/em> (1960-1967)<\/li>\n<li><em>The Pink Panther Classic Cartoon Collection<\/em> (1969)<\/li>\n<li><em>Fawlty Towers<\/em> (1975)<\/li>\n<li><em>The Wonder Years<\/em> (1988-1992)<\/li>\n<li><em>A Bit of Fry and Laurie<\/em> (1989-1995)<\/li>\n<li><em>Ally McBeal<\/em> (1997-2001)<\/li>\n<li><em>Futurama<\/em> (1999-2009)<\/li>\n<li><em>Weeds<\/em> (2005-current)<\/li>\n<li><em>Hyperdrive<\/em> (2006-2007)<\/li>\n<li><em>My Name is Earl<\/em> (2006-2008)<\/li>\n<li><em>The IT Crowd<\/em> (2006-2010)<\/li>\n<li><em>Psych<\/em> (2006-current)<\/li>\n<li><em>The Guild<\/em> (2007-current)<\/li>\n<\/ul>\n<h4>Fantasy<\/h4>\n<ul>\n<li><em>Xena: Warrior Princess<\/em> (1995-2000)<\/li>\n<li><em>Tin Man<\/em> (2007)<\/li>\n<li><em>Camelot<\/em> (2011)<\/li>\n<li><em>The Cape<\/em> (2011)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Rewatch List October (1928 &#8211; Sergei Eisenstein) The Invisible Man (1933 &#8211; James Whale) The Kennel Murder Case (1933 &#8211; Michael Curtiz) The Lady Vanishes (1938 &#8211; Alfred Hitchcock) The Rules of the Game (1939 &#8211; Jean Renoir) Black Narcissus (1947 &#8211; Powell &#038; Pressburger) The Wages of Fear (1953 &#8211; Henri-Georges Clouzot) Pickup on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":20522,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20522,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/","url_meta":{"origin":20582,"position":0},"title":"Films to Watch","author":"Jandy","date":"April 24, 2011","format":false,"excerpt":"On this page I'll list the films I have highest on my personal to-watch lists. Not everything on those lists, mind you, since I have thousands of films I'm hoping to watch at some point in the future. But I'll keep a running list of the ones I'm intending to\u2026","rel":"","context":"With 2 comments","block_context":{"text":"With 2 comments","link":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28668,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/time-magazines-all-time-100-movies\/","url_meta":{"origin":20582,"position":1},"title":"Time Magazine&#8217;s All-Time 100 Movies","author":"Jandy","date":"October 10, 2011","format":false,"excerpt":"Source: Richard Corliss and Richard Schickel, for Time Magazine (2005) Updated per my viewing: October 10, 2011. Yet to See Pather Panchali (1955, Satyajit Ray) Aparajito (1956, Satyajit Ray) The World of Apu (1959, Satyajit Ray) Barry Lyndon (1975; Stanley Kubrick) Berlin Alexanderplatz (1980) Camille (1936; George Cukor) The Crime\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28661,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/1001-films-you-must-see-before-you-die\/","url_meta":{"origin":20582,"position":2},"title":"1001 Films You Must See Before You Die","author":"Jandy","date":"October 10, 2011","format":false,"excerpt":"Source: 1001 Films You Must See Before You Die, edited by Steven Schneider Up to date from source: 2007 Up to date per my viewing: 6 October 2015. Yet to See 1900-1929 Les Vampires (1915; Louis Feuillade) Within Our Gates (1920; Oscar Micheaux) Orphans of the Storm (1921; D.W. Griffith)\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28670,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/the-criterion-collection\/","url_meta":{"origin":20582,"position":3},"title":"The Criterion Collection","author":"Jandy","date":"October 10, 2011","format":false,"excerpt":"Source: The Criterion Collection, in spine order. Updated from source: 15 April 2011, including announced releases through July 2011. Updated per my viewing: 10 October 2011. Not Yet Seen 7. A Night to Remember (1958 United Kingdom; Roy Baker) 10. Walkabout (1971 Australia; Nicolas Roeg) 14. Samurai I - Musashi\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28666,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/roger-eberts-the-great-movies\/","url_meta":{"origin":20582,"position":4},"title":"Roger Ebert&#8217;s The Great Movies","author":"Jandy","date":"October 10, 2011","format":false,"excerpt":"Source: Roger Ebert Updated from source: 11 October, 2011. Updated per my viewing: 13 September 2015. Yet to See After Dark, My Sweet (1990; James Foley) Ali: Fear Eats the Soul (1973; Rainer Werner Fassbinder) The Apu Trilogy (1959; Satyajit Ray) Army of Shadows (1969; Jean-Pierre Melville) Atlantic City (1980;\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28791,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/they-shoot-pictures-top-1000\/","url_meta":{"origin":20582,"position":5},"title":"They Shoot Pictures Top 1000","author":"Jandy","date":"October 17, 2011","format":false,"excerpt":"Source: They Shoot Pictures Format: Ranked list collected from as many different critical lists the They Shoot Pictures staff could find. Updated from source: 19 October 2011 Updated per my viewing: 6 October 2015 Yet to See 11. Tokyo Story (1953 Japan, Yasujiro Ozu) 40. Ordet (1955 Denmark, Carl Theodor\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages\/20582"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=20582"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages\/20582\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages\/20522"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=20582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}