{"id":30397,"date":"2012-02-10T23:19:34","date_gmt":"2012-02-11T07:19:34","guid":{"rendered":"http:\/\/www.the-frame.com\/?page_id=30397"},"modified":"2012-04-09T15:32:46","modified_gmt":"2012-04-09T22:32:46","slug":"academy-award-best-picture-nominees","status":"publish","type":"page","link":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/academy-award-best-picture-nominees\/","title":{"rendered":"Academy Award Best Picture Nominees"},"content":{"rendered":"

Source: The Academy of Motion Picture Arts and Sciences<\/a>
\nUpdated from source: in progress 2\/10\/2012
\nUpdated per my viewing: in progress 2\/10\/2012
\nBold<\/b> denotes winner<\/p>\n

Yet to See<\/h3>\n

The Racket<\/em> (1927)
\nSeventh Heaven<\/em> (1927; Frank Borzage)
\nAlibi<\/em> (1929)
\nThe Hollywood Revue of 1929<\/em> (1929)
\nIn Old Arizona<\/em> (1929)
\nThe Patriot<\/em> (1928)
\nThe Big House<\/em> (1930)
\nDisraeli<\/em> (1930)
\nEast Lynne<\/em> (1930)
\nThe Front Page<\/em> (1930)
\nSkippy<\/em> (1931; Norman Taurog)
\nTrader Horn<\/em> (1931)
\nBad Girl<\/em> (1932)
\nFive Star Final<\/em> (1932)
\nShanghai Express<\/em> (1932; Josef von Sternberg)
\nThe Smiling Lieutenant<\/em> (1932)
\nThe Private Life of Henry VIII<\/em> (1933)
\nState Fair<\/em> (1933)
\nFlirtation Walk<\/em> (1934)
\nHere Comes the Navy<\/em> (1934)
\nThe House of Rothschild<\/em> (1934)
\nImitation of Life<\/em> (1934)
\nViva Villa!<\/em> (1934)
\nThe White Parade<\/em> (1934)
\nAlice Adams<\/em> (1935)
\nDavid Copperfield<\/em> (1935)
\nThe Informer<\/em> (1935; John Ford)
\nThe Lives of a Bengal Lancer<\/em> (1935)
\nA Midsummer Night’s Dream<\/em> (1935; Max Reinhardt)
\nLes Miserables<\/em> (1935)
\nRuggles of Red Gap<\/em> (1935)
\nDodsworth<\/em> (1936)
\nThe Story of Louis Pasteur<\/em> (1936)
\nA Tale of Two Cities<\/em> (1936)
\nCaptains Courageous<\/em> (1937)
\nDead End<\/em> (1937; John Ford)
\nThe Good Earth<\/em> (1937)
\nIn Old Chicago<\/em> (1937)
\nBoys Town<\/em> (1938)
\nThe Citadel<\/em> (1938)
\nTest Pilot<\/em> (1938)
\nOf Mice and Men<\/em> (1939)
\nAll This, and Heaven Too<\/em> (1940)
\nThe Long Voyage Home<\/em> (1940)
\nOur Town<\/em> (1940)
\nHold Back the Dawn<\/em> (1941)
\nOne Foot in Heaven<\/em> (1941)
\nSergeant York<\/em> (1941)
\n49th Parallel<\/em> (1942)
\nKings Row<\/em> (1942)
\nThe Pied Piper<\/em> (1942)
\nWake Island<\/em> (1942)
\nFor Whom the Bell Tolls<\/em> (1943)
\nThe Human Comedy<\/em> (1943)
\nIn Which We Serve<\/em> (1943)
\nMadame Curie<\/em> (1943)
\nThe Song of Bernadette<\/em> (1943)
\nThe Yearling<\/em> (1946)
\nCrossfire<\/em> (1947)
\nGreat Expectations<\/em> (1946; David Lean)
\nJohnny Belinda<\/em> (1948)
\nAll the King’s Men<\/em><\/b> (1949)
\nBattleground<\/em> (1949)
\nThe Heiress<\/em> (1949; William Wyler)
\nKing Solomon’s Mines<\/em> (1950)
\nDecision Before Dawn<\/em> (1950)
\nA Place in the Sun<\/em> (1951; George Stevens)
\nMoulin Rouge<\/em> (1952)
\nJulius Caesar<\/em> (1953)
\nThe Country Girl<\/em> (1954)
\nMarty<\/em><\/b> (1955; Delbert Mann)
\nThe Rose Tattoo<\/em> (1955)
\nAround the World in 80 Days<\/em><\/b> (1956; Michael Todd)
\nPeyton Place<\/em> (1957)
\nAuntie Mame<\/em> (1958)
\nCat on a Hot Tin Roof<\/em> (1958; Richard Brooks)
\nThe Defiant Ones<\/em> (1958)
\nSeparate Tables<\/em> (1958)
\nThe Diary of Anne Frank<\/em> (1959)
\nThe Nun’s Story<\/em> (1959)
\nRoom at the Top<\/em> (1959)
\nThe Alamo<\/em> (1960)
\nElmer Gantry<\/em> (1960)
\nSons and Lovers<\/em> (1960)
\nThe Sundowners<\/em> (1960)
\nFanny<\/em> (1961)
\nThe Guns of Navarone<\/em> (1961)
\nJudgment at Nuremberg<\/em> (1961)
\nThe Longest Day<\/em> (1962)
\nMutiny on the Bounty<\/em> (1962)
\nAmerica, America<\/em> (1963)
\nCleopatra<\/em> (1963; Joseph L. Mankiewicz)
\nLilies of the Field<\/em> (1963)
\nBecket<\/em> (1964)
\nZorba the Greek<\/em> (1964)
\nDarling<\/em> (1965; John Schlesinger)
\nShip of Fools<\/em> (1965)
\nA Thousand Clowns<\/em> (1965)
\nA Man for All Seasons<\/em><\/b> (1966)
\nAlfie<\/em> (1966)
\nThe Sand Pebbles<\/em> (1966)
\nDoctor Dolittle<\/em> (1967)
\nRachel, Rachel<\/em> (1968; Paul Newman)
\nAnne of the Thousand Days<\/em> (1969)
\nHello, Dolly!<\/em> (1969; Gene Kelly)
\nAirport<\/em> (1970)
\nLove Story<\/em> (1970)
\nNicholas and Alexandra<\/em> (1970)
\nDeliverance<\/em> (1972; John Boorman)
\nThe Emigrants<\/em> (1972)
\nSounder<\/em> (1972)
\nCries and Whispers<\/em> (1973; Ingmar Bergman)
\nA Touch of Class<\/em> (1973)
\nLenny<\/em> (1974)
\nThe Towering Inferno<\/em> (1974)
\nBarry Lyndon<\/em> (1975; Stanley Kubrick)
\nRocky<\/em><\/b> (1976; John G. Avildsen)
\nBound for Glory<\/em> (1976)
\nThe Goodbye Girl<\/em> (1977)
\nJulia<\/em> (1977)
\nThe Turning Point<\/em> (1977)
\nThe Deer Hunter<\/em><\/b> (1978; Michael Cimino)
\nComing Home<\/em> (1978)
\nHeaven Can Wait<\/em> (1978; Warren Beatty)
\nMidnight Express<\/em> (1978)
\nAn Unmarried Woman<\/em> (1978)
\nBreaking Away<\/em> (1979)
\nNorma Rae<\/em> (1979)
\nOrdinary People<\/em><\/b> (1980; Robert Redford)
\nCoal Miner’s Daughter<\/em> (1980)
\nTess<\/em> (1980)
\nAtlantic City<\/em> (1981; Louis Malle)
\nOn Golden Pond<\/em> (1981)
\nReds<\/em> (1981; Warren Beatty)
\nMissing<\/em> (1982)
\nThe Verdict<\/em> (1982)
\nTerms of Endearment<\/em><\/b> (1983; James L. Brooks)
\nThe Big Chill<\/em> (1983)
\nThe Dresser<\/em> (1983)
\nThe Right Stuff<\/em> (1983)
\nTender Mercies<\/em> (1983)
\nThe Killing Fields<\/em> (1984)
\nA Passage to India<\/em> (1984; James Ivory)
\nPlaces in the Heart<\/em> (1984)
\nA Soldier’s Story<\/em> (1984)
\nKiss of the Spider Woman<\/em> (1985)
\nPrizzi’s Honor<\/em> (1985)
\nPlatoon<\/em><\/b> (1986; Oliver Stone)
\nChildren of a Lesser God<\/em> (1986)
\nThe Mission<\/em> (1986)
\nThe Last Emperor<\/em><\/b> (1987; Bernardo Bertolucci)
\nBroadcast News<\/em> (1987)
\nFatal Attraction<\/em> (1987)
\nHope and Glory<\/em> (1988)
\nThe Accidental Tourist<\/em> (1988)
\nMississippi Burning<\/em> (1988)
\nWorking Girl<\/em> (1988)
\nDriving Miss Daisy<\/em><\/b> (1989)
\nBorn on the Fourth of July<\/em> (1989)
\nMy Left Foot<\/em> (1989)
\nAwakenings<\/em> (1990)
\nGhost<\/em> (1990)
\nThe Godfather Part III<\/em> (1990)
\nBugsy<\/em> (1991)
\nThe Prince of Tides<\/em> (1991)
\nA Few Good Men<\/em> (1992)
\nScent of a Woman<\/em> (1992)
\nIn the Name of the Father<\/em> (1993)
\nQuiz Show<\/em> (1994)
\nSecrets & Lies<\/em> (1996; Mike Leigh)
\nShine<\/em> (1996)
\nThe Thin Red Line<\/em> (1998; Terrence Malick)
\nThe Green Mile<\/em> (1999; Frank Darabont)
\nThe Insider<\/em> (1999)
\nA Beautiful Mind<\/em><\/b> (2001; Ron Howard)
\nIn the Bedroom<\/em> (2001)
\nThe Pianist<\/em> (2002; Roman Polanski)
\nRay<\/em> (2004)
\nLetters from Iwo Jima<\/em> (2006; Clint Eastwood)
\nFrost\/Nixon<\/em> (2008)
\nMilk<\/em> (2008; Gus van Sant)
\nThe Fighter<\/em> (2010; David O. Russell)
\nThe Kids Are All Right<\/em> (2010)
\n127 Hours<\/em> (2010; Danny Boyle)
\nThe Descendants<\/em> (2011; Alexander Payne)
\nExtremely Loud and Incredibly Close<\/em> (2011)
\nThe Help<\/em> (2011)
\nMoneyball<\/em> (2011; Bennett Miller)
\nWar Horse<\/em> (2011; Steven Spielberg)<\/p>\n

Seen<\/h3>\n

Wings<\/em><\/b> (1927)
\nThe Broadway Melody<\/em><\/b> (1929)
\nAll Quiet on the Western Front<\/em><\/b> (1930; Lewis Milestone)
\nThe Divorcee<\/em> (1930)
\nThe Love Parade<\/em> (1929; Ernst Lubitsch)
\nCimarron<\/em><\/b> (1931)
\nGrand Hotel<\/em><\/b> (1932)
\nThe Champ<\/em> (1931)
\nOne Hour With You<\/em> (1932)
\nCavalcade<\/em><\/b> (1933)
\n42nd Street<\/em> (1932; Lloyd Bacon)
\nI am a Fugitive from a Chain Gang<\/em> (1932)
\nLady for a Day<\/em> (1933; Frank Capra)
\nLittle Women<\/em> (1933)
\nShe Done Him Wrong<\/em> (1933)
\nSmilin’ Through<\/em> (1932)
\nIt Happened One Night<\/em><\/b> (1934; Frank Capra)
\nThe Barretts of Wimpole Street<\/em> (1934)
\nCleopatra<\/em> (1934; Cecil B. DeMille)
\nThe Gay Divorcee<\/em> (1934)
\nOne Night of Love<\/em> (1934)
\nThe Thin Man<\/em> (1934; W.S. Van Dyke)
\nMutiny on the Bounty<\/em><\/b> (1935)
\nBroadway Melody of 1936<\/em> (1935)
\nCaptain Blood<\/em> (1935; Michael Curtiz)
\nNaughty Marietta<\/em> (1935)
\nTop Hat<\/em> (1935; Mark Sandrich)
\nThe Great Ziegfeld<\/em><\/b> (1936)
\nAnthony Adverse<\/em> (1936)
\nLibeled Lady<\/em> (1936)
\nMr. Deeds Goes to Town<\/em> (1936; Frank Capra)
\nRomeo and Juliet<\/em> (1936)
\nSan Francisco<\/em> (1936)
\nThree Smart Girls<\/em> (1936)
\nThe Life of Emile Zola<\/em><\/b> (1937)
\nThe Awful Truth<\/em> (1937; Leo McCarey)
\nLost Horizon<\/em> (1937; Frank Capra)
\nOne Hundred Men and a Girl<\/em> (1937)
\nStage Door<\/em> (1937; Gregory La Cava)
\nA Star is Born<\/em> (1937)
\nYou Can’t Take It With You<\/em><\/b> (1938; Frank Capra)
\nThe Adventures of Robin Hood<\/em> (1938; Michael Curtiz & William Keighley)
\nAlexander’s Ragtime Band<\/em>
\nFour Daughters<\/em> (1938; Michael Curtiz)
\nGrand Illusion<\/em> (1937; Jean Renoir)
\nJezebel<\/em> (1938; William Wyler)
\nPygmalion<\/em> (1938)
\nGone with the Wind<\/em> (1939; Victor Fleming)
\nDark Victory<\/em> (1939)
\nGoodbye, Mr. Chips<\/em> (1939)
\nLove Affair<\/em> (1939; Leo McCarey)
\nMr. Smith Goes to Washington<\/em> (1939; Frank Capra)
\nNinotcka<\/em> (1939; Ernst Lubitsch)
\nStagecoach<\/em> (1939; John Ford)
\nThe Wizard of Oz<\/em> (1939; Victor Fleming)
\nWuthering Heights<\/em> (1939; William Wyler)
\nRebecca<\/em><\/b> (1940; Alfred Hitchcock)
\nForeign Correspondent<\/em> (1940; Alfred Hitchcock)
\nThe Grapes of Wrath<\/em> (1940; John Ford)
\nThe Great Dictator<\/em> (1940; Charles Chaplin)
\nKitty Foyle<\/em> (1940)
\nThe Letter<\/em> (1940)
\nThe Philadelphia Story<\/em> (1940; George Cukor)
\nHow Green Was My Valley<\/em><\/b> (1941; John Ford)
\nBlossoms in the Dust<\/em> (1941)
\nCitizen Kane<\/em> (1941; Orson Welles)
\nHere Comes Mr. Jordan<\/em> (1941)
\nThe Little Foxes<\/em> (1941; William Wyler)
\nThe Maltese Falcon<\/em> (1941; John Huston)
\nSuspicion<\/em> (1941; Alfred Hitchcock)
\nMrs. Miniver<\/em><\/b> (1942; William Wyler)
\nThe Magnificent Ambersons<\/em> (1942; Orson Welles)
\nThe Pride of the Yankees<\/em> (1942)
\nRandom Harvest<\/em> (1942)
\nThe Talk of the Town<\/em> (1942)
\nYankee Doodle Dandy<\/em> (1942; Michael Curtiz)
\nCasablanca<\/em><\/b> (1943; Michael Curtiz)
\nHeaven Can Wait<\/em> (1943; Ernst Lubitsch)
\nThe More the Merrier<\/em> (1943; George Stevens)
\nThe Ox-Bow Incident<\/em> (1943; William A. Wellman)
\nWatch on the Rhine<\/em> (1943)
\nGoing My Way<\/em><\/b> (1944; Leo McCarey)
\nDouble Indemnity<\/em> (1944; Billy Wilder)
\nGaslight<\/em> (1944; George Cukor)
\nSince You Went Away<\/em> (1944)
\nWilson<\/em> (1944)
\nThe Lost Weekend<\/em><\/b> (1944; Billy Wilder)
\nAnchors Aweigh<\/em> (1945)
\nThe Bells of St. Mary’s<\/em> (1945; Leo McCarey)
\nMildred Pierce<\/em> (1945; Michael Curtiz)
\nSpellbound<\/em> (1945; Alfred Hitchcock)
\nThe Best Years of Our Lives<\/em><\/b> (1946; William Wyler)
\nHenry V<\/em> (1945; Laurence Olivier)
\nIt’s a Wonderful Life<\/em> (1946; Frank Capra)
\nThe Razor’s Edge<\/em> (1946)
\nGentleman’s Agreement<\/em><\/b> (1947; Elia Kazan)
\nThe Bishop’s Wife<\/em> (1947)
\nMiracle on 34th Street<\/em> (1947)
\nHamlet<\/em><\/b> (1948; Laurence Olivier)
\nThe Red Shoes<\/em> (1948; Michael Powell & Emeric Pressburger)
\nThe Snake Pit<\/em> (1948; Anatole Litvak)
\nThe Treasure of the Sierra Madre<\/em> (1948; John Huston)
\nA Letter to Three Wives<\/em> (1949; Joseph L. Mankiewicz)
\nTwelve O’Clock High<\/em> (1949)
\nAll About Eve<\/em><\/b> (1950; Joseph L. Mankiewicz)
\nBorn Yesterday<\/em> (1950)
\nFather of the Bride<\/em> (1950)
\nSunset Boulevard<\/em> (1950; Billy Wilder)
\nAn American in Paris<\/em><\/b> (1951; Vincente Minnelli)
\nQuo Vadis<\/em> (1951)
\nA Streetar Named Desire<\/em> (1951; Elia Kazan)
\nThe Greatest Show on Earth<\/em><\/b> (1952; Cecil B. DeMille)
\nHigh Noon<\/em> (1952; Fred Zinnemann)
\nIvanhoe<\/em> (1952)
\nThe Quiet Man<\/em> (1952; John Ford)
\nFrom Here to Eternity<\/em><\/b> (1953)
\nThe Robe<\/em> (1953)
\nRoman Holiday<\/em> (1953; William Wyler)
\nShane<\/em> (1953; George Stevens)
\nOn the Waterfront<\/em><\/b> (1954; Elia Kazan)
\nThe Caine Mutiny<\/em> (1954)
\nSeven Brides for Seven Brothers<\/em> (1954; Stanley Donen)
\nThree Coins in the Fountain<\/em> (1954)
\nLove is a Many-Splendored Thing<\/em> (1955)
\nMister Roberts<\/em> (1955)
\nPicnic<\/em> (1955)
\nFriendly Persuasion<\/em> (1956)
\nGiant<\/em> (1956; George Stevens)
\nThe King and I<\/em> (1956)
\nThe Ten Commandments<\/em> (1956; Cecil B. DeMille)
\nThe Bridge on the River Kwai<\/em><\/b> (1957; David Lean)
\nSayonara<\/em> (1957)
\n12 Angry Men<\/em> (1957)
\nWitness for the Prosecution<\/em> (1957)
\nGigi<\/em><\/b> (1958; Vincente Minnelli)
\nBen-Hur<\/em><\/b> (1959; William Wyler)
\nAnatomy of a Murder<\/em> (1959; Otto Preminger)
\nThe Apartment<\/em><\/b> (1960; Billy Wilder)
\nWest Side Story<\/em><\/b> (1961; Robert Wise & Jerome Robbins)
\nThe Hustler<\/em> (1961)
\nLawrence of Arabia<\/em><\/b> (1962; David Lean)
\nThe Music Man<\/em> (1962)
\nTo Kill a Mockingbird<\/em> (1962)
\nTom Jones<\/em><\/b> (1963; Tony Richardson)
\nHow the West Was Won<\/em> (1963)
\nMy Fair Lady<\/em><\/b> (1964; George Cukor)
\nDr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb<\/em> (1964; Stanley Kubrick)
\nMary Poppins<\/em> (1964)
\nThe Sound of Music<\/em><\/b> (1965; Robert Wise)
\nDoctor Zhivago<\/em> (1965; David Lean)
\nThe Russians are Coming! The Russians are Coming!<\/em> (1966; Norman Jewison)
\nWho’s Afraid of Virginia Woolf?<\/em> (1966; Mike Nichols)
\nIn the Heat of the Night<\/em><\/b> (1967)
\nBonnie and Clyde<\/em> (1967; Arthur Penn)
\nThe Graduate<\/em> (1967; Mike Nichols)
\nGuess Who’s Coming to Dinner<\/em> (1967; Stanley Kramer)
\nOliver!<\/em><\/b> (1968; Carol Reed)
\nFunny Girl<\/em> (1968; William Wyler)
\nThe Lion in Winter<\/em> (1968)
\nRomeo & Juliet<\/em> (1968; Franco Zefferelli)
\nMidnight Cowboy<\/em><\/b> (1969; John Schlesinger)
\nButch Cassidy and the Sundance Kid<\/em> (1969; George Roy Hill)
\nZ<\/em> (1969; Costa-Gavros)
\nPatton<\/em><\/b> (1970; Franklin J. Schaffner)
\nFive Easy Pieces<\/em> (1970; Bob Rafelson)
\nM*A*S*H<\/em> (1970; Robert Altman)
\nThe French Connection<\/em><\/b> (1971; William Friedkin)
\nA Clockwork Orange<\/em> (1971; Stanley Kubrick)
\nFiddler on the Roof<\/em> (1971; Norman Jewison)
\nThe Last Picture Show<\/em> (1971; Peter Bogdanovich)
\nThe Godfather<\/em><\/b> (1972; Francis Ford Coppola)
\nCabaret<\/em> (1972; Bob Fosse)
\nThe Sting<\/em><\/b> (1973; George Roy Hill)
\nAmerican Graffiti<\/em> (1973; George Lucas)
\nThe Exorcist<\/em> (1973; William Friedkin)
\nThe Godfather Part II<\/em><\/b> (1974; Francis Ford Coppola)
\nChinatown<\/em> (1974; Roman Polanski)
\nThe Conversation<\/em> (1974; Francis Ford Coppola)
\nOne Flew Over the Cuckoo’s Nest<\/em><\/b> (1975; Milos Forman)
\nDog Day Afternoon<\/em> (1975; Sidney Lumet)
\nJaws<\/em> (1975; Steven Spielberg)
\nNashville<\/em> (1975; Robert Altman)
\nAll the President’s Men<\/em> (1976; Alan J. Pakula)
\nNetwork<\/em> (1976; Sidney Lumet)
\nTaxi Driver<\/em> (1976; Martin Scorsese)
\nAnnie Hall<\/em><\/b> (1977; Woody Allen)
\nStar Wars<\/em> (1977; George Lucas)
\nKramer vs. Kramer<\/em><\/b> (1979; Robert Benton)
\nAll That Jazz<\/em> (1979; Bob Fosse)
\nApocalypse Now<\/em> (1979; Francis Ford Coppola)
\nThe Elephant Man<\/em> (1980; David Lynch)
\nRaging Bull<\/em> (1980; Martin Scorsese)
\nChariots of Fire<\/em><\/b> (1981)
\nRaiders of the Lost Ark<\/em> (1981; Steven Spielberg)
\nGandhi<\/em><\/b> (1982; Richard Attenborough)
\nE.T.: The Extra-Terrestrial<\/em> (1982; Steve Spielberg)
\nAmadeus<\/em><\/b> (1984; Milos Forman)
\nOut of Africa<\/em><\/b> (1985; Sydney Pollack)
\nThe Color Purple<\/em> (1985; Steven Spielberg)
\nWitness<\/em> (1985; Peter Weir)
\nHannah and Her Sisters<\/em> (1986; Woody Allen)
\nA Room with a View<\/em> (1986; James Ivory)
\nMoonstruck<\/em> (1987)
\nRain Man<\/em><\/b> (1988; Barry Levinson)
\nDangerous Liaisons<\/em> (1988)
\nDead Poets Society<\/em> (1989)
\nField of Dreams<\/em> (1989)
\nDances with Wolves<\/em><\/b> (1990; Kevin Costner)
\nGoodfella<\/em> (1990; Martin Scorsese)
\nSilence of the Lambs<\/em><\/b> (1991; Jonathan Demme)
\nBeauty and the Beast<\/em> (1991)
\nJFK<\/em> (1991; Oliver Stone)
\nUnforgiven<\/em><\/b> (1992; Clint Eastwood)
\nThe Crying Game<\/em> (1992; Neil Jordan)
\nHowards End<\/em> (1992; James Ivory)
\nSchindler’s List<\/em><\/b> (1993; Steven Spielberg)
\nThe Fugitive<\/em> (1993)
\nThe Piano<\/em> (1993; Jane Campion)
\nThe Remains of the Day<\/em> (1993; James Ivory)
\nForrest Gump<\/em><\/b> (1994; Robert Zemeckis)
\nFour Weddings and a Funeral<\/em> (1994)
\nPulp Fiction<\/em> (1994; Quentin Tarantino)
\nThe Shawshank Redemption<\/em> (1994; Frank Darabont)
\nBraveheart<\/em><\/b> (1995; Mel Gibson)
\nApollo 13<\/em> (1995; Ron Howard)
\nBabe<\/em> (1995)
\nThe Postman (Il Postino)<\/em> (1995)
\nSense and Sensibility<\/em> (1995; Ang Lee)
\nThe English Patient<\/em> (1996; Anthony Minghella)
\nFargo<\/em> (1996; Joel & Ethan Coen)
\nJerry Maguire<\/em> (1996; Cameron Crowe)
\nTitanic<\/em><\/b> (1997; James Cameron)
\nAs Good As It Gets<\/em> (1997; James L. Brooks)
\nThe Full Monty<\/em> (1997)
\nGood Will Hunting<\/em> (1997; Gus Van Sant)
\nL.A. Confidential<\/em> (1997; Curtis Hanson)
\nShakespeare in Love<\/em><\/b> (1998; John Madden)
\nElizabeth<\/em> (1998; Shekhar Kapur)
\nLife is Beautiful<\/em> (1998; Roberto Benigni)
\nSaving Private Ryan<\/em> (1998; Steven Spielberg)
\nAmerican Beauty<\/em><\/b> (1999; Sam Mendes)
\nThe Cider House Rules<\/em> (1999)
\nThe Sixth Sense<\/em> (1999; M. Night Shyamalan)
\nGladiator<\/em><\/b> (2000; Ridley Scott)
\nChocolat<\/em> (2000)
\nCrouching Tiger, Hidden Dragon<\/em> (2000; Ang Lee)
\nErin Brockovich<\/em> (2000; Steven Soderbergh)
\nTraffic<\/em> (2000; Steven Soderbergh)
\nGosford Park<\/em> (2001; Robert Altman)
\nThe Lord of the Rings: The Fellowship of the Ring<\/em> (2001; Peter Jackson)
\nMoulin Rouge!<\/em> (2001; Baz Lurhmann)
\nChicago<\/em><\/b> (2002; Rob Marshall)
\nGangs of New York<\/em> (2002; Martin Scorsese)
\nThe Hours<\/em> (2002; Stephen Daldry)
\nThe Lord of the Rings: The Two Towers<\/em> (2002; Peter Jackson)
\nThe Lord of the Rings: The Return of the King<\/em><\/b> (2003; Peter Jackson)
\nLost in Translation<\/em> (2003; Sofia Coppola)
\nMaster and Commander: The Far Side of the World<\/em> (2003; Peter Weir)
\nMystic River<\/em> (2003; Clint Eastwood)
\nSeabiscuit<\/em> (2003)
\nMillion Dollar Baby<\/em><\/b> (2004; Clint Eastwood)
\nThe Aviator<\/em> (2004; Martin Scorsese)
\nFinding Neverland<\/em> (2004)
\nSideways<\/em> (2004; Alexander Payne)
\nCrash<\/em><\/b> (2005; Paul Haggis)
\nBrokeback Mountain<\/em> (2005; Ang Lee)
\nCapote<\/em> (2005; Bennett Miller)
\nGood Night, and Good Luck<\/em> (2005; George Clooney)
\nMunich<\/em> (2005; Steven Spielberg)
\nThe Departed<\/em><\/b> (2006; Martin Scorsese)
\nBabel<\/em> (2006; Alejandro Gonzalez Iñarrítu)
\nLittle Miss Sunshine<\/em> (2006)
\nThe Queen<\/em> (2006)
\nNo Country for Old Men<\/em><\/b> (2007; Joel & Ethan Coen)
\nAtonement<\/em> (2007; Joe Wright)
\nJuno<\/em> (2007; Jason Reitman)
\nMichael Clayton<\/em> (2007; Tony Gilroy)
\nThere Will Be Blood<\/em> (2007; P.T. Anderson)
\nSlumdog Millionaire<\/em><\/b> (2008; Danny Boyle)
\nThe Curious Case of Benjamin Button<\/em> (2008; David Fincher)
\nThe Reader<\/em> (2008)
\nThe Hurt Locker<\/em><\/b> (2009; Kathryn Bigelow)
\nAvatar<\/em> (2009; James Cameron)
\nThe Blind Side<\/em> (2009)
\nDistrict 9<\/em> (2009; Neill Blomkamp)
\nAn Education<\/em> (2009; Lone Scherfig)
\nInglourious Basterds<\/em> (2009; Quentin Tarantino)
\nPrecious<\/em> (2009; Lee Daniels)
\nA Serious Man<\/em> (2009; Joel & Ethan Coen)
\nUp<\/em> (2009)
\nUp in the Air<\/em> (2009; Jason Reitman)
\nThe King’s Speech<\/em><\/b> (2010; Tom Hooper)
\nBlack Swan<\/em> (2010; Darren Aronofsky)
\nInception<\/em> (2010; Christopher Nolan)
\nThe Social Network<\/em> (2010; David Fincher)
\nToy Story 3<\/em> (2010; Lee Unkrich)
\nTrue Grit<\/em> (2010; Joel & Ethan Coen)
\nWinter’s Bone<\/em> (2010; Debra Granik)
\nThe Artist<\/em><\/b> (2011; Michel Hazanavicius)
\nHugo<\/em> (2011; Martin Scorsese)
\nMidnight in Paris<\/em> (2011; Woody Allen)
\nThe Tree of Life<\/em> (2011; Terrence Malick)<\/p>\n","protected":false},"excerpt":{"rendered":"

Source: The Academy of Motion Picture Arts and Sciences Updated from source: in progress 2\/10\/2012 Updated per my viewing: in progress 2\/10\/2012 Bold denotes winner Yet to See The Racket (1927) Seventh Heaven (1927; Frank Borzage) Alibi (1929) The Hollywood Revue of 1929 (1929) In Old Arizona (1929) The Patriot (1928) The Big House (1930) […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":20522,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28661,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/1001-films-you-must-see-before-you-die\/","url_meta":{"origin":30397,"position":0},"title":"1001 Films You Must See Before You Die","author":"Jandy","date":"October 10, 2011","format":false,"excerpt":"Source: 1001 Films You Must See Before You Die, edited by Steven Schneider Up to date from source: 2007 Up to date per my viewing: 6 October 2015. Yet to See 1900-1929 Les Vampires (1915; Louis Feuillade) Within Our Gates (1920; Oscar Micheaux) Orphans of the Storm (1921; D.W. Griffith)\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28561,"url":"https:\/\/www.the-frame.com\/blog\/watching\/films-ive-seen\/","url_meta":{"origin":30397,"position":1},"title":"Films I’ve Seen","author":"Jandy","date":"October 7, 2011","format":false,"excerpt":"Yep, these are all the films I've ever seen. Links go to my reviews here or on Row Three; some of them may be capsule reviews in larger posts, some may be articles or other writings rather than reviews. I'll link to whatever I've got. Foreign films are cross-listed by\u2026","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"https:\/\/www.the-frame.com\/blog\/watching\/films-ive-seen\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":33616,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/the-100-club\/","url_meta":{"origin":30397,"position":2},"title":"The 100% Club","author":"Jandy","date":"February 6, 2014","format":false,"excerpt":"I'm working toward watching 100% of several directors' filmographies, and I'll keep track of my progress on this page. I am not counting short films in most cases (exceptions for silent comedy directors will likely be made, or I will keep track of features and shorts separately). Please note: Most\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":28791,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/they-shoot-pictures-top-1000\/","url_meta":{"origin":30397,"position":3},"title":"They Shoot Pictures Top 1000","author":"Jandy","date":"October 17, 2011","format":false,"excerpt":"Source: They Shoot Pictures Format: Ranked list collected from as many different critical lists the They Shoot Pictures staff could find. Updated from source: 19 October 2011 Updated per my viewing: 6 October 2015 Yet to See 11. Tokyo Story (1953 Japan, Yasujiro Ozu) 40. Ordet (1955 Denmark, Carl Theodor\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":20522,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/","url_meta":{"origin":30397,"position":4},"title":"Films to Watch","author":"Jandy","date":"April 24, 2011","format":false,"excerpt":"On this page I'll list the films I have highest on my personal to-watch lists. Not everything on those lists, mind you, since I have thousands of films I'm hoping to watch at some point in the future. But I'll keep a running list of the ones I'm intending to\u2026","rel":"","context":"With 2 comments","block_context":{"text":"With 2 comments","link":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":20582,"url":"https:\/\/www.the-frame.com\/blog\/watching\/personal-to-watch-list\/full-to-watch-list\/","url_meta":{"origin":30397,"position":5},"title":"Full To-Watch List","author":"Jandy","date":"April 27, 2011","format":false,"excerpt":"Rewatch List October (1928 - Sergei Eisenstein) The Invisible Man (1933 - James Whale) The Kennel Murder Case (1933 - Michael Curtiz) The Lady Vanishes (1938 - Alfred Hitchcock) The Rules of the Game (1939 - Jean Renoir) Black Narcissus (1947 - Powell & Pressburger) The Wages of Fear (1953\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages\/30397"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=30397"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages\/30397\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/pages\/20522"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=30397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}