There’s not much I love more than a well-done montage, and this is one of the best I’ve seen recently. A thematically and visually arranged collage of 2010 releases, both big and small, both good and not-so-good, giving a pretty comprehensive overview of the films of 2010 in a mere six minutes. And it’s truly […]<\/p>\n","protected":false},"author":2,"featured_media":13107,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"jetpack_featured_media_url":"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2010\/12\/2010-filmography.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3174,"url":"https:\/\/www.the-frame.com\/blog\/2010\/01\/for-the-love-of-film-preservation-blogathon\/","url_meta":{"origin":13095,"position":0},"title":"For the Love of Film: Preservation Blogathon","author":"Jandy","date":"January 14, 2010","format":false,"excerpt":"I've toyed on and off (mostly off) with the idea of working with film preservation - actually physically restoring aging films frame by frame before time and the elements destroy them. Theoretically film is timeless - it captures a moment in time and preserves it forever, allowing us to see\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2010\/01\/love-of-film-blogathon.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":207,"url":"https:\/\/www.the-frame.com\/blog\/2007\/02\/the-films-that-need-critics\/","url_meta":{"origin":13095,"position":1},"title":"The Films that Need Critics","author":"Jandy","date":"February 1, 2007","format":false,"excerpt":"I mentioned this several months ago, following...I think , but here is another reminder from the Guardian. The films that get the most coverage by critics are the big Hollywood blockbusters, which would get coverage ANYWAY because of the studio publicity machines. I mean, nobody really needs critics to tell\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":35384,"url":"https:\/\/www.the-frame.com\/blog\/2015\/11\/the-2016-movie-watching-challenge\/","url_meta":{"origin":13095,"position":2},"title":"The 2016 Movie Watching Challenge","author":"Jandy","date":"November 28, 2015","format":false,"excerpt":"A couple of years ago, a friend of mine did an amazing movie-watching challenge, where she solicited recommendations from fifty-two of her friends; they each gave her five movies to watch per week. Yeah, crazy right? Well, she ended up completing the challenge with only a brief delay, which was\u2026","rel":"","context":"In "2016 Movie Challenge"","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2014\/02\/spirit-of-the-beehive-feat-e1448696911770.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33465,"url":"https:\/\/www.the-frame.com\/blog\/2013\/12\/the-story-of-film-on-tcm-chapter-13\/","url_meta":{"origin":13095,"position":3},"title":"The Story of Film on TCM: Chapter 13","author":"Jandy","date":"December 2, 2013","format":false,"excerpt":"This is the story of the end of an era. For 100 years, movies had been shot on this - celluloid. Paper-thin, shiny, perforated. A medium so sensitive it could capture the subtle colors in snow. But in the '90s, the digital image and Terminator 2 came and reality got\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/12\/SoF-The_Story_of_Film-90s.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":69,"url":"https:\/\/www.the-frame.com\/blog\/2006\/08\/the-role-of-criticism\/","url_meta":{"origin":13095,"position":4},"title":"The role of criticism","author":"Jandy","date":"August 7, 2006","format":false,"excerpt":"So far this year, eleven films have opened in theatres without screen for critics first. That's up from just two films by this time last year. These are films which the studios decided would do better without the critics lambasting them on opening weekend. The studios were right about the\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":30194,"url":"https:\/\/www.the-frame.com\/blog\/2012\/01\/blind-spot-series-2012\/","url_meta":{"origin":13095,"position":5},"title":"Blind Spot Series – 2012","author":"Jandy","date":"January 24, 2012","format":false,"excerpt":"Long-time film buffs like me have seen a whole lot of films, but there are also a whole lot of films we've somehow missed...blind spots in our cinematic knowledge, if you will. There's no way to ever see ALL the things we haven't seen, or even all the things we\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2012\/01\/Blind-Spots-Series.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/13095"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=13095"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/13095\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media\/13107"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=13095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=13095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=13095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2010\/12\/2010-filmography.jpg\" "\\"2010-filmography\\"")
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