{"id":156,"date":"2006-12-03T21:40:42","date_gmt":"2006-12-04T04:40:42","guid":{"rendered":"http:\/\/www.the-frame.com\/blog\/2006\/12\/03\/gah\/"},"modified":"2006-12-03T21:40:42","modified_gmt":"2006-12-04T04:40:42","slug":"gah","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2006\/12\/gah\/","title":{"rendered":"Gah"},"content":{"rendered":"<p>Dude, twenty pages is a lot.  How do people ever write books?  And this is the adaptation paper, too.  I bet I&#8217;ve written more than twenty pages all together about adaptation, between entries here and in my notebook.  Yet when I try to make it coherent and support a thesis, rather then, &#8220;hey, that&#8217;s a really awesome idea!&#8221; it doesn&#8217;t work.  Grr.  Also, the paper used to be about <i>Bride and Prejudice<\/i>, and now it&#8217;s more about adaptation, which is fine&#8211;but it feels like two papers instead of one.  I dunno.  I&#8217;m at sixteen pages, and I don&#8217;t think I can write any more tonight.  I know I&#8217;ve got another paragraph or so for sure to go in the adaptation part, but the <i>B&#038;P<\/i> part feels very&#8230;random and unclear, mostly because since I moved the focus to adaptation, it doesn&#8217;t seem to fit anymore.  It&#8217;s not necessarily the best example of what I&#8217;m trying to convey, but I don&#8217;t have time to go find a better example and analyze it.  And they want me to publish this thing.  Yeah, right.  I&#8217;ll be glad just to get it turned in.<\/p>\n<p>I decided I&#8217;m not a fan of this needing-to-have-a-point-when-I-write thing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dude, twenty pages is a lot. How do people ever write books? And this is the adaptation paper, too. I bet I&#8217;ve written more than twenty pages all together about adaptation, between entries here and in my notebook. Yet when I try to make it coherent and support a thesis, rather then, &#8220;hey, that&#8217;s a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":134,"url":"https:\/\/www.the-frame.com\/blog\/2006\/11\/toward-a-nontheory-of-nonadaptation\/","url_meta":{"origin":156,"position":0},"title":"Toward a (non)theory of (non)adaptation","author":"Jandy","date":"November 4, 2006","format":false,"excerpt":"I wrote out a bunch of this last night, but then lost it just before I posted. Grr Arrgh. So this is a recreation, and I'm not sure I got it all. Anyway, these are questions that are bouncing around in my head as I work on a paper about\u2026","rel":"","context":"In &quot;Books and Reading&quot;","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":130,"url":"https:\/\/www.the-frame.com\/blog\/2006\/10\/research-is-fun\/","url_meta":{"origin":156,"position":1},"title":"Research is fun","author":"Jandy","date":"October 19, 2006","format":false,"excerpt":"One of these days I shall have a lot to say about adaptation. Unless I burn myself out first on the paper I'm writing about Jane Austen adaptations. But I expect I shan't, because adaptation is one of the few subjects I find endlessly fascinating. Anyway, one of the more\u2026","rel":"","context":"In &quot;Books and Reading&quot;","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":27302,"url":"https:\/\/www.the-frame.com\/blog\/2011\/10\/50dmc-35-favorite-adaptation\/","url_meta":{"origin":156,"position":2},"title":"50DMC #35: Favorite Adaptation","author":"Jandy","date":"October 12, 2011","format":false,"excerpt":"The 50 Day Movie Challenge asks one question every day, to be answered by a few paragraphs and a clip, if possible. Click here for the full list of questions. Today's prompt: What's your favorite book-to-screen adaptation? Like the \"favorite remake\" question, this one has a number of ways to\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/10\/50DMC-West-Side-Story.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":141,"url":"https:\/\/www.the-frame.com\/blog\/2006\/11\/adaptation-rexamining-fidelity-criticism\/","url_meta":{"origin":156,"position":3},"title":"Adaptation &#8211; Rexamining Fidelity Criticism","author":"Jandy","date":"November 18, 2006","format":false,"excerpt":"Most film criticism dealing with adaptations of books focuses on how closely the film sticks to the book. In other words, an adaptation is often judged based on whether or not the film accurately recreates its source. And of course, many films do try to be faithful to their sources,\u2026","rel":"","context":"In &quot;Books and Reading&quot;","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11111,"url":"https:\/\/www.the-frame.com\/blog\/2010\/11\/no-more-the-book-is-better\/","url_meta":{"origin":156,"position":4},"title":"No More The Book Is Better","author":"Jandy","date":"November 25, 2010","format":false,"excerpt":"I'm going to make a vow right now to never again say in print or in conversation the words: \"The book is better.\" Not because the book isn't better, not because I don't think the book is better in many cases, and not because I don't think it's ever valuable\u2026","rel":"","context":"In &quot;Books and Reading&quot;","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2010\/11\/booksfeat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":124,"url":"https:\/\/www.the-frame.com\/blog\/2006\/10\/library-appreciation\/","url_meta":{"origin":156,"position":5},"title":"Library Appreciation","author":"Jandy","date":"October 14, 2006","format":false,"excerpt":"No, not for the libraries here. For the ones in St. Louis. Seriously, folks, St. Louis has one of the top library systems in the country, and I already knew that, but my attempts to locate a copy of Jean-Luc Godard's 1963 GROUND-BREAKING FILM Contempt in Waco has really made\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/156"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=156"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/156\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}