Read the rest of this review at Row Three<\/a><\/strong> (please comment over there as well)<\/p>\n","protected":false},"excerpt":{"rendered":"Near the beginning of indie noir homage The Perfect Sleep, the nameless Narrator drives off after having brutally killed an enemy and his voiceover warns us: “Some of you clever types might think this was one of those stories where everything kinda makes sense in the end. Wrong.” When I first heard that line, I […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2,1016],"tags":[1362,1361],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35317,"url":"https:\/\/www.the-frame.com\/blog\/2015\/08\/investigating-film-noir-where-danger-lives-1950\/","url_meta":{"origin":2132,"position":0},"title":"Investigating Film Noir: Where Danger Lives (1950)","author":"Jandy","date":"August 23, 2015","format":false,"excerpt":"Now that the TCM\/Ball State University Investigating Film Noir course is over (even if my DVR is still full!), I figured it was time to start going through the great noirs I've discovered thanks to TCM's Summer of Darkness programming. I've always been a big fan of noir, so I'd\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/08\/fn-where-danger-lives-5-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35422,"url":"https:\/\/www.the-frame.com\/blog\/2016\/01\/challenge-week-1-stray-dog\/","url_meta":{"origin":2132,"position":1},"title":"Challenge Week 1: Stray Dog","author":"Jandy","date":"January 9, 2016","format":false,"excerpt":"I mentioned on my post about Babette's Feast that I wasn't inherently that excited about seeing it, though I ended up very glad I had. I was very excited about Stray Dog, and I wasn't let down a bit. I typically have some trouble connecting with Japanese film, even Kurosawa,\u2026","rel":"","context":"In "2016 Movie Challenge"","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/01\/tf-StrayDog-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3206,"url":"https:\/\/www.the-frame.com\/blog\/2010\/01\/featured-video-the-endless-night-a-valentine-to-film-noir\/","url_meta":{"origin":2132,"position":2},"title":"Featured Video: The Endless Night – A Valentine to Film Noir","author":"Jandy","date":"January 26, 2010","format":false,"excerpt":"Thanks to Bob over at Row Three for bringing this little gem of a video to my attention. Film noir is a particular favorite subgenre of mine, and Serena Bramble has done a great job of collecting some of the most definitely noir clips into a single compulsively watchable montage.\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":35249,"url":"https:\/\/www.the-frame.com\/blog\/2015\/05\/tcms-summer-of-darkness-and-free-film-noir-course\/","url_meta":{"origin":2132,"position":3},"title":"TCM’s Summer of Darkness and FREE Film Noir Course!","author":"Jandy","date":"May 29, 2015","format":false,"excerpt":"This June and July TCM is devoting all day every Friday to film noir, and as a huge fan of noir, I couldn't be more excited! I'm probably going to have to buy another DVR or something (can you even do that?) to deal with all the noir goodness coming\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/05\/TCM_Summer_of_Darkness-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33229,"url":"https:\/\/www.the-frame.com\/blog\/2013\/10\/the-story-of-film-on-tcm-chapter-5\/","url_meta":{"origin":2132,"position":4},"title":"The Story of Film on TCM: Chapter 5","author":"Jandy","date":"October 8, 2013","format":false,"excerpt":"Movies had to get this raw because life had become this raw. The world changed in the 1940s, a world war casting its presence over half the decade and its shadow over the rest. Nothing would ever be the same, and neither would cinema. In his intro interview with Robert\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/10\/SoF-banner-40s.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3840,"url":"https:\/\/www.the-frame.com\/blog\/2010\/09\/new-hollywood-the-long-goodbye-1973\/","url_meta":{"origin":2132,"position":5},"title":"New Hollywood: The Long Goodbye (1973)","author":"Jandy","date":"September 9, 2010","format":false,"excerpt":"Elliott Gould's Philip Marlowe is a mumbling, ambling fellow who's smarter than most everyone around him, but aloof enough not to bother pointing it out, except barely under his breath in a kind of on-going ironic mutter that feels more like an interior monologue than actual speech. He's bemused at\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2010\/09\/longgoodbye.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/2132"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=2132"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/2132\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=2132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=2132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=2132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"The](\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2009\/03\/l_7b80edc10452308661d3120f6fbd21cf.jpg\" "\\"The")
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