{"id":279,"date":"2007-03-25T20:25:19","date_gmt":"2007-03-26T03:25:19","guid":{"rendered":"http:\/\/www.the-frame.com\/blog\/2007\/03\/25\/writing-break\/"},"modified":"2007-03-25T20:25:19","modified_gmt":"2007-03-26T03:25:19","slug":"writing-break","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2007\/03\/writing-break\/","title":{"rendered":"Writing Break!"},"content":{"rendered":"

I feel for A.D. Harvey and the research he put into writing the Neo-classical vs. Romantic section of this book Literature and History<\/i>, especially in hunting down and examining the hundreds of epics written according to the Neo-classical guidelines in the late-18th, early-19th century, hoping to come up with something to rival the ancient Greeks.<\/p>\n

\nI have hunted the early nineteenth-century epic through bibliographies and literary journals, ordering up hundred weights of volumes, some handsome quartos in crumbling calf, others cheap editions with mildewed uncut pages, rare, sometimes unique survivors of the piled-up brand-new volumes which once went forth from the warehouse with the pride of the epic poet and have been long since almost all consumed by the various destructiveness and impatiences of the world; I have turned page after page insistently different yet endlessly the same, like tombstones in a forgotten war cemetery; I have searched through the obscuring medium of French, Italian, Portuguese, Spanish, German, Danish, Swedish and Dutch for a glimmer of hitherto unacknowledged genius, a unique sensibility attempting to liberate itself from the marble blocks of verse, a voice expressing a perception of something that needed to be preserved; and sometimes I have thought that all I was achieving with my growing lists of titles was that for the first time statistical proof was being given of how many boring people there were in the early nineteenth-century<\/b> (137-138).\n<\/p><\/blockquote>\n

It’s rare that a scholarly volume will make me laugh out loud, but that did. Oh, those Neo-classicists and their sameness-inducing rule-bounded-ness.<\/p>\n

In other news, I burned my brownies. :( Note to self: when the timer goes off, TAKE THE FOOD OUT. *facepalm*<\/p>\n","protected":false},"excerpt":{"rendered":"

I feel for A.D. Harvey and the research he put into writing the Neo-classical vs. Romantic section of this book Literature and History, especially in hunting down and examining the hundreds of epics written according to the Neo-classical guidelines in the late-18th, early-19th century, hoping to come up with something to rival the ancient Greeks. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15],"tags":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35213,"url":"https:\/\/www.the-frame.com\/blog\/2015\/05\/the-romanticism-of-lost-films-2015-for-the-love-of-films-blogathon\/","url_meta":{"origin":279,"position":0},"title":"The Romanticism of Lost Films (2015 For the Love of Film Blogathon)","author":"Jandy","date":"May 16, 2015","format":false,"excerpt":"[This is an entry in the For the Love of Film Blogathon, which supports film restoration and preservation. Please enjoy the post, and look for the link to donate at the bottom.] Lost movies appeal to our sense of doomed artistry. The movies in your head are always much better\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/05\/FlamingYouth-feat1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":274,"url":"https:\/\/www.the-frame.com\/blog\/2007\/03\/study-break\/","url_meta":{"origin":279,"position":1},"title":"Study break","author":"Jandy","date":"March 23, 2007","format":false,"excerpt":"Over the past two days, I have read (or skimmed) G.W.F. Hegel, J.G. Herder, David Hume, and Karl Marx (but not much Marx, because I got bored). I have also read about Alexander Pope, Homer, Friedrich Schiller, Montesqieu, neo-classicism, and the philosophy of history. (Being a grad student does wonders\u2026","rel":"","context":"In "School"","block_context":{"text":"School","link":"https:\/\/www.the-frame.com\/blog\/category\/school\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":136,"url":"https:\/\/www.the-frame.com\/blog\/2006\/12\/november-recap\/","url_meta":{"origin":279,"position":2},"title":"November recap","author":"Jandy","date":"December 11, 2006","format":false,"excerpt":"Two...count 'em, TWO...movies this month. How freakin' pathetic is that? And one of them was because I was writing about it for class. Oh well, there are twelve books. That's right. More than I've ever read in a month before, ever. Well, yes, all of them were for school. Or\u2026","rel":"","context":"In "Books and Reading"","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":18057,"url":"https:\/\/www.the-frame.com\/blog\/2011\/03\/cinema-101-flickers-of-light\/","url_meta":{"origin":279,"position":3},"title":"Cinema 101: Flickers of Light","author":"Jandy","date":"March 14, 2011","format":false,"excerpt":"In the beginning, there was light. The prehistory of cinema starts as far back as the 1600s, when magic lantern shows toured Europe, delighting audiences with elaborately drawn images and shadows projected on walls by a lantern, usually with spoken narration to go along and tell the story. But cinema\u2026","rel":"","context":"In "Cinema 101"","block_context":{"text":"Cinema 101","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/cinema-101\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/02\/cinema-101-flickers.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1801,"url":"https:\/\/www.the-frame.com\/blog\/2009\/01\/new-release-review-australia\/","url_meta":{"origin":279,"position":4},"title":"New Release Review: Australia","author":"Jandy","date":"January 11, 2009","format":false,"excerpt":"directed by Baz Lurhmann starring: Nicole Kidman, Hugh Jackman Australia\/USA 2008; screened 29 November 2008 at AMC Theatres I admit that I haven't read many reviews of Australia in toto, but the snippets I have read and the general critical feeling indicates that most critics didn't think it was very\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"australiapic8","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2009\/01\/australiapic8.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":33229,"url":"https:\/\/www.the-frame.com\/blog\/2013\/10\/the-story-of-film-on-tcm-chapter-5\/","url_meta":{"origin":279,"position":5},"title":"The Story of Film on TCM: Chapter 5","author":"Jandy","date":"October 8, 2013","format":false,"excerpt":"Movies had to get this raw because life had become this raw. The world changed in the 1940s, a world war casting its presence over half the decade and its shadow over the rest. Nothing would ever be the same, and neither would cinema. In his intro interview with Robert\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/10\/SoF-banner-40s.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/279"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=279"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/279\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}