{"id":29519,"date":"2011-12-01T14:58:14","date_gmt":"2011-12-01T22:58:14","guid":{"rendered":"http:\/\/www.the-frame.com\/?p=29519"},"modified":"2011-12-01T14:58:40","modified_gmt":"2011-12-01T22:58:40","slug":"afi-fest-2011-day-six-wednesday","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2011\/12\/afi-fest-2011-day-six-wednesday\/","title":{"rendered":"AFI Fest 2011: Day Six (Wednesday)"},"content":{"rendered":"<p><a href=\"http:\/\/www.the-frame.com\/tag\/afi-fest-2011\/\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/AFI-Fest-2011.jpg\" alt=\"\" title=\"AFI-Fest-2011\" width=\"550\" height=\"98\" class=\"centered size-full wp-image-29297\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/AFI-Fest-2011.jpg 550w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/AFI-Fest-2011-300x53.jpg 300w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/a><\/p>\n<p><span class=\"firstletter\">A<\/span>fter a day of disappointing features on <a href=\"http:\/\/www.the-frame.com\/2011\/11\/afi-fest-2011-day-four-monday\/\">Monday<\/a> and a day of mostly shorts on <a href=\"http:\/\/www.the-frame.com\/2011\/11\/afi-fest-2011-day-five-tuesday\/\">Tuesday<\/a> (albeit very excellent shorts), I was ready for some features to blow me away, and that&#8217;s exactly what happened on Wednesday. These were two of my most highly-anticipated films of the festival, and they both actually turned out to be even better than I was hoping. Both of these films are in my top ten for the year right now, and <em>We Need to Talk About Kevin<\/em> is pretty much guaranteed a spot on it, sitting in the #2 slot right now. That&#8217;s what I call a good day at the festival.<\/p>\n<h4>Attenberg<\/h4>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/Attenberg041.jpg\" alt=\"\" title=\"Attenberg\" width=\"550\" height=\"300\" class=\"centered size-full wp-image-29266\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/Attenberg041.jpg 550w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/Attenberg041-234x128.jpg 234w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/Attenberg041-300x163.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/Attenberg041-367x200.jpg 367w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>My first foray into the new wave of Greek cinema emerging over the past couple of years was an unmitigated success, at least for me. I have yet to see either of Yanthos Lorgimos&#8217;s films (which I need to do, especially <em>Dogtooth<\/em>, as it&#8217;s a frontrunner in current Greek cinema), but I pretty much loved <em>Attenberg<\/em>, from his friend and collaborator Athina Rachel Tsangari, from start to finish. I wasn&#8217;t quite sure what to expect, but what I got is something very similar to a Czech New Wave film, closely focused on a single twenty-something character and her struggle to come to terms with her father&#8217;s impending death and the way that&#8217;s all tied up her late-blooming sexuality. On the surface, not a whole lot happens here, but there&#8217;s a lot underneath, and that&#8217;s what I like to see. Right now this is in my top ten for the year. We&#8217;ll see if it can hang on through the final month of big-name releases. Reaction: LOVED. <a href=\"http:\/\/www.rowthree.com\/2011\/11\/12\/afi-fest-2011-attenberg\/\">Full review on Row Three<\/a>.<br \/>\n<em>2011 Greece. Director: Athina Rachel Tsangari. Starring: Ariane Labed, Yorgos Lanthimos, Vangelis Mourikis, Evangelia Randou.<\/em><\/p>\n<h4>We Need to Talk About Kevin<\/h4>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/WeNeedtoTalkAboutKevin01.jpg\" alt=\"\" title=\"We Need to Talk About Kevin\" width=\"550\" height=\"300\" class=\"centered size-full wp-image-29295\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/WeNeedtoTalkAboutKevin01.jpg 550w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/WeNeedtoTalkAboutKevin01-234x128.jpg 234w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/WeNeedtoTalkAboutKevin01-300x164.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/WeNeedtoTalkAboutKevin01-366x200.jpg 366w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>Now here&#8217;s one that will DEFINITELY be on my top ten list his year &#8211; I was expecting a lot from this film based on the buzz from other festivals and advance screenings, and it delivered even more than I could&#8217;ve hoped. Almost a psychological horror film, delving into the disturbed psyche of a mom whose son seems to be a child of the devil. But whether the boy really is astoundingly fiendish or whether she&#8217;s an incapable mother (or more likely, somewhere between those two extremes, as they both bring out the worst in each other) is left ambiguous, as Lynne Ramsay builds a portrait of a woman who&#8217;s lost everything and vascillates between blaming everyone else and assuming blame herself. The film is structured with a series of flashbacks and flashforwards, keeping the audience in doubt as to the exact chain of events until a chronology starts building up to a terrible end &#8211; this structure, standout performances from everyone involved, and an enormously effective soundscape combine to make this one of the most terrifying pictures about parenthood ever made. Reaction: LOVED.<br \/>\n<em>2011 UK. Director: Lynne Ramsay. Starring: Tilda Swinton, Ezra Miller, John C. Reilly.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a day of disappointing features on Monday and a day of mostly shorts on Tuesday (albeit very excellent shorts), I was ready for some features to blow me away, and that&#8217;s exactly what happened on Wednesday. These were two of my most highly-anticipated films of the festival, and they both actually turned out to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":29295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[2312,2407,2364,2375,2383,2384,2351],"jetpack_featured_media_url":"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/WeNeedtoTalkAboutKevin01.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29308,"url":"https:\/\/www.the-frame.com\/blog\/2011\/12\/scorecard-november-2011\/","url_meta":{"origin":29519,"position":0},"title":"Scorecard: November 2011","author":"Jandy","date":"December 3, 2011","format":false,"excerpt":"[At the end of every month I post a rundown of the movies I saw that month, tallying them according to how much I did or didn't like them. You can always see my recent watches here and my ongoing list of bests for the whole year here.] Even though\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/le-cercle-rouge.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29516,"url":"https:\/\/www.the-frame.com\/blog\/2011\/11\/afi-fest-2011-day-five-tuesday\/","url_meta":{"origin":29519,"position":1},"title":"AFI Fest 2011: Day Five (Tuesday)","author":"Jandy","date":"November 30, 2011","format":false,"excerpt":"Tuesday was almost a day full of shorts (it could've been - they ran all four shorts programs back to back in the same theatre without reticketing, a very tempting prospect), but I punctuated it with a quiet little feature from Korean director Hong Sang-soo. Unfortunately both that and some\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/TheDayHeArrives021.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28936,"url":"https:\/\/www.the-frame.com\/blog\/2011\/11\/heading-to-the-afi-film-festival-2011\/","url_meta":{"origin":29519,"position":2},"title":"Heading to the AFI Film Festival 2011","author":"Jandy","date":"November 4, 2011","format":false,"excerpt":"One of my three big festivals of the year starts today (for me; the opening night premiere was J. Edgar last night, but I didn't go to that), and there are a boat-load of fantastic films at AFI Fest 2001 Presented by Audi. Thanks to Audi's sponsorship (among others), tickets\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/Melancholia04.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29522,"url":"https:\/\/www.the-frame.com\/blog\/2011\/12\/afi-fest-2011-day-seven-thursday\/","url_meta":{"origin":29519,"position":3},"title":"AFI Fest 2011: Day Seven (Thursday)","author":"Jandy","date":"December 2, 2011","format":false,"excerpt":"And this completes the festival for another year. All told, I saw 21 features and about the same number of shorts, which is probably my highest festival total ever. A few of them will likely be on my best-of year lists, a few are hovering way down at the bottom\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/TheKidWithaBike03.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8100,"url":"https:\/\/www.the-frame.com\/blog\/2010\/10\/afi-fest-2010-a-biased-preview\/","url_meta":{"origin":29519,"position":4},"title":"AFI Fest 2010: A Biased Preview","author":"Jandy","date":"October 25, 2010","format":false,"excerpt":"*slow connection warning - many videos embedded* Festival season for 2010 is starting to wind down now, but there's at least one more big one in Los Angeles - the American Film Market and its less-industry-insidery sister the AFI Film Festival. I find myself more drawn to the mind-set of\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2010\/10\/AFI-blackswan.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29311,"url":"https:\/\/www.the-frame.com\/blog\/2011\/11\/afi-festival-day-one-friday\/","url_meta":{"origin":29519,"position":5},"title":"AFI Festival: Day One (Friday)","author":"Jandy","date":"November 7, 2011","format":false,"excerpt":"A few capsule reviews from the first day at the AFI Film Festival. Saw a couple of great things, a couple of not-great things, managed to eat dinner in the middle of it all, and made it through the midnight movie no worse for wear. So great to be festivalling\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2011\/11\/Extraterrestrial1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/29519"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=29519"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/29519\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media\/29295"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=29519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=29519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=29519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}