{"id":33551,"date":"2014-01-10T08:00:57","date_gmt":"2014-01-10T16:00:57","guid":{"rendered":"http:\/\/www.the-frame.com\/?p=33551"},"modified":"2014-01-10T09:56:50","modified_gmt":"2014-01-10T17:56:50","slug":"blind-spots-look-back-and-looking-ahead","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2014\/01\/blind-spots-look-back-and-looking-ahead\/","title":{"rendered":"Blind Spots: Looking Back and Looking Ahead"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/11\/Blind-Spots.jpg\" alt=\"\" title=\"Blind-Spots\" width=\"600\" height=\"264\" class=\"centered size-full wp-image-33462\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/11\/Blind-Spots.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/11\/Blind-Spots-290x128.jpg 290w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/11\/Blind-Spots-300x132.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/11\/Blind-Spots-454x200.jpg 454w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span class=\"firstletter\">T<\/span>his year I attempted to watch twelve films off my extensive Blind Spots list. I didn&#8217;t manage to watch them all, but you know what, that&#8217;s okay. I still watched several that I might otherwise not have gotten around to, so I&#8217;m ahead.<\/p>\n<p>There&#8217;s been some debate in the past couple of months over whether the whole Blind Spot project is worthwhile or not, stemming from Matt Brown&#8217;s <a href=\"http:\/\/tederick.tumblr.com\/post\/68778544130\/film-is-not-a-mission\">post &#8220;Film is Not a Mission&#8221;<\/a> and tumbling into a really great <a href=\"http:\/\/www.rowthree.com\/2013\/12\/07\/mamo-332-canon-ball\/\">Mamo episode<\/a> featuring <a href=\"http:\/\/www.thematinee.ca\"<\/a>Ryan McNeil<\/a>, who has been a big proponent of the Blind Spots series. I think Matt&#8217;s point that becoming too beholden to &#8220;canon&#8221; is fair, but I obviously still think it&#8217;s worthwhile to identify holes in your viewing you&#8217;d like to fill and make a concerted effort to do so, and that&#8217;s really what this is for me.<\/p>\n<p>That said, I did actually turn over part of my Blind Spot listmaking for 2014 to others, selecting a set of about 50 films that I consider Blind Spots and asking people to vote on which of those films they thought I should watch. But that&#8217;s really just crowdsourcing priority; I intend to watch all of the 50 films at some point.<\/p>\n<p>Anyway, since I blogged about even fewer of my 2013 selections than I watched, I&#8217;m going to run down the results of my 2013 viewing, then list what I&#8217;m planning to watch in 2014.<\/p>\n<h3>What I Watched in 2013<\/h3>\n<p>My original <a href=\"http:\/\/www.the-frame.com\/2013\/02\/blindspotting-2013-the-list\/\">watchlist<\/a> is as follows:<\/p>\n<ul>\n<li>Our Hospitality \/ The Navigator<\/li>\n<li>Pandora\u00e2\u20ac\u2122s Box<\/li>\n<li>Vampyr<\/li>\n<li>Island of Lost Souls<\/li>\n<li>Zero de Conduite \/ L\u00e2\u20ac\u2122Atalante<\/li>\n<li>The Stranger<\/li>\n<li>Wild Strawberries<\/li>\n<li>Sanjuro<\/li>\n<li>El Dorado<\/li>\n<li>Cool Hand Luke<\/li>\n<li>Serpico<\/li>\n<li>Days of Heaven<\/li>\n<\/ul>\n<p>And here&#8217;s what I thought of the six I managed to watch.<\/p>\n<p><!--more--><\/p>\n<h4>The Stranger (1946)<\/h4>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/04\/The-Stranger.jpg\" alt=\"\" title=\"The-Stranger\" width=\"600\" height=\"350\" class=\"centered size-full wp-image-32734\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/04\/The-Stranger.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/04\/The-Stranger-219x128.jpg 219w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/04\/The-Stranger-300x175.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/04\/The-Stranger-343x200.jpg 343w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>I put this on my list because, hey, Orson Welles and film noir. But since I hadn&#8217;t ever really heard much about it, I figured it was probably a lesser film. Au contraire, this is a solid, taut little thriller &#8211; maybe more Hitchcockian than Wellesian, but that&#8217;s fine by me. <a href=\"http:\/\/www.the-frame.com\/2013\/05\/scorecard-march-may-2013\/\">Scorecard capsule<\/a>.<\/p>\n<h4>El Dorado (1966)<\/h4>\n<p>I&#8217;m a big fan of Howard Hawks&#8217; <em>Rio Bravo<\/em>, so I expected to like its spiritual successor <em>El Dorado<\/em>, and I was not wrong. Wayne and Mitchum play off each other brilliantly, and the whole thing is just a fun, laid-back hangout western. I fell into its groove immediately. <a href=\"http:\/\/www.the-frame.com\/2013\/05\/scorecard-march-may-2013\/\">Scorecard capsule<\/a>.<\/p>\n<h4>The Navigator (1923)<\/h4>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/Navigator.jpg\" alt=\"\" title=\"Navigator\" width=\"600\" height=\"350\" class=\"centered size-full wp-image-32583\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/Navigator.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/Navigator-219x128.jpg 219w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/Navigator-300x175.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>After getting the awesome Keaton Blu-ray set for Christmas last year, I expected to watch a whole lot of Keaton films this year. As it turns out, watching silent movies (even comedies) in the sleep-deprived state of new motherhood is not a winning proposition, so I just managed to get to this one in December. I&#8217;m glad I made time for at least this one, though, as it was pretty delightful. Keaton is his rich-guy character here, who finds himself aboard a ship alone with the girl he wants to marry (some conspirators got rid of the crew in a Hitchcock-worthy McGuffin). This one takes its time with its jokes, especially an extended underwater sequence which is more &#8220;I can&#8217;t believe they did this&#8221; than laugh out loud funny, but they pay off and Keaton and Kathryn McGuire are pretty cute together.<\/p>\n<h4>Wild Strawberries (1958)<\/h4>\n<p><em>Wild Strawberries<\/em> is the only one of the bunch that I ended up writing a <a href=\"http:\/\/www.the-frame.com\/2013\/03\/blindspotting-2013-wild-strawberries-1957\/\">full post<\/a> about, though I included some of the others in my scorecard recap posts. I&#8217;ll leave you to read that review if you wish, but basically I thought it was solid, but it didn&#8217;t move me as much as I&#8217;d hoped, and it&#8217;s not particularly near the top of my favorite Bergman films.<\/p>\n<h4>Cool Hand Luke (1967)<\/h4>\n<p>According to Flickchart, this was the most highly ranked film than neither Jon nor I had seen. Good enough reason to queue it up. I liked it overall, and there are definitely some great scenes (&#8220;Plastic Jesus&#8221; chief among them), but it was a bit too episodic and testosterone-laden for me to really love it.<\/p>\n<h4>Zero de Conduite (1933)<\/h4>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/zero-de-conduite.jpg\" alt=\"\" title=\"zero-de-conduite\" width=\"600\" height=\"350\" class=\"centered size-full wp-image-32585\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/zero-de-conduite.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/zero-de-conduite-219x128.jpg 219w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/02\/zero-de-conduite-300x175.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>This was another late-in-the-year watch as I realized I could probably knock off a couple short ones before the year ended. I&#8217;m sure I would&#8217;ve gotten more out of it if I were more in tune with the state of French society and filmmaking in the early 1930s, as a lot of the rebellion in the film went over my head. I mean, this thing was banned at the time or some craziness, when it seems like little more than a bunch of boys goofing around at boarding school. Still, the spirit is infectious, and there&#8217;s no doubt it was a bit influence on Truffaut&#8217;s <em>The 400 Blows<\/em>, a film that is near and dear to my heart.<\/p>\n<h3>Blind Spots 2014<\/h3>\n<p>As I said, I let others vote on what I should watch this year, from a list of about 50 that I put on <a href=\"http:\/\/letterboxd.com\/faithx5\/list\/blind-spots-2014\/\">Letterboxd<\/a>. I will admit that I have manipulated the final list slightly, because I didn&#8217;t want to have two by the same director (both Malick and Kubrick were up for double-dipping) and because the voting ended up in about a five-way tie for the last couple of spots and I took the liberty of choosing which ones I wanted to include.<\/p>\n<p>Without further ado, here are the films I&#8217;ll be attempting to watch in 2014.<\/p>\n<ul>\n<li>Requiem for a Dream<\/li>\n<li>The Goonies<\/li>\n<li>Days of Heaven<\/li>\n<li>Tokyo Story<\/li>\n<li>Full Metal Jacket<\/li>\n<li>A Separation<\/li>\n<li>Gimme Shelter<\/li>\n<li>Sanjuro<\/li>\n<li>Paris, Texas<\/li>\n<li>Predator<\/li>\n<li>Heat<\/li>\n<li>Eraserhead<\/li>\n<\/ul>\n<p>Sharp eyes will notice that <em>Days of Heaven<\/em> and <em>Sanjuro<\/em> were also on the 2013 Blind Spot list. <em>Eraserhead<\/em> has also been on the list a couple of times in the past. Apparently people still think they&#8217;re worth watching. The overall list skewed a little newer than I was hoping, but there&#8217;s still a good variety. I&#8217;m looking forward to peppering these into my moviewatching this year.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year I attempted to watch twelve films off my extensive Blind Spots list. I didn&#8217;t manage to watch them all, but you know what, that&#8217;s okay. I still watched several that I might otherwise not have gotten around to, so I&#8217;m ahead. There&#8217;s been some debate in the past couple of months over whether [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":33462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"jetpack_featured_media_url":"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/11\/Blind-Spots.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30500,"url":"https:\/\/www.the-frame.com\/blog\/2012\/03\/blind-spots-2012-the-virgin-spring\/","url_meta":{"origin":33551,"position":0},"title":"Blind Spots 2012: The Virgin Spring","author":"Jandy","date":"March 19, 2012","format":false,"excerpt":"[This post is part of a series to identify and catch up with various blind spots in my cinematic knowledge, choosing twelve films to watch in 2012. See the series intro for the rest of my picks] A couple of years ago, I was watching The Virgin Spring at one\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2012\/03\/Blind-Spots-virginspring.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33460,"url":"https:\/\/www.the-frame.com\/blog\/2013\/11\/blind-spots-listmaking-2014\/","url_meta":{"origin":33551,"position":1},"title":"Blind Spots Listmaking 2014","author":"Jandy","date":"November 27, 2013","format":false,"excerpt":"The past two years I've followed the lead of Ryan McNeil of The Matinee (along with many others) and created a list of films I consider blind spots in my viewing history to try to catch up with during the year. Both years I have failed to actually complete the\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/11\/Blind-Spots.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34097,"url":"https:\/\/www.the-frame.com\/blog\/2014\/05\/blind-spots-2014-predator\/","url_meta":{"origin":33551,"position":2},"title":"Blind Spots 2014: Predator","author":"Jandy","date":"May 27, 2014","format":false,"excerpt":"I picked this for the Blind Spot poll this year because it's one of a number of \"classic\" '80s action flicks that I haven't seen (the whole era is a blind spot for me), and it was one that came up more often than the others in conversations of actually\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2014\/05\/bs-Predator02.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":34143,"url":"https:\/\/www.the-frame.com\/blog\/2014\/05\/blind-spots-2014-days-of-heaven\/","url_meta":{"origin":33551,"position":3},"title":"Blind Spots 2014: Days of Heaven","author":"Jandy","date":"May 27, 2014","format":false,"excerpt":"Terrence Malick has a way of making the most ordinary things seem positively monumental, even Biblical. That tendency has hit an apex, perhaps, with The Tree of Life (and To the Wonder, probably, which I haven't seen, but the priest character isn't in there by accident), but even as far\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2014\/05\/bs-Days-of-Heaven01.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30194,"url":"https:\/\/www.the-frame.com\/blog\/2012\/01\/blind-spot-series-2012\/","url_meta":{"origin":33551,"position":4},"title":"Blind Spot Series &#8211; 2012","author":"Jandy","date":"January 24, 2012","format":false,"excerpt":"Long-time film buffs like me have seen a whole lot of films, but there are also a whole lot of films we've somehow missed...blind spots in our cinematic knowledge, if you will. There's no way to ever see ALL the things we haven't seen, or even all the things we\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2012\/01\/Blind-Spots-Series.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":30865,"url":"https:\/\/www.the-frame.com\/blog\/2012\/04\/blind-spots-2012-whos-afraid-of-virginia-woolf\/","url_meta":{"origin":33551,"position":5},"title":"Blind Spots 2012: Who&#8217;s Afraid of Virginia Woolf?","author":"Jandy","date":"April 23, 2012","format":false,"excerpt":"This has been an extremely difficult review to sit down and write, largely because this film elicited such strong and conflicting reactions from me both while viewing it, and thinking back on it afterwards. I have never felt so in turmoil about a film, even while in the midst of\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2012\/04\/banner.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/33551"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=33551"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/33551\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media\/33462"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=33551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=33551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=33551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}