{"id":35345,"date":"2015-10-08T08:30:59","date_gmt":"2015-10-08T15:30:59","guid":{"rendered":"http:\/\/www.the-frame.com\/?p=35345"},"modified":"2020-10-08T15:21:28","modified_gmt":"2020-10-08T22:21:28","slug":"letterboxd-season-challenge-high-and-low-1963","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2015\/10\/letterboxd-season-challenge-high-and-low-1963\/","title":{"rendered":"Letterboxd Season Challenge: High and Low (1963)"},"content":{"rendered":"<p><em>Film 3 for the <a href=\"http:\/\/letterboxd.com\/zapperlife\/list\/letterboxd-season-challenge-2015-16\">Letterboxd Season Challenge<\/a>. The other films I plan to watch for the challenge are <a href=\"http:\/\/letterboxd.com\/faithx5\/list\/letterboxd-season-challenge-2015-2016\/\">here<\/a>.<\/em><\/p>\n<p><b>Week 3, Sept 20-26:<\/b> Master of the East<br \/>\n<b>Challenge:<\/b> Watch an unseen film directed by Akira Kurosawa<br \/>\n<b>Film I Chose:<\/b> <em>High and Low<\/em> (1963)<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-high_and_low_poster.jpg\" alt=\"tf-high_and_low_poster\" width=\"450\" height=\"692\" class=\"aligncenter size-full wp-image-35347\" data-wp-pid=\"35347\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-high_and_low_poster.jpg 450w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-high_and_low_poster-83x128.jpg 83w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-high_and_low_poster-195x300.jpg 195w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-high_and_low_poster-130x200.jpg 130w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>I&#8217;ve been keeping up watching the films for the Letterboxd challenge; less so writing them up, and even less so posting my thoughts over here! So expect an onslaught of posts ever the next few days as I catch up. Japanese film is troublesome for me, and I often have trouble with even the most well-known and accessible films, like those from Kurosawa. That said, more exposure is definitely helping, and I&#8217;ve really been looking forward to <em>High and Low<\/em>, which was my first non-samurai Kurosawa film.<\/p>\n<p>Maybe this is the direction I need to go, because I loved this. I knew the basics of the premise, that Toshiro Mifune played a businessman who has his son kidnapped and held for ransom, but then discovers that the kidnapper made a mistake and kidnapped his chauffeur&#8217;s son instead &#8211; will he still jeopardize his long-planned company takeover and risk losing everything in order to pay the ransom on the boy?<\/p>\n<p><!--more--><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High.And_.Low2_.jpg\" alt=\"tf-High.And.Low2\" width=\"600\" height=\"255\" class=\"alignnone size-full wp-image-35349\" data-wp-pid=\"35349\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High.And_.Low2_.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High.And_.Low2_-301x128.jpg 301w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High.And_.Low2_-300x127.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High.And_.Low2_-470x200.jpg 470w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Turns out that&#8217;s like the first half hour of a two and a half hour movie. The rest is a fascinating and meticulous police investigation into trying to find and trap the kidnapper, which involves really excellent police work (refreshing since a lot of times police in movies are totally incompetent), a trip through the seedier side of Tokyo and some truly disturbing heroin den scenes, and a commentary on the dichotomy between the economic divisions (the &#8220;high&#8221; and &#8220;low&#8221;) that plague society.<\/p>\n<p>Kurosawa is always a wonderful technician, and that&#8217;s certainly true here, especially in how he arranges people in the frame &#8211; in the early ransom scenes, he&#8217;s working with often six or seven people in a shot, and he guides your attention perfectly between them purely with composition. Later on, surveillance through the city is meandering and confusing, but he&#8217;s able to keep it clear who and where everyone is in relation to each other.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High_and_Low3.jpg\" alt=\"tf-High_and_Low3\" width=\"600\" height=\"260\" class=\"alignnone size-full wp-image-35348\" data-wp-pid=\"35348\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High_and_Low3.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High_and_Low3-295x128.jpg 295w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High_and_Low3-300x130.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-High_and_Low3-461x200.jpg 461w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>I definitely enjoyed this foray into Kurosawa&#8217;s crime\/contemporary films, and will be seeking out more of them soon.<\/p>\n<p>After watching a film, I always rank it on <a href=\"http:\/\/www.flickchart.com\">Flickchart<\/a>, a movie website that pits movies against each other until you form your ranked list of favorite movies. Note that <em>High and Low<\/em> was one of only two films in the Flickchart Top 100 that I had not seen (the other is <em>Rocky<\/em>, and I&#8217;m in no hurry). Here&#8217;s how <em>High and Low<\/em> entered my chart:<\/p>\n<p>High and Low > A Matter of Loaf and Death<br \/>\nHigh and Low > Through a Glass Darkly<br \/>\nHigh and Low > Hans Christian Andersen<br \/>\nHigh and Low < Schindler\u00e2\u20ac\u2122s List<br \/>\nHigh and Low < Where Danger Lives<br \/>\nHigh and Low > Argo<br \/>\nHigh and Low < Galaxy Quest<br \/>\nHigh and Low > Frozen<br \/>\nHigh and Low < The Master<br \/>\nHigh and Low < The Narrow Margin<br \/>\nHigh and Low > Rebel Without a Cause<br \/>\nHigh and Low > Wall-E<\/p>\n<p>Final ranking #369 out of 3537 (I actually ranked it again a few days after this and it landed at #195!)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film 3 for the Letterboxd Season Challenge. The other films I plan to watch for the challenge are here. Week 3, Sept 20-26: Master of the East Challenge: Watch an unseen film directed by Akira Kurosawa Film I Chose: High and Low (1963) I&#8217;ve been keeping up watching the films for the Letterboxd challenge; less [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":35346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[1510,3020],"jetpack_featured_media_url":"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-feat-HighandLow5.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":35422,"url":"https:\/\/www.the-frame.com\/blog\/2016\/01\/challenge-week-1-stray-dog\/","url_meta":{"origin":35345,"position":0},"title":"Challenge Week 1: Stray Dog","author":"Jandy","date":"January 9, 2016","format":false,"excerpt":"I mentioned on my post about Babette's Feast that I wasn't inherently that excited about seeing it, though I ended up very glad I had. I was very excited about Stray Dog, and I wasn't let down a bit. I typically have some trouble connecting with Japanese film, even Kurosawa,\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/01\/tf-StrayDog-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35358,"url":"https:\/\/www.the-frame.com\/blog\/2015\/10\/letterboxd-season-challenge-the-big-parade-1925\/","url_meta":{"origin":35345,"position":1},"title":"Letterboxd Season Challenge: The Big Parade (1925)","author":"Jandy","date":"October 9, 2015","format":false,"excerpt":"Film 5 for the Letterboxd Season Challenge. The other films I plan to watch for the challenge are here. Week 5: PUNQ Week Challenge: Watch an unseen feature that ranked in the top ten on any of PUNQ\u00e2\u20ac\u2122s pre-1940 lists. Film I Chose: The Big Parade PUNQ is a Letterboxd\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-feat-big-parade-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3386,"url":"https:\/\/www.the-frame.com\/blog\/2010\/03\/happy-100th-birthday-akira-kurosawa\/","url_meta":{"origin":35345,"position":2},"title":"Happy 100th Birthday, Akira Kurosawa!","author":"Jandy","date":"March 23, 2010","format":false,"excerpt":"Today would've been legendary Japanese filmmaker Akira Kurosawa's 100th birthday, were he still with us. I'm the first to admit that I'm not the biggest Kurosawa fan, and this day probably would've passed by me unnoticed had it not been for the writers at Row Three putting together a site-wide\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"ikiru-(2).jpg","src":"https:\/\/i0.wp.com\/www.rowthree.com\/wp-content\/uploads\/2010\/03\/ikiru-21.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":35376,"url":"https:\/\/www.the-frame.com\/blog\/2015\/11\/letterboxd-season-challenge-serpico-1973\/","url_meta":{"origin":35345,"position":3},"title":"Letterboxd Season Challenge: Serpico (1973)","author":"Jandy","date":"November 8, 2015","format":false,"excerpt":"Film 9 for the Letterboxd Season Challenge. The other films I plan to watch for the challenge are here. Week 9: Hardboiled Wonderland Challenge: Watch an unseen film from the Hardboiled Wonderland 1970s list of crime films. Film I Chose: Serpico (1973) Okay, so this is the week 9 film,\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/11\/tf-serpico-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35351,"url":"https:\/\/www.the-frame.com\/blog\/2015\/10\/letterboxd-season-challenge-its-a-mad-mad-mad-mad-world-1963\/","url_meta":{"origin":35345,"position":4},"title":"Letterboxd Season Challenge: It&#8217;s a Mad Mad Mad Mad World (1963)","author":"Jandy","date":"October 8, 2015","format":false,"excerpt":"Film 4 for the Letterboxd Season Challenge. The other films I plan to watch for the challenge are here. Week 4, Sep 27-Oct 3: 60's Blockbuster Week Challenge: Watch an unseen film from among the Top 50 Highest Grossing Movies of the 1960s. My Choice: It's a Mad Mad Mad\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-mad-mad-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35339,"url":"https:\/\/www.the-frame.com\/blog\/2015\/09\/letterboxd-season-challenge-the-smiling-lieutenant-1931\/","url_meta":{"origin":35345,"position":5},"title":"Letterboxd Season Challenge: The Smiling Lieutenant (1931)","author":"Jandy","date":"September 13, 2015","format":false,"excerpt":"This is film 2 for the Letterboxd Season Challenge. The whole list of films I'm planning to watch is here. Week 2: 1930s Musicals Challenge: Watch an unseen 1930s musical Film I Chose: The Smiling Lieutenant (1931), directed by Ernst Lubitsch We're totally in my wheelhouse doing 1930s musicals, so\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/09\/tf-Chevalier-Hopkins.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/35345"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=35345"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/35345\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media\/35346"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=35345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=35345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=35345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}