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<\/p>\nSorry for the delay on this one – combination of Netflix, library, and my own procrastination made acquiring the film take longer than I expected. I am caught up on watching films, but will likely do short writeups of the latest three to catch up. <\/p>\n
Right upfront, I want to point out that post-studio era romantic comedies kind of have a tough time with me – I don’t often outright dislike them, but they also rarely reach favorite status, and like most, this one falls kind of in the middle for me. That said, this has a lot of serious stuff going on as well, and while I don’t know that all of it was handled perfectly, it certainly has more to offer than most standard rom-coms.<\/p>\n
The story involves Kenya, an investment banker nearing the top of her career (about to be made partner) but struggling in her personal life, largely because she’s working 90% of the time to be taken seriously in her job, especially by nervous rich white guys who aren’t sure about entrusting their accounts to her. When a coworker sets her up on a blind date with a white guy, she’s less than enthused, but ends up involved with him anyway, to the consternation of her family.<\/p>\n
<\/p>\n
<\/p>\n
The film was written, directed, and produced by black women, and that perspective is really refreshing for a film like this. While it follows many standard tropes of the romantic comedy, it feels fresh and interesting, in both obvious and subtle ways. It foregrounds the race issue in a way most movies wouldn’t dare, with Kenya explicitly rejecting Brian at first BECAUSE he’s not black, and having a quite heated conversation in a supermarket about how she can’t just “take a night off” from thinking about race like he wants her to. It’s a very succinct explanation of privilege and yet it also allows that white guy Brian might not be 100% wrong about everything – for instance, she’s not wrong that her office is very white and that the major client she’s working with doesn’t totally trust her judgment, but on the other hand, the person who matters, her actual boss (also an older white guy), never distrusts her or dismisses her in any way.<\/p>\n
I did think it was interesting that she attributes the prejudice she experiences, especially at work, completely to being black and not at all to being a woman, or to being 30 when the rest of the executives seem over 50. But I guess a movie can only bite off so much.<\/p>\n
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Particularly refreshing is the depiction of Kenya’s family and social circle as a whole, who are all well-educated (her parents are both doctors, her father the former head of neurosurgery at a prestigious hospital), well-to-do, and highly cultured. I’m not saying it’s unusual for a black family to BE like this, merely that it’s unusual for movies to show it – but I’ll be the first to admit that I don’t see nearly enough movies aimed at black audiences, where I presume it’s much more common. That’s a deficiency in my viewing habits I’m certainly hoping to shift soon.<\/p>\n
2006, USA<\/em> I’m ranking all my Challenge films on Flickchart (as I do all the films I see), a movie-ranking website that asks you to choose your favorite between two movies until it builds a ranked list of your favorites. Just for fun, I will average out the rankings and keep a running tally of whose recommendations rank the highest. When you add a film to Flickchart, it pits it against films already on your chart to see where it should fall. Here’s how Something New<\/em> entered my chart:<\/p>\n Something New<\/b> beats Velvet Goldmine Final ranking #1252 out of 3613 films on my chart (65%)<\/p>\n It is now my #1 Sanaa Hamri film, my #1 Sanaa Lathan film, my #2 Simon Baker film, and my #25 film of 2006.<\/p>\n Something New<\/em> was recommended by Marya Gates, a friend from Twitter. Averaging together this #1252 ranking with my #1322 ranking of her other film, Obvious Child<\/em>, gives Marya an average ranking of 1287.<\/p>\n Client:<\/b> Isn\u00e2\u20ac\u2122t there someone else coming in? Kenya’s friend:<\/b> We\u00e2\u20ac\u2122ve got to let go in order to let love flow. Let go, let flow.<\/p>\n Kenya:<\/b> I don\u00e2\u20ac\u2122t do dogs. Nelson:<\/b> My sister shouldn\u00e2\u20ac\u2122t be going off on a blind date with a white dude! You are not that desperate!<\/p>\n Kenya:<\/b> What\u00e2\u20ac\u2122s wrong with beige? Brian:<\/b> I take it you don’t do white guys. Brian:<\/b> I\u00e2\u20ac\u2122m a landscaper. I take hard earth and I make things bloom.<\/p>\n Kenya’s mother:<\/b> You have gotten all Bohemian in here, what has gotten into you? [beat] Do not answer that.<\/p>\n Brian:<\/b> Can we put the “white boys” on hold, the “white folks”, the brothers, and the sisters too? […] It makes me uncomfortable. I wasn\u00e2\u20ac\u2122t brought up that way. Walter:<\/b> At the end of the day it’s not about skin color or race. It’s about the love connection: the vibe between a man and a woman.<\/p>\n Kenya’s friend:<\/b> Does he make you feel love? Make you laugh, make you want to forget all the bullshit and just enjoy life, because that\u00e2\u20ac\u2122s what you had with Brian.<\/p>\n Kenya’s father:<\/b> The point is, love is an adventure, Kenya. It’s not a decision you make for others. It’s a decision you make from your heart. Anyway, the boy’s just white, he ain’t a martian.<\/p>\n Sorry for the delay on this one – combination of Netflix, library, and my own procrastination made acquiring the film take longer than I expected. I am caught up on watching films, but will likely do short writeups of the latest three to catch up. Right upfront, I want to point out that post-studio era […]<\/p>\n","protected":false},"author":2,"featured_media":35776,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3027],"tags":[3108,3107],"jetpack_featured_media_url":"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/04\/tf-feat.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36554,"url":"https:\/\/www.the-frame.com\/blog\/2016\/12\/challenge-week-47-limelight\/","url_meta":{"origin":35772,"position":0},"title":"Challenge Week 47: Limelight","author":"Jandy","date":"December 12, 2016","format":false,"excerpt":"I've been wanting to see Limelight for quite some time, as what most people consider Chaplin's last great film, so I really appreciate the push to see it. I had high hopes and they were both met and exceeded. Interestingly, the FB group where I've been tracking this challenge seemed\u2026","rel":"","context":"In "2016 Movie Challenge"","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/12\/tf-feat-limelight.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35345,"url":"https:\/\/www.the-frame.com\/blog\/2015\/10\/letterboxd-season-challenge-high-and-low-1963\/","url_meta":{"origin":35772,"position":1},"title":"Letterboxd Season Challenge: High and Low (1963)","author":"Jandy","date":"October 8, 2015","format":false,"excerpt":"Film 3 for the Letterboxd Season Challenge. The other films I plan to watch for the challenge are here. Week 3, Sept 20-26: Master of the East Challenge: Watch an unseen film directed by Akira Kurosawa Film I Chose: High and Low (1963) I've been keeping up watching the films\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-feat-HighandLow5.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36284,"url":"https:\/\/www.the-frame.com\/blog\/2016\/09\/challenge-week-35-animal-house\/","url_meta":{"origin":35772,"position":2},"title":"Challenge Week 35: Animal House","author":"Jandy","date":"September 22, 2016","format":false,"excerpt":"There have been several movies in this challenge that I didn't expect to like and surprised me quite a bit. This was not one of them. After I loved The Blues Brothers so much, I thought maybe my pre-conceptions of Animal House might be way off, and the team of\u2026","rel":"","context":"In "2016 Movie Challenge"","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/national-lampoons-animal-house.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/national-lampoons-animal-house.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/national-lampoons-animal-house.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/national-lampoons-animal-house.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":36268,"url":"https:\/\/www.the-frame.com\/blog\/2016\/09\/challenge-week-34-the-long-memory\/","url_meta":{"origin":35772,"position":3},"title":"Challenge Week 34: The Long Memory","author":"Jandy","date":"September 21, 2016","format":false,"excerpt":"This is one of the few films I hadn't heard of at all going into this challenge, even more surprising as it's an older film, and a noir to boot! The trick is it's British noir, and I'm not as familiar with that as I should be, so thank you\u2026","rel":"","context":"In "2016 Movie Challenge"","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/john-mills-elizabeth-sellers-long-memory-xlarge.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/john-mills-elizabeth-sellers-long-memory-xlarge.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/john-mills-elizabeth-sellers-long-memory-xlarge.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/09\/john-mills-elizabeth-sellers-long-memory-xlarge.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":35358,"url":"https:\/\/www.the-frame.com\/blog\/2015\/10\/letterboxd-season-challenge-the-big-parade-1925\/","url_meta":{"origin":35772,"position":4},"title":"Letterboxd Season Challenge: The Big Parade (1925)","author":"Jandy","date":"October 9, 2015","format":false,"excerpt":"Film 5 for the Letterboxd Season Challenge. The other films I plan to watch for the challenge are here. Week 5: PUNQ Week Challenge: Watch an unseen feature that ranked in the top ten on any of PUNQ\u00e2\u20ac\u2122s pre-1940 lists. Film I Chose: The Big Parade PUNQ is a Letterboxd\u2026","rel":"","context":"In "Film"","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2015\/10\/tf-feat-big-parade-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36661,"url":"https:\/\/www.the-frame.com\/blog\/2017\/02\/challenge-week-52-8-women\/","url_meta":{"origin":35772,"position":5},"title":"Challenge Week 52: 8 Women","author":"Jandy","date":"February 23, 2017","format":false,"excerpt":"Well, I've kept Bas waiting WAY too long on this, plus everyone else waiting for a wrap-up of my Challenge, which was by and large a phenomenal success. More on that...later. The only Fran\u00e7ois Ozon film I'd seen prior to this was Swimming Pool, which I HATED (though I don't\u2026","rel":"","context":"In "2016 Movie Challenge"","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2017\/02\/tf-8women-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/35772"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=35772"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/35772\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media\/35776"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=35772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=35772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=35772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\ndirected by Sanaa Hamri; written by Kriss Turner<\/em>
\nstarring Sanaa Lathan, Simon Baker, Blair Underwood, Alfre Woodard, Earl Billings, Donald Faison<\/em><\/p>\n
\nSomething New loses to The Orphanage<\/b>
\nSomething New<\/b> beats Watch on the Rhine
\nSomething New loses to The Lady from Shanghai<\/b>
\nSomething New loses to The Blob<\/b> (1958)
\nSomething New<\/b> beats Ikiru
\nSomething New<\/b> beats Fahrenheit 451
\nSomething New<\/b> beats Planes, Trains & Automobiles
\nSomething New loses to Ben and Me<\/b>
\nSomething New<\/b> beats Tales from the Crypt
\nSomething New loses to The Champ<\/b> (1931)<\/p>\nA few quotes…<\/h3>\n
\nKenya:<\/b> No, I\u00e2\u20ac\u2122m the senior manager.<\/p>\n
\nBrian:<\/b> Oh, I don\u00e2\u20ac\u2122t either, we\u00e2\u20ac\u2122re just good friends.<\/p>\n
\nBrian:<\/b> Well, it\u00e2\u20ac\u2122s safe, impersonal. Feels a little like a hotel. Doesn\u00e2\u20ac\u2122t reflect you.
\nKenya:<\/b> My mother thinks bright colors are for children and whores.<\/p>\n
\nKenya:<\/b> I just happen to prefer black men. It\u00e2\u20ac\u2122s not a prejudice, it\u00e2\u20ac\u2122s a preference.
\nBrian:<\/b> Sure. It\u00e2\u20ac\u2122s your preference to be prejudiced.<\/p>\n
\nKenya:<\/b> You don\u00e2\u20ac\u2122t have to talk about being white because no one reminds you every day that you\u00e2\u20ac\u2122re white. The only time you guys know you\u00e2\u20ac\u2122re white is when you\u00e2\u20ac\u2122re in a room full of black people. I\u00e2\u20ac\u2122m in a room full of white people and every day they remind me that I\u00e2\u20ac\u2122m black. And if I can\u00e2\u20ac\u2122t talk to you about my frustrations, if I\u00e2\u20ac\u2122m just supposed to keep that to myself\u00e2\u20ac\u00a6
\nBrian:<\/b> You\u00e2\u20ac\u2122re a senior manager at one of the whitest firms in the country. You graduated top of your class from Stanford and Wharton, for Christ\u00e2\u20ac\u2122s sake. You own a home. You earn more money than 98% of the country, black or white. Certainly more than me, so you know, tell me about your frustrations.
\nKenya:<\/b> No, you don\u00e2\u20ac\u2122t want to hear about how when I show up at an account meeting they always have to regroup when they find out I\u00e2\u20ac\u2122m the one who\u00e2\u20ac\u2122s in charge of their multi-million dollar acquisition. They\u00e2\u20ac\u2122d rather trust it to a file clerk, the guy who gets my goddam coffee, because he\u00e2\u20ac\u2122s white.
\nBrian:<\/b> They\u00e2\u20ac\u2122re jerks. They have nothing to do with us. […] All I wanted was a night off.
\nKenya:<\/b> That\u00e2\u20ac\u2122s what being black is about, Brian. We don\u00e2\u20ac\u2122t get a night off.<\/p>\nA few more screenshots…<\/h3>\n
![\"tf-thehelp\"](\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/04\/tf-thehelp.jpg\")
<\/p>\n![\"tf-blair\"](\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/04\/tf-blair.jpg\")
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