{"id":36494,"date":"2016-11-17T22:39:13","date_gmt":"2016-11-18T06:39:13","guid":{"rendered":"http:\/\/www.the-frame.com\/?p=36494"},"modified":"2016-11-17T22:39:13","modified_gmt":"2016-11-18T06:39:13","slug":"challenge-week-43-true-stories","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2016\/11\/challenge-week-43-true-stories\/","title":{"rendered":"Challenge Week 43: True Stories"},"content":{"rendered":"<p>When Steve gave me this film to watch, he said I&#8217;d either love it or hate it. When a film is pitched to me like that, it&#8217;s actually pretty common for me to be somewhere in the middle on it, which I guess is weird. Anyway, that particular maxim holds true in this case.<\/p>\n<p>This is a strange amalgam of a film, part rock concert, part vignettes of life in a small Texas town, part random scenes that are each interesting on their own but I have no idea how they tie together. Director David Byrne is one throughline, a narrator\/tour guide type figure telling us about this Texas town where we find ourselves. John Goodman is another, as an earnest guy who just really wants to get married. Beyond that, it&#8217;s just a lot of random little bits of stuff that I found entertaining but had difficulty grokking as a whole.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-date.jpg\" alt=\"tf-date\" width=\"600\" height=\"338\" class=\"aligncenter size-full wp-image-36514\" data-wp-pid=\"36514\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-date.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-date-227x128.jpg 227w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-date-300x169.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-date-355x200.jpg 355w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><!--more--><\/p>\n<p>Maybe it&#8217;s not meant to be grokked as a whole. Reading up a bit about it later (I knew nothing about it going in), I discovered that David Byrne is the lead singer\/guitarist of the Talking Heads and that the music throughout, which threatens several times to take over the film completely, is by the Talking Heads. Knowing these two facts, which I expect Steve expected me to know (my knowledge of New Wave music is minimal at best), may have improved my experience with the film greatly, as I wouldn&#8217;t have spent as much time going &#8220;why are they singing again forever?&#8221; Heh. And I LIKE musicals.<\/p>\n<p>There were a ton of individual parts I really liked, though &#8211; like the kids walking and playing wooden blocks, and the woman (Swoosie Kurtz) who never gets out of bed but watches infomercials all day (there&#8217;s some pretty good, if gentle, consumerism satire in here), and the girl dancing down the deserted highway. I always enjoy John Goodman, and this was no exception. In my notes I called it &#8220;a rockumentary by way of Quentin Dupieux&#8221; and I would stand by that. David Byrne called it &#8220;A project with songs based on true stories from tabloid newspapers.&#8221; That works, too &#8211; a lot of the film is a collage of existing media: historical clips, tv ads, concert and music video footage, found footage, etc. I enjoyed that and just wish it had more of a cohesive point, I guess.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-richlady.jpg\" alt=\"tf-richlady\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-36517\" data-wp-pid=\"36517\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-richlady.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-richlady-192x128.jpg 192w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-richlady-300x200.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>I do think knowing more about the background of the film, the Talking Heads&#8217; involvement, etc, will help me get more out of it when I watch it again, which I do want to do. I think it&#8217;ll move up my chart, but as of now, it&#8217;s pretty smack dab in the middle. (For those not familiar with Flickchart or my chart in particular, middle-of-the-chart doesn&#8217;t have to mean average &#8211; I watch more movies I like than not, so movies I feel truly indifferent about are actually at about the 30th percentile mark on my chart.)<\/p>\n<h3>Stats and stuff&#8230;<\/h3>\n<p><em>1986, USA<\/em><br \/>\n<em>directed by David Byrne, written by David Byrne and Beth Henley<\/em><br \/>\n<em>starring David Byrne, John Goodman, Annie McEnroe, Jo Harvey Allen, Spaulding Gray, Swoosie Kurtz<\/em><\/p>\n<p>I&#8217;m ranking all my Challenge films on Flickchart (as I do all the films I see), a movie-ranking website that asks you to choose your favorite between two movies until it builds a ranked list of your favorites. Just for fun, I will average out the rankings and keep a running tally of whose recommendations rank the highest. When you add a film to Flickchart, it pits it against films already on your chart to see where it should fall. Here&#8217;s how <em>True Stories<\/em> entered my chart:<\/p>\n<p><b>True Stories<\/b> > Happy Feet<br \/>\nTrue Stories < <b>13 Assassins<\/b><br \/>\nTrue Stories < <b>Rosemary\u00e2\u20ac\u2122s Baby<\/b><br \/>\nTrue Stories < <b>Sherlock Holmes<\/b> (2009)<br \/>\nTrue Stories < <b>Panda-monium<\/b><br \/>\n<b>True Stories<\/b> > Island of Lost Souls<\/b><br \/>\nTrue Stories < <b>Giant<\/b><br \/>\nTrue Stories < <b>Random Harvest<\/b><br \/>\nTrue Stories < <b>Fun and Fancy Free<\/b><br \/>\nTrue Stories < <b>Melody Time<\/b><br \/>\nTrue Stories < <b>Bad Ear Day<\/b><br \/>\nTrue Stories < <b>Going My Way<\/b><\/p>\n<p>Final #1798 out of 3712 films on my chart (52%)<\/p>\n<p>It is now my #9 John Goodman film, my #15 Parody\/Spoof, my #29 Americana film, and my #11 film of 1986.<\/p>\n<p><em>True Stories<\/em> was recommended by <a href=\"http:\/\/1001plus.blogspot.com\">Steve Honeywell<\/a>, a film blogger friend.<\/p>\n<h3>A few more screenshots&#8230;<\/h3>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-tour.jpg\" alt=\"tf-tour\" width=\"600\" height=\"338\" class=\"aligncenter size-full wp-image-36519\" data-wp-pid=\"36519\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-tour.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-tour-227x128.jpg 227w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-tour-300x169.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-tour-355x200.jpg 355w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-byrnegoodman.jpg\" alt=\"tf-byrnegoodman\" width=\"600\" height=\"452\" class=\"aligncenter size-full wp-image-36511\" data-wp-pid=\"36511\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-byrnegoodman.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-byrnegoodman-169x128.jpg 169w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-byrnegoodman-300x226.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-byrnegoodman-265x200.jpg 265w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-dancing.jpg\" alt=\"tf-dancing\" width=\"600\" height=\"453\" class=\"aligncenter size-full wp-image-36513\" data-wp-pid=\"36513\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-dancing.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-dancing-169x128.jpg 169w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-dancing-300x226.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-dancing-264x200.jpg 264w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-mic.jpg\" alt=\"tf-mic\" width=\"600\" height=\"338\" class=\"aligncenter size-full wp-image-36516\" data-wp-pid=\"36516\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-mic.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-mic-227x128.jpg 227w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-mic-300x169.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-mic-355x200.jpg 355w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-singing.jpg\" alt=\"tf-singing\" width=\"600\" height=\"450\" class=\"aligncenter size-full wp-image-36518\" data-wp-pid=\"36518\" srcset=\"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-singing.jpg 600w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-singing-170x128.jpg 170w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-singing-300x225.jpg 300w, https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-singing-266x200.jpg 266w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Steve gave me this film to watch, he said I&#8217;d either love it or hate it. When a film is pitched to me like that, it&#8217;s actually pretty common for me to be somewhere in the middle on it, which I guess is weird. Anyway, that particular maxim holds true in this case. This [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":36515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[3027],"tags":[3249,3248],"jetpack_featured_media_url":"https:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/11\/tf-feat-true_stories.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36289,"url":"https:\/\/www.the-frame.com\/blog\/2016\/10\/challenge-week-36-paris-texas\/","url_meta":{"origin":36494,"position":0},"title":"Challenge Week 36: Paris, Texas","author":"Jandy","date":"October 5, 2016","format":false,"excerpt":"As a huge fan of Wings of Desire, I've been really eager to see more Wim Wenders films, especially this one. I didn't know much about what it was about, though. It's kind of a road movie, with Walt (Dean Stockwell) finding his brother Travis (Harry Dean Stanton) wandering through\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/10\/tf-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36658,"url":"https:\/\/www.the-frame.com\/blog\/2016\/12\/challenge-week-50-footloose\/","url_meta":{"origin":36494,"position":1},"title":"Challenge Week 50: Footloose","author":"Jandy","date":"December 22, 2016","format":false,"excerpt":"I love musicals and movies about dance, but I have to admit I put off watching this one for a couple of reasons: first, I dislike '80's movies in general, and second, the story as I understood it was about a town that has outlawed dancing and the city kid\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/12\/tf-feat-fooloose.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35506,"url":"https:\/\/www.the-frame.com\/blog\/2016\/02\/challenge-week-5-lone-star\/","url_meta":{"origin":36494,"position":2},"title":"Challenge Week 5: Lone Star","author":"Jandy","date":"February 4, 2016","format":false,"excerpt":"I'm writing this a couple of days after watching the film, and I'm glad I let it settle a little bit before attempting to sum it up. I thought this was my first John Sayles film, but when I ranked it I discovered that I've actually seen one other one\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/02\/tf-feat-Sam.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35682,"url":"https:\/\/www.the-frame.com\/blog\/2016\/03\/challenge-week-11-the-dance-of-reality\/","url_meta":{"origin":36494,"position":3},"title":"Challenge Week 11: The Dance of Reality","author":"Jandy","date":"March 20, 2016","format":false,"excerpt":"When I made my preview post listing how excited I was about various films I'd be watching for this challenge, I put two films under \"I'm Terrified\" - notable so-bad-it's-good movie Birdemic: Shock and Terror and this Alejandro Jodorowsky film. I was terrified because my husband had watched it for\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/03\/tf-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35861,"url":"https:\/\/www.the-frame.com\/blog\/2016\/05\/challenge-week-17-thirteen-conversations-about-one-thing\/","url_meta":{"origin":36494,"position":4},"title":"Challenge Week 17: Thirteen Conversations About One Thing","author":"Jandy","date":"May 7, 2016","format":false,"excerpt":"I knew almost nothing about this going in it, an ignorance I'm trying to maintain for these challenge films as much as possible. Turns out it's an ensemble piece with interlocking stories, a narrative structure that I pretty nearly always enjoy, and this was no exception. The major stories follow\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/05\/tf-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36285,"url":"https:\/\/www.the-frame.com\/blog\/2016\/10\/challenge-week-37-requiem-for-a-dream\/","url_meta":{"origin":36494,"position":5},"title":"Challenge Week 37: Requiem for a Dream","author":"Jandy","date":"October 9, 2016","format":false,"excerpt":"This has been on my to-watch list for a very long time, thanks to falling in love with Aronofsky's The Fountain and realizing I probably couldn't call myself a huge Aronofsky fan without having seen his most well-known film. Fast-forward several years and I've now seen almost every Aronofsky film\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/10\/tf-requiem-feat.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/36494"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=36494"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/36494\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media\/36515"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=36494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=36494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=36494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}