{"id":36782,"date":"2019-07-26T11:59:12","date_gmt":"2019-07-26T18:59:12","guid":{"rendered":"http:\/\/www.the-frame.com\/?p=36782"},"modified":"2020-10-08T14:22:05","modified_gmt":"2020-10-08T21:22:05","slug":"dorothy-sayers-on-originality","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2019\/07\/dorothy-sayers-on-originality\/","title":{"rendered":"Dorothy Sayers on originality"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"size-thumbnail wp-image-36786 alignright\" src=\"http:\/\/www.the-frame.com\/blog\/wp-content\/uploads\/2019\/07\/782050__UY400_SS400__jpg__400\u00c3\u2014400_-84x128.jpg\" alt=\"\" width=\"84\" height=\"128\" data-wp-pid=\"36786\" \/>&#8220;The demand for &#8216;originality&#8217; &#8211; with the implication that the reminiscence of other writers is a sin against originality and a defect in the work &#8211; is a recent one and would have seemed quite ludicrous to poets of the Augustan Age, or of Shakespeare&#8217;s time. The traditional view is that each new work should be a fresh focus of power through which former streams of beauty, emotion, and reflection are directed. This view is adopted, and perhaps carried to excess, by writers like T.S. Eliot, some of whose poems are a close web of quotations and adaptations, chosen for their associative value; or like James Joyce, who makes great use of the associative value of sounds and syllables. The criterion is, not whether the associations are called up, but whether the spirits invoked by this kind of verbal incantation are charged with personal power by the magician who speeds them about their new business.&#8221;<\/p>\n<p>Dorothy L. Sayers, <em>The Mind of the Maker<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The demand for &#8216;originality&#8217; &#8211; with the implication that the reminiscence of other writers is a sin against originality and a defect in the work &#8211; is a recent one and would have seemed quite ludicrous to poets of the Augustan Age, or of Shakespeare&#8217;s time. The traditional view is that each new work should [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"quote","meta":[],"categories":[3316],"tags":[3310],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33484,"url":"https:\/\/www.the-frame.com\/blog\/2014\/01\/two-complaints-about-the-wizard-of-oz\/","url_meta":{"origin":36782,"position":0},"title":"Two Complaints About The Wizard of Oz","author":"Jandy","date":"January 10, 2014","format":false,"excerpt":"Over the past several months, I've happened to hear a few different people talking about The Wizard of Oz, and though the general consensus on the film remains love, there have been some complaints that have surfaced repeatedly. Now, I know most of the people mentioning these things love the\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2014\/01\/Oz-end.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2014\/01\/Oz-end.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2014\/01\/Oz-end.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":149,"url":"https:\/\/www.the-frame.com\/blog\/2006\/11\/modernism-and-the-nouvelle-vague\/","url_meta":{"origin":36782,"position":1},"title":"Modernism and the Nouvelle Vague&#8230;","author":"Jandy","date":"November 25, 2006","format":false,"excerpt":"To ponder... The French New Wave is to cinema what the Modernist Novel is to fiction. \"In the novel, writers like Virginia Woolf and James Joyce tried to evoke 'inner speech' or 'stream of consciousness,' through associative and fragmented forms, omitting verbs, pronouns, connectives, and articles, and leaving sentences uncompleted.\u2026","rel":"","context":"In &quot;Books and Reading&quot;","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":932,"url":"https:\/\/www.the-frame.com\/blog\/2008\/01\/american-idol-7x01-philadelphia-auditions\/","url_meta":{"origin":36782,"position":2},"title":"American Idol 7&#215;01: Philadelphia Auditions","author":"Jandy","date":"January 15, 2008","format":false,"excerpt":"Selected Twitterings: Joey Catalano - nice if we're looking for boyband leads. But boybands are pretty much over, aren't they? But yeah, good enough for now. You know, the angry contestant clips all start to look the same after six years. Maybe they just reuse the same ones. Melanie Nyema\u2026","rel":"","context":"In &quot;Television&quot;","block_context":{"text":"Television","link":"https:\/\/www.the-frame.com\/blog\/category\/television\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1131,"url":"https:\/\/www.the-frame.com\/blog\/2008\/05\/objective-and-subjective-aesthetics\/","url_meta":{"origin":36782,"position":3},"title":"Objective and Subjective Aesthetics","author":"Jandy","date":"May 3, 2008","format":false,"excerpt":"There are a couple of month-old posts over on Gene Edward Veith's blog that I've been thinking about for, well, a month. Not constantly, of course. And I haven't commented on them, and probably won't, because of the amount of time that's passed, but still. I'm thinking about them.\u00a0 It\u2026","rel":"","context":"In &quot;Books and Reading&quot;","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":34272,"url":"https:\/\/www.the-frame.com\/blog\/2014\/07\/american-movie-critics-vachel-lindsay\/","url_meta":{"origin":36782,"position":4},"title":"American Movie Critics: Vachel Lindsay","author":"Jandy","date":"July 11, 2014","format":false,"excerpt":"After my post on Phillip Lopate's introduction to American Movie Critics, Ryan McNeil over at The Matinee expressed an interest in reading the book himself and doing a joint series on it. I couldn't resist the opportunity to discuss the book with another film fan while reading it, so that's\u2026","rel":"","context":"In &quot;American Movie Critics&quot;","block_context":{"text":"American Movie Critics","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/american-movie-critics\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2014\/06\/feat-the-thief-of-bagdad.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1865,"url":"https:\/\/www.the-frame.com\/blog\/2009\/01\/my-2008-recap\/","url_meta":{"origin":36782,"position":5},"title":"My 2008 Recap","author":"Jandy","date":"January 4, 2009","format":false,"excerpt":"As per usual, I haven't seen enough 2008 releases to be justified making a Best of 2008 list, so here is my much more egocentric list of my favorite movies that I saw during 2008, no matter when they were released. And I threw in books, music, and games, with\u2026","rel":"","context":"In &quot;Books and Reading&quot;","block_context":{"text":"Books and Reading","link":"https:\/\/www.the-frame.com\/blog\/category\/books\/"},"img":{"alt_text":"Cleo from 5 to 7","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2009\/01\/blogsized.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/36782"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=36782"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/36782\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=36782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=36782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=36782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}