{"id":826,"date":"2007-11-29T01:29:43","date_gmt":"2007-11-29T06:29:43","guid":{"rendered":"http:\/\/www.the-frame.com\/blog\/2007\/11\/29\/pushing-daisies-and-hitchcock\/"},"modified":"2007-11-29T01:32:10","modified_gmt":"2007-11-29T06:32:10","slug":"pushing-daisies-and-hitchcock","status":"publish","type":"post","link":"https:\/\/www.the-frame.com\/blog\/2007\/11\/pushing-daisies-and-hitchcock\/","title":{"rendered":"Pushing Daisies and Hitchcock"},"content":{"rendered":"<p>So, what is up with all the Hitchcock references on <i>Pushing Daisies<\/i> lately?  Two weeks ago, I thought the dog breeder&#8217;s death scene was vaguely reminiscent of <i>Psycho<\/i>, what with the black and white, the window looking over a nondescript city, the violin music, the shots of a knife NOT going into a body, his hand grabbing the wicker box (like Marion grabbed the shower curtain), and the circle motif as he lay on the ground.<\/p>\n<p>Several minutes later, a VERY obvious <i>Vertigo<\/i>-esque dream made it clear that I hadn&#8217;t imagined the <i>Psycho<\/i> similarity:<\/p>\n<p>And then tonight&#8217;s episode has a nearly exact recreation of the scene in <i>The Birds<\/i> where Melanie crosses Bodega Bay taking the love birds to Mitch.  There are more birds in the <i>Pushing Daisies<\/i> version, but still.  The body of water Molly Shannon is crossing is even called Bodega Bay, for crying out loud.<\/p>\n<p>Obviously, as a huge fan of both <i>Pushing Daisies<\/i> and Hitchcock, I enjoy the tributes.  But what is the point?  Are they only doing it just to be doing it?  There doesn&#8217;t seem to be any solid reason to connect any of the Hitchcock films with the episodes in which they&#8217;re referenced.  Is there some bigger scheme I&#8217;m not seeing yet?  Is Hitchcock the only one they&#8217;re referencing, or have I missed other references due to unfamiliarity?  More importantly, have I missed any Hitchcock references?  The <i>Psycho<\/i> one was relatively subtle, so now I&#8217;m wondering if there have been other subtle ones that I didn&#8217;t see.<\/p>\n<p>In bad news, no new <i>Pushing Daisies<\/i> next week.  Sadness.  :(<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So, what is up with all the Hitchcock references on Pushing Daisies lately? Two weeks ago, I thought the dog breeder&#8217;s death scene was vaguely reminiscent of Psycho, what with the black and white, the window looking over a nondescript city, the violin music, the shots of a knife NOT going into a body, his [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2,8],"tags":[285,657],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1547,"url":"https:\/\/www.the-frame.com\/blog\/2008\/10\/guess-which-shows-doing-hitchcock-again\/","url_meta":{"origin":826,"position":0},"title":"Guess Which Show&#8217;s Doing Hitchcock Again?","author":"Jandy","date":"October 17, 2008","format":false,"excerpt":"Yep, Pushing Daisies is at it again! This week's episode \"Bad Habits\" boasts a death-by-clocktower-fall that may be suicide or may be murder. In any case, it's quite Vertigo-esque. That makes twice they've done Vertigo, twice (at least) for Psycho, and once for The Birds. I vote they do Rear\u2026","rel":"","context":"In &quot;Television&quot;","block_context":{"text":"Television","link":"https:\/\/www.the-frame.com\/blog\/category\/television\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2008\/10\/vlcsnap-51367.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":705,"url":"https:\/\/www.the-frame.com\/blog\/2007\/10\/pushing-daisies-1x02-spoilers\/","url_meta":{"origin":826,"position":1},"title":"Pushing Daisies 1&#215;02 (spoilers)","author":"Jandy","date":"October 13, 2007","format":false,"excerpt":"Okay, guys, now that I've seen the second episode of Pushing Daisies, it's moved up to the \"LOVE\/ADDICTED\/OBSESSED\" category on my TV breakdown. Easily the best of the new shows. In fact, it's been ages since I've been this delighted by a show. Let me just tell you a few\u2026","rel":"","context":"In &quot;Television&quot;","block_context":{"text":"Television","link":"https:\/\/www.the-frame.com\/blog\/category\/television\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":32980,"url":"https:\/\/www.the-frame.com\/blog\/2013\/08\/top-ten-alfred-hitchcock-films\/","url_meta":{"origin":826,"position":2},"title":"Top Ten: Alfred Hitchcock Films","author":"Jandy","date":"August 21, 2013","format":false,"excerpt":"Alfred Hitchcock, celebrating what would have been his 114th birthday last week, is undeniably my favorite director. I've seen almost all of his filmography, barring a few scattered ones here and there and most of the silents, and even though there are a few I'm not that crazy about (looking\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2013\/08\/feat-Hitchsilhouette.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":58,"url":"https:\/\/www.the-frame.com\/blog\/2006\/07\/counting-down\/","url_meta":{"origin":826,"position":3},"title":"Counting down&#8230;","author":"Jandy","date":"July 24, 2006","format":false,"excerpt":"One more week. Four more days of work. Six and a half more days. Seven more nights. It's so weird. I'm the worst procrastinator ever, so I haven't really started packing. Got some boxes tonight. Put some books in a couple of them. Might do some more of that tonight,\u2026","rel":"","context":"In &quot;Personal&quot;","block_context":{"text":"Personal","link":"https:\/\/www.the-frame.com\/blog\/category\/personal\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":36129,"url":"https:\/\/www.the-frame.com\/blog\/2016\/07\/challenge-week-28-i-confess\/","url_meta":{"origin":826,"position":4},"title":"Challenge Week 28: I Confess","author":"Jandy","date":"July 18, 2016","format":false,"excerpt":"It's pretty well-known among my friends and acquaintances that I'm a huge Alfred Hitchcock fan, so assigning me a Hitchcock film I hadn't seen was a kind of a gimme. This, I believe, was one of two American Hitchcock films I hadn't seen (now the only remaining American one is\u2026","rel":"","context":"In &quot;2016 Movie Challenge&quot;","block_context":{"text":"2016 Movie Challenge","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/2016-movie-challenge\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.the-frame.com\/blog\/wp-content\/uploads\/2016\/07\/tf-feat3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":928,"url":"https:\/\/www.the-frame.com\/blog\/2008\/01\/the-fake-golden-globes\/","url_meta":{"origin":826,"position":5},"title":"The Fake Golden Globes","author":"Jandy","date":"January 14, 2008","format":false,"excerpt":"Okay, I guess the awards themselves aren't fake, but announced with staccato quickness, reaaaaaally short or nonexistent clips, and no fanfare by Access Hollywood-type hosts, they sure felt fake. In fact, I think I'm going to just pretend that No Country for Old Men and Juno won everything. Except Best\u2026","rel":"","context":"In &quot;Film&quot;","block_context":{"text":"Film","link":"https:\/\/www.the-frame.com\/blog\/category\/film\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/826"}],"collection":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/comments?post=826"}],"version-history":[{"count":0,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/posts\/826\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/media?parent=826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/categories?post=826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-frame.com\/blog\/wp-json\/wp\/v2\/tags?post=826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}