We’re only a day away from the Academy Awards, and I figured I’d put up a few prediction thoughts. We’ll be live-blogging the ceremony itself over on Row Three, so look out for that starting around 4pm PST. Plus, if you think you’ve got a good peg on the awards this year, throw your predictions into the Row Three Oscar Pool for a chance to win a sweet minimalist Reservoir Dogs poster (valued at $99). My predictions are already in the comments over there, but I’d like to say a bit more about them over here.

Best Supporting Actor

Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christoph Waltz, Inglourious Basterds

This is a gimme for Christoph Waltz. He’s been getting Oscar talk since Inglourious Basterds came out, he’s been winning all the awards up to this point, and if anyone else won this, it would be the upset of the year.

Best Supporting Actress

Penelope Cruz, Nine
Vera Farmiga, Up In The Air
Maggie Gyllenhaal, Crazy Heart
Anna Kendrick, Up In The Air
Mo’Nique, Precious

I haven’t seen Precious myself, but everyone who has considers Mo’Nique‘s win here a done deal. I’ll defer to that, since I think Maggie won’t win on a surprise nomination, Penelope won’t on the weaker of her two performances this year (and she wasn’t the strongest performance in Nine, either), and Vera and Anna will cancel each other out.

Best Actor

Jeff Bridges, Crazy Heart
George Clooney, Up In The Air
Colin Firth, A Single Man
Morgan Freeman, Invictus
Jeremy Renner, The Hurt Locker

All the momentum right now is behind Jeff Bridges, whose Golden Globe for Crazy Heart makes him a heavy favorite for Oscar. Invictus hasn’t been very visible, A Single Man is likely too small a release, and Clooney is almost a token nom for Up in the Air (he does a good job, it’s not that Oscar-riffic a role). Jeremy Renner might possibly upset, but look for Bridges to take it.

Best Actress

Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibe, Precious
Meryl Streep, Julie & Julia

This is a tough one for me. Sandra Bullock is going in as an unlikely favorite, having won the Golden Globe and some other critics and guild awards, but I’m still torn on whether the Academy will actually give it to her. Especially up against such a strong category. Mirren and Streep are simply perfection in everything they do, and the younger generation Mulligan and Sidibe are both brilliant in their films. Yet Bullock is the industry insider, the one whose film was a ginormous hit, and the one who apparently turned in a strong performance after a career of slight romantic comedies and thrillers. That kind of gets the Academy’s attention. So I give Sandra Bullock the nod for “will win”, but I stand firm that Carey Mulligan should go home with the prize for her mature-beyond-her-years, incredibly subtle performance.

Best Director

James Cameron, Avatar
Kathryn Bigelow, The Hurt Locker
Quentin Tarantino, Inglourious Basterds
Lee Daniels, Precious
Jason Reitman, Up In The Air

It would be going against years of tradition for Kathryn Bigelow not to win Best Director after winning the Directors Guild award a few weeks ago. So that’s my prediction, and I’m sticking to it.

Best Picture

Avatar
The Blind Side
District 9
An Education
The Hurt Locker
Inglourious Basterds
Precious
A Serious Man
Up
Up In The Air

It’s unusual for the Best Picture winner to be different from the Best Director winner, and I’m fairly sure Bigelow is taking that Director prize. Even leaving that aside, The Hurt Locker has a whole lot of momentum on its side right now. Which still surprises me a little. I watched it this week, and it’s quite well-done and I enjoyed it a lot, but it doesn’t strike me as an Oscar film. But what do I know? I expected Up in the Air to be the frontrunner, and though it is nominated, it has had almost zero Oscar buzz.

Best Adapted Screenplay

District 9
An Education
In The Loop
Precious
Up In The Air

I personally think Up in the Air has the best dialogue and the most timely script of any film this year, a throwback to Billy Wilder classics, so I’d like to see it win. And I think it has a good chance, especially since it will likely be shut out of other major categories and it’s such a classically-produced studio film that the Academy will want to honor it somewhere. This is its best shot. In the Loop is hilarious, but likely too vulgar for the fuddy Academy; An Education is a strong contender, but doesn’t sparkle in the dialogue quite as much as Up in the Air. I haven’t seen Precious, but have heard much more about its acting than its script, and I doubt District 9 is really in the running.

Best Original Screenplay

The Hurt Locker
Inglourious Basterds
The Messenger
A Serious Man
Up

This would seem to be a showdown between Inglourious Basterds and A Serious Man – two films in which likely our best currently-working writer/directors turn in some of their best work. But Inglourious Basterds is inarguably Tarantino’s best work, so I give it the edge over the Coens this time around.

Film Editing

Avatar
District 9
The Hurt Locker
Inglourious Basterds
Precious

Editing often goes to Best Picture, so my prediction here sticks with The Hurt Locker. And really, it deserves it here, no problem.

Cinematography

Avatar
Harry Potter & the Half-Blood Prince
The Hurt Locker
Inglourious Basterds
The White Ribbon

All of these are gorgeous-looking films, but I’m going to give the edge to The White Ribbon, not only because it’s the only black and white film in the bunch, but because it uses its black and white to the best possible effect. Also, it just won the Cinematographers’ guild award.

Art Direction

Avatar
Imaginarium of Doctor Parnassus
Nine
Sherlock Holmes
The Young Victoria

Another category where all of the nominees are quality contenders. The art direction was one of the few things I loved unequivocally about Avatar, so I would be neither surprised nor disappointed to see it win. I doubt Nine will win with its dark and stagey art direction, but Imaginarium of Dr. Parnassus‘s brilliantly imaginative look (or looks – there are at least four or five distinct ones in different parts of the film) and Sherlock Holmes‘s steampunk Britain could mount a challenge.

Makeup

Il Divo
Star Trek
The Young Victoria

This is an odd category…a futuristic sci-fi film, an Italian film no one’s ever heard of, and a realistic period film. This seems almost a gimme for Star Trek.

Costume Design

Bright Star
Coco before Chanel
Imaginarium of Doctor Parnassus
Nine
The Young Victoria

Hmmm, will the Academy give their award for costume design to the film about the actual clothing designer? Possibly. Once again, the Academy has gone totally period in this category, and really, any of these could take it. But I’ll throw the prediction to The Young Victoria.

Best Foreign Film

Ajami, Israel
El Secretro de sus Ojo, Argentina
The Milk of Sorrow, Peru
Un Prophete, France
The White Ribbon, Germany

This is a fight to the death between Un prophete and The White Ribbon. Perhaps predictably, I’m guessing the one that I’ve seen will win – The White Ribbon. Even though it is the only one I’ve seen, it is really, REALLY good.

Best Animated Film

Coraline
Fantastic Mr. Fox
The Princess and The Frog
The Secret of Kells
Up

SUCH a strong year for animated features this year. There were at least five others that would been nomination-worthy. I’d love it if one of the stop-motion films got it, and I think of this set, The Fantastic Mr. Fox is the one that will be remembered the best for the longest, but I doubt anything is going to stop Pixar from gaining another Oscar with Up.

Best Original Score

Avatar
Fantastic Mr. Fox
The Hurt Locker
Sherlock Holmes
Up

Going on the record now to say that if Avatar wins this, I’m puncturing my eardrums. Metaphorically. Sorry, James Horner, recycling bits of your other scores into bland program music does not make for the best score of the year. Honestly, I think I’d pick Sherlock Holmes myself – that was a really interesting score that picked up on themes and characterization in the film and rendered them musically. But I’m not sure it’s likely to win. Fantastic Mr. Fox might, but I remember the song parts of the score more than the actual score, and those don’t count. Eh, I think I’ll stick with Sherlock Holmes.

Best Original Song

Almost There, Princess and the Frog
Down in New Orleans, Princess and the Frog
Loin de Paname, Paris 36
Take It All, Nine
The Weary Kind, Crazy Heart

Two songs from Princess and the Frog might cancel out, no one saw Paris 36, and while “Take It All” was one of the best numbers in Nine, that was mostly due to Marion Cotillard, not the song itself. That leaves “The Weary Kind”, which based on the snippets in the Crazy Heart trailer, is actually fairly good. So we’ll go with that.

Sound Editing

Avatar
The Hurt Locker
Inglourious Basterds
Star Trek
Up

I had a sound designer friend explain to me the difference between Sound Editing and Sound Mixing; Editing is the creation and placement of sounds, whereas Mixing is the layering and direction of sounds. Got it? But I usually pick the same film for both categories (which exist separately largely because there are two separate unions for editing and mixing). This time, The Hurt Locker.

Sound Mixing

Avatar
The Hurt Locker
Inglourious Basterds
Star Trek
Transformers: Revenge of the Fallen

The Hurt Locker

Best Visual Effects

Avatar
District 9
Star Trek

And here’s a category I think Avatar deserves to win, and I’m pretty sure it will.

Best Documentary

Burma VJ
The Cove
Food, Inc.
Most Dangerous Man in America
Which Way Home

The Cove has been getting rave reviews all year from all quarters, so I think it would be pretty shocking for it not to win.

Best Documentary Short

China’s Unnatural Disaster
Last Campaign of Booth Gardner
Last Truck: Closing of a GM Plant
Music by Prudence
Rabbit à la Berlin

I have seen none of these, but I’m placing my bet on China’s Unnatural Disaster, a film about the Sichuan earthquake. Just for reference, Last Campaign of Booth Gardner is about Washington congressman Booth Gardner’s attempts to pass laws allowing assisted suicide, Last Truck is about a rural GM plant closing down and the effects of that on the community, nearly all of whom worked for GM, Music by Prudence is about a disabled woman in Zimbabwe finding strength by making music (that kind of uplifting story in the face of adversity makes this a contender, too), and Rabbit a la Berlin is about a warren of rabbits that lived between the Berlin walls during the cold war and their attempts to readjust after the walls came down. See, I did my homework!

Best Animated Short

French Roast
Granny O’Grimm’s Sleeping Beauty
The Lady and the Reaper
Logorama
A Matter of Loaf and Death

All of these shorts are available online, and I collected them all in a post on Row Three, so check that out. My prediction is for Logorama, but they’re all actually really good.

Best Live Action Short

The Door
Instead of Abracadabra
Kavi
Miracle Fish
The New Tenants

None of these are available online. Some are available on iTunes, though – I saw Instead of Abracadabra when it was part of a set of Sundance shorts available for free on iTunes. It was quite good, but I’m not sure it can beat out Kavi, the story of an Indian boy growing up essentially in slavery. The others I wasn’t really able to find out very much about.

I’ve tended to use the Featured Video space for music videos and the occasional trailer lately, but highlighting quality short films and stuff like that was my initial thought when I created it. I need to work on getting back to that (by, like, watching more short films online), and this is a great place to start. I found Apricot while killing time on Vimeo this morning, and fell in love with it – really strong acting, gorgeous cinematography, and a subtle story all contributing. Director Ben Briand has several Australian commercials and short films in his portfolio; hopefully we’ll see some features before too long. Because this is simply a fantastic short.

Contempt, playing on TCM late Sunday/early Monday.

Of the new ones this week, I’m most excited about catching Days of Heaven myself (Monday on TCM), since it’s part of the Easy Riders, Raging Bulls marathon. Don’t know if I’ll watch it right away, though; I’m trying to keep in somewhat chronological order watching those. Other notable newly features ones: West Side Story and Rebel Without a Cause on Tuesday, Alien on Wednesday (I’m long overdue a rewatch on that one), All the President’s Men on Thursday, and Jean-Luc Godard’s Contempt late Sunday/early Monday.

Monday, March 1

8:30am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (”comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly.
2003 USA. Directors: Shari Springer Berman & Robert Pulcini. Starring: Paul Giamatti, Hope Davis.
(repeats at 3:30pm)

10:15pm – TCM – Days of Heaven
Terrence Malick has made his reputation on only four films; this is his second, some five years after debut Badlands. I haven’t watched it yet, but it’s on the Easy Riders, Raging Bulls Marathon list, so I will be before long – and judging by the screencaps I’ve already seen, I’m expecting to love it.
1978 USA. Director: Terrence Malick. Starring: Richard Gere, Brooke Adams, Sam Shepard.
Newly Featured!

Tuesday, March 2

9:30am – TCM – The Maltese Falcon
Humphrey Bogart inhabits the role of Dashiell Hammett’s private eye Sam Spade, creating one of the definitive on-screen hard-boiled detective (vying only with Bogart’s Philip Marlowe in The Big Sleep, really). Not mention setting the early benchmark for noir films.
1941 USA. Director: John Huston. Starring: Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet, Elisha Cook Jr, Walter Huston.
Must See

10:15am – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 3:45pm)

11:00am – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.

4:00pm – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).
1951 USA. Director: Stanley Donen. Starring: Fred Astaire, Jane Powell, Sarah Churchill, Peter Lawford.

6:00pm – TCM – West Side Story
I unabashedly love musicals, Shakespeare, and stylized choreography. Hence, I love West Side Story. I wish Richard Beymer and Natalie Wood were a little more interesting as the leads, but the supporting cast is electrifying enough that it doesn’t much matter, especially with Bernstein and Sondheim music and Jerome Robbins choreography.
1961 USA. Director: Richard Wise & Jerome Robbins. Starring: Natalie Wood, Richard Beymer, Russ Tamblyn, George Chakiris, Rita Moreno.
Must See
Newly Featured!

11:00pm – TCM – Rebel Without a Cause
Nicholas Ray’s best-known movie (though not, I’d argue, his best), likely because it’s one of James Dean’s three films. Dean is a rebellious teen, hanging out with the wrong crowd, whose parents don’t understand him. It all seems a little overwrought these days, but there’s an intensity to Dean and the film that manages to make it still relatable.
1955 USA. Director: Nicholas Ray. Starring: James Dean, Natalie Wood, Sal Mineo.
Newly Featured!

Wednesday, March 3

11:30am – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting.
1949 USA. Director: George Cukor. Starring: Spencer Tracy, Katharine Hepburn, Judy Holliday, Tom Ewell, Jean Hagen, Gig Young

1:30pm – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.
1950 USA. Director: John Huston. Starring: Sterling Hayden, Louis Calhern, Jean Hagen, James Whitmore, Sam Jaffe.

3:30pm – TCM – Oklahoma!
I can’t begin to guess how many times I watched Oklahoma! growing up, but it’s well into double-digits. It’s a nothing story, about minor conflicts between farmers and cowboys, a couple of young lovers, and the obsessive farmhand who wants the girl for himself. It’s the way the music and dancing is integrated that’s wonderful (and groundbreaking in the 1943 play the film is based on).
1955 USA. Director: Fred Zinnemann. Starring: Gordon MacRae, Shirley Jones, Rod Steiger, Gloria Grahame, Gene Nelson, Eddie Albert, Charlotte Greenwood, James Whitmore.

9:45pm – IFC – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See

10:15pm – TCM – Alien
Often considered one of the best sci-fi/horror creature features of all time (or just behind its sequel Aliens). Sigourney Weaver gets an iconic role as ass-kicking astronaut Ripley.
1979 USA. Director: Ridley Scott. Starring: Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, Ian Holm, John Hurt.
Newly Featured!

Thursday, March 4

6:00am – TCM – Four Daughters
Something of a high-B-level programmer, Four Daughters tells the fairly routine story of four sisters and their love interests; there’s more to it than meets the eye, though, and starlet Priscilla Lane (notably of Arsenic and Old Lace) carries it well with her two sisters Lola and Rosemary. It’s interesting to contrast with its 1954 musical remake Young at Heart, which boasts the greater star power of Doris Day and Frank Sinatra. They’re virtually identical in script, but this one strikes a more sincere note with me.
1938 USA. Director: Michael Curtiz. Starring: Priscilla Lane, Claude Rains, John Garfield.

5:30pm – TCM -The Postman Always Rings Twice
Sizzling adaptation of James M. Cain’s classic pulp novel has Lana Turner as the unhappy wife of a middle-of-nowhere gas station owner and John Garfield as the drifter who drops in and plots her husband’s demise with her. Skip the 1982 remake, from what I’ve heard, but if you’re feeling adventurous, check out Luchino Visconti’s Ossession, a 1943 Italian adaptation of the novel widely considered to be a forerunner of the Italian Neo-Realist movement.
1946 USA. Director: Tay Garnett. Starring: Lana Turner, John Garfield, Cecil Kellaway, Hume Cronyn.

8:00pm – Sundance – A Prairie Home Companion
I’ve been taken to task for ignoring Robert Altman films in these write-ups, and I’ll confess that’s true due to my woeful ignorance of Altman films. Though I’m working to rectify this blind spot, I just haven’t seen that many of his films, including this one, the last one he made before he died.
2006 USA. Director: Robert Altman. Starring: Woody Harrelson, Meryl Streep, Kevin Kline, Lindsay Lohan, Virginia Madsen, John C. Reilly, Maya Rudolph, Lily Tomlin.
Newly Featured!
(repeats at 4:10am on the 5th)

9:00pm – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. Mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.
1944 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Walter Brennan.

11:00pm – TCM – All the President’s Men
The Nixon and Watergate scandal is presented as a mystery almost, from the point of view of Woodward and Bernstein, the rookie Washington Post investigative reporters who broke the story. The film unfolds like a very good procedural, balancing the fact-finding itself with the roadblocks Woodward has to overcome at the paper because of his youth and inexperience. Not a showy film, but a really well-made one with excellent performances from Redford and Hoffman.
1976 USA. Director: Alan J. Pakula. Starring: Robert Redford, Dustin Hoffman, Jack Warden, Martin Balsam, Hal Holbrook.
Newly Featured!

1:30am (5th) – Sundance – The Death of Mr. Lazrescu
One of the major films in Romania’s current cinematic resurgence – emphasis on realism, slow pacing, and in this case, the failures of the Romanian health care system, which shunts poor Mr. Lazarescu around from hospital to hospital as he gets sicker and sicker. I wasn’t as captivated by this as I was by 4 Months, 3 Weeks, and 2 Days by a longshot, but if you’re interested in Romanian film, you oughta see it. If you didn’t like 4 Months, though, you almost certainly won’t like this. ;)
2005 Romania. Director: Cristi Puiu. Starring: Ion Fiscuteanu, Doru Ana, Monica Barladeanu, Doru Boguta.

Friday, March 5

7:00am – IFC – The Station Agent
One of the most pleasant surprises (for me, anyway) of 2003. Peter Dinklage moves into a train depot to indulge his love for trains and stay away from people, only to find himself befriended by a loquacious Cuban hot-dog stand keeper and an emotionally delicate Patricia Clarkson. A quiet but richly rewarding film.
2003 USA. Director: Thomas McCarthy. Starring: Peter Dinklage, Patricia Clarkson, Bobby Cannavale.
(repeats at 12:30pm)

8:35am – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
2004 USA. Director: Joshua Marston. Starring: Catalina Sandino Moreno, Virginia Ariza, Yenny Paola Vega.
(repeats at 2:00pm)

Saturday, March 6

8:30am – TCM – The Ladykillers
One of the most delightful of the Ealing comedies, with Alec Guinness leading a bunch of crooks (including a young Peter Sellers) whose bankrobbing plans get flustered by an unlikely old lady.
1955 UK. Director: Alexander Mackendrick. Starring: Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers.
Must See

1:30pm – IFC – My Life as a Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home.
1985 Sweden. Director: Lasse Hallstrom. Starring: Anton Glanzelius, Tomas von Brömssen, Anki Lidén, Melinda Kinnaman.
(repeats at 5:00am on the 7th)

5:30pm – TCM – On the Beach
After nuclear war, most of humanity is destroyed; a small outpost in Australia survives, but not for long. See David’s longer take here;.
1959 USA. Director: Stanley Kramer. Starring: Gregory Peck, Ava Gardner, Fred Astaire.

8:00pm – TCM – A Streetcar Named Desire
A Streetcar Named Desire won Vivien Leigh her second Oscar as fading Southern belle Blanche DuBois, and made a star out of Marlon Brando. It’s also one of the films I’m most embarrassed to say I’ve never seen. I even have it on DVD somewhere! Someday, I will get to it.
1951 USA. Director: Elia Kazan. Starring: Marlon Brando, Vivien Leigh, Kim Stanley, Karl Malden.

10:00pm – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 4:20am on the 7th)

2:30am (7th) – TCM – Blackboard Jungle
Glenn Ford is the teacher who takes on rowdy inner-city kids in one of the earlier “heroic teacher” films. A young Sidney Poitier is one of the students, and a scene in which a record of “Rock Around the Clock” is played is reputed to be the first time rock n’ roll appeared in a film.
1955 USA. Director: Richard Brooks. Starring: Glenn Ford, Anne Francis, Louis Calhern, Sidney Poitier.

4:15am (7th) – TCM – The Killers (1946)
Burt Lancaster made his film debut in this excellent noir, an expansion of an Ernest Hemingway short story. Lancaster is a quiet gas station attendant killed in the opening of the film by two hitmen – the events that lead up to his death (involving, among other things, a classic femme fatale played by Ava Gardner) are told in flashback throughout the rest of the film.
1946 USA. Director: Robert Siodmak. Starring: Burt Lancaster, Ava Gardner, Edmond O’Brien, Albert Dekker, Sam Levene.

Sunday, March 7

10:15pm – TCM – The Big Knife
Clifford Odets’ searing play about his hatred of Hollywood comes to the screen, with Jack Palance mugging as a frustrated actor who wants out of his contract, but can’t get out because the studio is blackmailing him. Between Odets’ overly poetic dialogue, director Robert Aldrich’s melodramatic style, and Palance’s scenery-chewing, this is a camptastic good time.
1955 USA. Director: Robert Aldrich. Starring: Jack Palance, Ida Lupino, Wendell Corey, Jean Hagen, Rod Steiger, Shelley Winters.

2:00am (8th) – TCM – Contempt
One of Jean-Luc Godard’s most consciously self-reflexive films, and that is saying a lot for someone who uses self-reflexivity the way most people use water. It took me longer to warm to this film than most of Godard’s (perhaps because of seeing it earlier than some of his lighter fare), but there’s a lot here to chew on, and a lot to enjoy, from the comments on his own relationship with Anna Karina to the foibles of filmmaking to the misunderstandings of translation.
1963 France. Director: Jean-Luc Godard. Starring: Michel Piccoli, Brigitte Bardot, Jack Palance, Fritz Lang.
Must See
Newly Featured!

4:00am (8th) – TCM – The Bad and the Beautiful
Vincente Minnelli directs Kirk Douglas, Lana Turner, Dick Powell, and Gloria Grahame in one of the best dark-side-of-Hollywood noirish films this side of Sunset Boulevard.
1952 USA. Director: Vincente Minnelli. Starring: Kirk Douglas, Lana Turner, Dick Powell, Gloria Grahame.