Tag Archives: Easter Parade

Top Ten: Judy Garland Films

When I was younger, I went through a phase of wanting to celebrate my favorite stars’ birthdays by watching their movies. The only one I managed to very successfully was Judy Garland, whose birthday on June 10th I celebrated with marathon viewings several years in a row. To this day, June 10th never comes around with me thinking of Judy, one of the greatest entertainers of all time. At this point, I’ve seen all but a handful of her films, so let’s use Flickchart to see what my favorites are.

Flickchart is a movie ranking website that pits two random films against each other and asks you to choose which one is better, meanwhile building a list of your favorite films. I rank according to what I like the best, prioritizing personal preferences and emotional connections, so my Flickchart is in no way meant to be objective.

10 – Ziegfeld Follies (1946)

In the 1940s, several of the studios had such impressive arrays of talent under contract that they liked to do films that basically just showcased them all. Musicals were great ways to do this, since they could just cram in musical numbers featuring different people. Ostensibly a recreation of the Follies of Broadway fame, and starring William Powell reprising his role as Ziegfeld from 1936’s The Great Ziegfeld in a very thin frame device, this is really just a series of sketches and musical numbers with no connecting material whatsoever. It’s a revue, pure and simple, something that never really caught on in film, despite a few attempts in the late 1920s. So calling this “a Judy Garland film” is a bit of a stretch, since she appears in one sketch and that’s it. But she’s pretty hilarious in it, and I do enjoy the movie as a whole, which is a pretty great excuse for a lot of solid singing and dancing, and some fair to middling comedy. Garland’s bit is “A Great Lady Gives an Interview,” a pastiche on an actress who thinks she’s all that (the role was apparently supposed to go to Greer Garson in a bit of self-parody, but I guess it hit a little too close to home and she refused to do it). It’s over the top, but Garland seems to be having a ball with it.

9 – Presenting Lily Mars (1943)

I have this much higher on my list than it appears on Flickchart’s global list (where it’s near the bottom of Garland’s filmography), partially because it’s not that well known and I doubt many Flickcharters have seen it, but it also seems to be relatively maligned even among classic movie fans. I remember looking it up in Leonard Maltin’s guide (I did that for almost everything I watched back then), and being severely disappointed that he gave it ** stars, or maybe even *1/2. I even remember the gist of the one-line review: “Well, there she is, and there the movie festers.” Okay, so it ain’t a masterpiece. But it’s one of Garland’s first adult roles, and she’s fresh-faced and delightful as the title character dogging Van Heflin’s producer to try to get a job on Broadway. Along the way are numbers like “Tom, Tom the Piper’s Son” showcase not only Judy’s magnificent pipes, but her burgeoning talent as a comedienne as well.

8 – The Pirate (1948)

This highly underrated movie was something of a flop when first released; you can kind of see why, as its story of a young girl infatuated with tales of the pirate Mack the Black and a circus performer who gets mistaken for said pirate is a bit all over the place, and the musical numbers fall toward the overly frenzied. This is a fever dream of a movie in a time period that was used to far less outre entertainment. Today parts of the film might fall under the classification of camp, as in Judy’s wild performance of “Mack the Black” (in the film, she’s under the power of hypnosis and revealing her innermost passions), while others are simply fantastically silly, like Gene Kelly being outdanced by the Nicholas Brothers in Cole Porter’s “Be a Clown.” Supporting turns from the always dependable Mildred Natwick and Walter Slezak don’t hurt, either.

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Film on TV: March 29-April 4

passion-de-jeanne-darc-falconetti.jpg
The Passion of Joan of Arc, playing late Sunday/early Monday on TCM.

Check out a little Marx Brothers marathon on TCM Monday night, from early work like Monkey Business at 8pm to the best of the best starting with Duck Soup at 10:45pm. And the last night of the Kurosawa celebration hits on Tuesday, with some of his later work. A few newly featured ones on TCM, but other than Dreyer’s silent The Passion of Joan of Arc next Sunday, which I’m actually looking forward to seeing for the first time, I’ll let you find those below on your own. Beyond that, there’s numerous worthwhile repeats (including some contemporary greats like Before Sunrise and The Station Agent on IFC) to make sure you haven’t missed on all channels.

Monday, March 29

9:45am – IFC – Before Sunrise
Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done.
1995 USA. Director: Richard Linklater. Starring: Ethan Hawke, Julie Delpy.
Must See
(repeats at 3:30pm)

11:30am – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 5:15pm)

9:30pm – TCM – Horse Feathers
Most film comedians do a college-set film at some point, and this is the Marx Brothers entry into higher education. This is a relatively early film for them, and it’s not quite as great as the Duck SoupA Night at the OperaA Day at the Races trifecta, but it’s still really solid, one of my favorites of their pre-1933 films.
1932 USA. Director: Norman Z. McLeod. Starring: The Marx Brothers, Thelma Todd, David Landau.
Newly Featured!

10:45pm – TCM – Duck Soup
Leo McCarey directs the Marx Brothers in what many think is their best and zaniest film. This is the one with Groucho becoming the dictator of Freedonia and declaring war on nearby Sylvania. Frequent Marx Brothers foil Margaret Dumont is on board as the wealthy woman who causes the rivalry that leads to the war. Personally, I prefer A Night at the Opera to Duck Soup, but this may be your best bet if the idea of musical interludes from Allan Jones (of which Opera has several) turns you off.
1933 USA. Director: Leo McCarey. Starring: The Marx Brothers, Margaret Dumont, Louis Calhern, Leonid Kinskey.
Must See

12:00M – TCM – A Night at the Opera
One of the best of the Marx Brothers’ zany comedies finds them running awry through the world of opera. This is the one that contains the famous “how much stuff can we stuff into a stateroom” scene. And a subplot with Allan Jones and Kitty Carlisle, but that’s best ignored as much as possible.
1935 USA. Director: Sam Wood. Starring: The Marx Brothers, Allan Jones, Kitty Carlisle, Margaret Dumont.
Must See

12:00M – IFC – The Cooler
William H. Macy plays a loser whose bad luck gets him a job as a “cooler” at a casino – his luck spreads and cools off any hot winning streaks that might be going on. But when he starts a relationship with Maria Bello, his new-found love and acceptance turns his luck. This film reinforced my knowledge of Bill Macy’s talent, made me take notice of Maria Bello, and gave Alec Baldwin pretty much his best role until 30 Rock.
2003 USA. Director: Wayne Cramer. Starring: William H. Macy, Mario Bello, Alec Baldwin.

2:00am (30th) – TCM – A Day at the Races
The Marx Brothers take over the racetrack in what is probably the last of their really great comedies. As with A Night at the Opera you do have to put up with the silly romantic subplot, but it’s not too big a strain.
1937 USA. Director: Sam Wood. Starring: The Marx Brothers, Allan Jones, Maureen O’Sullivan, Margaret Dumont.
Must See

Tuesday, March 30

9:15am – IFC – The Station Agent
One of the most pleasant surprises (for me, anyway) of 2003. Peter Dinklage moves into a train depot to indulge his love for trains and stay away from people, only to find himself befriended by a loquacious Cuban hot-dog stand keeper and an emotionally delicate Patricia Clarkson. A quiet but richly rewarding film.
2003 USA. Director: Thomas McCarthy. Starring: Peter Dinklage, Patricia Clarkson, Bobby Cannavale.
(repeats at 2:30pm)

4:00pm – TCM – The Blue Gardenia
This may be a lesser Fritz Lang noir, but a Lang noir is still a Lang noir. Anne Baxter is a mousy telephone operator who has an uncharacteristic night out drinking with a near-stranger; the next day she wakens with little memory of the night, but the stranger is dead. That setup leads to police investigation, and her own questioning whether or not she is a murderer. Baxter’s an underrated talent, I think, and even though this film has its flaws, it’s still quite enjoyable in its way.
1953 USA. Director: Fritz Lang. Starring: Anne Baxter, Richard Conte, Anne Sothern, Raymond Burr.
Newly Featured!

8:00pm – TCM – Kurosawa Centennial Marathon
TCM is rounding out its month celebrating Akira Kurosawa with three of his later films – all three of which Row Three contributors reviewed as part of the Row Three Kurosawa celebration. So check out the films and check out our reviews, if you haven’t already.
8:00pm – Dersu Uzala (Kurt’s review)
10:30pm – Kagemusha (Matt Brown’s review)
1:45am (31st) – Ran (Bob’s review)

12:00M – IFC – Evil Dead 2
The sequel/remake to Sam Raimi’s wonderfully over-the-top demon book film, set in the same creepy wood-bound cabin, with even more copious amounts of blood and a lot more intentional humor. I’m still not sure which I like best, but either one will do when you need some good schlock. (I still haven’t seen Army of Darkness, I’m shamed to admit.
1987 USA. Director: Sam Raimi. Starring: Bruce Campbell, Sarah Berry, Dan Hicks.

Wednesday, March 31

11:30pm – TCM – The Major and the Minor
A rather slight and sometimes shrill comedy that still has its moments, notable for being Billy Wilder’s first Hollywood film as a director (he also wrote it, of course, with Charles Brackett). Ginger Rogers plays a young woman who pretends to be a twelve-year-old child to get half-fare on a train; in so doing, she catches the attention of a soldier who takes her under his wing, thinking she’s actually twelve. Events snowball from there. I have a soft spot for this film, personally, and especially for Diana Lynn as the sarcastic and much-wiser-than-her-years kid who becomes Rogers’ confidant.
1942 USA. Director: Billy Wilder. Starring: Ginger Rogers, Ray Milland, Rita Johnson, Robert Benchley, Diana Lynn.
Newly Featured!

Thursday, April 1

8:00pm – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting.
1949 USA. Director: George Cukor. Starring: Spencer Tracy, Katharine Hepburn, Judy Holliday, Tom Ewell, Jean Hagen, Gig Young

10:00pm – TCM – Mr. Smith Goes to Washington
Frank Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.
1939 USA. Director: Frank Capra. Starring: James Stewart, Jean Arthur, Claude Rains, Eugene Pallette, Thomas Mitchell.
Must See

12:15am (2nd) – TCM – Breakfast at Tiffany’s
Audrey Hepburn’s signature role in a career full of memorable films, as party girl Holly Golightly, trying to make her way in mod New York City. Breakfast at Tiffany’s for me encapsulates 1960s style probably more than any other film, and with a grace and warmth that never grows old.
1961 USA. Director: Blake Edwards. Starring: Audrey Hepburn, George Peppard, Patricia Neal, Mickey Rooney.
Must See

2:15am (2nd) – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. Mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.
1944 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Walter Brennan.

Friday, April 2

6:00am – TCM – Broadway Melody of 1936
MGM made four films under the Broadway Melody title (in 1929, 1935, 1936 and 1940), and this is easily the best – a polished, sparkling show biz tale with the production detail you expect from 1930s MGM. Eleanor Powell can dance up a storm no matter what film she’s in, and this is one of the few she did, honestly, that has any interest outside of her tap numbers.
1935 USA. Director: Roy Del Ruth. Starring: Jack Benny, Eleanor Powell, Robert Taylor, Una Merkel.
Newly Featured!

Saturday, April 3

9:00am – IFC – Hero
Jet Li is the titular hero in this Zhang Yimou film, arguably the best of Yimou’s period action-on-wires films (though I’m partial to House of Flying Daggers myself). The story unfolds in flashback as Li explains to a warlord how he eliminated three would-be assassins (who happen to be three of Hong Kong cinema’s biggest stars, incidentally) – but all may not be precisely how it seems.
2002 China. Director: Zhang Yimou. Starring: Jet Li, Zhang Ziyi, Tony Leung, Maggie Cheung.
(repeats at 3:30pm)

9:00am – TCM – Red Dust
You want some pre-Code action? We got your pre-Code action right here! Clark Gable and Jean Harlow made several films together, and Red Dust is one of the most entertaining, in no small part because its story of a love triangle on a South Seas rubber plantation gives them plenty of opportunity to push the sensuality envelope. It was remade as Mogambo in 1953 with Gable and Ava Gardner, but that version isn’t nearly as, um, interesting as this one.
1932 USA. Director: Victor Fleming. Starring: Clark Gable, Jean Harlow, Gene Raymond, Mary Astor, Donald Crisp.
Newly Featured!

8:00pm – TCM – Bonnie & Clyde
This is a perfect film. If you have not seen it, see it. If you have seen it, see it again. In either case, rather than write again how much I love it, I will just refer you here.
1967 USA. Director: Arthur Penn. Starring: Warren Beatty, Faye Dunaway, Gene Hackman, Estelle Parsons.
Must See

Sunday, April 4

10:00am – TCM – Easter Parade
Fred Astaire actually retired in 1946, and managed to stay off the screen for two years – until Gene Kelly broke his leg playing football and Fred was asked to take over his role in Easter Parade. Of course, then Fred kept making movies nearly every year for another 15 or 20 years. Easter Parade remains an enjoyable entry into his and Judy Garland’s respective filmographies, due to solid Irving Berlin tunes and the winning combination of Astaire’s dancing and Garland’s singing (and comedic abilities). Oh, this was also tap star Ann Miller’s first of many MGM films.
1948 USA. Director: Charles Walters. Starring: Fred Astaire, Judy Garland, Peter Lawford, Ann Miller.
Newly Featured!

1:45am (5th) – The Passion of Joan of Arc
It pains me to reveal this. I have not yet seen Dreyer’s classic silent version of Joan of Arc with Maria Falconetti’s legendary performance as Joan. The time will come. I believe pretty much every other Row Three-er has seen it, so they can talk it up in the comments should they so desire. From everything I’ve heard, it’s not to be missed given the opportunity to see it, and here is the opportunity.
1928 Denmark. Director: Carl Theodor Dreyer. Starring: Maria Falconetti, Eugene Silvain, André Berley.
Newly Featured!

Film on TV: April 11-12

Well, I had a bit of an internet outage this week, preventing me from posting the Film on TV post. I would’ve just skipped it, but Saturday has a HUGE AMOUNT of fantastic movies playing. So a late and truncated post will have to do. Please direct any complaints to Time Warner Cable of Los Angeles. They should be used to it by now.

Saturday, April 11

6:00am – IFC – A Hard Day’s Night
(repeats at 12:35pm)

6:00am – TCM – The Kennel Murder Case
Before taking on the role of detective Nick Charles in the Thin Man movies, William Powell did a couple of films as Philo Vance, another witty private eye. Here he’s joined by Mary Astor, who nearly matches Myrna Loy as his counterpart.

7:30am – TCM – The 39 Steps
My vote for Hitchcock’s finest British-era film follows Robert Donat and Madeleine Carroll though a twisty and witty tale of spies and mistaken identities.

8:00am – IFC – Throne of Blood
Shakespeare often seems to work better, or at least take on new vitality, when transposed into different times and places – here his Macbeth moves into medieval Japan in the capable hands of Akira Kurosawa.

9:50am – IFC – American Splendor
Harvey Pekar is one of the more idiosyncratic graphic novelists there is (“comic book” doesn’t quite cover his very adult, neurotic art), and Paul Giamatti brings him to life perfectly.
(repeats at 3:30pm)

12:00N – TCM – They Were Expendable

5:00pm – TCM – The Bridge on the River Kwai

8:00pm – TCM – Saboteur
Not a particularly memorable Hitchcock film, but it does have a great sequence with the hero and villain chasing each other and hanging off the Statue of Liberty.

10:00pm – TCM – Shadow of a Doubt
And this is a somewhat lesser-known Hitchcock film that ought to be top-tier. Small-town girl Teresa Wright idolizes her uncle Charlie, but we know that he’s an infamous murderer on the run. Hitchcock once made a distinction between mystery and suspense: mystery is when there’s tension because the audience doesn’t know whodunit, suspense is when there’s tension because the audience does. This film is a perfect example of suspense, and Hitchcock’s preference for telling the audience whodunit very early in the film and letting them squirm.

12:00M – TCM – Foreign Correspondent
Another lesser-known Hitchcock film that’s nonetheless well worth watching.

2:15am (12th) – TCM – Rebecca
Hitchcock’s first American film isn’t one of my favorites, but a lot of people like it quite a lot. For me it’s more that the ending cops out from the book, and I know that’s the studio’s influence, not Hitchcock’s. And that bugs me.

Sunday, April 12

4:30am – TCM – Spellbound
Hitchcock + Ingrid Bergman + Gregory Peck + Freudianism + Salvador Dali dream sequences. There was something else you wanted? I didn’t think so.

8:00am – IFC – Au revoir, les enfants

12:30pm – TCM – Ben-Hur (1959)

1:05pm – IFC – Millions

7:00pm – TCM – Easter Parade
One of the better examples of MGM’s opulent musical style – having Fred Astaire, Judy Garland, and Ann Miller on board doesn’t hurt.

10:15pm – IFC – Amores Perros