Tag Archives: Talk to Her

Film on TV: August 17-23

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The Conversation, playing at 10pm on the 21st on TCM

Sorry about completely missing last week! I have been Tweeting reminders about the films over on Row Three’s Twitter account (Row Three being the group film blog I write for and crosspost these entries to), so if you’re on Twitter and want daily reminders about what’s coming to your TV, make sure you’re subscribed to the Row Three account.

Monday, August 17

8:30am – Sundance – The Discreet Charm of the Bourgeoisie
Luis Buñuel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.

6:25pm – IFC – Tristram Shandy: A Cock and Bull Story
Laurence Sterne’s 1769 proto-postmodern novel The Life and Opinions of Tristram Shandy has long been considered unfilmable. So what does director Michael Winterbottom do? He makes a film about the difficulty of filming Tristram Shandy. Winterbottom’s film is something of an experiment, but it’s a delightful one, showing the behind-the-scenes antics of production as well as highlighting the circularity and self-defeating narrative of Sterne’s novel in the film-within-the-film.
Newly Featured!

Tuesday, August 18

10:15pm – TCM – True Grit
John Wayne won an Oscar for this film, one of his last. I haven’t seen it, so I can’t say whether it was deserved or not, but hey. There it is.
Newly Featured!

4:30am (19th) – TCM – Baby Face
This film often comes up as a prime example of a pre-Code film, as Barbara Stanwyck very explicitly (and fairly literally) sleeps her way to the top of a corporation, using her body and manipulative skills to get what she wants every step of the way. Also look for a young John Wayne as an office assistant – he looks extremely uncomfortable in his suit!
Newly Featured!

Wednesday, August 19

8:35am – IFC – I Heart Huckabees
Not too many films take philosophy as their base, but this one basically does, following a man (Jason Schwartzman) plagued by coincidence who hires a couple of existentialists to figure out what’s going on.
(repeats at 2:30pm)

9:35pm – IFC – Secretary
Maggie Gyllenhaal and James Spader – making sado-masochism fun since 2002! But seriously, this was Maggie’s breakout role, and it’s still probably her best, as a damaged young woman whose only outlet is pain. And despite the subject, Secretary is somehow one of the sweetest and most tender romances of recent years.
(repeats at 3:15am on the 20th)

12:00M – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue
(repeats at 5:15am and 11:15am on the 20th)

Thursday, August 20

9:45pm – TCM – Trouble in Paradise
This film and the next one, Design for Living, both date from the early 1930s, both star Miriam Hopkins, and were both directed by Ernest Lubitsch. Consequently, I cannot keep them straight in my head. I’m not even sure I’ve seen both. In any case, you can’t get much better than Lubitsch’s early ’30s comedies (the height of sophistication), so check them both out.
Newly Featured!

11:15pm – TCM – Design for Living
See above.
Newly Featured!

Friday, August 21

8:00pm – TCM – Bonnie & Clyde
This is a perfect film. If you have not seen it, see it. If you have seen it, see it again. In either case, rather than write again how much I love it, I will just refer you here.
Newly Featured!

10:00pm – TCM – The Conversation
Gene Hackman is a surveillance expert who eavesdrops on people for hire. When he overhears something that may lead to a murder, he has to decide what to do with his (possible) knowledge. I honestly prefer this Francis Ford Coppola film to The Godfather, and its exploration of the ethics of surveillance is certainly still very timely today. Must See
Newly Featured!

Saturday, August 22

8:00am – IFC – Throne of Blood
Akira Kurosawa takes on Shakespeare’s Macbeth, transposing it into feudal Japan, much as he did with King Lear in Ran. Kurosawa has a knack for getting the spirit of Shakespeare perfectly, while also staying true to his own country’s traditions.
Newly Featured!

10:05am – IFC – Mon Oncle
Jacques Tati’s Chaplin-esque character, Mr. Hulot, this time takes on modern life in the form of his sister’s house that has been mechanized with all the most modern electronic aids – think Disney’s 1950s House of Tomorrow. Of course, everything goes wrong. Must See
(repeats at 3:30pm)

12:30pm – TCM – Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
Trust Stanley Kubrick to find the funny side of the Cold War. Peter Sellers plays multiple parts, including the President, an insane general who wants to nuke Russia, and the limb-control-impaired doctor of the title. It’s zany, it’s over-the-top, it’s bitingly satirical, and it remains one of Kubrick’s best films in a career full of amazing work. Must See

8:00pm – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.

12:00M – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision. Must See

Sunday, August 23

1:00pm – TCM – The Manchurian Candidate (1962)
The original 1962 version, not the pale comparison of a 2004 remake. Former soldier Frank Sinatra starts having nightmares about his war experience, then finds that he and his unit were part of a brainwashing experiment – the result of which was to turn his colleague Laurence Harvey into a sleeper agent assassin. A classic of the Cold War era, full of well-honed suspense and paranoia. Must See

Film on TV: August 3-9th

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Gilda, playing on TCM at 8pm on Friday, August 7th

There aren’t a whole lot of must-see films this week, but there are a number of Newly Featured films – I’ve tried to highlight some hidden gems this week.

Monday, August 3

8:10am – IFC – Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties.
(repeats at 1:30pm)

9:35am – IFC – I Heart Huckabees
Not too many films take philosophy as their base, but this one basically does, following a man (Jason Schwartzman) plagued by coincidence who hires a couple of existentialists to figure out what’s going on. I remember being a bit underwhelmed when I initially saw the film, but now that some time has gone by, I’m a bit curious to revisit it.
Newly Featured!
(repeats at 2:55pm)

Tuesday, August 4

CATCH-UP DAY! :)

Wednesday, August 5

10:30am – TCM – Safety Last
Everyone knows Charlie Chaplin, and most know Buster Keaton – Harold Lloyd is generally considered the third in the triumverate of great silent comedians, and this is his best film. He plays a schmoe working in a department store trying to convince his country girlfriend that he’s really more important than he is, culminating in a brash attempt to scale the outside of a skyscraper. The stunts are magnificent, making the film still a joy to watch. TCM’s playing Lloyd films all day today, and I’m sure many of them are worth checking out; I just haven’t seen many of them myself to know which ones to pick out. Must See
Newly Featured!

8:00pm – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision.
(repeats at 3:00am on the 6th)

8:00pm – IFC – With a Friend Like Harry
Harry seems like a nice guy when our main character meets him, but there’s something a little off about him – and that little something off keeps growing and growing until, well, who needs enemies? Quirky little suspense film that earns all of its payoff.
Newly Featured!
(repeats 1:30am on the 6th)

Thursday, August 6

6:15am – Sundance – The Discreet Charm of the Bourgeoisie
Luis Buñuel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
Newly Featured!
(repeats at 1:00pm)

6:45pm – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
(repeats 9:30am and 2:05pm on the 7th)

10:00pm – TCM – The Clock
This was Judy Garland’s first real purely dramatic role, directed by her then-husband Vincente Minnelli in 1945. It’s a wartime story of a soldier on leave (Robert Walker) who meets a girl (Garland) and their attempts to get married before he has to return to his unit. It’s a sweet, unassuming little film that showcases Garland’s charm quite well, and has a nice supporting role for comedian Keenan Wynn.
Newly Featured!

12:00M – TCM – Meet Me In St. Louis
The ultimate nostalgia film, harking back to the turn of the century and the year leading up to the 1903 St. Louis World’s Fair. Judy Garland holds the film and the family in it together as the girl who only wants to love the boy next door, but it’s Margaret O’Brien as the little willful sister who adds the extra bit of oomph, especially in the manic Halloween scene and the violent Christmas scene that carries the film from an exercise in sentimentality into a deeper territory of loss and distress. Must See

2:00am (7th) – TCM – The Pirate
A flop when first released, The Pirate looks more and more like a potential cult classic all the time. Gene Kelly is an entertainer who impersonates the dread pirate Mack the Black Mococo to get close to Spanish heiress Judy Garland in a period Caribbean seaport. It’s over-the-top, has some of Cole Porter’s most outlandish songs, and is somehow immensely, compulsively watchable.
Newly Featured!

Friday, August 7

8:00pm – TCM – Gilda
Gilda was the last person Johnny ever expected to meet again, much less as the wife of his boss, a sleazy casino operator in South America. Glenn Ford plays a quintessential defeated noir narrator in Johnny, while Rita Hayworth imbues Gilda with all her available mystique to make Gilda one of the more memorable films of the 1940s.
Newly Featured!

11:30pm – TCM – 3:10 to Yuma (1957)
The original version of 2007’s highly successful Christian Bale-Russell Crowe western is well worth watching in its own right – a little less actiony, a little more thoughtful, though its story of a peaceful farmer shuffled into the role of law enforcement to get a criminal to the train for his trial without having him rescued by his gang remains largely identical.
Newly Featured!

Saturday, August 8

8:00pm – TCM – The Man Who Came to Dinner
A rare comedic film for Bette Davis, though the film mainly focuses on Monty Woolley as an acerbic newspaper critic forced to take up residence with a midwestern family when he breaks his hip outside their house. Woolley was a great character actor here given the spotlight, and he takes it and runs with it. A great script by Julius and Philip Epstein (of Casablanca) doesn’t hurt, either.
Newly Featured!

8:30pm – IFC – Office Space
Anyone who’s ever worked in an office will identify with Office Space immediately – with the paper-jamming printers, the piles of beaurocratic paperwork, and the difficulty of keeping up with staplers if not the plot to make off with boatloads of money due to an accounting loophole.
(repeats at 2:00am on the 9th)

11:05pm – IFC – Secretary
Maggie Gyllenhaal and James Spader – making sado-masochism fun since 2002! But seriously, this was Maggie’s breakout role, and it’s still probably her best, as a damaged young woman whose only outlet is pain. And despite the subject, Secretary is somehow one of the sweetest and most tender romances of recent years.
Newly Featured!
(repeats at 3:30am on the 9th)

12:00M – TCM – The Letter
In this cut-above-average melodrama, Bette Davis shoots a man in self-defense. Or was it self-defense? Director William Wyler lays the twists and the gothic style on heavy in this one.

Sunday, August 9

9:00am – TCM – My Favorite Wife
After being shipwrecked and believed dead for seven years, Irene Dunne returns home to her husband Cary Grant on the eve of his marriage to another woman. Oh, and she brought Randolph Scott, her fellow shipwreckee, with her. Hijinks ensue. Not quite as strong a screwball comedy as the earlier Grant-Dunne opus The Awful Truth, but still fun for fans of the genre.
Newly Featured!

10:45am – TCM – The Awful Truth
This is one of the definitive screwball comedies, starring Cary Grant and Irene Dunne as a married couple who constantly fight and decide to divorce, only to wind up meddling in each other’s lives (and screw up other relationship attempts) because they just can’t quit each other. Dunne’s impersonation of a Southern belle showgirl is a highlight. Must See

5:15pm – IFC – The Proposition
Australia’s answer to the western; Guy Pearce must hunt down and capture his brothers for the law in order to save his own skin. Gritty and violent almost to a fault, but it definitely brought new life to the Western genre.
Newly Featured!
(repeats at 12:15am on the 10th)

6:00pm – TCM – To Catch a Thief
Not one of my personal favorite Hitchcock films, but certainly one of his classiest, most sophisticated entries. Cary Grant is a notorious cat burglar, Grace Kelly the Monte Carlo socialite he woos. It’s one of Kelly’s last films, and she’s already looking like the princess she was about to become.

8:00pm – TCM – Notorious
One of Alfred Hitchcock’s best films, and one of the greatest spy films ever. Spy Cary Grant recruits Ingrid Bergman because of her relationship with suspected enemy spy Claude Rains – but how far is she willing to go? Simply fantastic on every level. Must See

Film on TV: June 22-28

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Rear Window, playing on TCM on Sunday, June 28th at 12:15am

As TCM nears the end of their month of Great Directors, they shine the spotlight on George Stevens, Ernst Lubitsch, Stanley Kubrick, Federico Fellini, Alfred Hitchcock, and George Cukor. And a mini-spotlight on David Lean on Friday morning.

Monday, June 22

10:45am – IFC – Mon Oncle
Jacques Tati’s Chaplin-esque character, Mr. Hulot, this time takes on modern life in the form of his sister’s house that has been mechanized with all the most modern electronic aids – think Disney’s 1950s House of Tomorrow. Of course, everything goes wrong.
(repeats 5:05am on the 23rd)

4:00pm – TCM – The Caine Mutiny
Humphrey Bogart’s Captain Queeg is a piece of work, and by that I mean some of the best work Bogart has on film. He’s neurotic, paranoid, and generally mentally unstable. Or is he? That’s the question after first officer Van Johnson relieves him of duty as being unfit to serve and faces charges of mutiny.

Great Directors on TCM: George Stevens
I’m not a huge fan of Stevens, personally, but I think my apathy is largely based on how overrated I think Giant is, and TCM isn’t playing that anyway.

10:00pm – TCM – Shane
Alan Ladd plays the titular cowboy, idolized by the young son of the family he takes refuge with as he tries to escape outlaw Jack Palance.

12:00M – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision.

2:15am (23rd) – TCM – Swing Time
Many people call Swing Time the best of the Fred Astaire-Ginger Rogers musicals, and it’s certainly up there. Frothy story? Check. Jerome Kern music? Check. Fantastic dances? Check. Of course. Must See

Tuesday, June 23

7:00am – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen. Must See
(repeats at 10:00pm on the 28th)

9:00am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
(repeats 2:35pm)

3:15pm – TCM – Anatomy of a Murder
One of the best courtroom dramas ever made – James Stewart vs. George C. Scott as lawyers on a murder/rape trial that may not be quite what it seems. And that’s aside from the top-notch jazz score by Duke Ellington, which is in itself reason enough to see the film. Must See

Great Directors on TCM: Ernst Lubitsch
Lubitsch was one of several directors who came over to the US from Germany in the 1920s – while Fritz Lang and F.W. Murnau and others brought German Expressionism and the moody sensibility that would become film noir, Lubitsch brought a sparkling continental wit and sophistication that informed the screwball comedy. The famed “Lubitsch touch” proved inimitable, though, and his best films are impossible to mistake for anyone else’s. I feel a little let down by TCM, though, that they’re not playing To Be or Not to Be, not only Lubitsch’s finest hour, but one of the greatest movies I’ve ever seen.

8:00pm – TCM – The Shop Around the Corner
The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch brings his warm European wit to bear, making this dramedy a cut above the norm.

10:00pm – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.

2:00am (24th) – TCM – The Student Prince in Old Heidelberg
In this silent film, Ramon Novarro is the titular prince and Norma Shearer the barmaid whose love tempts him away from his royal duty – a bit like Roman Holiday in reverse. There’s a later musical version, but even with the voice of tenor Mario Lanza, it can’t really compare to Lubtisch’s original.

Wednesday, June 24

4:00pm – TCM – The Thin Man
William Powell and Myrna Loy made eight or ten films together, but none more memorable, witty, sophisticated, or enjoyable as The Thin Man. Their portrayal of Nick and Nora Charles, a married detective couple pulled into a case of disappearance by an old friend, remains one of the most refreshing views of married life in all of cinema. Plus the script is fantastic, the plot decent (though a bit reliant on familiar Agatha Christie techniques), and the wildly varying acting styles of the supporting cast amusing. No seriously, I promise. Must See

6:00pm – TCM – After the Thin Man
The Thin Man was such a rousing success that it spawned five sequels – this second in the series the only other one really worth watching (though Powell and Loy are generally worth watching anyway). It also boasts an extremely young James Stewart in only his second or third year in Hollywood.

Great Directors on TCM: Stanley Kubrick
Too bad Kubrick tended to make rather long movies; TCM is only playing two of them tonight, and neither one is 2001: A Space Odyssey. Boo. There’s not much I need to say about Kubrick – he was a visionary in both form and content, constantly pushing the envelope on what he could put in movies, from the Cold War satire of Dr. Strangelove, the ultraviolence of A Clockwork Orange and the bloody glee of The Shining, to the sexual obsessions of Lolita and Eyes Wide Shut. And the man had an eye for visuals like no other.

10:30pm – TCM – Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
Trust Kubrick to find the funny side of the Cold War. Peter Sellers plays multiple parts, including the President, an insane general who wants to nuke Russia, and the limb-control-impaired doctor of the title. It’s zany, it’s over-the-top, it’s bitingly satirical, and it remains one of Kubrick’s best films in a career full of amazing work.

12:15am (25th) – TCM – Lolita
I haven’t seen Kubrick’s Lolita, and having just finished reading and being heavily disturbed by the book, I’m debating whether or not I want to. But it is on, and it is Kubrick, so I’ll list it.

Thursday, June 25

6:30pm – IFC – Pi
Darren Aronofsky’s first feature is this fever dream of a mathematician searching for the numeric patterns that will unlock the secrets of the stock market – paranoid, fearful of human contact, and beset by terrible headaches, he’s also pursued by Wall Street factions and Hasidic Jews, each seeking the results of his formulas. It’s heady stuff, but Aronofsky’s the right guy for that.

Great Directors on TCM: Federico Fellini
Fellini is one of the touchstone figures of European cinema, no question. From his sort-of neo-realist (but too quirky to really be neo-realist) films of the 1950s through his autobiographical opuses of the 1960s and his flamboyantly surreal 1970s films, he never made a film that wasn’t undeniably Fellini, and yet it’s easy to see his ties to nearly every cinematic movement that took place during his long career. (See also Nights of Cabiria, playing on Sundance on the 23rd and 28th.)

8:00pm – TCM – La Strada
Fellini’s most enduring muse, Giulietta Masina, here plays the apparently simple but amazingly good-hearted Gelsomina, indentured to circus strongman Zampano (Anthony Quinn) – her loyalty unshaken despite his cruelty. Masina is perfection here. Must See

10:00pm – TCM – Juliet of the Spirits
It’s been a long time since I’ve seen Juliet of the Spirits, and I remember finding it difficult when I did see it, but it makes a nice double feature with La Strada. Both start Giulietta Masina, but they’re from distinctly different periods in Fellini’s career. He’s quite surrealist here, from what I recall, having Juliet retreat into fantastic reveries to escape her life with an unfaithful husband, as opposed to La Strada‘s distinct tendency toward neo-realism.

10:00pm – Sundance – Wristcutters: A Love Story
Patrick Fujit (Almost Famous) slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey.

2:45am (26th) – Roma
Fellini returns to nostalgic auto-biography here, giving a series of impressionistic and over-the-top scenes of Rome through the eyes of a returning filmmaker who grew up there.

Friday, June 26

12:00N – TCM – Brief Encounter
Beautifully understated romantic drama of a chance encounter at a railway station cafe between two married people who know better than to indulge their burgeoning love for each other, but do so anyway. David Lean directs.

5:00pm – TCM – The Bridge on the River Kwai
British prisoners of war are commanded to build a bridge over the River Kwai for their Japanese captors – a task which becomes a source of pride for old-school British commander Alec Guinness. But American William Holden is having none of that and makes it his mission to blow the bridge up. One of the great war films.

5:50pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.

Saturday, June 27

Great Directors on TCM: Alfred Hitchcock
I figured TCM was saving Hitchcock for the last weekend of their Great Director’s month. They really like Hitchcock over there, which works out for me, since he’s one of my all-time favorite directors.

7:15am – TCM – Suspicion
Joan Fontaine thinks her husband Cary Grant is poisoning her, but she can’t be quite sure. Neither can the audience, really, although that depends on whether you go with Hitchcock’s original ending or the one the studio tacked on because they thought Hitchcock’s would be unpalatable to audiences.

9:00am – TCM – Rebecca
Hitchcock’s first American film, based on Daphne du Maurier’s romantic novel. Rebecca is actually the previous wife of our mousy narrator’s new husband – her greatest fear is that he still loves Rebecca too much to care for her, but the truth may be more sinister than that. A lot of people really love this film, but I personally dislike the Hollywoodized ending enough that I’m not a huge fan.

11:15pm – TCM – Spellbound
Hitchcock indulged the 1940s Freudian craze with this suspenser starring Gregory Peck as a disturbed individual and Ingrid Bergman as his psychiatrist. Throw in a trippy Salvador Dali dream sequence and you’re all set!

1:15pm – TCM – Marnie
Marnie gets something of a bad rap, I think, because it comes right after Hitchcock’s amazing VertigoNorth by NorthwestPsychoThe Birds streak of genius, but I think it’s one of Hitchcock’s most underrated films, despite a few somewhat obvious plot devices and the fact that ‘Tippi’ Hedren can’t act. In some ways, the imperfections in this one are what makes it interesting. And Sean Connery’s husband is fascinating, whether or not you agree with everything he does.

3:30pm – TCM – Psycho
Alfred Hitchcock built the foundation for all future psycho-killer movies with this classic. It’s not as terrifying as it once was, but that doesn’t at all diminish its brilliance, because it doesn’t depend on scares, really, for its greatness. Must See

5:30pm – TCM – North by Northwest
Roger O. Thornhill (Cary Grant) gets mistaken for George Kaplan and pulled into an elaborate web of espionage in one of Hitchcock’s most enjoyable and funniest thrillers. So many great scenes it’s impossible to list them all. Must See

8:00pm – TCM – Notorious
One of Alfred Hitchcock’s best films, and one of the greatest spy films ever. Spy Cary Grant recruits Ingrid Bergman because of her relationship with suspected enemy spy Claude Rains – but how far is she willing to go? Simply fantastic on every level. Must See

12:15am (28th) – TCM – Rear Window
Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create my favorite film of all time. Must See

2:15am (28th) – TCM – Vertigo
James Stewart is a detective recovering from a vertigo-inducing fall who’s asked by an old friend to help his wife, who has developed strange behavior. Hitchcock plays with doubling, fate, and obsession, all the while creating one of his moodiest and most mesmerizing films. And watch for a great supporting turn by Barbara Bel Geddes as Stewart’s long-suffering best friend. Must See

4:30am (28th) – TCM – The 39 Steps
My vote for Hitchcock’s finest British-era film follows Robert Donat and Madeleine Carroll though a twisty and witty tale of spies and mistaken identities.

Sunday, June 28

Great Directors on TCM: George Cukor
Cukor has a reputation for being a great woman’s director, and he was, in fact, a favorite of many of MGM’s most bankable female stars, from Norma Shearer and Vivien Leigh to Joan Crawford and Katharine Hepburn. His films are great exemplars of MGM’s polished studio style, while yet having a vitality that not every MGM director managed to capture.

8:00am – TCM – Dinner at Eight
Dinner at Eight is the best example of a 1930s MGM ensemble comedy. You got two Barrymores (Lionel and John), Jean Harlow (one of her top couple of roles), Wallace Beery (fresh off an Oscar win), Marie Dressler (forgotten now, but also just a recent Oscar winner at the time), and others converging for a dinner party. Sparkling dialogue is the real star here.

12:15pm – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting.

8:00pm – TCM – The Philadelphia Story
Hepburn here is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made. Must See

10:00pm – TCM – The Women
Only the cattiest, most man-less film every made (there are no men at all, so of course George Cukor directed it, right?). Several of Hollywood’s greatest female stars, from established divas like Norma Shearer and Joan Crawford to up-and-comers like Rosalind Russell and Joan Fontaine to character actresses like Mary Boland and Marjorie Main (and even non-actresses like gossip columnist Hedda Hopper), give their all to one of the wittiest scripts ever written. I don’t know if this is really a must-see in the grand scheme of cinematic history, but dang it, I don’t care. I find it incredibly entertaining. Must See

12:30am (29th) – TCM – My Fair Lady
George Cukor finally won an Oscar in 1964 for this film, a high-quality adaptation of Lerner and Loewe’s musical, itself an adaptation of George Bernard Shaw’s Pygmalion, itself based on the Greek story of Svengali and Trilby. Rex Harrison and Audrey Hepburn acquit themselves well as phonetics professor Henry Higgens and street urchin Eliza Doolittle. I guess I just find it a bit overlong and overproduced, as most 1960s musicals were, but I may be in the minority.

Film on TV: June 8-14

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Singin’ in the Rain, playing Tuesday, June 9th at 12:30am on TCM

This week, TCM continues their celebration of great directors with Stanley Donen, Fred Zinnemann, Preston Sturges, Akira Kurosawa, Woody Allen, Billy Wilder, and Howard Hawks. They also seem to be doing director mini-marathons for John Huston, Michael Powell & Emeric Pressburger, and Val Lewton/Jacques Tourneur, though they aren’t officially in the Great Director series. Whether they should be or not is definitely arguable. And IFC and Sundance have a few gems to throw in, as well.

Monday, June 8

12:45pm – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).

6:15pm – TCM – The Big Heat
Director Fritz Lang came out of the German Expressionist movement of the 1920s, so it’s not surprising that he ended up making some of the better noir films, given film noir’s borrowing of Expressionist style. Glenn Ford is a cop working against his corrupt department, but the parts you’ll remember from the film all belong to Gloria Grahame in a supporting role as a beaten-up gangster’s moll. Her performance and Lang’s attention to detail raise the otherwise average story to a new level.

Great Directors on TCM: Stanley Donen
Stanley Donen shone at directing flashy musicals and mod comedies throughout the 1950s and 1960s. The films he co-directed with Gene Kelly (On the Town and Singin’ in the Rain, see below) stand among the best musicals ever made, and his later films like Charade and Arabesque merged Hitchcockian thrills with 1960s comic panache in a way that no-one else really matched.

9:00pm – TCM – On the Town
Sailors on leave Gene Kelly, Frank Sinatra, and Jules Munshin hit New York City, spending the day sightseeing and searching for Kelly’s dream girl Vera-Ellen, meanwhile picking up Betty Garrett and Ann Miller for the other boys. Not much plot here, but enough to precipitate some of the best song and dance numbers on film. Also one of the first musicals shot on location. Must See

9:45pm – IFC – Far From Heaven
Director Todd Haynes homages 1950s melodrama king Douglas Sirk with this film, loosely based on Sirk’s All That Heaven Allows. I don’t think he succeeded as well as he might’ve (Sirk’s sort of in a class by himself), but he and lead Julianne Moore make a darn good attempt. Moore plays a 1950s housewife, trapped in her marriage to a man struggling with his own sexual identity (Dennis Quaid), and slowly falling into an affair with her black gardener (Dennis Haysbert).
(repeats at 3:30am)

10:45pm – TCM – Royal Wedding
This isn’t one of the all-time great Fred Astaire musicals, but it’s quite charming in its small way, and has the distinction of including the Fred’s “dancing on the ceiling” extravaganza, as well as a few surprisingly competent dance numbers from Fred and not-dancer Jane Powell. Oh, and Fred’s love interest is Sarah Churchill, Winston Churchill’s daughter, which is interesting (Powell plays his sister).

12:30am (9th) – TCM – Singin’ in the Rain
After On the Town, Stanley Donen and Gene Kelly teamed up for what is now usually considered one of the greatest musicals of all time. Inspired by songs written by MGM producer Arthur Freed at the beginning the sound era, Singin’ in the Rain takes that seismic shift in film history for its setting, focusing on heartthrob screen couple Don Lockwood (Kelly) and Lina Lamont (the hilarious Jean Hagen) as the transition into sound – problem being that Lamont’s voice, like many actual silent screen stars, doesn’t fit her onscreen persona. Hollywood’s often best when it turns on its own foibles, and this is no exception. Must See

2:30am (9th) – TCM – Seven Brides for Seven Brothers
What do you do when you’re seven brothers in the backwoods and need wives? Why, go kidnap them of course! Patriarchal values aside, Seven Brides is one of the most entertaining movie musicals ever made, and I defy anyone to outdo the barn dance/raising scene.

Tuesday, June 9

6:00am – TCM – I Know Where I’m Going!
This is one of those little films that doesn’t get much press and is very quiet and unassuming, but once you watch it you won’t easily forget it. Wendy Hiller is a confident young woman who knows exactly what she wants and where she’s going – that is, to meet her wealthy fiance and marry him on one of the Scottish Hebrides. But when a storm strands her on the way, she finds herself thrown off-course in more ways than one. There’s nothing wasted here, and I Know Where I’m Going! stands as one of Michael Powell and Emeric Pressburger’s crowning achievements, even if it’s not as well-known as Black Narcissus or The Red Shoes.

1:00pm – TCM – A Matter of Life and Death
An RAP pilot bails out of his crashing plane and survives, even though he was meant to die, due to a mix-up in heaven. He’s granted the chance to plead his case for life in a heavenly trial in Powell & Pressburger’s fantasy drama. I haven’t seen this one, but I have friends who place it among their all-time favorites, so I’m looking forward to it.

5:15pm – TCM – The Life and Death of Colonel Blimp
Another Powell & Pressburger film I haven’t seen, this one follows an idealistic army colonel from the Boer War through WWII, focusing on his romantic pursuits as well as the changes in military strategy and notions of honor. I find WWI films interesting for the juxtaposition of modern warfare with 19th century nobility, and looks like this will draw on that. Plus, really young Deborah Kerr.

6:05pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.

Great Directors on TCM: Fred Zinnemann
I don’t tend to think of Fred Zinnemann when I think of great directors, and I’m sure that’s influenced by my auteurist outlook. Yet I do quite like several of the films he’s directed, such as the ones below.

8:00pm – TCM – High Noon
An Oscar-winning performance by Gary Cooper and an early role for Grace Kelly in Fred Zinnemann’s classic cowboy showdown drama. Follow it up with Howard Hawks’ Rio Bravo, something of a response to High Noon, which Hawks disliked.

9:30pm – TCM – Oklahoma!
I can’t begin to guess how many times I watched Oklahoma! growing up, but it’s well into double-digits. It’s a nothing story, about minor conflicts between farmers and cowboys, a couple of young lovers, and the obsessive farmhand who wants the girl for himself. It’s the way the music and dancing is integrated that’s wonderful (and groundbreaking in the 1943 play the film is based on). It’s worthwhile just for the surreal dream ballet in the middle.

12:00M – TCM – From Here to Eternity
There’s the famous part, yes, where Burt Lancaster and Deborah Kerr make love on the beach among the crashing waves. But there’s also a solid ensemble war tale, involving young officer Montgomery Clift and his naive wife Donna Reed, and embittered soldiers Frank Sinatra and Lee J. Cobb.

Wednesday, June 10

6:00am – TCM – Kiss Me Kate
It’s hard to improve Shakespeare, but it usually works best to place his stories and words in a new context. Kiss Me Kate does just that by coupling a musical version of Taming of the Shrew with a backstage story that mirrors Shrew‘s fighting protagonists. Great supporting work from Ann Miller, James Whitmore, Keenan Wynn, etc. helps out leads Howard Keel and Kathryn Grayson considerably, as do Cole Porter’s songs.

7:00am – Sundance – Nights of Cabiria
Nights of Cabiria and La Strada, two films that Federico Fellini made during his sorta-neo-realist phase in the mid-1950s with Giulietta Masina, always stand out to me almost even more than his more famous, more flamboyant 1960s films like 8 1/2 and La Dolce Vita. Nights of Cabiria casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen. Must See
(repeats at 6:00pm, and 1:00pm on the 13th, and 5:00am on the 14th)

Great Directors on TCM: Preston Sturges
Preston Sturges is responsible, as writer and director, for many of the most insane, provocative, and lasting comedies of the early 1940s. He consistently pushed envelopes, and while some of his films may come across a little shrill today, I still love them to pieces.

8:00pm – TCM – The Lady Eve
Barbara Stanwyck and her father Charles Coburn are cardplayers, cheating cruise ship denizens of their wealth. Millionaire (and snake afficianado) Henry Fonda is a good mark, especially since he’s a bit dense and spacey. Stanwyck’s plot is hugely elaborate, only a little muddled by her falling in love with Fonda as well, and she’s a delight from start to finish. As she usually is. Must See

10:00pm – TCM – Sullivan’s Travels
Sullivan’s Travels is a slightly more serious turn for Preston Sturges, but ultimately upholds his comedic tendencies. Joel McCrea is a filmmaker known for his comedies who decides he wants to make a serious film about the depression; but as a successful Hollywood director, he doesn’t know anything about poverty and the working class, so he embarks on an odyssey to learn about them, picking up waifish Veronica Lake as a traveling companion. Must See

12:00M – TCM – The Palm Beach Story
Similar in tone but less consistent than The Lady Eve, this film follows bickering couple Joel McCrea and Claudette Colbert as she leaves him to gold dig for a richer man. He follows her, pretending to be her brother, and they get all entangled with a wealthy brother and sister. The ending is a weak bit of trickery, but there are enough moments of hilarity to make it worth watching.

2:00am (11th) – The Miracle of Morgan’s Creek
Preston Sturges’ zaniest and most irreverent comedy gives Betty Hutton her best role as Trudy Kockenlocker, who goes out for a night on the town with a group of soldiers about to ship out. A few months later, she finds out she’s pregnant and can only vaguely remember an impromptu wedding ceremony with a soldier who may or may not be named Ratskiwatski. I’m always impressed that Sturges got away with as much as he did in this film in 1944.

Thursday, June 11

7:45am – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.

2:00pm – TCM – The Maltese Falcon
Humphrey Bogart inhabits the role of Dashiell Hammett’s private eye Sam Spade, creating one of the definitive on-screen hard-boiled detective (vying only with Bogart’s Philip Marlowe in The Big Sleep, really). Not mention setting the early benchmark for noir films. Must See

3:45pm – TCM – The Treasure of the Sierra Madre
One of Bogart’s best films casts him as greedy prospector Fred C. Dobbs, who teams up with old-timer Walter Huston and youngster Tim Holt to find a horde of gold. Along the way, they uncover instead the darker sides of human nature. One of director John Huston’s most impressive films.

6:00pm – TCM – The African Queen
Yet another team up of John Huston and Humphrey Bogart pits Bogart against the Amazon river – and straight-laced missionary Katharine Hepburn, who is forced to travel with him to escape Germany enemies. Well, boats are small, and one things leads to another, you know.

Great Directors on TCM : Akira Kurosawa
Between his flawless translations of American genre films (especially crime films and westerns) to Japanese settings both contemporary and medieval, his groundbreaking experiments with cinematic point of view and narrative reliability, and his brilliant juxtapositions of Shakespeare with Japanese tradition, Akira Kurosawa can easily claim to be one of the greatest and most influential directors of all time.

8:00pm – TCM – The Seven Samurai
Probably Kurosawa’s best-known film, The Seven Samurai is an eastern version of a Western, with down-on-their-luck samurai (led by Kurosawa regular Toshiro Mifune) working together to help a ravaged village hold off bandit invaders. Completing the cycle of cinematic borrowing, the film was remade in the US as The Magnificent Seven. Must See

10:00pm – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision.

Friday, June 12

12:30pm – TCM – Out of the Past
Out of the Past comes up in most conversations about film noir. It’s got all the elements: low-key lighting (due in this case to budgetary concerns), an existential anti-hero (Robert Mitchum), a femme fatale (Jane Greer), etc. It’s honestly not my favorite noir, but it’s a good one to see once.

2:00pm – Sundance – A Woman Under the Influence
Gena Rowlands gives a tour-de-force performance as Mabel, a woman whose teetering madness threatens her marriage to Nick (Peter Falk). Their relationship edges back and forth between love, frustration, and anger with amazing quickness, yet it’s not clear whether Mabel’s instability is causing the problems, or the other way around. John Cassavetes directs with an unwavering camera, refusing to look away.

5:15pm – TCM – I Walked With a Zombie
Or, Jane Eyre in the West Indies. In Val Lewton’s moody little fantastic horror flick, mousy nurse Betsy goes to the Caribbean to care for afflicted Jessica, the wife of an important plantation owner. Turns out her affliction is due to zombification, a curse of the voodoo-practicing natives. Certainly the acting and script are nothing special here, but the noirish cinematography and direction by Jacques Tourneur as well as producer Lewton’s peculiarly literary sensibility certainly are.

6:30pm – TCM – Cat People
Val Lewton and Jacques Tourneur team up for this suggestive horror film, tapping into Eastern European legends of women who turn into cats to protect themselves against oppressive male attention. Highly creepy while showing almost nothing – and I happen to quite like that in a film.

Great Directors on TCM: Woody Allen
Woody Allen is one of the most prolific writer/directors currently working, having turned out a new film nearly every year since the early 1970s. He’s gone through several creative phases, gained and lost popularity, been in and out of the tabloids, etc etc ad nauseum. But when he’s on, he manages to create films that are by turn watchably philosophical, absurdly hilarious, movingly emotional, cinematically and personally nostalgic, and caustically witty. TCM’s hitting almost every base with the films they’ve chosen – throw in Crimes and Misdemeanors and it’d be perfect.

9:45pm – TCM – Broadway Danny Rose
In this lesser Woody Allen film, Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not only does Danny worry about the tenor’s wife, he also gets himself in trouble with the woman’s family.

11:15pm – TCM – Hannah and Her Sisters
Say what you want about Annie Hall and even Manhattan, both of which I love, I throw my vote for best Woody Allen movie ever to Hannah and Her Sisters. It has all the elements Allen is known for – neurotic characters, infidelity, a tendency to philosophize randomly, New York City, dysfunctional family dynamics, acerbic wit – and blends them together much more cogently and evenly than most of his films do. Must See

1:15am (13th) – TCM – The Purple Rose of Cairo
A love letter to cinema, The Purple Rose of Cairo has Woody Allen at his most romantic. Unhappy housewife Cecilia (Mia Farrow) escapes to the cinema to see The Purple Rose of Cairo again and again, where she fantasizes over hunky character Tom Baxter (Jeff Daniels). Much to her surprise (and the other characters’ consternation), Baxter steps off the screen to join her. It makes it even more complicated when Gil, the actor who played Baxter, turns up as well.

2:45am (13th) – TCM – Interiors
In case anyone doubted Woody Allen’s admiration for Ingmar Bergman, he made this film to prove it. Interiors is about the best imitation of a Bergman chamber drama you could ask for, down to the spare set design, strained family relations, and a climax involving an angry sea. Still, it is also very much Allen’s film – his first straight drama – focusing on deeply neurotic, introspective characters unable to get outside their own heads for long enough to form really true relationships.

4:30am (13th) – TCM – Take the Money and Run
An early Woody Allen movie, when he was mostly focused on being funny and absurd, and this film about a set of totally inept bank robbers is both. It’s actually my favorite of the pre-Annie Hall Allen films.

Saturday, June 13

Great Directors on TCM: Billy Wilder
Billy Wilder had an incredible ability to make definitive films in most genres – screwball comedy, film noir, socially conscious drama, bittersweet comedy-drama. Rarely are his films bad; most of the time they’re brilliant.

8:30am – TCM – The Apartment
Wilder had a knack for combining comedy and drama into bittersweet goodness, and that’s exactly what he does here, garnering Oscars for Picture, Director, and Screenplay in the process. Jack Lemmon lends his apartment to his boss Fred MacMurray for romantic trysts – a situation that gets even more complicated when MacMurray trysts with Shirley MacLaine, who Lemmon happens to love from afar. Everything comes together perfectly in this film, one of Wilder’s best. MUST SEE

3:30pm – TCM – Some Like It Hot
After musicians Tony Curtis and Jack Lemmon unwittingly witness the St. Valentines Day Massacre, they have to escape the mob by impersonating women and joining an all-girls band. The fact that Marilyn Monroe is the band’s lead singer doesn’t help them stay undercover. Easily one of the greatest comedies ever put on film. Must See

8:00pm – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
(repeats at 1:00am on the 14th)

10:15pm – TCM – Double Indemnity
Quite probably the most definitive film noir film in existence (vying only with The Big Sleep in my head, anyway) has insurance salesman Walter Neff (Fred MacMurray) being seduced by bored housewife Phyllis Dietrichson (Barbara Stanwyck) and convinced by her to help murder her husband for the insurance money. Wilder’s crackling dialogue and Stanwyck’s perfectly tuned mixture of calculation and innocence can hardly be beat. Must See

12:15am (14th) – TCM – Sunset Boulevard
Billy Wilder’s classic noir explores the dark side of the rich and formerly famous, as a struggling screenwriter (William Holden) gets involved with a silent screen star seeking to make a comeback in the sound era. In one of the most brilliant cast films ever, actual silent screen star Gloria Swanson returned to the movies to play the delusional Norma Desmond and actual silent star/director Erich von Stroheim (who worked with Swanson on the never-finished Queen Kelly, portions of which appear in Sunset Boulevard) plays her former director/current butler. The film is a bit on the campy side now, but that doesn’t diminish its enjoyability one bit. Must See

Sunday, June 14

Great Directors on TCM: Howard Hawks
Even more so than Wilder, Howard Hawks genre-shifted with ease, including westerns and musicals along with comedies, action films, noir and drama. Yet they all somehow bore his stamp, making him one of the first directors given auteur status by the French film critics who coined the term. (I tend to have more difficulty finding his stamp than I do with, say, Hitchcock – someday I’m going to a specifically auterist study of Hawks so I can write about him more knowledgably. For now I only know that I usually like most everything he did.)

9:30am – TCM – Sergeant York
Gary Cooper won his first Oscar for this film, portraying pacifist-turned-WWI hero Alvin C. York. Unfortunately, I’ve never actually seen it all the way through, so I don’t have much more to offer about it.

12:00N – TCM – Bringing Up Baby
Poor Cary Grant just can’t get away from delightfully ditzy Katharine Hepburn, especially after her dog steals his museum’s priceless dinosaur bone. Oh, and after her pet leopard escapes (and a dangerous zoo leopard escapes at the same time). Incredible situation follows incredible situation in this screwiest of all screwball comedies. Must See

2:00pm – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for.

4:00pm – TCM – His Girl Friday
This is a remake of a 1931 film called The Front Page about newspaper buddies who go after a major story – Hawks took it to a whole new level by turning one of the men into a woman, and setting reporters Rosalind Russell and Cary Grant as a former couple, now divorced who can’t seem to stay apart, either personally or professionally. The dialogue is a stroke of genius, as well, overlapping in a maelstrom of words that’s overwhelming and delightful all at the same time. I call this one of the greatest American films ever made. Must See

6:00pm – TCM – Ball of Fire
Hawks tries to recapture a little bit of Bringing Up Baby in this tale of a showgirl (Barbara Stanwyck, who’s trying to recapture a bit of The Lady Eve) who ends up among a bunch of stuffy professors, including Gary Cooper. Ball of Fire isn’t as memorable as either of those other films, but it has its own charm, and it’s certainly worth a watch.

8:00pm – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. It’s honestly mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.

10:00pm – TCM – The Big Sleep
Only one of the greatest detective/mysteries/films noir ever made. Humphrey Bogart is the definite hard-boiled detective, Lauren Bacall is the potential love interest/femme fatale. Don’t try to follow the story; whodunit is far less important than crackling dialogue and dry humor. Watch out for future Oscar-winner Dorothy Malone (Written on the Wind) in the small but extremely memorable part of the bookshop girl. Must See

12:00M – TCM – Only Angels Have Wings
I’ve never gotten into Only Angels Have Wings as much as I have into other Hawks’ films – why I don’t know. It has elements I like – Cary Grant as a daring pilot making dangerous cargo runs in exotic locales, Jean Arthur in an uncharacteristically dramatic turn, and a sighting of a young Rita Hayworth. Just doesn’t seem to come together in a memorable whole for me.

December Reading/Watching Recap

You know, having neither school nor work does wonders for media consumption, as does access to St. Louis libraries. Nineteen movies and six books, including Stranger Than Fiction, Before Sunrise, The Queen, The Wrong Man, Volver, V for Vendetta, We are Marshall, The English Patient, Eragon (book), and Ficciones after the jump.

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