Tag Archives: The Shop Around the Corner

Film on TV: January 25-31

Ladykillers.jpg
The Ladykillers, playing on TCM on Monday at 3:15pm

 

We had classic Ealing/Alec Guinness comedy Kind Hearts and Coronets recently, and now here comes The Ladykillers, possibly my favorite Ealing/Guinness comedy, playing on TCM on Monday. Not a lot of other newly featured stuff, though I did throw in some lower-level MGM musicals. Because I like musicals. And I can. Still a lot of great stuff among the repeats, and a lot of variety, too.

Monday, January 25

3:15pm – TCM – The Ladykillers
One of the most delightful of the Ealing comedies, with Alec Guinness leading a bunch of crooks (including a young Peter Sellers) whose bankrobbing plans get flustered by an unlikely old lady.
1955 UK. Director: Alexander Mackendrick. Starring: Alec Guinness, Cecil Parker, Herbert Lom, Peter Sellers.
Must See
Newly Featured!

Tuesday, January 26

7:05pm – IFC – Blow Out
Sound man John Travolta is recording sound samples one night, and may have accidentally recorded a murder occurring. As he tries to investigate, he’s drawn into a dangerous conspiracy. Inspired to some degree by Antonioni’s photography-based Blow-Up, but this is definitely DePalma’s film all the way.
1981 USA. Director: Brian DePalma. Starring: John Travolta, Nancy Allen, John Lithgow, Dennis Franz.

8:00pm – Sundance – Oldboy
Ultra-violent revenge films don’t get much better than this. A man is inexplicably locked up in a room for several years then just as inexplicably released, at which point he seeks revenge. A bloody and at times disturbing film, but with an underlying thoughtfulness that sets it apart.
2003 Korea. Director: Park Chan-Wook. Starring: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.
(repeats at 3:10am on the 27th)

Wednesday, January 27

12:30pm – TCM – I Love Melvin
Not a great film by any stretch of the imagination, but a fun one-off MGM musical starring Donald O’Connor and Debbie Reynolds. So if they were your favorite part of Singin’ in the Rain and you just wish Gene Kelly had got out of their way, here you go.
1953 USA. Director: Don Weis. Starring: Donald O’Connor, Debbie Reynolds, Una Merkel, Richard Anderson.
Newly Featured!

5:55pm – IFC – Annie Hall
Often considered Woody Allen’s transition film from “funny Woody” to “serious Woody,” Annie Hall is both funny, thoughtful, and fantastic. One of the best scripts ever written, a lot of warmth as well as paranoid cynicism, and a career-making role for Diane Keaton (not to mention fashion-making).
1977 USA. Director: Woody Allen. Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane.
Must See
(repeats 4:50am on the 28th)

12:00M – TCM – The Manchurian Candidate
Former soldier Frank Sinatra starts having nightmares about his war experience, then finds that he and his unit were part of a brainwashing experiment – the result of which was to turn his colleague Laurence Harvey into a sleeper agent assassin. A classic of the Cold War era, full of well-honed suspense and paranoia.
1962 USA. Director: John Frankenheimer. Starring: Frank Sinatra, Laurence Harvey, Angela Lansbury.
Must See

12:45am – Sundance – Wristcutters: A Love Story
Patrick Fujit slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey, if you like that sort of thing. And I do.
2006 USA. Director: Goran Dukic. Starring: Patrick Fujit, Shannyn Sossamon, Abraham Benrubi, Will Arnett.

Thursday, January 28

8:30am – TCM – A Night at the Opera
One of the best of the Marx Brothers’ zany comedies finds them running awry through the world of opera. This is the one that contains the famous “how much stuff can we stuff into a stateroom” scene. And a subplot with Allan Jones and Kitty Carlisle, but that’s best ignored as much as possible.
1935 USA. Director: Sam Wood. Starring: The Marx Brothers, Allan Jones, Kitty Carlisle, Margaret Dumont.
Must See

11:45am – TCM – Only Angels Have Wings
I’ve never gotten into Only Angels Have Wings as much as I have into other Howard Hawks films – why I don’t know. It has elements I like – Cary Grant as a daring pilot making dangerous cargo runs in exotic locales, Jean Arthur in an uncharacteristically dramatic turn, and a sighting of a young Rita Hayworth. Just doesn’t seem to come together in a memorable whole for me.
1939 USA. Director: Howard Hawks. Starring: Cary Grant, Jean Arthur, Richard Barthelmess, Rita Hayworth, Thomas Mitchell.

2:00pm – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.
1939 USA. Director: Ernst Lubitsch. Starring: Greta Garbo, Melvyn Douglas.

4:00pm – TCM – The Shop Around the Corner
The original, better version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.
1940 USA. Director: Ernst Lubitsch. Starring: James Stewart, Margaret Sullavan.

6:00pm – TCM – The Philadelphia Story
Katharine Hepburn is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made.
1940 USA. Director: George Cukor. Starring: Katharaine Hepburn, Cary Grant, James Stewart, Ruth Hussey, Ralph Bellamy, Virginia Weidler.
Must See

7:30pm – IFC – Go
In the first section of this tripartite film, bored grocery store clerk Sarah Polley seizes an opportunity to broker a drug deal when her dealing coworker takes a trip to Vegas. It goes very wrong. Meanwhile, her coworker in Vegas gets mixed up in a murder there. Also meanwhile, two actors work with a narcotics officer to break up the drug ring. All three stories tie up together in the end, but not before a lot of quite well-constructed Pulp Fiction-esque jumping around. A lot of fun, and better than you might expect.
1999 USA. Director: Doug Liman. Starring: Sarah Polley, Katie Holmes, Jay Mohr, Scott Wolf.

8:00pm-4:00am – TCM – The Road Movies
Bob Hope, Bing Crosby, and Dorothy Lamour made seven Road to… movies between 1940 and 1962, and TCM is playing all but two of them (skipping 1947’s Road to Rio and 1962’s afterthought The Road to Hong Kong). There’s not a lot to them other than some tunes and back-lot versions of exotic locations, but they’re good fun. Road to Morocco is probably the best of the bunch, starting at 11:15pm.
Newly Featured!

11:15pm – IFC – Pulp Fiction
Tarantino’s enormously influential and entertaining film pretty much needs no introduction from me. Samuel L. Jackson and John Travolta give the performances of their careers, Tarantino’s dialogue is spot-on in its pop-culture-infused wit, and the chronology-shifting, story-hopping editing style has inspired a host of imitators, most nowhere near as good.
1994 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Samuel L. Jackson, John Travolta, Tim Roth, Bruce Willis, Ving Rhames.
Must See

Friday, January 29

10:30am – TCM – Johnny Guitar
Nicholas Ray’s rather strange feminist western has become something of a cult classic – Joan Crawford is Vienna, a tough-but-vulnerable saloon owner that all the other women in town want gone. She calls on old friend Johnny Guitar to help her out, but he many not be quite as advertised either. I didn’t love this the way I wanted to when I first saw it, but I feel like some of that was just not knowing what to expect (also, I had a craptastic VHS copy). Hoping to improve its standing with a second viewing.
1954 USA. Director: Nicholas Ray. Starring: Joan Crawford, Sterling Hayden, Mercedes McCambridge, Ward Bond, Ernest Borgnine.

8:05pm – IFC – Kill Bill Vol 2
On the one hand, Kill Bill Vol 1 isn’t quite complete without Kill Bill Vol 2. And there are a lot of good parts in here – the film noirish opening as the Bride catches us up on what’s going on, the fight with Daryl Hannah in the trailer, training with the kung fu master, her getting out of the coffin, etc. But the ending lags a little too much for me to truly say I enjoy watching it as much as Vol. 1.
2004 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Daryl Hannah, David Carradine, Michael Madsen.
(repeats at 3:05am on the 30th)

Saturday, January 30

7:05am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
(repeats at 1:15pm)

8:15am – Sundance – Bob le flambeur
Jean-Pierre Melville’s noirish crime film about an aging gambler/thief who takes on one last job – knocking over a casino. Melville was the master of French crime films, and an important figure leading up to the New Wave – Godard name-checks this film in Breathless, mentioning Bob le flambeur (Bob the Gambler) as an associate of Michel’s.
1956 France. Director: Jean-Pierre Melville. Starring: Roger Duchesne, Isabelle Corey, Gérard Buhr, Daniel Gauchy.

2:15pm – TCM – Fiddler on the Roof
A Tzarist-era Russian Jewish village doesn’t seem a particularly likely place to set a musical, but Fiddler on the Roof does a good job of it, exploring the clashing cultures as patriarch Tevye tries to marry his daughters off to good Jewish husbands with decreasing success.
1971 USA. Director: Norman Jewison. Starring: Topol, Norma Crane, Leonard Frey, Rosalind Harris, Michele Marsh, Neva Small, Michael Glaser.

5:30pm – TCM – National Velvet
One of my favorite movies growing up, probably not least of all because I was mad about anything to do with horses. Even so, National Velvet stands pretty tall among family friendly films, with a young Elizabeth Taylor fighting to run her beloved horse in England’s most prestigious steeplechase with the help of world-weary youth Mickey Rooney.
1944 USA. Director: Clarence Brown. Starring: Elizabeth Taylor, Mickey Rooney, Donald Crisp, Anne Revere, Angela Lansbury.

8:00pm – TCM – Wuthering Heights
William Wyler’s moody 1939 version of Emily Bronte’s moody gothic novel, with Laurence Olivier as the moody Heathcliff. It’s moody. Get it? With the recent news that Andrea Arnold will be directing a new adaptation of Wuthering Heights, now’s the perfect time to catch up on the earlier versions, of which this is the best.
1939 USA. Director: William Wyler. Starring: Laurence Olivier, Merle Oberon, Geraldine Fitzgerald, David Niven, Flora Robson.

Sunday, January 31

7:45am – IFC – Away from Her
A very strong directing debut film from actress Sarah Polley, about an older woman (Julie Christie) suffering from Alzheimer’s and her husband’s difficulty in dealing with essentially the loss of his wife as she has more and more difficulty remembering their life together. It’s a lovely, heartbreaking film, bolstered by great understated performances.
2006 Canada. Director: Sarah Polley. Starring: Julie Christie, Gordon Pinsent, Olympia Dukakis, Stacey LaBerge.
(repeats at 2:00pm)

10:00pm – TCM – Annie Get Your Gun
The best part about this film for me is imagining what it would’ve been like had Judy Garland played Annie Oakley, as she was meant to do, instead of semi-retiring for four years to deal with her drug problems. She had basically the whole Irving Berlin soundtrack recorded already (those tracks are available on TCM/Rhino Records). But looking past the fact that Betty Hutton ain’t no Judy Garland, the film still has a great bunch of songs and is a fair amount of fun.
1950 USA. Director: George Sidney. Starring: Betty Hutton, Howard Keel, Louis Calhern, J. Carrol Naish, Keenan Wynn, Edward Arnold.
Newly Featured!

Film on TV: December 21-27

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Bicycle Thieves, playing late Sunday night on TCM

Well, it’s Christmas this week, and TCM’s throwing a Christmas party of course, with some of Robert Osbourne’s favorite Christmas films – they aren’t all the obvious well-known ones you might expect, though, which is part of the fun. That starts on Christmas Eve with Remember the Night and Christmas in July, then moving on to Meet Me in St. Louis and The Shop Around the Corner. On Christmas Day, they’re throwing us a marathon of Basil Rathbone Sherlock Holmes films – whether they’re consciously trying to counter Guy Ritchie’s Sherlock Holmes, opening on Christmas, I’m not sure. But I figure you can never have too much Holmes. Meanwhile, it’s still Humphrey Bogart month, and all four Bogart-Bacall films are lined up on Wednesday night.

Among our newly featured films this week, IFC has Fellini’s nostalgic Amarcord on Monday, Sundance breaks out hard-hitting thriller 13 Tzameti on Thursday, and late Sunday TCM is showing Bicycle Thieves, a masterpiece of Neo-Realist cinema that should not be missed.

Monday, December 21

6:15am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
(repeats at 1:05pm)

8:15am – TCM – Jules and Jim
Jules and Jim are best friends. Then Catherine falls into their lives like a hurricane – she’s almost a force of chaotic primal nature. She marries Jules, but when Jim reconnects with the couple after WWII (in which the two friends fought on opposite sides), their relationship gets…um…complicated. This is one of the classics of the New Wave, and exemplifies the movement’s realistic style, dispassionate camera and narration, and intellectual pursuits.
1963 France. Director: François Truffaut. Starring: Jeanne Moreau, Oskar Werner, Henri Serre.

10:30am – IFC – Amarcord
One of Federico Fellini’s four Best Foreign Film statuettes is for this film, and though I rail against many of Oscar’s choices when it comes to foreign films, Fellini deserved all of his. Amarcord is a slice-of-life film showcasing a small 1930s Italian village, with Fellini’s typically flair.
1973 Italy. Director: Federico Fellini. Starring: Bruno Zanin, Pupella Maggio, Armando Brancia, Josiane Tanzilli.
Newly Featured!
(repeats at 5:20pm)

12:15pm – TCM – Tom Jones
The book Tom Jones, written in the late 1700s by Henry Fielding, is usually considered one of the earliest novels, and part of its charm is the way it pastiches earlier literary forms as it tells its story of a rakish young English nobleman and his adventures with women. Though the film version can’t really claim the same place in cinematic history that the novel does in literary history, it’s still quite enjoyable, and manages to convey a similar playfulness by pastiching earlier filmmaking styles – which never fails to earn it a spot in texts on adaptation.
1963 UK. Director: Tony Richardson. Starring: Albert Finney, Susanna York, Hugh Griffiths.

8:00pm – IFC – Garden State
First-time director Braff brings his quirky personality and taste in indie music to this story of a young man who returns to his home town for the first time in years for his mother’s funeral. While there, he meets a girl who teaches him how to feel for the first time since his father started prescribing meds to him as a child. It’s become a popular pastime to hate on Garden State and its self-conscious quirk, but I refuse. I loved it when I first saw it, and I love it now.
2004 USA. Director: Zach Braff. Starring: Zach Braff, Natalie Portman, Peter Sarsgaard.
(repeats at 2:00am, 12:30pm, and 4:00pm on the 22nd)

10:15pm – TCM – Mr. Smith Goes to Washington
Frank Capra puts on his idealist hat to tell the story of Jefferson Smith (James Stewart), an inexperienced young man appointed as a junior senator because the corrupt senior senator thinks he’ll be easy to control. But Smith doesn’t toe the party line, instead launching a filibuster for what he believes in. Wonderful comedienne Jean Arthur is the journalist who initially encourages Smith so she can get a great story from his seemingly inevitable downfall, but soon joins his cause.
1939 USA. Director: Frank Capra. Starring: James Stewart, Jean Arthur, Claude Rains, Eugene Pallette, Thomas Mitchell.
Must See

Tuesday, December 22

7:45am – TCM – The Women
Only the cattiest, most man-less film ever made. Several of Hollywood’s greatest female stars, from established divas like Norma Shearer and Joan Crawford to up-and-comers like Rosalind Russell and Joan Fontaine to character actresses like Mary Boland and Marjorie Main (and even non-actresses like gossip columnist Hedda Hopper), give their all to one of the wittiest scripts ever written.
1939 USA. Director: George Cukor. Starring: Norma Shearer, Joan Crawford, Rosalind Russell, Joan Fontaine, Paulette Goddard, Virginia Weidler, Mary Boland, Marjorie Main, Hedda Hopper.

10:00am – TCM – Fiddler on the Roof
A Tzarist-era Russian Jewish village doesn’t seem a particularly likely place to set a musical, but Fiddler on the Roof does a good job of it, exploring the clashing cultures as patriarch Tevye tries to marry his daughters off to good Jewish husbands with decreasing success.
1971 USA. Director: Norman Jewison. Starring: Topol, Norma Crane, Leonard Frey, Rosalind Harris, Michele Marsh, Neva Small, Michael Glaser.
Newly Featured!

8:00pm – TCM – My Fair Lady
George Cukor finally won an Oscar in 1964 for this film, a high-quality adaptation of Lerner and Loewe’s musical, itself an adaptation of George Bernard Shaw’s Pygmalion, itself based on the Greek story of Svengali and Trilby. Rex Harrison and Audrey Hepburn acquit themselves well as phonetics professor Henry Higgens and street urchin Eliza Doolittle. I guess I just find it a bit overlong and overproduced, as most 1960s musicals were, but I’m in the minority.
1964 USA. Director: George Cukor. Starring: Rex Harrison, Audrey Hepburn, Stanley Holloway, Wilfrid Hyde-White.

1:00am (23rd) – TCM – Silk Stockings
The musical version of Ninotchka, about a staid, repressed Communist woman who goes to Paris on a mission, only to get loosened up by a Western guy. You’re better off with Ninotchka, honestly (and this week, you’re in luck, it’s on next). Silk Stocking substitutes Cyd Charisse (who’s really only ever convincing when she’s dancing), Fred Astaire (who’s fine, though a bit on the old side by 1957), and adds Cole Porter music, which is really the major reason to check this version out.
1957 USA. Director: Rouben Mamoulian. Starring: Fred Astaire, Cyd Charisse, Janis Paige, Peter Lorre, Jules Munshin, George Tobias.
Newly Featured!

3:00am (23rd) – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.
1939 USA. Director: Ernst Lubitsch. Starring: Greta Garbo, Melvyn Douglas.

Wednesday, December 23

7:45am – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Giulietta Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen.
1957 Italy. Director: Federico Fellini. Starring: Giulietta Masina, François Périer, Franca Marzi.
Must See
(repeats at 6:20am on the 26th)

8:00pm – TCM – To Have and Have Not
It’s said that this film came about because Howard Hawks bet Earnest Hemingway that he (Hawks) could make a good film out of Hemingway’s worst book. Of course, to do that, Hawks ended up basically changing the story entirely, but hey. It’s the thought that counts. Mostly notable for being Lauren Bacall’s first film, the one where she met Humphrey Bogart, and the one that spawned the immortal “you know how to whistle, don’t you, Steve” bit of dialogue. That one scene? Worth the whole film.
1944 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Walter Brennan.

10:00pm – TCM – The Big Sleep
One of the greatest detective/mysteries/films noir ever made. Humphrey Bogart is the definite hard-boiled detective, Lauren Bacall is the potential love interest/femme fatale. Don’t try to follow the story; whodunit is far less important than crackling dialogue and dry humor. Watch out for future Oscar-winner Dorothy Malone (Written on the Wind) in the small but extremely memorable part of the bookshop girl.
1946 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Martha Vickers, Elisha Cook Jr., Dorothy Malone.
Must See

12:00M – TCM – Dark Passage
Okay, so this is the least memorable of the four films that Humphrey Bogart and Lauren Bacall made together. It’s still Bogart and Bacall, and it’s a perfectly respectable and enjoyable film noir.
1947 USA. Director: Delmer Daves. Starring: Humphrey Bogart, Lauren Bacall, Agnes Moorehead, Bruce Bennett.

2:00am (24th) – TCM – Key Largo
Humphrey Bogart and Lauren Bacall team up for the final time on this great noirish melodrama of a group of people, including a wheelchair-bound hotel owner, his recently widowed daughter-in-law (Bacall), a war veteran (Bogart), and a ruthless gangster and his girl, forced to take refuge against a fierce hurricane. Among the best films for all involved, and that’s saying something considering who all is involved.
1948 USA. Director: John Huston. Starring: Humphrey Bogart, Lauren Bacall, Lionel Barrymore, Edward G. Robinson, Claire Trevor.
Must See

Thursday, December 24

5:45pm – IFC – The New World
Terrence Malick may not make many films, but the ones he does make, wow. Superficially the story of John Smith and Pocahontas, The New World is really something that transcends mere narrative – this is poetry on film. Every scene, every shot has a rhythm and an ethereal that belies the familiarity of the story we know. I expected to dislike this film when I saw it, quite honestly. It ended up moving me in ways I didn’t know cinema could.
2005 USA. Director: Terrence Malick. Starring: Colin Farrell, Q’orianka Kilcher, Christian Bale, Christopher Plummer.
Must See
(repeats at 5:00am on the 25th)

8:00pm – TCM – Remember the Night
Barbara Stanwyck is caught shoplifting just before Christmas. The prosecuting attorney, Fred MacMurray, puts off the trial till after Christmas and ends up feeling sorry for her, bailing her out, and taking her home with him so she won’t have to spend Christmas alone in jail. It’s fairly predictable what’s going to happen next, but as usual, Stanwyck makes relatively routine material worth watching. And of course, a Preston Sturges script doesn’t hurt either.
1940 USA. Director: Mitchell Leisen. Starring: Barbara Stanwyck, Fred MacMurray, Beulah Bondi, Elizabeth Patterson, Sterling Holloway.
Newly Featured!

9:45pm – TCM – Christmas in July
A bit of a lesser Preston Sturges film to my mind, but it has its vociferous defenders. A lowly office clerk dreams of winning a contest that would make his fortune and allow him to marry the girl he loves; as a joke, his friends fake a telegram telling him he’s won one, but things get out of hand quickly. It’s pretty slight, but has a lot of charm.
1940 USA. Director: Preston Sturges. Starring: Dick Powell, Ellen Drew, Raymond Walburn, Alexander Carr, William Demarest, Franklin Pangborn.
Newly Featured!

10:00pm – Sundance – The Discreet Charm of the Bourgeoisie
Luis Buñuel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
1972 France. Director: Luis Buñuel. Starring: Fernando Rey, Paul Fankeur, Delphine Seyrig, Stéphane Audran, Jean-Pierre Cassel.

1:00am (25th) – TCM – Meet Me in St. Louis
The ultimate nostalgia film, harking back to the turn of the century and the year leading up to the 1903 St. Louis World’s Fair. Judy Garland holds the film and the family in it together as the girl who only wants to love the boy next door, but it’s Margaret O’Brien as the little willful sister who adds the extra bit of oomph, especially in the manic Halloween scene and the violent Christmas scene that carries the film from an exercise in sentimentality into a deeper territory of loss and distress.
1944 USA. Director: Vincente Minnelli. Starring: Judy Garland, Tom Drake, Lucille Bremer, Margaret O’Brien, Leon Ames, Mary Astor.
Must See

5:00am (25th) – TCM – The Shop Around the Corner
The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.
1940 USA. Director: Ernst Lubitsch. Starring: James Stewart, Margaret Sullavan.

6:00am (25th) – Sundance – 13 Tzameti
A young man acquires instructions meant for someone else and decides to follow them anyway, soon finding himself immersed in an underground gambling ring betting on the lives of desperate men. Ultra-low budget and minimalistic, but does a lot with what it’s got. This is in process of being remade in the US, but check out the original first.
2005 France. Director: Géla Babluani. Starring: George Babluani, Pascal Bongard, Aurélien Recoing, Fred Ulysse.
Newly Featured!
(repeats at 12:00N on the 25th)

Friday, December 25

7:00am – TCM – Little Women (1933)
This first sound version of Little Women has a young Katharine Hepburn in the lead, along with a roll-call of great 1930s starlets and character actors. It’s a bit wooden compared to the 1994 version, but it’s got a lot of charm nonetheless.
1933 USA. Director: George Cukor. Starring: Katharine Hepburn, Joan Bennett, Paul Lukas, Edna May Oliver, Jean Parker, Frances Dee.

10:15am – TCM – The Man Who Came to Dinner
A rare comedic film for Bette Davis, though the film mainly focuses on Monty Woolley as an acerbic newspaper critic forced to take up residence with a midwestern family when he breaks his hip outside their house. Woolley was a great character actor here given the spotlight, and he takes it and runs with it. A great script by Julius and Philip Epstein (of Casablanca) doesn’t hurt, either.
1942 USA. Director: William Keighley. Starring: Bette Davis, Ann Sheridan, Monty Woolley, Jimmy Durante, Billie Burke.

12:15pm – TCM – Christmas in Connecticut
The always-worth-watching Barbara Stanwyck is a magazine columnist who makes up a traditional country home for her column while living in New York, a subterfuge which causes no problems until a serviceman on leave wants nothing more than to spend Christmas on her farm and her editor thinks it’s a great human interest piece. Her attempts to recreate that world while falling for the serviceman are funny, warm, and enjoyable enough to add this to your holiday rotation.
1945 USA. Director: Peter Godfrey. Starring: Barbara Stanwyck, Dennis Morgan, Sydney Greenstreet, Reginald Gardiner, S.Z. “Cuddles” Sakall, Una O’Connor.

8:00pm-6:30pm 26th – TCM – Sherlock Holmes marathon
Guy Ritchie’s new Sherlock Holmes movie comes out on Christmas day, but TCM reminds us that Basil Rathbone made literally dozens of Holmes films in the 1930s and 1940s by playing a whole slew of them, starting at 8pm on Christmas Eve and running all the way through 6:30pm on Christmas Day. I haven’t seen most of these, but if you’re tired of family festivities and feel like kicking back with some old-school mystery serials, here you go.

12:00M – IFC – Kill Bill, Vol 2
On the one hand, Kill Bill Vol 1 isn’t quite complete without Kill Bill Vol 2. And there are a lot of good parts in here – the film noirish opening as the Bride catches us up on what’s going on, the fight with Daryl Hannah in the trailer, training with the kung fu master, her getting out of the coffin, etc. But the ending lags a little too much for me to truly say I enjoy watching it as much as Vol. 1.
2004 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Daryl Hannah, David Carradine, Michael Madsen.

4:15am (26th) – Sundance – Oldboy
Ultra-violent revenge films don’t get much better than this. A man is inexplicably locked up in a room for several years then just as inexplicably released, at which point he seeks revenge. A bloody and at times disturbing film, but with an underlying thoughtfulness that sets it apart.
2003 Korea. Director: Park Chan-Wook. Starring: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.

Saturday, December 26

8:00pm – TCM – The Asphalt Jungle
The Asphalt Jungle was really MGM’s first foray into noirish crime films. Being MGM, it’s more polished and, to me, less interesting than the crime dramas that Warner Bros. and the smaller studios were putting out, but hey. It’s still pretty good. And has a really young Marilyn Monroe.
1950 USA. Director: John Huston. Starring: Sterling Hayden, Louis Calhern, Jean Hagen, James Whitmore, Sam Jaffe.

10:00pm – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting.
1949 USA. Director: George Cukor. Starring: Spencer Tracy, Katharine Hepburn, Judy Holliday, Tom Ewell, Jean Hagen, Gig Young

2:00am (27th) – TCM – Singin’ in the Rain
Stanley Donen and Gene Kelly team up for what is now usually considered one of the greatest musicals of all time. Inspired by songs written by MGM producer Arthur Freed at the beginning the sound era, Singin’ in the Rain takes that seismic shift in film history for its setting, focusing on heartthrob screen couple Don Lockwood (Kelly) and Lina Lamont (the hilarious Jean Hagen) as the transition into sound – problem being that Lamont’s voice, like many actual silent screen stars, doesn’t fit her onscreen persona. Hollywood’s often best when it turns on its own foibles, and this is no exception.
1952 USA. Directors: Stanley Donen & Gene Kelly. Starring: Gene Kelly, Debbie Reynolds, Donald O’Connor, Jean Hagen.
Must See

Sunday, December 27

6:00am – IFC – The Station Agent
One of the most pleasant surprises (for me, anyway) of 2003. Peter Dinklage moves into a train depot to indulge his love for trains and stay away from people, only to find himself befriended by a loquacious Cuban hot-dog stand keeper and an emotionally delicate Patricia Clarkson. A quiet but richly rewarding film.
2003 USA. Director: Thomas McCarthy. Starring: Peter Dinklage, Patricia Clarkson, Bobby Cannavale.
(repeats at 2:45pm)

8:00am – TCM – Top Hat
For me, Top Hat and Swing Time battle it out for the top spot constantly, with the one I’ve seen more recently usually taking the crown. Mistaken identity follows mistaken identity here, as Ginger thinks Fred is her best friend’s husband, causing her a lot of consternation when Fred starts romancing her. That’s far from the end of it all, though. Also has the most definitive collection of Astaire-Rogers supporting actors.
1935 USA. Director: Mark Sandrich. Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Helen Broderick, Erik Rhodes, Eric Blore.
Must See

4:00pm – TCM – The Odd Couple
Before Jack Lemmon and Walter Matthau became grumpy old men, they originated these neat-freak and slob characters forced to share an apartment. They actually did a lot of other films together all the way through the 1960s and 1970s, but this is the one that’s usually remembered the most, not least of all because it was turned into a highly successful TV series with Tony Randall and Jack Klugman. But the movie (itself based on a play by Neil Simon, which he adapted himself) is quite funny and worth a watch.
1968 USA. Director: Gene Saks. Starring: Jack Lemmon, Walter Matthau, John Fiedler, Herb Edelman, David Sheiner.
Newly Featured!

12:00M – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See

2:00am (28th) – TCM – Bicycle Thieves
One of the best and most iconic films from the Italian Neo-Realist movement. A man finally acquires a job, because he has the requisite bicycle needed to do the job. But when his bicycle is stolen, he and his son go on an increasingly desperate odyssey to try to recover it. Neo-Realism is known for its use of urban, location shooting and non-actors to deliver an authentic picture of life, and Bicycle Thieves succeeds superbly on every front. (aka The Bicycle Thief)
1948 Italy. Director: Vittorio De Sica. Starring: Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Gino Saltamerenda.
Must See
Newly Featured!

2:35am (28th) – Sundance – The Lives of Others
If any film had to beat out Pan’s Labyrinth for the Best Foreign Film Oscar, I’m glad it was one as good as The Lives of Others. A surveillance operator is assigned to eavesdrop on a famous writer who may be working against the government regime – he’s torn in both directions when he starts sympathizing with his subject. It’s really well done in tone and narrative, with a great performance by the late Ulrich Mühe.
2006 Germany. Director: Florian Henckel von Donnersmarck. Ulrich Mühe, Sebastian Koch, Martina Gedeck, Ulrich Tukur, Thomas Theime.

Film on TV: November 23-29

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The Thin Man
, playing on TCM at noon at Saturday

Ach. TCM is trying to kill us this week. Prepare your DVRs. In addition to a great slate of repeating content, we have a slew of new stuff. Like both versions of Hitchcock’s The Man Who Knew Too Much (1934 on Monday, 1956 on Saturday), and his very early British film Blackmail, also on Monday. Thursday we have a marathon of Astaire-Rogers classics, including the top tier trio Swing Time, Top Hat, and The Gay Divorcee, as well as some lesser but still worthwhile entries. If you didn’t get enough musicals out of that, come back Saturday and get some inspiration from That’s Entertainment!, MGM’s admittedly self-congratulatory celebration of their own musical prowess, but you know what? They earned it, and this film is proof. Then stick around for sci-fi gold with Invasion of the Body Snatchers and one of the greatest films ever with mystery-comedy The Thin Man. Don’t go away quite so quick, because they’re bringing out the Brits with the hilarious and underappreciated Bedazzled. And Saturday, check out a lesser-known Billy Wilder film in One, Two, Three.

And that’s not even considering all the fantastic films this week that we’ve already discussed in previous entries in this series, both older and newer – Primer, The Big Sleep, Volver, The Squid and the Whale, Some Like It Hot, Singin’ in the Rain, Casablanca, and many more. Lots to be thankful for this week, cinematically at least (and hopefully not only cinematically) – so enjoy your holiday if you’re celebrating it, and save time for some movies in between all that turkey and dressing.

Monday, November 23

9:05am – IFC – I Heart Huckabees
Not too many films take philosophy as their base, but this one basically does, following a man (Jason Schwartzman) plagued by coincidence who hires a couple of existentialists to figure out what’s going on.
2004 USA. Director: David O. Russell. Starring: Jason Schwartzman, Isabelle Huppert, Dustin Hoffman, Naomi Watts, Mark Wahlberg, Lily Tomlin, Jude Law.
(repeats at 2:05pm)

11:00pm – IFC – The Good German
Steven Soderbergh’s attempt using 1940s equipment and filming techniques didn’t actually turn into a particularly good movie, but as a filmmaking experiment, it’s still fairly interesting. And has George Clooney and Cate Blanchett in gorgeous B&W as former lovers/current spies, if you’re into that sort of thing.
2006 USA. Director: Steven Soderbergh. Starring: George Clooney, Cate Blanchett, Tobey Maguire.
Newly Featured!

1:30am (24th) – TCM – The Man Who Knew Too Much (1934)
Hitchcock’s first take on this story of an attempted assassination and associated kidnapping stars Peter Lorre as one of the bad guys. I haven’t seen it myself yet, but many people claim it’s better than his glossier Hollywood remake (which is playing on Saturday, so you get an easy chance to compare).
1934 UK. Director: Alfred Hitchcock. Starring: Peter Lorre, Leslie Banks, Edna Best.
Newly Featured!

3:00am (24th) – TCM – Blackmail
I’m not sure from TCM’s description whether this is the silent or sound version of this early Hitchcock film; made in 1929, it was produced both ways. I’ve only seen the silent (which I’ve heard is better), and it’s classic Hitchcock – as early as it is, it’s very easy to point out elements and tropes that Hitch would use throughout the rest of his career.
1929 UK. Director: Alfred Hitchcock. Starring: Anny Ondra, Sara Allgood, Charles Paton, John Longden, Cyril Ritchard.
Newly Featured!

Tuesday, November 24

8:00am – IFC – Maria Full of Grace
Once in a while a film comes out of nowhere and floors me – this quiet little film about a group of South American women who agree to smuggle drugs into the United States by swallowing packets of cocaine did just that. Everything in the film is perfectly balanced, no element overwhelms anything else, and it all comes together with great empathy, but without sentimentality.
2004 USA. Director: Joshua Marston. Starring: Catalina Sandino Moreno, Virginia Ariza, Yenny Paola Vega.
(repeats at 2:25pm)

9:45am – IFC- Primer
Welcome to sci-fi at its most cerebral. You know how most science-dependent films include a non-science-type character so there’s an excuse to explain all the science to audience? Yeah, this film doesn’t have that character, so no one ever explains quite how the time travel device at the center of the film works. Or even that it is, actually, a time-travel device. This is the sci-fi version of getting thrown into the deep end when you can’t swim. Without floaties.
2004 USA. Director: Shane Carruth. Starring: Shane Carruth, David Sullivan, Casey Gooden, Anand Upadhyaya, Carrie Crawford.
(repeats at 4:05pm)

1:00am – Sundance – Bob le flambeur
Jean-Pierre Melville’s noirish crime film about an aging gambler/thief who takes on one last job – knocking over a casino. Melville was the master of French crime films, and an important figure leading up to the New Wave – Godard name-checks this film in Breathless, mentioning Bob le flambeur (Bob the Gambler) as an associate of Michel’s.
1956 France. Director: Jean-Pierre Melville. Starring: Roger Duchesne, Isabelle Corey, Gérard Buhr, Daniel Gauchy.
(repeats at 4:05pm)

2:00pm – TCM – The Big Sleep
Only one of the greatest detective/mysteries/films noir ever made. Humphrey Bogart is the definite hard-boiled detective, Lauren Bacall is the potential love interest/femme fatale. Don’t try to follow the story; whodunit is far less important than crackling dialogue and dry humor. Watch out for future Oscar-winner Dorothy Malone (Written on the Wind) in the small but extremely memorable part of the bookshop girl.
1946 USA. Director: Howard Hawks. Starring: Humphrey Bogart, Lauren Bacall, Martha Vickers, Elisha Cook Jr., Dorothy Malone.
Must See

5:50pm – Sundance – Volver
Pedro Almodóvar deftly straddles the line between drama and comedy in one of his more accessible films. Two sisters return to their home at the death of their aunt, only to find their mother’s ghost – or is it a ghost? And as always in Almodóvar’s films, there are related subplots aplenty. Penélope Cruz is incredible as the younger, fierier sister – she’s never been more moving than in her passionate rendition of the title song, nor funnier than when calmly cleaning up a murder scene.
2006 Spain. Director: Pedro Almodóvar. Starring: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanco Portillo, Yohana Cobo
Must See
(repeats at 4:20am and 12:35pm on the 25th)

11:00pm – TCM – Dark Passage
Okay, so this is the least memorable of the four films that Humphrey Bogart and Lauren Bacall made together. It’s still Bogart and Bacall, and it’s a perfectly respectable and enjoyable film noir.
1947 USA. Director: Delmer Daves. Starring: Humphrey Bogart, Lauren Bacall, Agnes Moorehead, Bruce Bennett.

Wednesday, November 25

8:15pm – Sundance – The Discreet Charm of the Bourgeoisie
Luis Buñuel made a career out of making surrealist anti-bourgeois films, and this is one of the most surreal, most anti-bourgeois, and best films he ever made, about a dinner party that just can’t quite get started due to completely absurd interruptions.
1972 France. Director: Luis Buñuel. Starring: Fernando Rey, Paul Fankeur, Delphine Seyrig, Stéphane Audran, Jean-Pierre Cassel.

4:30am (26th) – TCM – Flying Down to Rio
TCM is playing nearly all of the Fred Astaire-Ginger Rogers vehicles throughout Thanksgiving day, and let me tell you, they are something to be thankful for, so if you’re not completely busy with family and friends and turkey, plop yourself down and enjoy some of the greatest dancing ever put on film, all day. In this first Astaire-Rogers outing, they’re actually supporting leads Gene Raymond and Dolores Del Rio – the less said about them and the story, the better. But Fred and Ginger do have a couple of good numbers (notably the Busby Berkeley-esque “The Carioca”).
1933 USA. Director: Thornton Freeland. Starring: Gene Raymond, Dolores Del Rio, Fred Astaire, Ginger Rogers.
Newly Featured!

Thursday, November 26

6:30am – TCM – Roberta
Apparently the studio still didn’t trust Fred and Ginger to carry a film; this time they’re second leads behind Irene Dunne and Randolph Scott, but at least Dunne and Scott are decent actors and Roberta has a fair bit of charm outside of Astaire and Rogers, due in no small part to a solid score by Jerome Kern and Otto Harbach.
1935 USA. Director: William A. Seiter. Starring: Irene Dunne, Randolph Scott, Fred Astaire, Ginger Rogers.
Newly Featured!

7:00am – Sundance – A Woman Under the Influence
Gena Rowlands gives a tour-de-force performance as Mabel, a woman whose teetering madness threatens her marriage to Nick (Peter Falk). Their relationship edges back and forth between love, frustration, and anger with amazing quickness, yet it’s not clear whether Mabel’s instability is causing the problems, or the other way around. John Cassavetes directs with an unwavering camera, refusing to look away.
1974 USA. Director: John Cassavetes. Starring: Gena Rowlands, Peter Falk, Fred Draper, Lady Rowlands.
(repeats at 12:45pm)

8:30am – TCM – The Gay Divorcee
I have a huge love for The Gay Divorcee. Ginger hires a gigolo to try to force her husband to divorce her, but then thinks Fred (who wants to court her) is the gigolo. Mistaken identities for the win, and the stellar supporting cast doesn’t hurt at all, either. Plus, a young Betty Grable in a musical number with Edward Everett Horton. How can you go wrong?
1934 USA. Director: Mark Sandrich. Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Alice Brady, Eric Rhodes, Eric Blore.

10:30am – TCM – Swing Time
Now we’re to the cream of the crop. Many people consider Swing Time the best of the Fred Astaire-Ginger Rogers musicals, and it’s certainly up there. Frothy story? Check. Jerome Kern music? Check. Fantastic dances? Check. Of course.
1936 USA. Director: George Stevens. Starring: Fred Astaire, Ginger Rogers, Helen Broderick, Victor Moore, Erik Rhodes, Eric Blore.
Must See

11:15am – IFC – Raising Arizona
This relatively early Coen Brothers comedy has Nicolas Cage and Holly Hunter as a childless ex-con couple who decide to rectify that situation by stealing one of a set of quintuplets. They’ll never miss him, right? Wrong. Zany complications ensue.
1987 USA. Director: Joel Coen. Starring: Nicolas Cage and Holly Hunter, Trey Wilson, John Goodman, Frances McDormand.
(repeats at 5:35pm and 11:35pm)

12:30pm – TCM – Shall We Dance (1937)
I know intellectually that these next two Fred and Ginger films (Shall We Dance and Carefree) are not really that good, but I still love them to death every time I see them. Here Fred’s a ballet dancer who wants to do tap, and is obsessed with meeting his idol, Ginger. When he does, somehow it all snowballs into rumors of a secret wedding and all sorts of things that just kind of get in the way of the dancing.
1937 USA. Director: Mark Sandrich. Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Eric Blore.
Newly Featured!

2:30pm – TCM – Carefree
A lot of people will put this at the very bottom of the Fred-Ginger oevre, and they’re probably right. This one brings in all kinds of crazy-ass Freudian psychology, dream interpretation and other things that were all the rage in 1938, and lead to Ginger walking around like she’s drunk (she’s supposed to be hypnotized) a lot. Which I find more amusing than I probably should.
1938 USA. Director: Mark Sandrich. Starring: Fred Astaire, Ginger Rogers, Ralph Bellamy, Louella Gear, Jack Carson.
Newly Featured!

4:00pm – TCM – Top Hat
Ah, back to top shelf Astaire-Rogers here to finish out TCM’s little marathon (they only skipped two of the 1930s ones, the inconsequential biopic The Story of Vernon and Irene Castle and Follow the Fleet, which is actually quite good – sorry they didn’t show it). For me, Top Hat and Swing Time battle it out for the top spot constantly, with the one I’ve seen more recently usually taking the crown. Mistaken identity follows mistaken identity here, as Ginger thinks Fred is her best friend’s husband, causing her a lot of consternation when Fred starts romancing her. That’s far from the end of it all, though. Also has the most definitive collection of Astaire-Rogers supporting actors.
1935 USA. Director: Mark Sandrich. Starring: Fred Astaire, Ginger Rogers, Edward Everett Horton, Helen Broderick, Erik Rhodes, Eric Blore.
Must See
Newly Featured!

8:00pm – TCM – To Catch a Thief
Not one of my personal favorite Hitchcock films, but certainly one of his classiest, most sophisticated entries. Cary Grant is a notorious cat burglar, Grace Kelly the Monte Carlo socialite he woos. It’s one of Kelly’s last films, and she’s already looking like the princess she was about to become.
1955 USA. Director: Alfred Hitchcock. Starring; Cary Grant, Grace Kelly.

9:45pm – IFC – A Fish Called Wanda
It’s not a Monty Python picture, but with John Cleese and Michael Palin on board as participants in a zany crime story, along with ambiguous-relationshiped Jamie Lee Curtis and Kevin Kline, it has some of the same absurd charm.
1988 USA/UK. Director: Charles Crichton. Starring: John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin, Maria Aitken, Tom Georgeson.
(repeats at 3:00am)

10:00pm – Sundance – The Squid and the Whale
Jeff Daniels and Laura Linney are married writers/academics who finally drive each other too crazy to keep living together, bringing their two adolescent sons into their turmoil when they separate. Everything about the film works together to create one of the best films of the past few years. Writer/director Noah Baumbach has crafted a highly intelligent script which is achingly witty and bitterly funny; the acting is superb all around; the music fits beautifully, and even the setting (1980s Brooklyn) is something of a character.
2005 USA. Director: Noah Baumbach. Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline.
Must See

10:00pm – TCM – High Society
This is not one of the best music-centric films ever made, but it is the musical version of The Philadelphia Story, with both Bing Crosby and Frank Sinatra crooning it up with songs by Cole Porter. Oh, and one of Grace Kelly’s last roles before she retired to become a princess and stuff. Still, you wish with that pedigree that it were better than it is. Ah, well.
1956 USA. Director: Charles Walters. Starring: Bing Crosby, Frank Sinatra, Grace Kelly, Celeste Holm, Louis Calhern.

Friday, November 27

5:45pm – TCM – Some Like It Hot
After musicians Tony Curtis and Jack Lemmon unwittingly witness the St. Valentines Day Massacre, they have to escape the mob by impersonating women and joining an all-girls band. The fact that Marilyn Monroe is the band’s lead singer doesn’t help them stay undercover. Easily one of the greatest comedies ever put on film.
1959 USA. Director: Billy Wilder. Starring: Marilyn Monroe, Tony Curtis, Jack Lemmon, Joe E. Brown, George Raft.
Must See

Saturday, November 28

6:00am – TCM – Singin’ in the Rain
After On the Town, Stanley Donen and Gene Kelly teamed up for what is now usually considered one of the greatest musicals of all time. Inspired by songs written by MGM producer Arthur Freed at the beginning the sound era, Singin’ in the Rain takes that seismic shift in film history for its setting, focusing on heartthrob screen couple Don Lockwood (Kelly) and Lina Lamont (the hilarious Jean Hagen) as the transition into sound – problem being that Lamont’s voice, like many actual silent screen stars, doesn’t fit her onscreen persona. Hollywood’s often best when it turns on its own foibles, and this is no exception.
1952 USA. Directors: Stanley Donen & Gene Kelly. Starring: Gene Kelly, Debbie Reynolds, Donald O’Connor, Jean Hagen.
Must See

8:00am – TCM – That’s Entertainment!
If you like musicals, you’ll love That’s Entertainment!, MGM’s celebration of its history of movie musicals. If you don’t like musicals…you won’t. It’s that simple. This was put together in 1974 as a theatrical release in honor of MGM’s 50th anniversary, so it’s really well put together and hosted by many of the stars who were there at the time (and some whose connection to MGM is tenuous at best – like Paramount’s Bing Crosby). That’s Entertainment! Part II is also worth checking out; it includes drama and comedy highlights as well as musicals.
1974 USA. Director: Jack Haley, Jr. Starring: Fred Astaire, Bing Crosby, Gene Kelly, Peter Lawford, Liza Minnelli, Donald O’Connor, Debbie Reynolds, Mickey Rooney, Frank Sinatra, James Stewart, Elizabeth Taylor.
Newly Featured!

8:00am – IFC – The Seven Samurai
Probably Kurosawa’s best-known film, The Seven Samurai is an eastern version of a Western, with down-on-their-luck samurai (led by Kurosawa regular Toshiro Mifune) working together to help a ravaged village hold off bandit invaders. Completing the cycle of cinematic borrowing, the film was remade in the US as The Magnificent Seven.
1954 Japan. Director: Akira Kurosawa. Starring: Toshirô Mifune, Takashi Shimura, Yoshio Inaba, Seiji Miyaguchi.
Must See

10:30am – TCM – Invasion of the Body Snatchers
This is classic paranoia sci-fi at its very best, from a time when sci-fi was more about reflecting our fears of scientific possibilities and political threats (try reading this as either anti-Communist or anti-McCarthy; it works pretty well either way). Aliens are invading by taking over people’s bodies, turning them into emotionless pod people. They’ve tried remaking it a couple of times, but somehow it never ends up packing quite the punch of the original.
1956 USA. Director: Don Siegel. Starring: Kevin McCarthy, Dana Wynter, Larry Gates, Carolyn Jones.
Must See
Newly Featured!

12:00N – TCM – The Thin Man
If there’s such a genre as “sophisticated comedy-mystery,” The Thin Man is the apex of it. William Powell and Myrna Loy starred in thirteen films together, but never did their chemistry sparkle quite so much as here, in their first of six outings as husband-and-wife detectives Nick and Nora Charles. In between cocktails and marital moments, they investigate the disappearance of the titular thin man (later in the series, “thin man” erroneously became associated with Nick). There’s so much to love about this film – the great dialogue, hilarious supporting characters (only a few of which go too far over the top), and honestly, most of all, the amazing portrayal of a solid, loving marriage in the midst of so much chaos.
1934 USA. Director: W.S. Van Dyke. Starring: William Powell, Myrna Loy, Maureen O’Sullivan.
Must See
Newly Featured!

2:00pm – TCM – The Man Who Knew Too Much (1956)
Hitchcock’s second version of this story has Doris Day and James Stewart as a couple who discover an assassination plot and have their son kidnapped to try to keep them quiet. It’s a well-done film and worth watching, though not quite up to many of Hitchcock’s other classics.
1956 USA. Director: Alfred Hitchcock. Starring: James Stewart, Doris Day, Bernard Miles, Brenda De Banzie.

3:20pm – Sundance – Le doulos
Jean-Paul Belmondo brings his signature style to Jean-Pierre Meville’s excellent crime film as a possible police informant working with another criminal on a jewel heist. These two men are played off each other in a sort of doubling motif – it’s often even difficult to tell which is which, due to careful cinematography and lighting work by Melville.
1962 France. Director: Jean-Pierre Melville. Starring: Jean-Paul Belmondo, Serge Reggiani, René Lefèvre.

6:00pm – TCM – Casablanca
Against all odds, one of the best films Hollywood has ever produced, focusing on Bogart’s sad-eyed and world-weary expatriot Rick Blaine, his former lover Ingrid Bergman, and her current husband Paul Henreid, who needs safe passage to America to escape the Nazis and continue his work with the Resistance. It’s the crackling script that carries the day here, and the wealth of memorable characters that fill WWII Casablanca with life and energy.
1943 USA. Director: Michael Curtiz. Starring: Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains.
Must See

10:00pm – TCM – Bedazzled (1967)
In this hilarious kinda-sorta Faustian story, Dudley Moore is a frumpy short-order cook dreaming over waitress Eleanor Bron. When the Devil in the form of Peter Cook offers him seven wishes in exchange for his soul, he jumps at the opportunity to make Bron fall in love with him. Predictably, things go horribly (and hilariously) wrong. Add in Raquel Welch as one of the Seven Deadly Sins (Lust, naturally), a lot of great dialogue, and an authentic 1960s London vibe, and you’ve got a film that ought to be touted much more than it is. Oh, and forget the lame 2000 remake. It’s lame.
1967 UK. Director: Stanley Donen. Starring: Dudley Moore, Eleanor Bron, Peter Cook, Raquel Welch.
Newly Featured!

Sunday, November 29

6:00am – TCM – Anchors Aweigh
What’s that you say? Your life won’t be complete until you see Gene Kelly dance with an animated Jerry the Mouse from the Tom & Jerry cartoons? Well, you’re in luck with this film. Oh, right, there’s also a story-type thing with Kelly and Frank Sinatra as sailors and Kathryn Grayson as the love interest, but really, it’s all about Gene and Jerry.
1945 USA. Director: George Sidney. Starring: Gene Kelly, Frank Sinatra, Kathryn Grayson, José Iturbi, Dean Stockwell.

8:30am – TCM – The Hunchback of Notre Dame (1939)
Charles Laughton plays the put-upon hunchback Quasimodo, a young Maureen O’Hara the lovely Esmerelda in one of the best film versions of Victor Hugo’s classic of gothic romanticism.
1939 USA. Director: William Dieterle. Starring: Charles Laughton, Maureen O’Hara, Cedric Hardwicke, Thomas Mitchell, Edmond O’Brien.

6:00pm – TCM – One, Two, Three
Billy Wilder directs James Cagney in fast-talking near mania as a Coca-Cola manager in Berlin tasked with keeping tabs on the boss’s daughter. This comedy moves at breakneck speed, showcasing Wilder and screenwriting partner I.A.L. Diamond’s genius for dialogue. Not as memorable as many of Wilder’s others, perhaps, but a hidden gem.
1961 USA. Director: Billy Wilder. Starring: James Cagney, Pamela Tiffin, Arlene Francis, Horst Buchholz.
Newly Featured!

6:30pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.
2004 UK. Director: Richard Eyre. Starring: Billy Crudup, Claire Danes, Tom Wilkinson, Ben Chaplin.
(repeats at 2:35am on the 30th)

9:45pm – TCM – The Shop Around the Corner
The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.
1940 USA. Director: Ernst Lubitsch. Starring: James Stewart, Margaret Sullavan.

10:00pm – Sundance – Black Book
Paul Verhoeven invests Black Book with just enough of his signature over-the-top brashness to give the WWII story of a Dutch Jewish woman infiltrating the Gestapo for the Resistance a healthy dose of panache. Every time you think it won’t go the next step, it does, and it’s ravishingly entertaining the whole time.
2006 Netherlands. Director: Paul Verhoeven. Starring: Carice van Houten, Sebastian Koch, Thom Hoffman.

Film on TV: June 22-28

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Rear Window, playing on TCM on Sunday, June 28th at 12:15am

As TCM nears the end of their month of Great Directors, they shine the spotlight on George Stevens, Ernst Lubitsch, Stanley Kubrick, Federico Fellini, Alfred Hitchcock, and George Cukor. And a mini-spotlight on David Lean on Friday morning.

Monday, June 22

10:45am – IFC – Mon Oncle
Jacques Tati’s Chaplin-esque character, Mr. Hulot, this time takes on modern life in the form of his sister’s house that has been mechanized with all the most modern electronic aids – think Disney’s 1950s House of Tomorrow. Of course, everything goes wrong.
(repeats 5:05am on the 23rd)

4:00pm – TCM – The Caine Mutiny
Humphrey Bogart’s Captain Queeg is a piece of work, and by that I mean some of the best work Bogart has on film. He’s neurotic, paranoid, and generally mentally unstable. Or is he? That’s the question after first officer Van Johnson relieves him of duty as being unfit to serve and faces charges of mutiny.

Great Directors on TCM: George Stevens
I’m not a huge fan of Stevens, personally, but I think my apathy is largely based on how overrated I think Giant is, and TCM isn’t playing that anyway.

10:00pm – TCM – Shane
Alan Ladd plays the titular cowboy, idolized by the young son of the family he takes refuge with as he tries to escape outlaw Jack Palance.

12:00M – Sundance – Talk to Her
Talk to Her is one of Spanish auteur Pedro Almodóvar’s finest and most moving works, drawing heavily on the passion of bullfighting and dancing. Marco and Benigno develop a friendship as they care two women in comas – Marco’s girlfriend Lydia, a bullfighter gored in the ring, and nurse Benigno’s patient Alicia, whom he has fallen in love with. There’s a touch of the bizarre, as there always is in Almodóvar, but the film is richly rewarding in mood and vision.

2:15am (23rd) – TCM – Swing Time
Many people call Swing Time the best of the Fred Astaire-Ginger Rogers musicals, and it’s certainly up there. Frothy story? Check. Jerome Kern music? Check. Fantastic dances? Check. Of course. Must See

Tuesday, June 23

7:00am – Sundance – Nights of Cabiria
Nights of Cabiria, one of the films Federico Fellini made during his sorta-neo-realist phase, casts Masina as a woman of the night, following her around almost non-committally, yet with a lot of care and heart. And Masina is simply amazing in everything she does – not classically beautiful, but somehow incredibly engaging for every second she’s onscreen. Must See
(repeats at 10:00pm on the 28th)

9:00am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
(repeats 2:35pm)

3:15pm – TCM – Anatomy of a Murder
One of the best courtroom dramas ever made – James Stewart vs. George C. Scott as lawyers on a murder/rape trial that may not be quite what it seems. And that’s aside from the top-notch jazz score by Duke Ellington, which is in itself reason enough to see the film. Must See

Great Directors on TCM: Ernst Lubitsch
Lubitsch was one of several directors who came over to the US from Germany in the 1920s – while Fritz Lang and F.W. Murnau and others brought German Expressionism and the moody sensibility that would become film noir, Lubitsch brought a sparkling continental wit and sophistication that informed the screwball comedy. The famed “Lubitsch touch” proved inimitable, though, and his best films are impossible to mistake for anyone else’s. I feel a little let down by TCM, though, that they’re not playing To Be or Not to Be, not only Lubitsch’s finest hour, but one of the greatest movies I’ve ever seen.

8:00pm – TCM – The Shop Around the Corner
The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch brings his warm European wit to bear, making this dramedy a cut above the norm.

10:00pm – TCM – Ninotchka
“Garbo Laughs!” proclaimed the advertisements, playing up the comedic factor of the usually implacable Greta Garbo’s 1939 film. True enough, though it takes a while for the charms of Paris and Melvyn Douglas to warm the Communist Ninotchka to the point of laughter. Pairing up director Ernst Lubitsch and writers Charles Brackett and Billy Wilder (who had yet to become a director himself) turns out to be a brilliant move, as Ninotchka has just the right combination of wit and sophistication.

2:00am (24th) – TCM – The Student Prince in Old Heidelberg
In this silent film, Ramon Novarro is the titular prince and Norma Shearer the barmaid whose love tempts him away from his royal duty – a bit like Roman Holiday in reverse. There’s a later musical version, but even with the voice of tenor Mario Lanza, it can’t really compare to Lubtisch’s original.

Wednesday, June 24

4:00pm – TCM – The Thin Man
William Powell and Myrna Loy made eight or ten films together, but none more memorable, witty, sophisticated, or enjoyable as The Thin Man. Their portrayal of Nick and Nora Charles, a married detective couple pulled into a case of disappearance by an old friend, remains one of the most refreshing views of married life in all of cinema. Plus the script is fantastic, the plot decent (though a bit reliant on familiar Agatha Christie techniques), and the wildly varying acting styles of the supporting cast amusing. No seriously, I promise. Must See

6:00pm – TCM – After the Thin Man
The Thin Man was such a rousing success that it spawned five sequels – this second in the series the only other one really worth watching (though Powell and Loy are generally worth watching anyway). It also boasts an extremely young James Stewart in only his second or third year in Hollywood.

Great Directors on TCM: Stanley Kubrick
Too bad Kubrick tended to make rather long movies; TCM is only playing two of them tonight, and neither one is 2001: A Space Odyssey. Boo. There’s not much I need to say about Kubrick – he was a visionary in both form and content, constantly pushing the envelope on what he could put in movies, from the Cold War satire of Dr. Strangelove, the ultraviolence of A Clockwork Orange and the bloody glee of The Shining, to the sexual obsessions of Lolita and Eyes Wide Shut. And the man had an eye for visuals like no other.

10:30pm – TCM – Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb
Trust Kubrick to find the funny side of the Cold War. Peter Sellers plays multiple parts, including the President, an insane general who wants to nuke Russia, and the limb-control-impaired doctor of the title. It’s zany, it’s over-the-top, it’s bitingly satirical, and it remains one of Kubrick’s best films in a career full of amazing work.

12:15am (25th) – TCM – Lolita
I haven’t seen Kubrick’s Lolita, and having just finished reading and being heavily disturbed by the book, I’m debating whether or not I want to. But it is on, and it is Kubrick, so I’ll list it.

Thursday, June 25

6:30pm – IFC – Pi
Darren Aronofsky’s first feature is this fever dream of a mathematician searching for the numeric patterns that will unlock the secrets of the stock market – paranoid, fearful of human contact, and beset by terrible headaches, he’s also pursued by Wall Street factions and Hasidic Jews, each seeking the results of his formulas. It’s heady stuff, but Aronofsky’s the right guy for that.

Great Directors on TCM: Federico Fellini
Fellini is one of the touchstone figures of European cinema, no question. From his sort-of neo-realist (but too quirky to really be neo-realist) films of the 1950s through his autobiographical opuses of the 1960s and his flamboyantly surreal 1970s films, he never made a film that wasn’t undeniably Fellini, and yet it’s easy to see his ties to nearly every cinematic movement that took place during his long career. (See also Nights of Cabiria, playing on Sundance on the 23rd and 28th.)

8:00pm – TCM – La Strada
Fellini’s most enduring muse, Giulietta Masina, here plays the apparently simple but amazingly good-hearted Gelsomina, indentured to circus strongman Zampano (Anthony Quinn) – her loyalty unshaken despite his cruelty. Masina is perfection here. Must See

10:00pm – TCM – Juliet of the Spirits
It’s been a long time since I’ve seen Juliet of the Spirits, and I remember finding it difficult when I did see it, but it makes a nice double feature with La Strada. Both start Giulietta Masina, but they’re from distinctly different periods in Fellini’s career. He’s quite surrealist here, from what I recall, having Juliet retreat into fantastic reveries to escape her life with an unfaithful husband, as opposed to La Strada‘s distinct tendency toward neo-realism.

10:00pm – Sundance – Wristcutters: A Love Story
Patrick Fujit (Almost Famous) slits his wrists and finds himself in a strange, limbo-like place where all the suicides get stuck after they die. But then he meets Shannyn Sossamon, who claims she’s there by mistake, and embarks on an odyssey to get her out of limbo. It’s a bit of a strange film, but it’s also very sweet and Sundancey.

2:45am (26th) – Roma
Fellini returns to nostalgic auto-biography here, giving a series of impressionistic and over-the-top scenes of Rome through the eyes of a returning filmmaker who grew up there.

Friday, June 26

12:00N – TCM – Brief Encounter
Beautifully understated romantic drama of a chance encounter at a railway station cafe between two married people who know better than to indulge their burgeoning love for each other, but do so anyway. David Lean directs.

5:00pm – TCM – The Bridge on the River Kwai
British prisoners of war are commanded to build a bridge over the River Kwai for their Japanese captors – a task which becomes a source of pride for old-school British commander Alec Guinness. But American William Holden is having none of that and makes it his mission to blow the bridge up. One of the great war films.

5:50pm – IFC – Stage Beauty
Sometime around Shakespeare’s time, theatrical convention changed from having all female parts played by males on stage to allowing women to perform female roles themselves. Caught in this shift were the effeminate men who had made their careers and indeed, their identities, out of playing women. Stage Beauty is about one such man and his crisis of self when he no longer had a professional or personal identity. It’s a fascinating film in many ways.

Saturday, June 27

Great Directors on TCM: Alfred Hitchcock
I figured TCM was saving Hitchcock for the last weekend of their Great Director’s month. They really like Hitchcock over there, which works out for me, since he’s one of my all-time favorite directors.

7:15am – TCM – Suspicion
Joan Fontaine thinks her husband Cary Grant is poisoning her, but she can’t be quite sure. Neither can the audience, really, although that depends on whether you go with Hitchcock’s original ending or the one the studio tacked on because they thought Hitchcock’s would be unpalatable to audiences.

9:00am – TCM – Rebecca
Hitchcock’s first American film, based on Daphne du Maurier’s romantic novel. Rebecca is actually the previous wife of our mousy narrator’s new husband – her greatest fear is that he still loves Rebecca too much to care for her, but the truth may be more sinister than that. A lot of people really love this film, but I personally dislike the Hollywoodized ending enough that I’m not a huge fan.

11:15pm – TCM – Spellbound
Hitchcock indulged the 1940s Freudian craze with this suspenser starring Gregory Peck as a disturbed individual and Ingrid Bergman as his psychiatrist. Throw in a trippy Salvador Dali dream sequence and you’re all set!

1:15pm – TCM – Marnie
Marnie gets something of a bad rap, I think, because it comes right after Hitchcock’s amazing VertigoNorth by NorthwestPsychoThe Birds streak of genius, but I think it’s one of Hitchcock’s most underrated films, despite a few somewhat obvious plot devices and the fact that ‘Tippi’ Hedren can’t act. In some ways, the imperfections in this one are what makes it interesting. And Sean Connery’s husband is fascinating, whether or not you agree with everything he does.

3:30pm – TCM – Psycho
Alfred Hitchcock built the foundation for all future psycho-killer movies with this classic. It’s not as terrifying as it once was, but that doesn’t at all diminish its brilliance, because it doesn’t depend on scares, really, for its greatness. Must See

5:30pm – TCM – North by Northwest
Roger O. Thornhill (Cary Grant) gets mistaken for George Kaplan and pulled into an elaborate web of espionage in one of Hitchcock’s most enjoyable and funniest thrillers. So many great scenes it’s impossible to list them all. Must See

8:00pm – TCM – Notorious
One of Alfred Hitchcock’s best films, and one of the greatest spy films ever. Spy Cary Grant recruits Ingrid Bergman because of her relationship with suspected enemy spy Claude Rains – but how far is she willing to go? Simply fantastic on every level. Must See

12:15am (28th) – TCM – Rear Window
Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create my favorite film of all time. Must See

2:15am (28th) – TCM – Vertigo
James Stewart is a detective recovering from a vertigo-inducing fall who’s asked by an old friend to help his wife, who has developed strange behavior. Hitchcock plays with doubling, fate, and obsession, all the while creating one of his moodiest and most mesmerizing films. And watch for a great supporting turn by Barbara Bel Geddes as Stewart’s long-suffering best friend. Must See

4:30am (28th) – TCM – The 39 Steps
My vote for Hitchcock’s finest British-era film follows Robert Donat and Madeleine Carroll though a twisty and witty tale of spies and mistaken identities.

Sunday, June 28

Great Directors on TCM: George Cukor
Cukor has a reputation for being a great woman’s director, and he was, in fact, a favorite of many of MGM’s most bankable female stars, from Norma Shearer and Vivien Leigh to Joan Crawford and Katharine Hepburn. His films are great exemplars of MGM’s polished studio style, while yet having a vitality that not every MGM director managed to capture.

8:00am – TCM – Dinner at Eight
Dinner at Eight is the best example of a 1930s MGM ensemble comedy. You got two Barrymores (Lionel and John), Jean Harlow (one of her top couple of roles), Wallace Beery (fresh off an Oscar win), Marie Dressler (forgotten now, but also just a recent Oscar winner at the time), and others converging for a dinner party. Sparkling dialogue is the real star here.

12:15pm – TCM – Adam’s Rib
Spencer Tracy and Katharine Hepburn take on the battle of the sexes as married lawyers on opposite sides of an assault case involving gender politics. It’s a great movie in dialogue and acting, and still interesting for the 1949 view of women struggling for even basic equality. Some of its approach to gender may be a bit strange today, but…that’s why it’s interesting.

8:00pm – TCM – The Philadelphia Story
Hepburn here is Tracy Lord, a spoiled socialite about to marry Ralph Bellamy when ex-husband Cary Grant turns up. Throw in newspaper columnist James Stewart and his photographer Ruth Hussey, along with a bunch of great character actors filling out the cast, and you have both rollicking wedding preparations and one of the best films ever made. Must See

10:00pm – TCM – The Women
Only the cattiest, most man-less film every made (there are no men at all, so of course George Cukor directed it, right?). Several of Hollywood’s greatest female stars, from established divas like Norma Shearer and Joan Crawford to up-and-comers like Rosalind Russell and Joan Fontaine to character actresses like Mary Boland and Marjorie Main (and even non-actresses like gossip columnist Hedda Hopper), give their all to one of the wittiest scripts ever written. I don’t know if this is really a must-see in the grand scheme of cinematic history, but dang it, I don’t care. I find it incredibly entertaining. Must See

12:30am (29th) – TCM – My Fair Lady
George Cukor finally won an Oscar in 1964 for this film, a high-quality adaptation of Lerner and Loewe’s musical, itself an adaptation of George Bernard Shaw’s Pygmalion, itself based on the Greek story of Svengali and Trilby. Rex Harrison and Audrey Hepburn acquit themselves well as phonetics professor Henry Higgens and street urchin Eliza Doolittle. I guess I just find it a bit overlong and overproduced, as most 1960s musicals were, but I may be in the minority.

Film on TV (Nov 10 – 17)

Monday, 10 November

7:25pm EST / 6:25 CST – IFC – Clerks
Kevin Smith’s debut film is little more than a few convenience store clerks chatting, but its fresh feel fits right in with the mid-’90s indie scene. And the film introduces Smith stock characters Jay and Silent Bob, so there’s that.

Tuesday, 11 November

7:55am / 6:55am – IFC – Solaris (1972)
The original Andrei Tarkovsky version, not the George Clooney remake. I haven’t seen either, but I’ve heard really great things about the Tarkovsky, and it’s on my to-watch list.

12:15pm / 11:15am – AMC – The Bridge on the River Kwai
British military discipline in the form of commander Alec Guinness doesn’t mesh well with being in a WWII Japanese prison camp – or maybe it does, as Guinness puts his all into building the titular bridge for Japanese use, while American prisoner William Holden plots to blow it up. David Lean’s 1957 Best Picture winner doesn’t hold up for me as well as some of his other films, but it’s still got legs.

9:00pm / 8:00pm – TCM – This is the Army, Hollywood Canteen, Stage Door Canteen, and Thousands Cheer
None of these are good movies, let’s state that up front. But they’re a special genre of Hollywood war effort films featuring tons of cameos by famous stars, which makes them an interesting snapshot into the studio system of the time. This is the Army is based on an Irving Berlin Broadway revue, which donated virtually all of its box office returns to the war effort. Hollywood Canteen and Stage Door Canteen are named after famous USO locations in Hollywood and New York, respectively. Thousands Cheer is more story-oriented, but ends with a revue featuring numbers by Judy Garland, Virginia O’Brien, June Allyson, and others. The other one I would’ve put in this programme is Thank Your Lucky Stars, notable mostly because it makes Warner dramatic stars like Bette Davis and Ann Sheridan try to sing, which is just unavoidably amusing.

Wednesday, 12 November

10:00pm / 9:00pm – TCM – Strangers on a Train
Farley Granger meets Robert Walker on a train and jokes with him about exchanging murders – Granger’s unloved wife (who is in the way of Granger’s love for Ruth Roman) for Walker’s tyrannical father. Except Walker wasn’t joking. One of Hitchcock’s most intense films, with some of his most memorable shots and set-pieces (carousel, anyone?).

10:00pm / 9:00pm – Sundance – This is England
Shane Meadows’ film about a young boy in 1980s Britain becoming involved with skinheads got outstanding reviews from all quarters last year. I missed it in theatres, but definitely want to get a shot at it now.

1:30am / 12:30am (13th) – TCM – Blowup
In Michelangelo Antonioni’s first English-language film, a London photographer thinks he may have captured a murder on film, but he can’t be quite sure. What might have been a routine detective story becomes something else – a mystery without an answer. Related in a way to surveillance ethics stories like The Conversation, Antonioni brings his detached intellectualism to the film, making it quite unlike most anything else ever made.

Thursday, 13 November

9:45am / 8:45am – IFC – Amarcord
One of Federico Fellini’s four Best Foreign Film statuettes is for this film, and though I rail against many of Oscar’s choices when it comes to foreign films, Fellini deserved all of his. Amarcord is a slice-of-life film showcasing a small 1930s Italian village, with Fellini’s typically flair. [Playing again on the 14th at 5:50am EST]

11:00am / 10:00am – AMC – The Good, the Bad, and the Ugly
Sergio Leone’s most definitive spaghetti western finishes off his “Man with No Name” trilogy starring Clint Eastwood. It’s not necessary to see the other two entries (A Fistful of Dollars and For a Few Dollars More) first.

12:45pm / 11:45am – TCM – The Shop Around the Corner
The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.

8:00pm / 7:00pm – AMC – Close Encounters of the Third Kind
Remember when Steven Spielberg liked aliens? Contrary to many opinions, I think, I prefer Close Encounters to E.T. Maybe it’s the fact that the aliens communicate with such a distinctive musical phrase. I don’t know.

Friday, 14 November

9:30am / 8:30am – AMC – Pillow Talk
More recent movies have tried to replicate Pillow Talk‘s combination of innocence and sex (notably the near-remake Down With Love), but I haven’t found any that manage with the aplomb of the original. Accept no imitators!

4:00pm / 3:00pm – TCM – Rear Window
My all-time favorite film. Hitchcock, Stewart, Kelly, voyeurism, fashion, murder, paranoia, sarcastic nurses, I can’t get enough. Ever.

3:45am / 2:45am (15th) – TCM – The Haunting (1963)
There’s The Haunting and then there’s The Haunting. And this is the good one, not the overblown 1999 remake. Robert Wise’s original is creepy, disturbing, and, like, good.

Saturday, 15 November

8:00pm / 7:00pm – TCM – Paths of Glory
In this early Stanley Kubrick film, soldier Kirk Douglas has to decide what to do when three of his men are charged with cowardice (a capitol offense) for refusing to obey orders to make a suicidal charge at the enemy. The film is not only an historical exploration of the shift from pre-WWI tactics to post-machine gun tactics, but also a pointed inquiry into military ethics.

8:00pm / 7:00pm – AMC – The Godfather
If AMC is still doing commercial breaks in their movies, don’t watch The Godfather now. But sometime. Somewhere. Even if it’s just to say you have, like it is for me. Someday I’m going to watch it and actually love it. [Playing again on the 17th at 7:00am and 4:00pm EST]

11:30pm / 10:30pm – TCM – Kiss Me Deadly
I actually didn’t love this well-respected hard-boiled noir film as much as I wanted to when I saw it last year, but I’m throwing it in here because it is reasonably solid, and one of those films you have to see to count yourself a competent film noir fan. If, you know, being a competent film noir fan is on your shortlist of things to do with your life. Which it is for me.

12:00am / 11:00pm – AMC – The Godfather Part II
See above re: The Godfather. Except one of my shames as a film buff is that I’ve never seen Part II. I sort of doubt I’m going to on AMC, though, just throwing out the possibility to you. I’m shooting for the new Coppola Restoration DVDs. [Playing again on the 17th at 11:30am and 8:00pm EST]

4:30am / 3:30am (17th) – AMC – The Usual Suspects
“The greatest trick the devil ever pulled was convincing people he didn’t exist.” And The Usual Suspects pulls a similar trick, placing it forever on the list of greatest twist films ever.

Sunday, 17 November

8:00am / 7:00am – IFC – The Seventh Seal
Ingmar Bergman dramatizes an actual chess game between a medieval knight (Bergman regular Max von Sydow) and Death. Heavy stuff, not that that’s unusual for Bergman.

9:45am / 8:45am – IFC – The Virgin Spring
One of Bergman’s I haven’t yet gotten around to seeing – maybe because the description “Swineherds seek shelter with the father of a girl they raped and killed” (from IFC’s site) sounds even more depressing than usual for Bergman? But I intend to see all of his eventually, so its time will come.

10:00pm / 9:00pm – Sundance – Lock, Stock and Two Smoking Barrels
Every time I see this frenetic Guy Ritchie crime comedy, I like it a little more. A young man gets into a gambling debt that his casino-running father refuses to bail him out of, so he hatches a poorly-planned scheme to steal and sell some priceless antique shotguns. Add in some other hoods working on other crimes and a few hitmen running around, and pretty soon the whole thing spirals out of control. Add in cockney accents and you’ve got a zany good time that’s hard to beat.

2:00am / 1:00am (18th) – TCM – Diabolique
A man’s wife and his lover plot together to kill him, but get a surprise when he shows back up soon after. Ghost? Madness? Who can say? Taut thriller from Henri-Georges Clouzot.