Month: February 2016

Challenge Week 5: Grosse Pointe Blank (1997)

I’ve been meaning to see Grosse Pointe Blanke for like fifteen years, and never gotten around to it, so I’m very glad Ben suggested it for this challenge. I knew there was a crime-type element to it and that it was a black comedy, but that was about it – that’s enough to catch my interest, frankly.

John Cusack is Martin Blank, a hitman who goes back to his 10-year high school reunion – he wants to catch up with an old girlfriend plus there happens to be a job there. Meanwhile, he’s being hounded by his competitor Grocer (Dan Ackroyd), who wants him to join the new hitman union, and another hired assassin seeking retribution for a job Martin recently botched.

The dialogue here is really the winning element, as you can see by the sheer number of “favorite lines” I chose below. It’s very clever and delivered with a deadpan earnestness that’s right up my alley. Martin forthrightly tells everyone who asks what he’s doing these days that he kills people for money, and they all take it as a joke – but they WAY they respond is also very even-keeled, so at first I thought they just didn’t care! That kind of quick wit is something I love in movies and in real life.

Challenge Week 5: Lone Star

I’m writing this a couple of days after watching the film, and I’m glad I let it settle a little bit before attempting to sum it up. I thought this was my first John Sayles film, but when I ranked it I discovered that I’ve actually seen one other one – The Secret of Roan Inish. Anyway, that one didn’t make a huge impression on me (and I don’t know that it’s really considered that much among his films, though someone could easily prove me wrong with my near total lack of John Sayles knowledge). My only knowledge of him at all really comes from his inclusion in one episode of Mark Cousins’ The Story of Film, from which I got the accurate, I think, impression that he’s a filmmaker who cares about the in-between bits of real life that most films skip. From that I guessed that Lone Star wouldn’t be a straightforward western, as the cover made it look like, nor a straight-forward crime thriller, as the tagline tried to indicate.

We do start with a probable crime – a long-dead skeleton unearthed in the desert near a Texas border town who happens to be wearing a sheriff’s badge. The current sheriff Sam Deeds (Chris Cooper) figures it’s Charlie Wade (Kris Kristofferson in flashbacks), the predecessor of his own predecessor, who was his father Buddy Deeds (a super-young Matthew McConaughey). Wade had a reputation as a terrible sheriff and a terrible man – guilty of all kinds of graft and corruption, especially against the town’s Mexican and black populations, and unpredictable to boot. Not only would he take your money, he might well shoot you in the back if he felt like it. In comparison, Buddy Deeds was a legend and a hero to the marginalized.

tf-Finding-star

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