Most of the time when I get a new album it takes me a few listens to settle into it, get a feel for the sound, and hear all the songs enough to feel fully acquainted with it enough to decide how much I like it. This is true even of bands I know well and love – it’s a process with each new album. With Together, the first playthrough felt like I coming home to something familiar and wonderful, in a good way. There was no getting acquainted time, it was just immediate love.
I got into The New Pornographers with their previous album Challengers, most of which I love, but there are some songs I don’t care for that much, which makes the album as a whole kind of a mixed experience. This time, everything is really well-balanced, and so far, there isn’t a song I don’t like. It feels more cohesive as an album; even though there are a similar assortment of Neko Case songs, Dan Bejar songs, and A.C. Newman songs as usual, somehow they don’t seem as disconnected as in Challengers – they all sound like New Pornographers songs, and that cohesion steps the album up a notch.
Or perhaps more correctly, this is the soundtrack to my own personal summer 2010, but hey. Semantics aside, these are basically my earworms of the summer. The few criteria I worked with: they had to be songs I’m listening to almost constantly this summer, or keep coming back to off their respective albums; they had to be off albums that were current (a full list of my earworms right now would include some Joan Jett, but that’s really it outside of this year’s releases, and that would seem anomalous); and they had to be good songs for listening to while driving with the windows down. At first I tried finding all really upbeat, summery songs, but that quickly ran askew of the first criterion, but even the slower/mellower songs on here rise to pretty awesome levels by the end. So it’s cool.
One day later and I’ve mostly recovered. Physically, that is. It was probably noon today before I could walk and be sure my legs would hold me up, but that’s also because of the actifed I took when I got home last night to combat being-outside-all-day-in-the-dust-and-dry-grass allergies. Still, everything was totally worth it, and I’d do it again in a heartbeat. Here’s a sampling of who I saw and enjoyed. Though there were three stages at the festival, I pretty much hung out at Stage 1, since that’s where all the bands I’d heard of were playing, and thus I suspected that I would have a good chance of liking the other bands there as well. Generally, that was right. I could hear the bands on Stage 2 any time Stage 1 bands weren’t playing, and they were playing really LOUD punk rock over there. Far too heavy for my tastes. I couldn’t hear Stage 3 very much, but the one time I wandered over there, there was a rapper up, so I wandered back pretty quickly. Thankfully, most everybody on Stage 1 was listenable to one degree or another. If you saw my Twitters during the show, you’ll know I didn’t care for the first four or so on Sunday, but they still weren’t awful. Anyway, here are the eight or nine I enjoyed the most, with my very favorites at the top.
edit: Great photos here, from photographer Chad Wadsworth.
Headlights
I’m giving Headlights the number one spot mostly because I was pleasantly surprised by how great they were. I’d been sitting in the back through four bands that I mostly disliked (far too screamy; fine if you like that sort of thing, but I don’t), and then Headlights came on, and they were somewhere about four bars in before I was up by the stage totally into it–and not just because they were so much better than the previous bands. I hadn’t heard of them before, and in addition to the music being good, they were also adorable. Erin Fein, the lead singer, seemed taken by surprise that we liked them so much. That was also a nice change from the earlier bands, who were convinced they didn’t suck, even though they kinda did. I’m sorry, that was biased. Anyway, I fell in love with them, and headed straight up to their merchandise table and bought their album. And I’m not usually an impulse buyer. But I figure, buying things at concerts gets more money to the artist, so if there’s ever a time to impulse buy, that’s it.
PEOPLE IN ST. LOUIS: Headlights is actually playing St. Louis this Wednesday (November 7th), at the Bluebird on Olive Street downtown. See http://bluebirdstl.com for more info. It’s only like $7-9, so you should totally go.
I’ve liked the New Pornographers for a few months now, but have held off posting their stuff because, yes, of their name. But you know what, I can’t help what they call themselves, and they make some really great music (which is not at all pornographic in nature). And they were basically the biggest drawing card for me going to the festival in the first place. The only reason they’re not at the top of this list is because I expected them to be good, whereas Headlights surprised me. Anyway, I was five feet from the stage! They did all my favorite songs off “Challengers” as well as a lot I liked but didn’t know (must be off “Twin Cinema,” which I haven’t heard). Interestingly, “Myriad Harbor” (my current all-time favorite song) doesn’t work as well live as it does on the album; I think because in the recorded version, Dan Bejar is so very introspective and quiet in parts, almost like we’re overhearing something we shouldn’t be, and that’s one of my favorite things about it. But you can’t do that in a live show, you’ve gotta be forceful enough to be heard, and it came out harsher. But it was still good. And the other songs, “Challengers,” “My Rights Versus Yours,” etc., were awesome. Plus, they were more comfortable playing with the crowd than some of the other groups. At one point Neko Case got a serious craving for Rice Krispie Treats (they had a huge sign straight in front of her at the food stand where they were selling them), and said she wanted a mattress of them. Next song break, a stagehand brought a handful of them to her and Carl Newman, so we had a brief snack break. It was fun. I enjoy stuff like that at concerts.
