Author: Jandy Page 112 of 145

Music Monday – Fun Fun Fun Fest Edition

One day later and I’ve mostly recovered. Physically, that is. It was probably noon today before I could walk and be sure my legs would hold me up, but that’s also because of the actifed I took when I got home last night to combat being-outside-all-day-in-the-dust-and-dry-grass allergies. Still, everything was totally worth it, and I’d do it again in a heartbeat. Here’s a sampling of who I saw and enjoyed. Though there were three stages at the festival, I pretty much hung out at Stage 1, since that’s where all the bands I’d heard of were playing, and thus I suspected that I would have a good chance of liking the other bands there as well. Generally, that was right. I could hear the bands on Stage 2 any time Stage 1 bands weren’t playing, and they were playing really LOUD punk rock over there. Far too heavy for my tastes. I couldn’t hear Stage 3 very much, but the one time I wandered over there, there was a rapper up, so I wandered back pretty quickly. Thankfully, most everybody on Stage 1 was listenable to one degree or another. If you saw my Twitters during the show, you’ll know I didn’t care for the first four or so on Sunday, but they still weren’t awful. Anyway, here are the eight or nine I enjoyed the most, with my very favorites at the top.

edit: Great photos here, from photographer Chad Wadsworth.

Headlights

I’m giving Headlights the number one spot mostly because I was pleasantly surprised by how great they were. I’d been sitting in the back through four bands that I mostly disliked (far too screamy; fine if you like that sort of thing, but I don’t), and then Headlights came on, and they were somewhere about four bars in before I was up by the stage totally into it–and not just because they were so much better than the previous bands. I hadn’t heard of them before, and in addition to the music being good, they were also adorable. Erin Fein, the lead singer, seemed taken by surprise that we liked them so much. That was also a nice change from the earlier bands, who were convinced they didn’t suck, even though they kinda did. I’m sorry, that was biased. Anyway, I fell in love with them, and headed straight up to their merchandise table and bought their album. And I’m not usually an impulse buyer. But I figure, buying things at concerts gets more money to the artist, so if there’s ever a time to impulse buy, that’s it.

PEOPLE IN ST. LOUIS: Headlights is actually playing St. Louis this Wednesday (November 7th), at the Bluebird on Olive Street downtown. See http://bluebirdstl.com for more info. It’s only like $7-9, so you should totally go.


(video – multiple; I think “Lions” is one)

Headlights – TV
Headlights – Lions

e-music | Amazon.com MP3 | website | MySpace

The New Pornographers

I’ve liked the New Pornographers for a few months now, but have held off posting their stuff because, yes, of their name. But you know what, I can’t help what they call themselves, and they make some really great music (which is not at all pornographic in nature). And they were basically the biggest drawing card for me going to the festival in the first place. The only reason they’re not at the top of this list is because I expected them to be good, whereas Headlights surprised me. Anyway, I was five feet from the stage! They did all my favorite songs off “Challengers” as well as a lot I liked but didn’t know (must be off “Twin Cinema,” which I haven’t heard). Interestingly, “Myriad Harbor” (my current all-time favorite song) doesn’t work as well live as it does on the album; I think because in the recorded version, Dan Bejar is so very introspective and quiet in parts, almost like we’re overhearing something we shouldn’t be, and that’s one of my favorite things about it. But you can’t do that in a live show, you’ve gotta be forceful enough to be heard, and it came out harsher. But it was still good. And the other songs, “Challengers,” “My Rights Versus Yours,” etc., were awesome. Plus, they were more comfortable playing with the crowd than some of the other groups. At one point Neko Case got a serious craving for Rice Krispie Treats (they had a huge sign straight in front of her at the food stand where they were selling them), and said she wanted a mattress of them. Next song break, a stagehand brought a handful of them to her and Carl Newman, so we had a brief snack break. It was fun. I enjoy stuff like that at concerts.


(video – “My Rights versus Yours”)

Three from them, one led by Dan Bejar, one featuring Neko Case, and one with the whole band, but mostly Carl Newman:
The New Pornographers – Myriad Harbor
The New Pornographers – Mutiny, I Promise You
The New Pornographers – Challengers

e-music (“Challengers” not available) | Amazon.com MP3 | website | MySpace

More after the jump.

Fun Fun Fun Fest Twittering

Hi, all. I am in Austin for Fun Fun Fun Fest, a music festival with lots of awesome bands, some of which I’ll probably highlight tomorrow in a Music Monday post. I know those have gotten sporadic, but hey. I gotta have stuff to post in order to post, and this weekend I’ve got some.

I just figured out how to update Twitter from my cell phone, so I’m going to try Twittering stuff that goes on at the festival. Since I didn’t know how to do this yesterday, you may get some random things that actually happened yesterday but that remained Twitterable (I’m going to turn it into every part of speech, you watch). But you’ll never know which things they are! Heh. Anyway, if you’d like to get Fun Fun Fun Fest updates, check out my Twitter page (Twitter updates also now show on the right side of my blog, but it sometimes takes a little while for that to update). And hope for (not necessarily expect) a longer festival post with mp3s and stuff tomorrow.

Touch of Evil Opening Shot

Anne Thompson highlights the justly famous opening tracking shot of Orson Welles’ Touch of Evil. And it’s worth reposting. When Touch of Evil was made in 1958, this was the longest tracking shot ever created, a record which stood for a long time; I believe Robert Altman’s The Player broke it, but Touch of Evil‘s is better for my money. And can I just say, in this current era when most movies have an average shot length of about two and a half seconds, how refreshing it is to watch a shot that lasts for three minutes and fifteen seconds?

September 2007 Reading/Watching Recap

And I have a new record for most movies seen in a month. Since I’ve been keeping track, that is. But no more, for school, television, and Xbox360 have stolen my movie-watching time, and October’s recap is going to be fairly thin. Which is good, because then I can get caught up on writing and posting them. After the jump, reactions to Death at a Funeral, Celine and Julie Go Boating, 3:10 to Yuma, Butterfield 8, Breakfast on Pluto, The Double Life of Veronique, Starter for 10, Alphaville, The Color Purple (book and film), The Brave One, Knocked Up, Talladega Nights, Eastern Promises, Two for the Road, A Mighty Wind, The Optimist’s Daughter, Atonement, and more.

Silent Movie Theatre in LA = CINEMA LUST!

The Silent Movie Theatre in LA has become a full-fledged revival house, a cinematheque almost, if you will. It’s not just showing silent films, either.

Here’s the full program for November and December (pdf). Starting with François Truffaut’s Antoine Doinel series, on to a couple of film noir specials, some world cinema and some silent cinema…plus lots of other stuff I don’t care about quite as much. But the best thing? $25 a month gets you UNLIMITED ADMISSIONS for yourself. Dude, I would be there ALL the time. For serious. One of my friends in Wales has a cinema that does this flat-fee-for-unlimited-admissions things, and I’ve always been so jealous. Now I can be jealous of LA people, too. Does anyone know if Film Forum does something like this in New York? Because that’s my other major cinema lust candidate.

Anyway. Yeah. Further solidifying my intent to some day live in a big city that has an equivalent of these rep houses.

Hat tip Karina on Spoutblog.

In unrelated news, my WordPress admin interface is frelled up. Not showing any graphics or anything. It’s like all the css is stripped off it. But the blog itself looks fine to me; does it look fine to y’all? And the admin dashboard looks fine on all the other WP sites I have hosted on the same server, so I have no clue what is causing this or how to fix it, but it’s mucho annoying.

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